Michelle Citron - Academia.edu (original) (raw)

Papers by Michelle Citron

Edinburgh University Press eBooks, Apr 13, 1999

Duke University Press eBooks, Dec 31, 2020

Quarterly review of film studies, Mar 1, 1984

British Film Institute eBooks, 2009

Brief Project Description (do not exceed space given below) Mixed Greens is a web-based artwork t... more Brief Project Description (do not exceed space given below) Mixed Greens is a web-based artwork that uses interactivity to tell a story of the complexities of identity. It will be a mixed genre piece using documentary, fiction, sound, and text. Mixed Greens interweaves two identity stories: of my paternal grandfather and his brothers who, as Irish Jews, lived in a "gray area" between Catholics and Protestants, and later negotiated a different set of identity issues as immigrants in Boston; and that of five lesbians, who live at a contemporary edge of assimilation and difference. Mixed Greens is the third piece in what will eventually be a five-piece/fivecourse meal that I call Queer Feast: a mosaic of contemporary lesbian culture played out through its contradictions of class, ethnicity, desire, and the banality of daily existence. The five pieces/courses consist of: Cocktails & Appetizers (2001), a tale of lust and love, voyeurism and the performance of gender; Mixed Greens, a meditation on identity and assimilation; Bread and Butter, a non-linear "memoir" of the twenty-four year relationship of me and my partner; The Main Dish, a social, historical, and political narrative of lesbian culture; and As American As Apple Pie (1999), occupying the space between melodrama and sitcom, a tale of lesbian family life. This feast crosses many borders-documentary/fiction/melodrama/comedy, memoir/history/myth, ethnicity/race/class-bringing complexity to the media representation of lesbian life and culture. It also uses interactivity to explore the paradoxes of narrative itself. I will use the Rockefeller New Media Fellowship to create Mixed Greens as well as the Queer Feast web site. Rockefeller Foundation New Media Fellowships 2003 Sample Work Form NAME: Michelle CITRON If you are sending more than one sample, please copy this page. Sample(s) must be cued: indicate how long each sample should be viewed for a COMBINED viewing time of no more than 15 minutes. If slides are included in this application, please list the title and year of the work on this form.

The purpose of this study was to determine if a multi-media presentation facilitates synthetic re... more The purpose of this study was to determine if a multi-media presentation facilitates synthetic responses. The variables, linearity and meaningfulness of the presentation, were studied using a 2 x 2 design with outside control. The five conditions were administered to 95 fifth graders. The synthetic responses were measured with three tasks. Task I consisted of a Similarities Judgment task, Task II was a Sorting task, and Task III consisted of a questionnaire about the presentation. An ANOVA performed on the data from the Similarity Judgment and Sorting tasks showed no significance. A chi-square performed on the questionnaire did show significance on some questions, but these results were too This Technical Report is a master's thesis reporting resr:arch supported by the Wisconsin Research and Development Center for Cognitive Learning. Since it has been approved by a University Examining Committee, it has not been reviewed by the Center. It is published by the Center as a record of some of the Center's activities and as a service to the student. The bound original is in The University of Wisconsin Memorial Library.

Duke University Press eBooks, 1995

New German Critique, 1978

... by co-editor Renny Harrigan in Chicago at the start of 1978, took place among Michelle Citron... more ... by co-editor Renny Harrigan in Chicago at the start of 1978, took place among Michelle Citron,Julia Lesage, Judith Mayne, B. Ruby Rich and Anna Marie Taylor ... we're not talking about women - in the audience perhaps, on the screen perhaps, but not behind the camera. ...

The hypertext solution. .. retains and puts back together the great traditions of literature and ... more The hypertext solution. .. retains and puts back together the great traditions of literature and scholarship, traditions based on the fact that dividing things up arbitrarily just generally doesn't work.-Ted Nelson, Computer Lib/Dream Machines (1974) Before reading what follows, I suggest that you turn on your networked computer and prepare to visit some territories that have not yet been clearly demarcated. START HERE> is more cultural snapshot than cultural study, more a map of places to explore than an explanation of what you'll find there. This is an article intended M ichelle Citron is a Professor in the Department o f Radio/Television/Film at Northwestern University, Associate Dean o f The Graduate School, and Director of the Center for Interdiscipli nary Research in the Arts. Kurt Heintz is a writer, performer, and new media artist, who founded the e-poets network and whose work has appeared in the anthology Rude Trip: The Hamburg-Chicago Literary Expedition (Edition 406, 2001). Niki Nolin works and teaches in the Aca demic Computing Department of Columbia College, Chicago. Scott Rettberg is Assistant Pro fessor of New Media Studies in the Literature program at Richard Stockton College, as well as co founder of the Electronic Literature Organization and co-author o f The Unknown: A Hypertext Novel (1998-2001) and The Unknown: An Anthology (The Unknown Press, 2002). Andrew Stem is a designer and programmer for PF.Magic in San Francisco. Joseph Tabbi is the author of Cognitive Fictions (Minnesota, 2002) and co-editor of Reading Matters: Narrative in the New Media Ecology (Cornell, 1997), as well as co-founder of the electronic book review and Associ ate Professor o f English at the University of Illinois, Chicago. Rob Wittig is co-founder of the literary electronic bulletin board system IN.S.O M N IA and author of Invisible Rendezvous: Connection and Collaboration in the New Landscape of Electronic Writing (Wesleyan, 1994).

