Lenka Hlávková - Academia.edu (original) (raw)
Papers by Lenka Hlávková
The Musical Culture of Silesia before 1742
The Musical Culture of Silesia before 1742
Review of XXII Hymni Quatuor et Quinque Vocum. 22 vicehlasých hymnů z rukopisu Kaplanske knihovny... more Review of XXII Hymni Quatuor et Quinque Vocum. 22 vicehlasých hymnů z rukopisu Kaplanske knihovny v Ceskem Krumlově c. 9 (1540–1600). K vydani připravil a studii napsal Martin Horyna. Monumenta Musicae Antiquae Bohemiae Meridionalis 1, Statni vědecka knihovna Ceske Budějovice 2000.
Early Music, 2009
... the following names can be identified through the use of possessive adjectives: Patrem Jirkov... more ... the following names can be identified through the use of possessive adjectives: Patrem Jirkovo: Jirka (a name, George) Patrem Kotlářovo: Kotlář (a surname ... a house in the year 1477.27 In the year 1513 Václav Motyčka bequeathed a sum of money to St Michael's church for the ...
Contents: Elzbieta Witkowska-Zaremba: Early Keyboard Music in Sources from Prague and Silesia - V... more Contents: Elzbieta Witkowska-Zaremba: Early Keyboard Music in Sources from Prague and Silesia - Veronika M. Mrackova: The Silesian Tradition of Hymns to Czech Saints - Jan Ciglbauer: Two Alleluia Chants in Nicolaus Cosel's Manuscript: On the Creation of New Liturgical Music in 15th-Century Central Europe - Pawel Gancarczyk: A New Fragment of 15th-Century Polyphony in Silesia and the Tradition of the Central-European Repertory - Lenka Hlavkova-Mrackova: Die Saganer Stimmbucher (Das Glogauer Liederbuch) und die Traditionen des polyphonen Liedes in Mitteleuropa - Jaap van Benthem: Die Saganer Stimmbucher (Das Glogauer Liederbuch): eine unbeachtete Quelle fur Johannes Tourout? - Jacobijn Kiel: Two Anonymous Salve Settings in Warszawa, Biblioteka Uniwersytecka, RM 5892 - Christian Thomas Leitmeir: Lutheran Propers for Wroclaw/Breslau: The Cantus Choralis (1575) of Johannes Knofel - Marc Desmet: Jacob Handl's Compositions Preserved in the Brzeg Manuscript Collection: Presentation ...
Bmgn-The low countries historical review, 2020
The Mass Ordinary fragment Patrem Yacten – Sanctus Elezanger, surviving in the Bohemian Ms. Codex... more The Mass Ordinary fragment Patrem Yacten – Sanctus Elezanger, surviving in the Bohemian Ms. Codex Specialnik, belongs to the imported repertoire included in this source in the 1480s. Detailed research of this composition revealed not only contacts between Bohemia and music culture in most important North Italian centres, but, unexpectedly, also new information concerning musicians working in the 1470s at the court of the Dukes of Milan.
Analyzes the Specialnik Codex CZ-HKm MS II.A.7 (ca. 1485-1500), and speculates on its origins and... more Analyzes the Specialnik Codex CZ-HKm MS II.A.7 (ca. 1485-1500), and speculates on its origins and repertoire. The MS is one of the oldest known sources of works by Bohemian composers of Josquin's generation.
The musical tradition of the fifteenth-century Bohemian Lands had its own individual character, i... more The musical tradition of the fifteenth-century Bohemian Lands had its own individual character, influenced by the specific political and religious situation in the country. After the death of Johannes Hus, a popular Czech preacher, university teacher and critic of the contemporary church, at the stake in Constance in 1415, the explosive atmosphere in Bohemia resulted in the Hussite wars (1419–1436). This development had considerable effects on sacred music. On the one hand, the institutional foundation of the Catholic church was broken; many clerics left the country and settled down in the neighbouring regions (i. e. Lusatia, Silesia, Hungary, Bavaria). In the second half of the century, the Catholic church was only partly reestablished as an institution. On the other hand, the ideology of the Hussite reformation supported the development of sacred songs (mostly monophonic in Czech), some of them surviving within the repertories of protestant churches even centuries later (» B. Geis...
Review of Jaromir Cerný a kolektiv: Historicka antologie hudby v ceských zemich (do cca 1530) / H... more Review of Jaromir Cerný a kolektiv: Historicka antologie hudby v ceských zemich (do cca 1530) / Historical Anthology of Music in the Bohemian Lands (up to ca 1530), Koniasch Latin Press, Praha 2005, XVI + 304 s.
