Sergim Veiga - Academia.edu (original) (raw)
Born in Goiânia, Goiás, Brazil, at the age of 14 he began to learn functional harmony. He enrolled in a bachelor's degree in composition at the University of Brasília at the age of 20 and completed his Master's degree at the Federal University of Goiás in 2015. Composes for orchestra and / or computer and performs sound research with microtonalism and different tunings
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Graduate Center of the City University of New York
CSIC (Consejo Superior de Investigaciones Científicas-Spanish National Research Council)
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Papers by Sergim Veiga
Este e um trabalho que investiga a possibilidade de composicao de obras musicais com interfaces i... more Este e um trabalho que investiga a possibilidade de composicao de obras musicais com interfaces interativas criadas com algoritmos e programas que sejam S oftwares Livres desde o sistema operacional. Inclui tambem, descricao de suas elaboracoes, tanto para as composicoes musicais com interfaces ja existentes como para as interfaces construidas a luz da formacao musical e tecnologica deste compositor. As composicoes foram apresentadas durante o curso de mestrado em apresentacoes artisticas nos SEMPEM XIII, SEMPEM XIV e apresentacoes de qualificacao e defesa. Este trabalho de pesquisa portanto se divide em duas partes: a Parte A, que consiste da parte artistica onde o compositor apresenta sua obra para audicao publica, e Parte B, que consiste em todo trabalho escrito, das partituras e algoritmos em linguagem computacional ao presente artigo.
This is a work investigating the possibility of composing musical works with interactive interfac... more This is a work investigating the possibility of composing musical works with interactive interfaces created with algorithms and programs that are Free Software including the entire operating system. It also includes description of their elaborations, both musical compositions with existing interfaces as for interfaces built in the light of musical and technological training of this composer. The compositions were presented during the Master's degree in performing arts in SEMPEM XIII, XIV and SEMPEM qualification and defense presentations. This research therefore is divided into two parts: Part A, which consists of the artistic part where the composer presents his work to the public hearing, and Part B, which consists of all written work, the scores and algorithms in computer language to this article.
Keywords: Electroacoustic Music, Interactive Interface, Free Software.
Este e um trabalho que investiga a possibilidade de composicao de obras musicais com interfaces i... more Este e um trabalho que investiga a possibilidade de composicao de obras musicais com interfaces interativas criadas com algoritmos e programas que sejam S oftwares Livres desde o sistema operacional. Inclui tambem, descricao de suas elaboracoes, tanto para as composicoes musicais com interfaces ja existentes como para as interfaces construidas a luz da formacao musical e tecnologica deste compositor. As composicoes foram apresentadas durante o curso de mestrado em apresentacoes artisticas nos SEMPEM XIII, SEMPEM XIV e apresentacoes de qualificacao e defesa. Este trabalho de pesquisa portanto se divide em duas partes: a Parte A, que consiste da parte artistica onde o compositor apresenta sua obra para audicao publica, e Parte B, que consiste em todo trabalho escrito, das partituras e algoritmos em linguagem computacional ao presente artigo.
This is a work investigating the possibility of composing musical works with interactive interfac... more This is a work investigating the possibility of composing musical works with interactive interfaces created with algorithms and programs that are Free Software including the entire operating system. It also includes description of their elaborations, both musical compositions with existing interfaces as for interfaces built in the light of musical and technological training of this composer. The compositions were presented during the Master's degree in performing arts in SEMPEM XIII, XIV and SEMPEM qualification and defense presentations. This research therefore is divided into two parts: Part A, which consists of the artistic part where the composer presents his work to the public hearing, and Part B, which consists of all written work, the scores and algorithms in computer language to this article.
Keywords: Electroacoustic Music, Interactive Interface, Free Software.