Iowa Journal of Cultural Studies, 2002

The hypertext solution. .. retains and puts back together the great traditions of literature and ... more The hypertext solution. .. retains and puts back together the great traditions of literature and scholarship, traditions based on the fact that dividing things up arbitrarily just generally doesn't work.-Ted Nelson, Computer Lib/Dream Machines (1974) Before reading what follows, I suggest that you turn on your networked computer and prepare to visit some territories that have not yet been clearly demarcated. START HERE> is more cultural snapshot than cultural study, more a map of places to explore than an explanation of what you'll find there. This is an article intended M ichelle Citron is a Professor in the Department o f Radio/Television/Film at Northwestern University, Associate Dean o f The Graduate School, and Director of the Center for Interdiscipli nary Research in the Arts. Kurt Heintz is a writer, performer, and new media artist, who founded the e-poets network and whose work has appeared in the anthology Rude Trip: The Hamburg-Chicago Literary Expedition (Edition 406, 2001). Niki Nolin works and teaches in the Aca demic Computing Department of Columbia College, Chicago. Scott Rettberg is Assistant Pro fessor of New Media Studies in the Literature program at Richard Stockton College, as well as co founder of the Electronic Literature Organization and co-author o f The Unknown: A Hypertext Novel (1998-2001) and The Unknown: An Anthology (The Unknown Press, 2002). Andrew Stem is a designer and programmer for PF.Magic in San Francisco. Joseph Tabbi is the author of Cognitive Fictions (Minnesota, 2002) and co-editor of Reading Matters: Narrative in the New Media Ecology (Cornell, 1997), as well as co-founder of the electronic book review and Associ ate Professor o f English at the University of Illinois, Chicago. Rob Wittig is co-founder of the literary electronic bulletin board system IN.S.O M N IA and author of Invisible Rendezvous: Connection and Collaboration in the New Landscape of Electronic Writing (Wesleyan, 1994).

Archivos de la filmoteca: Revista de estudios …, 2007

... Narrar lo inenarrable: cómo hablamos cuando fallan las palabras. Autores: MichelleCitron; Loc... more ... Narrar lo inenarrable: cómo hablamos cuando fallan las palabras. Autores: MichelleCitron; Localización: Archivos de la filmoteca: Revista de estudios históricos sobre la imagen, ISSN 0214-6606, Nº 57-58, 2, 2007 , págs. 260 ...

100 Documentary Films, 2009

The purpose of this study was to determine if a multi-media presentation facilitates synthetic re... more The purpose of this study was to determine if a multi-media presentation facilitates synthetic responses. The variables, linearity and meaningfulness of the presentation, were studied using a 2 x 2 design with outside control. The five conditions were administered to 95 fifth graders. The synthetic responses were measured with three tasks. Task I consisted of a Similarities Judgment task, Task II was a Sorting task, and Task III consisted of a questionnaire about the presentation. An ANOVA performed on the data from the Similarity Judgment and Sorting tasks showed no significance. A chi-square performed on the questionnaire did show significance on some questions, but these results were too This Technical Report is a master's thesis reporting resr:arch supported by the Wisconsin Research and Development Center for Cognitive Learning. Since it has been approved by a University Examining Committee, it has not been reviewed by the Center. It is published by the Center as a record of some of the Center's activities and as a service to the student. The bound original is in The University of Wisconsin Memorial Library.

Jump Cut, 1981

... The space for such a discussion has been made possible by the evolution of the lesbian ... ur... more ... The space for such a discussion has been made possible by the evolution of the lesbian ... urgent, given the intensified use of the lesbian as a negative sign in Hollywood movies and the ... is the rise of an independent lesbian cinema, under-acknowledged and in need of attention. ...

New German Critique, 1978

... by co-editor Renny Harrigan in Chicago at the start of 1978, took place among Michelle Citron... more ... by co-editor Renny Harrigan in Chicago at the start of 1978, took place among Michelle Citron,Julia Lesage, Judith Mayne, B. Ruby Rich and Anna Marie Taylor ... we're not talking about women - in the audience perhaps, on the screen perhaps, but not behind the camera. ...