Review of Pawel Gancarczyk: Musica scripto. Kodeksy menzuralne II polowy XV wieku na wschodzie Eu... more Review of Pawel Gancarczyk: Musica scripto. Kodeksy menzuralne II polowy XV wieku na wschodzie Europy Łacinskiej, Instytut Sztuki Polskiej Akademii Nauk, Warszawa 2001, 296 s.
Eastern European Studies in Musicology, 2013
Some Observations and Reflections on Josquin's Missa L'homme armé sexti toni / "Kdekoli jsem, sle... more Some Observations and Reflections on Josquin's Missa L'homme armé sexti toni / "Kdekoli jsem, sleduji své zájmy": několik poznámek a úvah k Josquinově skladbě Missa L'homme armé sexti toni ■ Jaap van Benthem 436 An Inconspicuous Relative of the Speciálník Codex. On the Dating and Structure of the Manuscript CZ-Pu VI C 20a / Nenápadný příbuzný Kodexu Speciálník. K dataci a struktuře rukopisu CZ-Pu VI C 20a ■ Lenka Hlávková 454 Used Hymnbooks. An Annotated Copy of Valentin Triller's Ein Christlich Singebuch / Zpěvníky v praxi. Komentovaný exemplář tištěného zpěvníku Ein Christlich Singebuch Valentina Trillera ■ Antonio Chemotti 479 Some Latin Contrafacta of Ars Nova Songs in Central European Sources from the First Half of the Fifteenth Century / Latinská kontrafakta některých písní z období ars nova ve středoevropských pramenech 1. poloviny 15. století ■ Michał Gondko 495 Praying for Rain. Music for Rogation Days from Silesia / Modlitba za déšť. Hudba pro prosebné dny ve Slezsku ■ Tomasz Jeż 511 The Most Important Sources from the Era of Pietism Related to the History of Musical Life in the Evangelical Lutheran Church of Levoča/Leutschau / Nejvýznamnější prameny se vztahem k dějinám hudebního života Evangelické církve augsburského vyznání v Levoči v období pietismu ■ Janka Petőczová RŮZNÉ / MISCELLANEA 562 "So You Want to Write a Fugue?" in Post-Rudolphine Times, or Michael Maier's Warning to Musicians in Atalanta fugiens (1617) / "Tak Vy chcete napsat fugu?" v porudolfinské době neboli varování Michaela Maiera hudebníkům ve sbírce Atalanta fugiens (1617) ■ Marc Desmet RECENZE / REVIEWS 567 Karl Kügle (ed.): Sounding the Past. Music as History and Memory ■ Scott Lee Edwards
Hudební věda, 2020
The music manuscript CZ-Pu VI C 20a, known as Racek's collection (after the Czech humanist Jan Ra... more The music manuscript CZ-Pu VI C 20a, known as Racek's collection (after the Czech humanist Jan Racek z Chotěřiny/Johannes Rodericus a Chotěřina), belongs to the main corpus of Bohemian Utraquist sources. It contains a miscellaneous selection of plainchant, cantiones, and polyphony, but precise dating of this source is still lacking. This study presents new findings based on a codicological analysis of the manuscript. The dating of the paper points to four principal stages in the creation CZ-Pu VI C 20a: ca. 1450 (XV), ca. 1460 (VII-X), after 1490 - ca. 1510 (II, IX, XIII-XIV) and ca. 1520 - 1530s (I, III-VI, with later additions up to ca. 1550). The third chronological layer of the manuscript is contemporary with gatherings in the Speciálník Codex (CZ-HKm II A 7) written by the scribe B in the 1490s. Both manuscripts share twelve compositions as well as the same layout and a specific style of black and white initials. The collection was most likely connected with the school at the church of St Nicholas in the Lesser Town of Prague. This hypothesis is supported not only by the local context of some compositions shared with the Speciálník Codex - Patrem malostranské (Lesser Town Patrem) and Patrem Motyčkovo (Motyčka's Patrem) - but also by the close connection between the probable last scribe of CZ-Pu VI C 20a and Jan Racek. Racek was employed as a school rector in 1540 and served as a city scribe in the Lesser Town from 1542. The manuscript, known to scholars already in the nineteenth century but neglected in research, is an important source for understanding the musical culture of the Bohemian lands in the period between ca. 1450 and 1550.
... the following names can be identified through the use of possessive adjectives: Patrem Jirkov... more ... the following names can be identified through the use of possessive adjectives: Patrem Jirkovo: Jirka (a name, George) Patrem Kotlářovo: Kotlář (a surname ... a house in the year 1477.27 In the year 1513 Václav Motyčka bequeathed a sum of money to St Michael's church for the ...
