Kaveh Ghoreishi - Academia.edu (original) (raw)
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Contexto Internacional
Walter Benjamin published his influential essay ‘Critique of Violence’/‘Zur Kritik der Gewalt’ in... more Walter Benjamin published his influential essay ‘Critique of Violence’/‘Zur Kritik der Gewalt’ in 1921, and the work has troubled and provoked thinkers across disciplines for over a century now. This Forum gathers a group of scholars in philosophy, political science, international relations and legal studies to reflect on the actuality of Benjamin’s essay for contemporary critical theory. Melany Cruz, Kaveh Ghoreishi and Sara Minelli engage Benjamin on ‘divine violence.’ As Cruz notes, lynching in contemporary Mexico has become a recurrent phenomenon in nota roja outlets. Due to its brutality, perceptions of lynching have been reduced to a form of uncivilised and irrational crime. In opposition to this perspective, Cruz theorises the political dimension of the violence of lynching by drawing from Benjamin and argues that such violence symbolically and affectively dramatises the suspension of ‘mere life’ in which the communities enacting the lynchings are immersed in the current cond...
Contexto Internacional
Walter Benjamin published his influential essay ‘Critique of Violence’/‘Zur Kritik der Gewalt’ in... more Walter Benjamin published his influential essay ‘Critique of Violence’/‘Zur Kritik der Gewalt’ in 1921, and the work has troubled and provoked thinkers across disciplines for over a century now. This Forum gathers a group of scholars in philosophy, political science, international relations and legal studies to reflect on the actuality of Benjamin’s essay for contemporary critical theory. Melany Cruz, Kaveh Ghoreishi and Sara Minelli engage Benjamin on ‘divine violence.’ As Cruz notes, lynching in contemporary Mexico has become a recurrent phenomenon in nota roja outlets. Due to its brutality, perceptions of lynching have been reduced to a form of uncivilised and irrational crime. In opposition to this perspective, Cruz theorises the political dimension of the violence of lynching by drawing from Benjamin and argues that such violence symbolically and affectively dramatises the suspension of ‘mere life’ in which the communities enacting the lynchings are immersed in the current cond...