Edinburgh University Press eBooks, Apr 13, 1999

Duke University Press eBooks, Dec 31, 2020

Quarterly review of film studies, Mar 1, 1984

British Film Institute eBooks, 2009

Brief Project Description (do not exceed space given below) Mixed Greens is a web-based artwork t... more Brief Project Description (do not exceed space given below) Mixed Greens is a web-based artwork that uses interactivity to tell a story of the complexities of identity. It will be a mixed genre piece using documentary, fiction, sound, and text. Mixed Greens interweaves two identity stories: of my paternal grandfather and his brothers who, as Irish Jews, lived in a "gray area" between Catholics and Protestants, and later negotiated a different set of identity issues as immigrants in Boston; and that of five lesbians, who live at a contemporary edge of assimilation and difference. Mixed Greens is the third piece in what will eventually be a five-piece/fivecourse meal that I call Queer Feast: a mosaic of contemporary lesbian culture played out through its contradictions of class, ethnicity, desire, and the banality of daily existence. The five pieces/courses consist of: Cocktails & Appetizers (2001), a tale of lust and love, voyeurism and the performance of gender; Mixed Greens, a meditation on identity and assimilation; Bread and Butter, a non-linear "memoir" of the twenty-four year relationship of me and my partner; The Main Dish, a social, historical, and political narrative of lesbian culture; and As American As Apple Pie (1999), occupying the space between melodrama and sitcom, a tale of lesbian family life. This feast crosses many borders-documentary/fiction/melodrama/comedy, memoir/history/myth, ethnicity/race/class-bringing complexity to the media representation of lesbian life and culture. It also uses interactivity to explore the paradoxes of narrative itself. I will use the Rockefeller New Media Fellowship to create Mixed Greens as well as the Queer Feast web site. Rockefeller Foundation New Media Fellowships 2003 Sample Work Form NAME: Michelle CITRON If you are sending more than one sample, please copy this page. Sample(s) must be cued: indicate how long each sample should be viewed for a COMBINED viewing time of no more than 15 minutes. If slides are included in this application, please list the title and year of the work on this form.

The purpose of this study was to determine if a multi-media presentation facilitates synthetic re... more The purpose of this study was to determine if a multi-media presentation facilitates synthetic responses. The variables, linearity and meaningfulness of the presentation, were studied using a 2 x 2 design with outside control. The five conditions were administered to 95 fifth graders. The synthetic responses were measured with three tasks. Task I consisted of a Similarities Judgment task, Task II was a Sorting task, and Task III consisted of a questionnaire about the presentation. An ANOVA performed on the data from the Similarity Judgment and Sorting tasks showed no significance. A chi-square performed on the questionnaire did show significance on some questions, but these results were too This Technical Report is a master's thesis reporting resr:arch supported by the Wisconsin Research and Development Center for Cognitive Learning. Since it has been approved by a University Examining Committee, it has not been reviewed by the Center. It is published by the Center as a record of some of the Center's activities and as a service to the student. The bound original is in The University of Wisconsin Memorial Library.

Duke University Press eBooks, 1995

New German Critique, 1978

... by co-editor Renny Harrigan in Chicago at the start of 1978, took place among Michelle Citron... more ... by co-editor Renny Harrigan in Chicago at the start of 1978, took place among Michelle Citron,Julia Lesage, Judith Mayne, B. Ruby Rich and Anna Marie Taylor ... we're not talking about women - in the audience perhaps, on the screen perhaps, but not behind the camera. ...

The hypertext solution. .. retains and puts back together the great traditions of literature and ... more The hypertext solution. .. retains and puts back together the great traditions of literature and scholarship, traditions based on the fact that dividing things up arbitrarily just generally doesn't work.-Ted Nelson, Computer Lib/Dream Machines (1974) Before reading what follows, I suggest that you turn on your networked computer and prepare to visit some territories that have not yet been clearly demarcated. START HERE> is more cultural snapshot than cultural study, more a map of places to explore than an explanation of what you'll find there. This is an article intended M ichelle Citron is a Professor in the Department o f Radio/Television/Film at Northwestern University, Associate Dean o f The Graduate School, and Director of the Center for Interdiscipli nary Research in the Arts. Kurt Heintz is a writer, performer, and new media artist, who founded the e-poets network and whose work has appeared in the anthology Rude Trip: The Hamburg-Chicago Literary Expedition (Edition 406, 2001). Niki Nolin works and teaches in the Aca demic Computing Department of Columbia College, Chicago. Scott Rettberg is Assistant Pro fessor of New Media Studies in the Literature program at Richard Stockton College, as well as co founder of the Electronic Literature Organization and co-author o f The Unknown: A Hypertext Novel (1998-2001) and The Unknown: An Anthology (The Unknown Press, 2002). Andrew Stem is a designer and programmer for PF.Magic in San Francisco. Joseph Tabbi is the author of Cognitive Fictions (Minnesota, 2002) and co-editor of Reading Matters: Narrative in the New Media Ecology (Cornell, 1997), as well as co-founder of the electronic book review and Associ ate Professor o f English at the University of Illinois, Chicago. Rob Wittig is co-founder of the literary electronic bulletin board system IN.S.O M N IA and author of Invisible Rendezvous: Connection and Collaboration in the New Landscape of Electronic Writing (Wesleyan, 1994).