The Musical Culture of Silesia before 1742
The Musical Culture of Silesia before 1742
Review of XXII Hymni Quatuor et Quinque Vocum. 22 vicehlasých hymnů z rukopisu Kaplanske knihovny... more Review of XXII Hymni Quatuor et Quinque Vocum. 22 vicehlasých hymnů z rukopisu Kaplanske knihovny v Ceskem Krumlově c. 9 (1540–1600). K vydani připravil a studii napsal Martin Horyna. Monumenta Musicae Antiquae Bohemiae Meridionalis 1, Statni vědecka knihovna Ceske Budějovice 2000.
Early Music, 2009
... the following names can be identified through the use of possessive adjectives: Patrem Jirkov... more ... the following names can be identified through the use of possessive adjectives: Patrem Jirkovo: Jirka (a name, George) Patrem Kotlářovo: Kotlář (a surname ... a house in the year 1477.27 In the year 1513 Václav Motyčka bequeathed a sum of money to St Michael's church for the ...
Contents: Elzbieta Witkowska-Zaremba: Early Keyboard Music in Sources from Prague and Silesia - V... more Contents: Elzbieta Witkowska-Zaremba: Early Keyboard Music in Sources from Prague and Silesia - Veronika M. Mrackova: The Silesian Tradition of Hymns to Czech Saints - Jan Ciglbauer: Two Alleluia Chants in Nicolaus Cosel's Manuscript: On the Creation of New Liturgical Music in 15th-Century Central Europe - Pawel Gancarczyk: A New Fragment of 15th-Century Polyphony in Silesia and the Tradition of the Central-European Repertory - Lenka Hlavkova-Mrackova: Die Saganer Stimmbucher (Das Glogauer Liederbuch) und die Traditionen des polyphonen Liedes in Mitteleuropa - Jaap van Benthem: Die Saganer Stimmbucher (Das Glogauer Liederbuch): eine unbeachtete Quelle fur Johannes Tourout? - Jacobijn Kiel: Two Anonymous Salve Settings in Warszawa, Biblioteka Uniwersytecka, RM 5892 - Christian Thomas Leitmeir: Lutheran Propers for Wroclaw/Breslau: The Cantus Choralis (1575) of Johannes Knofel - Marc Desmet: Jacob Handl's Compositions Preserved in the Brzeg Manuscript Collection: Presentation ...
Bmgn-The low countries historical review, 2020
The Mass Ordinary fragment Patrem Yacten – Sanctus Elezanger, surviving in the Bohemian Ms. Codex... more The Mass Ordinary fragment Patrem Yacten – Sanctus Elezanger, surviving in the Bohemian Ms. Codex Specialnik, belongs to the imported repertoire included in this source in the 1480s. Detailed research of this composition revealed not only contacts between Bohemia and music culture in most important North Italian centres, but, unexpectedly, also new information concerning musicians working in the 1470s at the court of the Dukes of Milan.
Analyzes the Specialnik Codex CZ-HKm MS II.A.7 (ca. 1485-1500), and speculates on its origins and... more Analyzes the Specialnik Codex CZ-HKm MS II.A.7 (ca. 1485-1500), and speculates on its origins and repertoire. The MS is one of the oldest known sources of works by Bohemian composers of Josquin's generation.
The musical tradition of the fifteenth-century Bohemian Lands had its own individual character, i... more The musical tradition of the fifteenth-century Bohemian Lands had its own individual character, influenced by the specific political and religious situation in the country. After the death of Johannes Hus, a popular Czech preacher, university teacher and critic of the contemporary church, at the stake in Constance in 1415, the explosive atmosphere in Bohemia resulted in the Hussite wars (1419–1436). This development had considerable effects on sacred music. On the one hand, the institutional foundation of the Catholic church was broken; many clerics left the country and settled down in the neighbouring regions (i. e. Lusatia, Silesia, Hungary, Bavaria). In the second half of the century, the Catholic church was only partly reestablished as an institution. On the other hand, the ideology of the Hussite reformation supported the development of sacred songs (mostly monophonic in Czech), some of them surviving within the repertories of protestant churches even centuries later (» B. Geis...
Review of Jaromir Cerný a kolektiv: Historicka antologie hudby v ceských zemich (do cca 1530) / H... more Review of Jaromir Cerný a kolektiv: Historicka antologie hudby v ceských zemich (do cca 1530) / Historical Anthology of Music in the Bohemian Lands (up to ca 1530), Koniasch Latin Press, Praha 2005, XVI + 304 s.
