Michelle Balliet - Academia.edu (original) (raw)

Papers by Michelle Balliet

The tale of a runaway, an enslaved Black man or woman choosing to abscond, is nothing short of mi... more The tale of a runaway, an enslaved Black man or woman choosing to abscond, is nothing short of miraculous. Listen between the lines a runaway speaks, and their story will be found as a testament entailing multiple dynamics. Reflective of the unifying theme, this thesis investigates resistance to slavery in the Texas borderlands, from 1836 to 1861. This thesis examines the existing body of scholarship on Mexico-bound escape routes used by Blacks fleeing captivity. Moreover, in following the direction archival evidence points to, this thesis argues the existence of an Underground Railroad in Texas to Mexico that facilitated the escape of at least 4,000, perhaps up to 10,000 Blacks, to Mexico. The Texas Underground Railroad is an important segment of history that is little known about. Issues explaining the erasure of Mexico, inclusive of the paradigm in Texas public education further averting historical attention, are explained. Evidenced in this research is the formation of a multiethnic and interracial coalition of forces that arose in Texas to assist runaways to Mexico, which to effect, created a system of networking unique to Texas. These operatives or "architects" of the Texas Underground Railroad consist of ethnic Mexicans and Germans, primarily in central Texas, as well featuring contributive roles exhibited by Native Americans, plausibly Irish immigrants, white abolitionists, and free and enslaved Blacks. Following Mexico's loss of Texas in 1836, two spikes in the number of runaways occurred. The first one was in 1836 as part of the aftermath of the Texas Revolution, and another spike occurred following the formalization of the U.S.-Mexico border by the 1848 Treaty of Guadalupe Hidalgo. This v thesis features the study component of geopolitics to reveal the long-standing tradition of enslaved Blacks equating protection behind Spanish, later Mexican lines. Relative to the various recourses drawn by Anglo enslavers, and much to Anglos' dismay, resistance to slavery became a source of national pride in Mexico. Concluding Mexico a safer haven than escape towards Canada, addressed are impacts felt in Mexican border communities such as Piedras Negras, Coahuila, Mexico, and factors responsible for the successful assimilation of runaways into Mexican society. KEY WORDS: Runaways; Architects of the Texas Underground Railroad; Mexican godparents; Acts of enticement; Civil disobedience to Texas law; Piedras Negras; Cultural citizenship and assimilation. vi ACKNOWLEDGEMENTS Writing this thesis has been one of the most challenging things I have ever done. Yet this endeavor has been equally rewarding and even transformational in experience. I am eternally grateful for nothing short of miraculous all the support, words of encouragement, and the inspiration received from archivists, the faculty of the History department at Sam Houston State University (SHSU), and family and friends who stood alongside at every step of the way. Many of my questions about Mexico as a place enslaved Blacks sought to escape slavery were shaped during my time as a community college student at Lone Star College-Kingwood. The origin of this study traces back to a most fortuitous academic experience, specifically, when I registered in 2013 for the 1302 U.S. history course instructed by Professor Raúl Reyes. It was in this class Professor Reyes pointed a void in scholarship on the subject of runaways to Mexico, which is something that stuck with me, and later sparked my interest to embark on this journey in writing a thesis over since having transferred to SHSU in 2015. This thesis work having come into full fruition is largely the result of the incredible level of support that I received while an undergraduate student at SHSU. I personally thank the support from Dr. Bernadette Pruitt, wherein her class I conducted first research leading to a paper the Journal of South Texas later published. I thank the support from Dr. Aaron Hyams, whose lectures made me realize the need to widen my focus to incorporate multiple historical actors while writing the paper. Thirdly, I thank the support from Drs. Charles Heath, II, and Jeffrey Littlejohn, where under their instruction I got to study abroad in Mexico via the pioneered Study Abroad Mexico Program in 2016. All in all, from the relationships built at Lone Star College-Kingwood vii to those built at SHSU, this level and continuation of support comes to show the accomplishment of this thesis as nothing less than a divinely orchestrated process. Being a first generation college student, words simply fall too short in attempt to capture the extents of my gratitude. Thanks be to Providence being so kind as to place Professor Reyes as my mentor, and for the community of support built among faculty and scholars, inclusive of the leadership provided by Dr. Brian Jordan, and now Dr. Benjamin Park, the Director of Graduate Studies, who altogether proved key to my success as a graduate student. This research has greatly benefitted from scholarships provided by the Graduate School of Studies and the College of Humanities and Social Sciences at SHSU. Funds provided enabled the means to conduct my own archival research trip to Austin, Texas. I thank Dr. Maggie Elmore, Chair of the committee, for encouraging the idea to travel and to conduct original research at the Dolph Briscoe Center located at the University of Texas at Austin, and the Texas State Archives. Crucial discoveries were made while visiting these archives centers, as well as having gained a greater sense of confidence/independence needed if to enter a doctoral program in the future. During the course of my research, I have also been so blessed to have friends, particularly the team of graduate assistants, who have repeatedly checked in relative to my well-being. I am the type of person where the more stressed I get the less I want to eat, especially when my mind goes into overdrive "mission mode." Sarah Schmitt, Baylie