Iowa Journal of Cultural Studies, 2002

The hypertext solution. .. retains and puts back together the great traditions of literature and ... more The hypertext solution. .. retains and puts back together the great traditions of literature and scholarship, traditions based on the fact that dividing things up arbitrarily just generally doesn't work.-Ted Nelson, Computer Lib/Dream Machines (1974) Before reading what follows, I suggest that you turn on your networked computer and prepare to visit some territories that have not yet been clearly demarcated. START HERE> is more cultural snapshot than cultural study, more a map of places to explore than an explanation of what you'll find there. This is an article intended M ichelle Citron is a Professor in the Department o f Radio/Television/Film at Northwestern University, Associate Dean o f The Graduate School, and Director of the Center for Interdiscipli nary Research in the Arts. Kurt Heintz is a writer, performer, and new media artist, who founded the e-poets network and whose work has appeared in the anthology Rude Trip: The Hamburg-Chicago Literary Expedition (Edition 406, 2001). Niki Nolin works and teaches in the Aca demic Computing Department of Columbia College, Chicago. Scott Rettberg is Assistant Pro fessor of New Media Studies in the Literature program at Richard Stockton College, as well as co founder of the Electronic Literature Organization and co-author o f The Unknown: A Hypertext Novel (1998-2001) and The Unknown: An Anthology (The Unknown Press, 2002). Andrew Stem is a designer and programmer for PF.Magic in San Francisco. Joseph Tabbi is the author of Cognitive Fictions (Minnesota, 2002) and co-editor of Reading Matters: Narrative in the New Media Ecology (Cornell, 1997), as well as co-founder of the electronic book review and Associ ate Professor o f English at the University of Illinois, Chicago. Rob Wittig is co-founder of the literary electronic bulletin board system IN.S.O M N IA and author of Invisible Rendezvous: Connection and Collaboration in the New Landscape of Electronic Writing (Wesleyan, 1994).

Archivos de la filmoteca: Revista de estudios …, 2007

... Narrar lo inenarrable: cómo hablamos cuando fallan las palabras. Autores: MichelleCitron; Loc... more ... Narrar lo inenarrable: cómo hablamos cuando fallan las palabras. Autores: MichelleCitron; Localización: Archivos de la filmoteca: Revista de estudios históricos sobre la imagen, ISSN 0214-6606, Nº 57-58, 2, 2007 , págs. 260 ...

100 Documentary Films, 2009

The purpose of this study was to determine if a multi-media presentation facilitates synthetic re... more The purpose of this study was to determine if a multi-media presentation facilitates synthetic responses. The variables, linearity and meaningfulness of the presentation, were studied using a 2 x 2 design with outside control. The five conditions were administered to 95 fifth graders. The synthetic responses were measured with three tasks. Task I consisted of a Similarities Judgment task, Task II was a Sorting task, and Task III consisted of a questionnaire about the presentation. An ANOVA performed on the data from the Similarity Judgment and Sorting tasks showed no significance. A chi-square performed on the questionnaire did show significance on some questions, but these results were too This Technical Report is a master's thesis reporting resr:arch supported by the Wisconsin Research and Development Center for Cognitive Learning. Since it has been approved by a University Examining Committee, it has not been reviewed by the Center. It is published by the Center as a record of some of the Center's activities and as a service to the student. The bound original is in The University of Wisconsin Memorial Library.

Jump Cut, 1981

... The space for such a discussion has been made possible by the evolution of the lesbian ... ur... more ... The space for such a discussion has been made possible by the evolution of the lesbian ... urgent, given the intensified use of the lesbian as a negative sign in Hollywood movies and the ... is the rise of an independent lesbian cinema, under-acknowledged and in need of attention. ...

New German Critique, 1978

... by co-editor Renny Harrigan in Chicago at the start of 1978, took place among Michelle Citron... more ... by co-editor Renny Harrigan in Chicago at the start of 1978, took place among Michelle Citron,Julia Lesage, Judith Mayne, B. Ruby Rich and Anna Marie Taylor ... we're not talking about women - in the audience perhaps, on the screen perhaps, but not behind the camera. ...