Review of Pawel Gancarczyk: Musica scripto. Kodeksy menzuralne II polowy XV wieku na wschodzie Eu... more Review of Pawel Gancarczyk: Musica scripto. Kodeksy menzuralne II polowy XV wieku na wschodzie Europy Łacinskiej, Instytut Sztuki Polskiej Akademii Nauk, Warszawa 2001, 296 s.
Eastern European Studies in Musicology, 2013
Some Observations and Reflections on Josquin's Missa L'homme armé sexti toni / "Kdekoli jsem, sle... more Some Observations and Reflections on Josquin's Missa L'homme armé sexti toni / "Kdekoli jsem, sleduji své zájmy": několik poznámek a úvah k Josquinově skladbě Missa L'homme armé sexti toni ■ Jaap van Benthem 436 An Inconspicuous Relative of the Speciálník Codex. On the Dating and Structure of the Manuscript CZ-Pu VI C 20a / Nenápadný příbuzný Kodexu Speciálník. K dataci a struktuře rukopisu CZ-Pu VI C 20a ■ Lenka Hlávková 454 Used Hymnbooks. An Annotated Copy of Valentin Triller's Ein Christlich Singebuch / Zpěvníky v praxi. Komentovaný exemplář tištěného zpěvníku Ein Christlich Singebuch Valentina Trillera ■ Antonio Chemotti 479 Some Latin Contrafacta of Ars Nova Songs in Central European Sources from the First Half of the Fifteenth Century / Latinská kontrafakta některých písní z období ars nova ve středoevropských pramenech 1. poloviny 15. století ■ Michał Gondko 495 Praying for Rain. Music for Rogation Days from Silesia / Modlitba za déšť. Hudba pro prosebné dny ve Slezsku ■ Tomasz Jeż 511 The Most Important Sources from the Era of Pietism Related to the History of Musical Life in the Evangelical Lutheran Church of Levoča/Leutschau / Nejvýznamnější prameny se vztahem k dějinám hudebního života Evangelické církve augsburského vyznání v Levoči v období pietismu ■ Janka Petőczová RŮZNÉ / MISCELLANEA 562 "So You Want to Write a Fugue?" in Post-Rudolphine Times, or Michael Maier's Warning to Musicians in Atalanta fugiens (1617) / "Tak Vy chcete napsat fugu?" v porudolfinské době neboli varování Michaela Maiera hudebníkům ve sbírce Atalanta fugiens (1617) ■ Marc Desmet RECENZE / REVIEWS 567 Karl Kügle (ed.): Sounding the Past. Music as History and Memory ■ Scott Lee Edwards
Hudební věda, 2020
The music manuscript CZ-Pu VI C 20a, known as Racek's collection (after the Czech humanist Jan Ra... more The music manuscript CZ-Pu VI C 20a, known as Racek's collection (after the Czech humanist Jan Racek z Chotěřiny/Johannes Rodericus a Chotěřina), belongs to the main corpus of Bohemian Utraquist sources. It contains a miscellaneous selection of plainchant, cantiones, and polyphony, but precise dating of this source is still lacking. This study presents new findings based on a codicological analysis of the manuscript. The dating of the paper points to four principal stages in the creation CZ-Pu VI C 20a: ca. 1450 (XV), ca. 1460 (VII-X), after 1490 - ca. 1510 (II, IX, XIII-XIV) and ca. 1520 - 1530s (I, III-VI, with later additions up to ca. 1550). The third chronological layer of the manuscript is contemporary with gatherings in the Speciálník Codex (CZ-HKm II A 7) written by the scribe B in the 1490s. Both manuscripts share twelve compositions as well as the same layout and a specific style of black and white initials. The collection was most likely connected with the school at the church of St Nicholas in the Lesser Town of Prague. This hypothesis is supported not only by the local context of some compositions shared with the Speciálník Codex - Patrem malostranské (Lesser Town Patrem) and Patrem Motyčkovo (Motyčka's Patrem) - but also by the close connection between the probable last scribe of CZ-Pu VI C 20a and Jan Racek. Racek was employed as a school rector in 1540 and served as a city scribe in the Lesser Town from 1542. The manuscript, known to scholars already in the nineteenth century but neglected in research, is an important source for understanding the musical culture of the Bohemian lands in the period between ca. 1450 and 1550.
... the following names can be identified through the use of possessive adjectives: Patrem Jirkov... more ... the following names can be identified through the use of possessive adjectives: Patrem Jirkovo: Jirka (a name, George) Patrem Kotlářovo: Kotlář (a surname ... a house in the year 1477.27 In the year 1513 Václav Motyčka bequeathed a sum of money to St Michael's church for the ...