Nabil Boudraa - Academia.edu (original) (raw)
Papers by Nabil Boudraa
In article the problems and contradictions connected with identification of a role and the import... more In article the problems and contradictions connected with identification of a role and the importance of traditional culture of the people of Stavropol Territory in an educational system of spiritual and moral values are analyzed. In the course of the analysis of the theory and practice of development of welfare traditions of the region problems in system of regional formation of Stavropol Territory were revealed, and also ways and mechanisms of revival of traditional culture as bases of rapprochement and the all-Russian civil consolidation of the people of Stavropol Territory are defined. Keywords: traditional culture of the people of Stavropol Territory; polycultural and multinational Stavropol Territory; preservation and reproduction of traditional culture of the people; ethnic mobilization; self-identification; unification
Artistic (Self)-Representations of Islam and Muslims, 2021
The recommendations in this guideline represent the view of NICE, arrived at after careful consid... more The recommendations in this guideline represent the view of NICE, arrived at after careful consideration of the evidence available. When exercising their judgement, professionals are expected to take this guideline fully into account, alongside the individual needs, preferences and values of their patients or service users. The recommendations in this guideline are not mandatory and the guideline does not override the responsibility of healthcare professionals to make decisions appropriate to the circumstances of the individual patient, in consultation with the patient and/or their carer or guardian. Local commissioners and/or providers have a responsibility to enable the guideline to be applied when individual health professionals and their patients or service users wish to use it. They should do so in the context of local and national priorities for funding and developing services, and in light of their duties to have due regard to the need to eliminate unlawful discrimination, to advance equality of opportunity and to reduce health inequalities. Nothing in this guideline should be interpreted in a way that would be inconsistent with compliance with those duties.
African Studies Review, 2016
The Journal of North African Studies, 2016
The Journal of North African Studies, 2021
The Journal of North African Studies, 2019
The Journal of North African Studies, 2017
International Journal of Francophone Studies, 2015
This article examines the position of Maghrebi Francophone writers vis-à-vis the French language ... more This article examines the position of Maghrebi Francophone writers vis-à-vis the French language in both colonial and postcolonial contexts. To some writers, using the language of the 'Other' is synonymous with what Frantz Fanon calls 'alienation'. Consequently, some writers simply stop writing altogether (as was the case for Malek Haddad). Others view French merely as a linguistic tool that they 'borrow' for their writing, since their native language (colloquial Arabic, for example) is not written. In this process of writing in French, a clash takes place between the mother tongue and the borrowed language which, for scholars like Edouard Glissant and Abdelkébir Khatibi, makes way for new and very interesting phenomena. The Other's language also functions as a liberating force for women's writing; such is the case of Assia Djebar. Last, but not least, this article examines how Kateb Yacine switches to another mode of creation (theatre), using the vernacular languages of everyday life, including derja and Kabyle. Résumé Cet article analyse la position des écrivains francophones du Maghreb par rapport à la langue française dans les contextes colonial et postcolonial. Pour certains d'entre eux, l'utilisation de la langue de l'Autre est synonyme d'aliénation (selon le terme de Frantz Fanon), et par conséquent, certains écrivains abandonnent l'écriture, tel est le cas de Malek Haddad. Pour d'autres, le français n'est qu'un instrument linguistique qu'ils 'empruntent' pour leur écriture puisque leur(s) langue(s) maternelle(s) ne s'écri(ven)t pas. Dans ce processus d'écriture en langue française, un choc s'opère entre le souffle de la langue maternelle et la langue d'emprunt, ce qui engendre des phénomènes nouveaux et très intéressants pour des intellectuels tels Edouard Glissant et Abdelkébir Khatibi. La langue de l'Autre peut aussi fournir une force libératrice pour l'écriture des femmes; c'est le cas d'Assia Djebar. Kateb Yacine, quant à lui, fait un retour vers les langues que le peuple pratique tous les jours, à savoir l'arabe dialectal et le kabyle, et ce par le biais du théâtre populaire. La question du langage, je la considère souvent comme le problème numéro un de la littérature nord-africaine d'expression française. Je dirais, et certains sentiront cela comme une provocation, qu'il nous faut arabiser le français, avec une condition: en passant par la beauté, traduisons: par la poésie.
International Journal of Language and Literature, 2014
The Journal of North African Studies, 2016
Non Plus, 2016
Il s’agit dans cet article d’analyser la poétique du paysage dans l’œuvre d’Edouard Glissant en s... more Il s’agit dans cet article d’analyser la poétique du paysage dans l’œuvre d’Edouard Glissant en se focalisant surtout sur son premier roman, La Lézarde. Ce qui nous intéresse dans cette analyse n’est pas seulement la façon par laquelle ce paysage est subjectivisé, senti, vécu et interprété par les personnages/narrateurs, mais surtout ce que ce paysage représente en termes d’identité et de la relation à l’Autre. Autrement dit, nous examinerons comment Edouard Glissant s’inspire de cette thématique du paysage pour l’élaboration de sa poétique du Rhizome, c’est-à-dire de la Relation.
