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Papers by Marcia Landy

Research paper thumbnail of 4. Jerry Agonistes: An Obscure Object of Critical Desire

New York University Press eBooks, Dec 31, 2022

Research paper thumbnail of Remembrance of Things Past

Research paper thumbnail of Genre, Politics, and the Fascist Subject in the Cinema of Italy (1922-1945)

Research paper thumbnail of Women Power and the Word

College and University Journal, 1972

Research paper thumbnail of The Folklore of Consensus. Theatricality in the Italian Cinema, 1930-1943

Italica, 1999

Marcia Landy's The Folklore of Consensus examines the theatricality in the Italian popular c... more Marcia Landy's The Folklore of Consensus examines the theatricality in the Italian popular cinema of the 1930s and early 1940s, arguing that theatricality was a form of politics--a politics of style. While film critics no longer regard the commercial films of the era as mere ...

Research paper thumbnail of Language and mourning in "Lycidas

Research paper thumbnail of CHAPTER TWO. The Historical Film

Research paper thumbnail of Fascism in Film: The Italian Commercial Cinema, 1931-1943

Research paper thumbnail of Stars : the film reader

... University Press, 2000) and co-editor of The New Mian Republic: From the Fall of the Berlin W... more ... University Press, 2000) and co-editor of The New Mian Republic: From the Fall of the Berlin Wall to Berlusconi (Routledge, 1995). He has written many articles on 1talian stars and other aspects of 1talian culture and history. Dan M. Harries is Senior Lecturer in Film and Visual ...

Research paper thumbnail of Italian Film

... Today and Tomorrow) 295 68 Monica Vitti as Claudia in L&a... more ... Today and Tomorrow) 295 68 Monica Vitti as Claudia in L'avventura 297 69 Women and Fascism ... The greater focus on children in the early sound cinema can be accounted for in part by ... Discussed in the context of these other films is the Tavianis' La notte di San Lorenzo (1982 ...

Research paper thumbnail of The other side of paradise: British cinema from an American perspective

Research paper thumbnail of Auto/biography - Cinematic Displacement of the Self in the Virtual Life of the “Author”

Écrans, 2016

Type de publication : Article de revue Revue : Écrans 2016-2, n° 6. Politique des auteurs / Auteu... more Type de publication : Article de revue Revue : Écrans 2016-2, n° 6. Politique des auteurs / Auteur theory. Lectures contemporaines Auteur : Landy (Marcia) Résumé : Cet essai aborde le paysage conceptuel de l'auteurisme à travers des écrits philosophiques et esthétiques qui affinent les utilisations de soi dans l'autobiographie et la biographie désignées dans ce texte comme auto/biographie. Cet article analyse deux films de Derek Jarman, Caravaggio (1986) et Wittgenstein (1993), comme exemples de recherche hérétique d'une relation complexe entre la philosophie, le cinéma et l'éthique qui reste encore en suspens dans l'écriture conventionnelle sur l'auteurisme.

Research paper thumbnail of Reform of Risk Regulation: Achieving More Protection at Less Cost

Research paper thumbnail of Bruce Babington, Launder and Gilliat

Journal of British Cinema and Television, Nov 1, 2004

Research paper thumbnail of The Hollywood Western, the Movement-Image, and Making History

Research paper thumbnail of CHAPTER EIGHT. Film Comedies

Research paper thumbnail of CHAPTER FOUR. The War Film in War and Peace

Research paper thumbnail of CHAPTER ONE. British Cinema History

Research paper thumbnail of CHAPTER TEN. The Social Problem Film

Research paper thumbnail of Socialist Education Today: Pessimism or Optimism of the Intellect?

Rethinking Marxism, Sep 1, 1991

Research paper thumbnail of 4. Jerry Agonistes: An Obscure Object of Critical Desire

New York University Press eBooks, Dec 31, 2022

Research paper thumbnail of Remembrance of Things Past

Research paper thumbnail of Genre, Politics, and the Fascist Subject in the Cinema of Italy (1922-1945)

Research paper thumbnail of Women Power and the Word

College and University Journal, 1972

Research paper thumbnail of The Folklore of Consensus. Theatricality in the Italian Cinema, 1930-1943

Italica, 1999

Marcia Landy's The Folklore of Consensus examines the theatricality in the Italian popular c... more Marcia Landy's The Folklore of Consensus examines the theatricality in the Italian popular cinema of the 1930s and early 1940s, arguing that theatricality was a form of politics--a politics of style. While film critics no longer regard the commercial films of the era as mere ...

Research paper thumbnail of Language and mourning in "Lycidas

Research paper thumbnail of CHAPTER TWO. The Historical Film

Research paper thumbnail of Fascism in Film: The Italian Commercial Cinema, 1931-1943

Research paper thumbnail of Stars : the film reader

... University Press, 2000) and co-editor of The New Mian Republic: From the Fall of the Berlin W... more ... University Press, 2000) and co-editor of The New Mian Republic: From the Fall of the Berlin Wall to Berlusconi (Routledge, 1995). He has written many articles on 1talian stars and other aspects of 1talian culture and history. Dan M. Harries is Senior Lecturer in Film and Visual ...

Research paper thumbnail of Italian Film

... Today and Tomorrow) 295 68 Monica Vitti as Claudia in L&a... more ... Today and Tomorrow) 295 68 Monica Vitti as Claudia in L'avventura 297 69 Women and Fascism ... The greater focus on children in the early sound cinema can be accounted for in part by ... Discussed in the context of these other films is the Tavianis' La notte di San Lorenzo (1982 ...

Research paper thumbnail of The other side of paradise: British cinema from an American perspective

Research paper thumbnail of Auto/biography - Cinematic Displacement of the Self in the Virtual Life of the “Author”

Écrans, 2016

Type de publication : Article de revue Revue : Écrans 2016-2, n° 6. Politique des auteurs / Auteu... more Type de publication : Article de revue Revue : Écrans 2016-2, n° 6. Politique des auteurs / Auteur theory. Lectures contemporaines Auteur : Landy (Marcia) Résumé : Cet essai aborde le paysage conceptuel de l'auteurisme à travers des écrits philosophiques et esthétiques qui affinent les utilisations de soi dans l'autobiographie et la biographie désignées dans ce texte comme auto/biographie. Cet article analyse deux films de Derek Jarman, Caravaggio (1986) et Wittgenstein (1993), comme exemples de recherche hérétique d'une relation complexe entre la philosophie, le cinéma et l'éthique qui reste encore en suspens dans l'écriture conventionnelle sur l'auteurisme.

Research paper thumbnail of Reform of Risk Regulation: Achieving More Protection at Less Cost

Research paper thumbnail of Bruce Babington, Launder and Gilliat

Journal of British Cinema and Television, Nov 1, 2004

Research paper thumbnail of The Hollywood Western, the Movement-Image, and Making History

Research paper thumbnail of CHAPTER EIGHT. Film Comedies

Research paper thumbnail of CHAPTER FOUR. The War Film in War and Peace

Research paper thumbnail of CHAPTER ONE. British Cinema History

Research paper thumbnail of CHAPTER TEN. The Social Problem Film

Research paper thumbnail of Socialist Education Today: Pessimism or Optimism of the Intellect?

Rethinking Marxism, Sep 1, 1991

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