Sharon Lubkemann Allen - Academia.edu (original) (raw)
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Papers by Sharon Lubkemann Allen
Há algo atraente nos mapas antigos que traçam as rotas da navegação portuguesa enquanto obras de ... more Há algo atraente nos mapas antigos que traçam as rotas da navegação portuguesa enquanto obras de arte primorosamente desenhadas em pergaminho ou em papel precioso. Como artefactos históricos atravessados por linhas entrecruzadas ligando portos, cabos, e outras extrusões costeiras, traçando rumos com o sistema minucioso da rosa dos ventos que reflete tanto inovação como os limites da compreensão científica. Os mapas são também como artigos marcados pelo tempo, que foram arquivados, recuperados, reenquadrados em contextos culturais continuamente revistos. Do ponto de vista de um artista, estes mapas de navegação são convincentes, na medida em que refletem
Canadian Slavonic Papers, Sep 1, 2010
... Ruttenberg, Jim Rice, Sam Moyn, Janneke van de Stadt, Sasha Senderovich, Peter Atterton, Adam... more ... Ruttenberg, Jim Rice, Sam Moyn, Janneke van de Stadt, Sasha Senderovich, Peter Atterton, Adam Newton, Sandor Goodheart, Paul Mendes-Flohr, Dale and Lorna Peterson, Stanley ... Boris Brasol (New York: Charles Scribner, 1949) Emmanuel Levinas, Ethics and InWnity, trans ...
Film Amp History an Interdisciplinary Journal of Film and Television Studies, 2013
... Ruttenberg, Jim Rice, Sam Moyn, Janneke van de Stadt, Sasha Senderovich, Peter Atterton, Adam... more ... Ruttenberg, Jim Rice, Sam Moyn, Janneke van de Stadt, Sasha Senderovich, Peter Atterton, Adam Newton, Sandor Goodheart, Paul Mendes-Flohr, Dale and Lorna Peterson, Stanley ... Boris Brasol (New York: Charles Scribner, 1949) Emmanuel Levinas, Ethics and InWnity, trans ...
The Slavic and East European Journal, 2003
... word in these epic novels is ambivalent in respects that were not all recognized by Belinsky.... more ... word in these epic novels is ambivalent in respects that were not all recognized by Belinsky.7 The insight of the Rus-sian epic novel ... Beyond manner, it parodies the form of Dead Souls by ending precisely at the point where the teller announces "the beginning, one may say, the ...
The Slavic and East European Journal, 2002
Comparative Literature, 2002
... Page 5. COMPARATIVE LITERATURE /6 Il'icha" ("The Death of Ivan Il'ich,&qu... more ... Page 5. COMPARATIVE LITERATURE /6 Il'icha" ("The Death of Ivan Il'ich," 1886), among others-also illumine, to vary-ing degrees, the dying consciousness. ... Yet it relies on these other gazes: only in the eyes of another can the hero perceive himself, truly or falsely. ...
