Morag Shiach - Academia.edu (original) (raw)
Papers by Morag Shiach
Edinburgh University Press eBooks, Aug 7, 2019
The American Historical Review, Feb 1, 1991
... Discourse on popular culture: Class, gender, and history in cultural analysis, 1730 to the pr... more ... Discourse on popular culture: Class, gender, and history in cultural analysis, 1730 to the present. Post a Comment. CONTRIBUTORS: Author: Shiach, Morag. PUBLISHER: Stanford University Press (Stanford, Calif.). SERIES TITLE: YEAR: 1989. ...
The success of the AHRC Creative Economy Hubs has been marked by their ability to build a Hub str... more The success of the AHRC Creative Economy Hubs has been marked by their ability to build a Hub structure and culture that can change over time, so allowing learning to be developed, critically reflected upon, and re-embedded. This is key to building a coherent innovation strategy that can remain agile to changing innovation landscapes. Core Partnerships Hub partner networks have proven a powerful means of connecting creative talent within and across regions, promoting wider cooperation between previously discrete sectors and universities. Hub networks must, however, be built on relationships with active / live potential: Engineered solutions to fostering regional innovation through a Hub network are to be avoided.
Encyclopedia of Political Theory, Mar 12, 2013
... Modernism, labour, and selfhood in British literature and culture, 1890-19'0 / b... more ... Modernism, labour, and selfhood in British literature and culture, 1890-19'0 / by Morag Shiach. ... Parts of chapter 4 were originally published as 'Work and Selfhood in Lady Chatterley's Lover, in Anne Fernihough (ed.), The Cam-bridge Companion to DH Lawrence (Cambridge ...
This online paper may be cited or quoted in line with the usual academic conventions. You may als... more This online paper may be cited or quoted in line with the usual academic conventions. You may also download it for your own personal use. This paper is published under a Creative Commons license, described below. You may share this work but we would encourage you to seek the author's permission to publish the work elsewhere (e.g. to mailing lists, bulletin boards etc.).
Oxford University Press eBooks, 1999
Morag Shiach: Introduction Meaghan Morris: Things to do with Shopping Centres Mica Nava: Consumer... more Morag Shiach: Introduction Meaghan Morris: Things to do with Shopping Centres Mica Nava: Consumerism Reconsidered Angela McRobbie: Shut Up and Dance Kristen Drotner: Cast Upon Their Own Resources Anne Ducille: Dyes and Dolls Patricia Williams: The Death of the Profane Dorothy Hobson: Women Audiences and the Workplace Christine Griffin: Typical Girls? Catherine Hall: The Tale of Samuel and Jemima Sally Alexander: A Woman in London in the 1920s and 30s Patricia Mellencamp: High Anxiety Claire Johnston: Women's Cinema as Counter Cinema Jackie Stacey: Desperately Seeking Difference Jacqueline Bobo: Black Women as Cultural Readers Christine Geraghty: Women and Soap Opera Laura Mulvey: Cosmetics and Abjection Judith Williamson: Family, Education, Photography Charlotte Brunsden: Pedagogies of the Feminine Alison Light: `Returning to Manderley' Janice Radway: Romance and the Work of Fantasy Clare Whatling: Who's Read Macho Sluts? Elspeth Probyn: Disciplinary Desires Gargi Bhattacharyya: `Who Fancies Pakis?' Lesley Johnson: `As Housewives We Are Worms' Kristin Ross: Hygiene and Modernization Biddy Martin and Chandra Talpade Mohanty: Feminist Politics Ien Ang: On Not Speaking Chinese Susan Leigh Star: From Hestia to Home Page
Palgrave Macmillan, Apr 1, 2017
Journal of British Studies, 2006
Journal of British Studies
A Handbook for Teaching and Learning in Higher Education, 2008
This article presents a comparative analysis of ten creative hubs located in London, Birmingham, ... more This article presents a comparative analysis of ten creative hubs located in London, Birmingham, and São Paulo. It expolores how cultural policies in the UK and Brazil have constituted in distinct ways the boundaries between 'culture' and 'innovation'. Pierre Bourdieu's concepts of 'field' , 'habitus' , and 'capital' inform this analysis and its account of the 'cultural-production subfield' and the 'innovationproduction subfield' within the creative economies and cultural policies of the UK and Brazil. The article also draws on Pier Luigi Sacco's cultural history and theory to make an argument about the key factors underpinning recent changes in cultural policy.
