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Papers by Marcia Landy
New York University Press eBooks, Dec 31, 2022
College and University Journal, 1972
Italica, 1999
Marcia Landy's The Folklore of Consensus examines the theatricality in the Italian popular c... more Marcia Landy's The Folklore of Consensus examines the theatricality in the Italian popular cinema of the 1930s and early 1940s, arguing that theatricality was a form of politics--a politics of style. While film critics no longer regard the commercial films of the era as mere ...
... University Press, 2000) and co-editor of The New Mian Republic: From the Fall of the Berlin W... more ... University Press, 2000) and co-editor of The New Mian Republic: From the Fall of the Berlin Wall to Berlusconi (Routledge, 1995). He has written many articles on 1talian stars and other aspects of 1talian culture and history. Dan M. Harries is Senior Lecturer in Film and Visual ...
... Today and Tomorrow) 295 68 Monica Vitti as Claudia in L&a... more ... Today and Tomorrow) 295 68 Monica Vitti as Claudia in L'avventura 297 69 Women and Fascism ... The greater focus on children in the early sound cinema can be accounted for in part by ... Discussed in the context of these other films is the Tavianis' La notte di San Lorenzo (1982 ...
Écrans, 2016
Type de publication : Article de revue Revue : Écrans 2016-2, n° 6. Politique des auteurs / Auteu... more Type de publication : Article de revue Revue : Écrans 2016-2, n° 6. Politique des auteurs / Auteur theory. Lectures contemporaines Auteur : Landy (Marcia) Résumé : Cet essai aborde le paysage conceptuel de l'auteurisme à travers des écrits philosophiques et esthétiques qui affinent les utilisations de soi dans l'autobiographie et la biographie désignées dans ce texte comme auto/biographie. Cet article analyse deux films de Derek Jarman, Caravaggio (1986) et Wittgenstein (1993), comme exemples de recherche hérétique d'une relation complexe entre la philosophie, le cinéma et l'éthique qui reste encore en suspens dans l'écriture conventionnelle sur l'auteurisme.
Journal of British Cinema and Television, Nov 1, 2004
Rethinking Marxism, Sep 1, 1991
New York University Press eBooks, Dec 31, 2022
College and University Journal, 1972
Italica, 1999
Marcia Landy's The Folklore of Consensus examines the theatricality in the Italian popular c... more Marcia Landy's The Folklore of Consensus examines the theatricality in the Italian popular cinema of the 1930s and early 1940s, arguing that theatricality was a form of politics--a politics of style. While film critics no longer regard the commercial films of the era as mere ...
... University Press, 2000) and co-editor of The New Mian Republic: From the Fall of the Berlin W... more ... University Press, 2000) and co-editor of The New Mian Republic: From the Fall of the Berlin Wall to Berlusconi (Routledge, 1995). He has written many articles on 1talian stars and other aspects of 1talian culture and history. Dan M. Harries is Senior Lecturer in Film and Visual ...
... Today and Tomorrow) 295 68 Monica Vitti as Claudia in L&a... more ... Today and Tomorrow) 295 68 Monica Vitti as Claudia in L'avventura 297 69 Women and Fascism ... The greater focus on children in the early sound cinema can be accounted for in part by ... Discussed in the context of these other films is the Tavianis' La notte di San Lorenzo (1982 ...
Écrans, 2016
Type de publication : Article de revue Revue : Écrans 2016-2, n° 6. Politique des auteurs / Auteu... more Type de publication : Article de revue Revue : Écrans 2016-2, n° 6. Politique des auteurs / Auteur theory. Lectures contemporaines Auteur : Landy (Marcia) Résumé : Cet essai aborde le paysage conceptuel de l'auteurisme à travers des écrits philosophiques et esthétiques qui affinent les utilisations de soi dans l'autobiographie et la biographie désignées dans ce texte comme auto/biographie. Cet article analyse deux films de Derek Jarman, Caravaggio (1986) et Wittgenstein (1993), comme exemples de recherche hérétique d'une relation complexe entre la philosophie, le cinéma et l'éthique qui reste encore en suspens dans l'écriture conventionnelle sur l'auteurisme.
Journal of British Cinema and Television, Nov 1, 2004
Rethinking Marxism, Sep 1, 1991