Studies in East European Thought, 2007
Dostoevskij's underground parody of confession paradoxically recovers an Orthodox morality by con... more Dostoevskij's underground parody of confession paradoxically recovers an Orthodox morality by constructing an unorthodox model of authority and authorship. The authenticity and authority of underground discourse are both contingent on self-conscious parody, which also mediates Orthodox community or sobornost'. This essay critically reconsiders ethical, aesthetic and cultural dimensions of the self-conscious interpolation of literary and religious discourses in Dostoevskij's Notes from Underground. Arguing with and against Bakhtinian readings, it reexamines the underground narrator's secularized, Romanticized sensibilities, cynical critique of humanism, sacrilegious modes of laughter, usurpation of authority, internalization of dialogue, literary stylization and parody, aesthetic and moral self-critique, and, finally, insistence on ''a new word.'' Keywords Underground AE Parody AE Confession AE Orthodox AE Carnival AE Dialogue Unorthodox confession, orthodox conscience: aesthetic authority in the underground In Notes from Underground Dostoevskij's parody of confession not only subverts the conventions of both Orthodox sacrament and a derivative Western literary tradition, but paradoxically recovers an Orthodox morality by constructing an unorthodox model of authority and authorship. This essay
Há algo atraente nos mapas antigos que traçam as rotas da navegação portuguesa enquanto obras de ... more Há algo atraente nos mapas antigos que traçam as rotas da navegação portuguesa enquanto obras de arte primorosamente desenhadas em pergaminho ou em papel precioso. Como artefactos históricos atravessados por linhas entrecruzadas ligando portos, cabos, e outras extrusões costeiras, traçando rumos com o sistema minucioso da rosa dos ventos que reflete tanto inovação como os limites da compreensão científica. Os mapas são também como artigos marcados pelo tempo, que foram arquivados, recuperados, reenquadrados em contextos culturais continuamente revistos. Do ponto de vista de um artista, estes mapas de navegação são convincentes, na medida em que refletem
Canadian Slavonic Papers, Sep 1, 2010
... Ruttenberg, Jim Rice, Sam Moyn, Janneke van de Stadt, Sasha Senderovich, Peter Atterton, Adam... more ... Ruttenberg, Jim Rice, Sam Moyn, Janneke van de Stadt, Sasha Senderovich, Peter Atterton, Adam Newton, Sandor Goodheart, Paul Mendes-Flohr, Dale and Lorna Peterson, Stanley ... Boris Brasol (New York: Charles Scribner, 1949) Emmanuel Levinas, Ethics and InWnity, trans ...
Film Amp History an Interdisciplinary Journal of Film and Television Studies, 2013
... Ruttenberg, Jim Rice, Sam Moyn, Janneke van de Stadt, Sasha Senderovich, Peter Atterton, Adam... more ... Ruttenberg, Jim Rice, Sam Moyn, Janneke van de Stadt, Sasha Senderovich, Peter Atterton, Adam Newton, Sandor Goodheart, Paul Mendes-Flohr, Dale and Lorna Peterson, Stanley ... Boris Brasol (New York: Charles Scribner, 1949) Emmanuel Levinas, Ethics and InWnity, trans ...
The Slavic and East European Journal, 2003
... word in these epic novels is ambivalent in respects that were not all recognized by Belinsky.... more ... word in these epic novels is ambivalent in respects that were not all recognized by Belinsky.7 The insight of the Rus-sian epic novel ... Beyond manner, it parodies the form of Dead Souls by ending precisely at the point where the teller announces "the beginning, one may say, the ...
The Slavic and East European Journal, 2002
Comparative Literature, 2002
... Page 5. COMPARATIVE LITERATURE /6 Il'icha" ("The Death of Ivan Il'ich,&qu... more ... Page 5. COMPARATIVE LITERATURE /6 Il'icha" ("The Death of Ivan Il'ich," 1886), among others-also illumine, to vary-ing degrees, the dying consciousness. ... Yet it relies on these other gazes: only in the eyes of another can the hero perceive himself, truly or falsely. ...
Studies in East European Thought, 2007
Dostoevskij's underground parody of confession paradoxically recovers an Orthodox morality by con... more Dostoevskij's underground parody of confession paradoxically recovers an Orthodox morality by constructing an unorthodox model of authority and authorship. The authenticity and authority of underground discourse are both contingent on self-conscious parody, which also mediates Orthodox community or sobornost'. This essay critically reconsiders ethical, aesthetic and cultural dimensions of the self-conscious interpolation of literary and religious discourses in Dostoevskij's Notes from Underground. Arguing with and against Bakhtinian readings, it reexamines the underground narrator's secularized, Romanticized sensibilities, cynical critique of humanism, sacrilegious modes of laughter, usurpation of authority, internalization of dialogue, literary stylization and parody, aesthetic and moral self-critique, and, finally, insistence on ''a new word.'' Keywords Underground AE Parody AE Confession AE Orthodox AE Carnival AE Dialogue Unorthodox confession, orthodox conscience: aesthetic authority in the underground In Notes from Underground Dostoevskij's parody of confession not only subverts the conventions of both Orthodox sacrament and a derivative Western literary tradition, but paradoxically recovers an Orthodox morality by constructing an unorthodox model of authority and authorship. This essay