The project “Creative Hubs and Urban Development Goals (UK/Brazil)” was developed by researchers ... more The project “Creative Hubs and Urban Development Goals (UK/Brazil)” was developed by researchers from Queen Mary University of London (QMUL) and University of Sao Paulo (USP), building upon the methods used by QMUL researchers on the four-year project “Creativeworks London”1, funded by the AHRC. It was aimed at two goals: (a) to map the activities of two hubs in the city of São Paulo,in order to identify their impact on the local economies and territories; and (b) to implement creative vouchers along the same guidelines of the Creativeworks London (CWL) project, to foster collaboration between university and creative entrepreneurs, micro and small creative enterprises, aiming at the economic sustainability of Sao Paulo’s creative class. This document reports on the project findings: in its first section, it presents the study on Hubs. Two cases were selected in the project: Impact Hub, a unit in a global network of co-working venues, and Ori, a building that houses a children education Initiative, a small theater and a co-working space. In the second section, it describes results from the voucher scheme. Five vouchers were granted: two for Impact Hub companies, and three for Ori fi rms. The hubs are polar cases, from two different fields of action in Sao Paulo, which is reflected in the voucher recipients
Modernism/modernity, 2001
The Modern Language Review, 2002
International Studies in Philosophy, 1993
Writing Past the Wall or the Passion According to HC by Susan Rubin Suleiman One cannot not speak... more Writing Past the Wall or the Passion According to HC by Susan Rubin Suleiman One cannot not speak of the scandals of an epoch. One cannot not espouse a cause. One cannot not be summoned by an obligation of fidelity. Helene Cixous, "From the Scene of the ...
Edinburgh University Press eBooks, Aug 7, 2019
The American Historical Review, Feb 1, 1991
... Discourse on popular culture: Class, gender, and history in cultural analysis, 1730 to the pr... more ... Discourse on popular culture: Class, gender, and history in cultural analysis, 1730 to the present. Post a Comment. CONTRIBUTORS: Author: Shiach, Morag. PUBLISHER: Stanford University Press (Stanford, Calif.). SERIES TITLE: YEAR: 1989. ...
The success of the AHRC Creative Economy Hubs has been marked by their ability to build a Hub str... more The success of the AHRC Creative Economy Hubs has been marked by their ability to build a Hub structure and culture that can change over time, so allowing learning to be developed, critically reflected upon, and re-embedded. This is key to building a coherent innovation strategy that can remain agile to changing innovation landscapes. Core Partnerships Hub partner networks have proven a powerful means of connecting creative talent within and across regions, promoting wider cooperation between previously discrete sectors and universities. Hub networks must, however, be built on relationships with active / live potential: Engineered solutions to fostering regional innovation through a Hub network are to be avoided.
Encyclopedia of Political Theory, Mar 12, 2013
... Modernism, labour, and selfhood in British literature and culture, 1890-19'0 / b... more ... Modernism, labour, and selfhood in British literature and culture, 1890-19'0 / by Morag Shiach. ... Parts of chapter 4 were originally published as 'Work and Selfhood in Lady Chatterley's Lover, in Anne Fernihough (ed.), The Cam-bridge Companion to DH Lawrence (Cambridge ...
This online paper may be cited or quoted in line with the usual academic conventions. You may als... more This online paper may be cited or quoted in line with the usual academic conventions. You may also download it for your own personal use. This paper is published under a Creative Commons license, described below. You may share this work but we would encourage you to seek the author's permission to publish the work elsewhere (e.g. to mailing lists, bulletin boards etc.).
