Roman Cristian Aurel - Academia.edu (original) (raw)
Papers by Roman Cristian Aurel
Exhibition catalogues by Roman Cristian Aurel
Children's guide through the permanent collection of the National History Museum of Transylvania,... more Children's guide through the permanent collection of the National History Museum of Transylvania, Cluj-Napoca, Ed. Mega, 2009, 52 p.
Roman Dacia by Roman Cristian Aurel
Ephemeris Napocensis, 2015
Books by Roman Cristian Aurel
The catalogue of the National Exhibition we present to the specialist in the field but also to th... more The catalogue of the National Exhibition we present to the specialist in the field but also to the general public was occasioned by the organisation of the 31st Congress of the Rei Cretariae Romanae Fautores International Association, which took place at Cluj-Napoca, between September 23rd and 30th, 2018. The theme of the exhibition – ‘The supply of ceramic goods in Dacia and Lower Moesia: imports and local developments’ was intended to be close to the theme of the mentioned Congress, which revolves around the supply of pottery products across the Roman Empire. The purpose of the exhibition was to offer an image as complete/ comprehensive as possible over the diversity of the imports and espe- cially over the local production of pottery centres from the two provinces that once existed on the territory of Romania during the Roman period. If the ‘Atlas of the Pottery Workshops from the Roman Provinces of Dacia and Lower Moesia/Scythia Minor (1st-7th Centuries AD)’(I), a volume which precedes and completes the current exhibition, focused on documenting in detail the local production, the exhibition aimed to also include a part of the most cogent pottery products that arrived by means of trade in the two provinces from various areas of the Roman Empire. In this way, by comparing and visualising a number of over 1000 artifacts originating from representative centres in Dacia and Moesia Inferior/ Scythia Minor, one can more easily observe the common aspects, the relative uniformity of the ceramic forms produced here, but also the differences/ characteristics/ peculiarities of some production centres from certain areas, as well as the complementarity of their products.
Children's guide through the permanent collection of the National History Museum of Transylvania,... more Children's guide through the permanent collection of the National History Museum of Transylvania, Cluj-Napoca, Ed. Mega, 2009, 52 p.
The catalogue of the National Exhibition we present to the specialist in the field but also to th... more The catalogue of the National Exhibition we present to the specialist in the field but also to the general public was occasioned by the organisation of the 31st Congress of the Rei Cretariae Romanae Fautores International Association, which took place at Cluj-Napoca, between September 23rd and 30th, 2018. The theme of the exhibition – ‘The supply of ceramic goods in Dacia and Lower Moesia: imports and local developments’ was intended to be close to the theme of the mentioned Congress, which revolves around the supply of pottery products across the Roman Empire. The purpose of the exhibition was to offer an image as complete/ comprehensive as possible over the diversity of the imports and espe- cially over the local production of pottery centres from the two provinces that once existed on the territory of Romania during the Roman period. If the ‘Atlas of the Pottery Workshops from the Roman Provinces of Dacia and Lower Moesia/Scythia Minor (1st-7th Centuries AD)’(I), a volume which precedes and completes the current exhibition, focused on documenting in detail the local production, the exhibition aimed to also include a part of the most cogent pottery products that arrived by means of trade in the two provinces from various areas of the Roman Empire. In this way, by comparing and visualising a number of over 1000 artifacts originating from representative centres in Dacia and Moesia Inferior/ Scythia Minor, one can more easily observe the common aspects, the relative uniformity of the ceramic forms produced here, but also the differences/ characteristics/ peculiarities of some production centres from certain areas, as well as the complementarity of their products.