International Journal of Francophone Studies, 2014
African Studies Review, 2016
One of the most tragic and saddening consequences of radical Islam today is the corruption of the... more One of the most tragic and saddening consequences of radical Islam today is the corruption of the youth. This is the subject of Merzak Allouache’s latest documentary, Investigating Paradise (2016), which has already won some awards in film festivals around Europe such as the Berlinale (Germany) and the Festival International des Programmes Audiovisuels (France). Given the current political climate, this film could not be more timely. It shows us the dangers of radical Islam and the ways in which Salafist preachers indoctrinate youngsters with tendentious ideas about paradise, including the promise that each will have seventy-two houris (celestial virgins) once they arrive there. This belief has unfortunately taken hold in Algeria, and in the rest of the Muslim world, in the past couple of decades. This film, which is half documentary, half fiction, follows the story of Nedjma, a young journalist working for an Algerian daily who is investigating the depiction of paradise that radica...
David Crawford is a contributing author, "Making Imazighen: Rural Berber Women, Household Or... more David Crawford is a contributing author, "Making Imazighen: Rural Berber Women, Household Organization, and the Production of Free Men", pp 329-346. Book description: This book’s ambition is to offer the most recent scholarship on North African cultures at a time when the very notion of culture is being re-evaluated in the shifting tides that both associate and divorce the forces
Il s’agit dans cet article d’analyser la poetique du paysage dans l’œuvre d’Edouard Glissant en s... more Il s’agit dans cet article d’analyser la poetique du paysage dans l’œuvre d’Edouard Glissant en se focalisant surtout sur son premier roman, La Lezarde . Ce qui nous interesse dans cette analyse n’est pas seulement la facon par laquelle ce paysage est subjectivise, senti, vecu et interprete par les personnages/narrateurs, mais surtout ce que ce paysage represente en termes d’identite et de la relation a l’Autre. Autrement dit, nous examinerons comment Edouard Glissant s’inspire de cette thematique du paysage pour l’elaboration de sa poetique du Rhizome, c’est-a-dire de la Relation.
The Journal of North African Studies
ABSTRACT This exchange between Nabil Boudraa and Ahmed Bedjaoui covers several themes related to ... more ABSTRACT This exchange between Nabil Boudraa and Ahmed Bedjaoui covers several themes related to Algerian cinema. It starts from the beginnings of Algerian cinema and its role in the War of Liberation and ends with an analysis of contemporary issues in Algerian society, such as history, gender, censorship, migration and resistance.
In article the problems and contradictions connected with identification of a role and the import... more In article the problems and contradictions connected with identification of a role and the importance of traditional culture of the people of Stavropol Territory in an educational system of spiritual and moral values are analyzed. In the course of the analysis of the theory and practice of development of welfare traditions of the region problems in system of regional formation of Stavropol Territory were revealed, and also ways and mechanisms of revival of traditional culture as bases of rapprochement and the all-Russian civil consolidation of the people of Stavropol Territory are defined. Keywords: traditional culture of the people of Stavropol Territory; polycultural and multinational Stavropol Territory; preservation and reproduction of traditional culture of the people; ethnic mobilization; self-identification; unification
Artistic (Self)-Representations of Islam and Muslims, 2021
The recommendations in this guideline represent the view of NICE, arrived at after careful consid... more The recommendations in this guideline represent the view of NICE, arrived at after careful consideration of the evidence available. When exercising their judgement, professionals are expected to take this guideline fully into account, alongside the individual needs, preferences and values of their patients or service users. The recommendations in this guideline are not mandatory and the guideline does not override the responsibility of healthcare professionals to make decisions appropriate to the circumstances of the individual patient, in consultation with the patient and/or their carer or guardian. Local commissioners and/or providers have a responsibility to enable the guideline to be applied when individual health professionals and their patients or service users wish to use it. They should do so in the context of local and national priorities for funding and developing services, and in light of their duties to have due regard to the need to eliminate unlawful discrimination, to advance equality of opportunity and to reduce health inequalities. Nothing in this guideline should be interpreted in a way that would be inconsistent with compliance with those duties.
