Micol Meghnagi - Academia.edu (original) (raw)
Papers by Micol Meghnagi
This article analyses the Risiera di San Sabba, the museum of the only Nazi concentration camp in... more This article analyses the Risiera di San Sabba, the museum of the only Nazi concentration camp in Italy with a crematorium, and the Foiba di Basovizza, the prominent memorial commemorating the mass killing of Italians carried out by Yugoslav Partisans, examining how they exhibit Italian complicity with Nazi Germany and shed light on the politics of memory in Italy's postwar history. Through a theoretical framework grounded on theories of nationalism, the argument that will be put forward is that the mentioned museums represent fascism as an alien object and Italians as victims/freedom fighters, neglecting Italy's direct involvement in the Holocaust. Concluding remarks will suggest that the historical lack of critical analysis enabled the juxtaposition of the memory of the Holocaust with the Foibe, paving the ground for the proliferation of post-fascist historical accounts and their institutionalisation as manifest in Italy's current political landscape.
Eastern European Holocaust studies, Apr 3, 2024
Eastern European Holocaust studies, Apr 3, 2024
In recent years, Italy has seen a proliferation of Holocaust Museums and Memorials. This article ... more In recent years, Italy has seen a proliferation of Holocaust Museums and Memorials. This article focuses on two recent additions: the Museum of the Twentieth Century and the Shoah in San Donato Val di Comino (Frosinone), and the Memory and Peace Museum Giovanni Palatucci Study Center in Campagna (Salerno). It uses qualitative methods including in-depth interviews, direct observation, analysis of information panels, other audio and visual elements, and is guided by a theoretical framework rooted in theories of nationalism. The research findings show that these museums present an overly positive narrative of Italy's role in the Holocaust lacking critical examination and perpetuating the myth of the "good Italian" already identified by other scholars. The museums emphasize favourable conditions for Jewish internees without considering factual evidence that could have provided a more balanced perspective. Additionally, they fail to acknowledge Italian collaboration with Nazi Germany, both, at the exhibition sites and elsewhere. Both museums highlight a Christian salvific narrative, stressing the role of Christian Italians saving Jews, and perpetuating stereotypes of Jews as passive victims. Additionally, Jews are excluded from the notion of "Italianness" and portrayed as "others." Also, fascism is excluded, deemed incompatible with the idealized Italian Christian civilization proposed by the museums.
This article analyses the Risiera di San Sabba, the museum of the only Nazi concentration camp in... more This article analyses the Risiera di San Sabba, the museum of the only Nazi concentration camp in Italy with a crematorium, and the Foiba di Basovizza, the prominent memorial commemorating the mass killing of Italians carried out by Yugoslav Partisans, examining how they exhibit Italian complicity with Nazi Germany and shed light on the politics of memory in Italy's postwar history. Through a theoretical framework grounded on theories of nationalism, the argument that will be put forward is that the mentioned museums represent fascism as an alien object and Italians as victims/freedom fighters, neglecting Italy's direct involvement in the Holocaust. Concluding remarks will suggest that the historical lack of critical analysis enabled the juxtaposition of the memory of the Holocaust with the Foibe, paving the ground for the proliferation of post-fascist historical accounts and their institutionalisation as manifest in Italy's current political landscape.
Eastern European Holocaust studies, Apr 3, 2024
Eastern European Holocaust studies, Apr 3, 2024
In recent years, Italy has seen a proliferation of Holocaust Museums and Memorials. This article ... more In recent years, Italy has seen a proliferation of Holocaust Museums and Memorials. This article focuses on two recent additions: the Museum of the Twentieth Century and the Shoah in San Donato Val di Comino (Frosinone), and the Memory and Peace Museum Giovanni Palatucci Study Center in Campagna (Salerno). It uses qualitative methods including in-depth interviews, direct observation, analysis of information panels, other audio and visual elements, and is guided by a theoretical framework rooted in theories of nationalism. The research findings show that these museums present an overly positive narrative of Italy's role in the Holocaust lacking critical examination and perpetuating the myth of the "good Italian" already identified by other scholars. The museums emphasize favourable conditions for Jewish internees without considering factual evidence that could have provided a more balanced perspective. Additionally, they fail to acknowledge Italian collaboration with Nazi Germany, both, at the exhibition sites and elsewhere. Both museums highlight a Christian salvific narrative, stressing the role of Christian Italians saving Jews, and perpetuating stereotypes of Jews as passive victims. Additionally, Jews are excluded from the notion of "Italianness" and portrayed as "others." Also, fascism is excluded, deemed incompatible with the idealized Italian Christian civilization proposed by the museums.