Oxford University Press eBooks, 1999
Morag Shiach: Introduction Meaghan Morris: Things to do with Shopping Centres Mica Nava: Consumer... more Morag Shiach: Introduction Meaghan Morris: Things to do with Shopping Centres Mica Nava: Consumerism Reconsidered Angela McRobbie: Shut Up and Dance Kristen Drotner: Cast Upon Their Own Resources Anne Ducille: Dyes and Dolls Patricia Williams: The Death of the Profane Dorothy Hobson: Women Audiences and the Workplace Christine Griffin: Typical Girls? Catherine Hall: The Tale of Samuel and Jemima Sally Alexander: A Woman in London in the 1920s and 30s Patricia Mellencamp: High Anxiety Claire Johnston: Women's Cinema as Counter Cinema Jackie Stacey: Desperately Seeking Difference Jacqueline Bobo: Black Women as Cultural Readers Christine Geraghty: Women and Soap Opera Laura Mulvey: Cosmetics and Abjection Judith Williamson: Family, Education, Photography Charlotte Brunsden: Pedagogies of the Feminine Alison Light: `Returning to Manderley' Janice Radway: Romance and the Work of Fantasy Clare Whatling: Who's Read Macho Sluts? Elspeth Probyn: Disciplinary Desires Gargi Bhattacharyya: `Who Fancies Pakis?' Lesley Johnson: `As Housewives We Are Worms' Kristin Ross: Hygiene and Modernization Biddy Martin and Chandra Talpade Mohanty: Feminist Politics Ien Ang: On Not Speaking Chinese Susan Leigh Star: From Hestia to Home Page
Palgrave Macmillan, Apr 1, 2017
Journal of British Studies, 2006
Journal of British Studies
A Handbook for Teaching and Learning in Higher Education, 2008
This article presents a comparative analysis of ten creative hubs located in London, Birmingham, ... more This article presents a comparative analysis of ten creative hubs located in London, Birmingham, and São Paulo. It expolores how cultural policies in the UK and Brazil have constituted in distinct ways the boundaries between 'culture' and 'innovation'. Pierre Bourdieu's concepts of 'field' , 'habitus' , and 'capital' inform this analysis and its account of the 'cultural-production subfield' and the 'innovationproduction subfield' within the creative economies and cultural policies of the UK and Brazil. The article also draws on Pier Luigi Sacco's cultural history and theory to make an argument about the key factors underpinning recent changes in cultural policy.
The project “Creative Hubs and Urban Development Goals (UK/Brazil)” was developed by researchers ... more The project “Creative Hubs and Urban Development Goals (UK/Brazil)” was developed by researchers from Queen Mary University of London (QMUL) and University of Sao Paulo (USP), building upon the methods used by QMUL researchers on the four-year project “Creativeworks London”1, funded by the AHRC. It was aimed at two goals: (a) to map the activities of two hubs in the city of São Paulo,in order to identify their impact on the local economies and territories; and (b) to implement creative vouchers along the same guidelines of the Creativeworks London (CWL) project, to foster collaboration between university and creative entrepreneurs, micro and small creative enterprises, aiming at the economic sustainability of Sao Paulo’s creative class. This document reports on the project findings: in its first section, it presents the study on Hubs. Two cases were selected in the project: Impact Hub, a unit in a global network of co-working venues, and Ori, a building that houses a children education Initiative, a small theater and a co-working space. In the second section, it describes results from the voucher scheme. Five vouchers were granted: two for Impact Hub companies, and three for Ori fi rms. The hubs are polar cases, from two different fields of action in Sao Paulo, which is reflected in the voucher recipients
Modernism/modernity, 2001
The Modern Language Review, 2002
International Studies in Philosophy, 1993
Writing Past the Wall or the Passion According to HC by Susan Rubin Suleiman One cannot not speak... more Writing Past the Wall or the Passion According to HC by Susan Rubin Suleiman One cannot not speak of the scandals of an epoch. One cannot not espouse a cause. One cannot not be summoned by an obligation of fidelity. Helene Cixous, "From the Scene of the ...