African Studies Review, 2016
The Journal of North African Studies, 2016
The Journal of North African Studies, 2021
The Journal of North African Studies, 2019
The Journal of North African Studies, 2017
International Journal of Francophone Studies, 2015
This article examines the position of Maghrebi Francophone writers vis-à-vis the French language ... more This article examines the position of Maghrebi Francophone writers vis-à-vis the French language in both colonial and postcolonial contexts. To some writers, using the language of the 'Other' is synonymous with what Frantz Fanon calls 'alienation'. Consequently, some writers simply stop writing altogether (as was the case for Malek Haddad). Others view French merely as a linguistic tool that they 'borrow' for their writing, since their native language (colloquial Arabic, for example) is not written. In this process of writing in French, a clash takes place between the mother tongue and the borrowed language which, for scholars like Edouard Glissant and Abdelkébir Khatibi, makes way for new and very interesting phenomena. The Other's language also functions as a liberating force for women's writing; such is the case of Assia Djebar. Last, but not least, this article examines how Kateb Yacine switches to another mode of creation (theatre), using the vernacular languages of everyday life, including derja and Kabyle. Résumé Cet article analyse la position des écrivains francophones du Maghreb par rapport à la langue française dans les contextes colonial et postcolonial. Pour certains d'entre eux, l'utilisation de la langue de l'Autre est synonyme d'aliénation (selon le terme de Frantz Fanon), et par conséquent, certains écrivains abandonnent l'écriture, tel est le cas de Malek Haddad. Pour d'autres, le français n'est qu'un instrument linguistique qu'ils 'empruntent' pour leur écriture puisque leur(s) langue(s) maternelle(s) ne s'écri(ven)t pas. Dans ce processus d'écriture en langue française, un choc s'opère entre le souffle de la langue maternelle et la langue d'emprunt, ce qui engendre des phénomènes nouveaux et très intéressants pour des intellectuels tels Edouard Glissant et Abdelkébir Khatibi. La langue de l'Autre peut aussi fournir une force libératrice pour l'écriture des femmes; c'est le cas d'Assia Djebar. Kateb Yacine, quant à lui, fait un retour vers les langues que le peuple pratique tous les jours, à savoir l'arabe dialectal et le kabyle, et ce par le biais du théâtre populaire. La question du langage, je la considère souvent comme le problème numéro un de la littérature nord-africaine d'expression française. Je dirais, et certains sentiront cela comme une provocation, qu'il nous faut arabiser le français, avec une condition: en passant par la beauté, traduisons: par la poésie.
International Journal of Language and Literature, 2014
The Journal of North African Studies, 2016
Non Plus, 2016
Il s’agit dans cet article d’analyser la poétique du paysage dans l’œuvre d’Edouard Glissant en s... more Il s’agit dans cet article d’analyser la poétique du paysage dans l’œuvre d’Edouard Glissant en se focalisant surtout sur son premier roman, La Lézarde. Ce qui nous intéresse dans cette analyse n’est pas seulement la façon par laquelle ce paysage est subjectivisé, senti, vécu et interprété par les personnages/narrateurs, mais surtout ce que ce paysage représente en termes d’identité et de la relation à l’Autre. Autrement dit, nous examinerons comment Edouard Glissant s’inspire de cette thématique du paysage pour l’élaboration de sa poétique du Rhizome, c’est-à-dire de la Relation.
International Journal of Francophone Studies, 2014
African Studies Review, 2016
One of the most tragic and saddening consequences of radical Islam today is the corruption of the... more One of the most tragic and saddening consequences of radical Islam today is the corruption of the youth. This is the subject of Merzak Allouache’s latest documentary, Investigating Paradise (2016), which has already won some awards in film festivals around Europe such as the Berlinale (Germany) and the Festival International des Programmes Audiovisuels (France). Given the current political climate, this film could not be more timely. It shows us the dangers of radical Islam and the ways in which Salafist preachers indoctrinate youngsters with tendentious ideas about paradise, including the promise that each will have seventy-two houris (celestial virgins) once they arrive there. This belief has unfortunately taken hold in Algeria, and in the rest of the Muslim world, in the past couple of decades. This film, which is half documentary, half fiction, follows the story of Nedjma, a young journalist working for an Algerian daily who is investigating the depiction of paradise that radica...
David Crawford is a contributing author, "Making Imazighen: Rural Berber Women, Household Or... more David Crawford is a contributing author, "Making Imazighen: Rural Berber Women, Household Organization, and the Production of Free Men", pp 329-346. Book description: This book’s ambition is to offer the most recent scholarship on North African cultures at a time when the very notion of culture is being re-evaluated in the shifting tides that both associate and divorce the forces
Il s’agit dans cet article d’analyser la poetique du paysage dans l’œuvre d’Edouard Glissant en s... more Il s’agit dans cet article d’analyser la poetique du paysage dans l’œuvre d’Edouard Glissant en se focalisant surtout sur son premier roman, La Lezarde . Ce qui nous interesse dans cette analyse n’est pas seulement la facon par laquelle ce paysage est subjectivise, senti, vecu et interprete par les personnages/narrateurs, mais surtout ce que ce paysage represente en termes d’identite et de la relation a l’Autre. Autrement dit, nous examinerons comment Edouard Glissant s’inspire de cette thematique du paysage pour l’elaboration de sa poetique du Rhizome, c’est-a-dire de la Relation.
The Journal of North African Studies
ABSTRACT This exchange between Nabil Boudraa and Ahmed Bedjaoui covers several themes related to ... more ABSTRACT This exchange between Nabil Boudraa and Ahmed Bedjaoui covers several themes related to Algerian cinema. It starts from the beginnings of Algerian cinema and its role in the War of Liberation and ends with an analysis of contemporary issues in Algerian society, such as history, gender, censorship, migration and resistance.