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Siddiqa Singh

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Research paper thumbnail of Cinematography, A Medium in International Studies The Germination of a Documentary

Ñawi. Arte, diseño y comunicación, Jan 15, 2022

Research paper thumbnail of Cinematography, A Medium in International Studies The Germination of a Documentary

Ñawi

“The Genesis of a Documentary” is the opening article of a trilogy of articles applying research ... more “The Genesis of a Documentary” is the opening article of a trilogy of articles applying research and analysis to a cyclical phenomenon, namely the germination of an idea to a film, to turn it into a cinematographic reality conscious of social impact. This study concerns itself with the position of the researchers and the researched, being part of the former. Retracing the epistemology of an ever-evolving idea, like a kaleidoscope, the article pieces together the memory of key informants to get to the germination of threads of notions, which become a solid reality manifesting itself over time to turn into a cultural expression: a documentary film. Three authors, one article, and voices from the past culminate in a refined picture of the genesis of BROKEN-the-film, an altruistic attempt to continue the implementation of International Law for those whose voices cannot be heard. This article is testimony to the creation of an advocacy tool.

Research paper thumbnail of Cinematography, A Medium in International Studies The Germination of a Documentary

Ñawi. Arte, diseño y comunicación, Jan 15, 2022

Research paper thumbnail of Cinematography, A Medium in International Studies The Germination of a Documentary

Ñawi

“The Genesis of a Documentary” is the opening article of a trilogy of articles applying research ... more “The Genesis of a Documentary” is the opening article of a trilogy of articles applying research and analysis to a cyclical phenomenon, namely the germination of an idea to a film, to turn it into a cinematographic reality conscious of social impact. This study concerns itself with the position of the researchers and the researched, being part of the former. Retracing the epistemology of an ever-evolving idea, like a kaleidoscope, the article pieces together the memory of key informants to get to the germination of threads of notions, which become a solid reality manifesting itself over time to turn into a cultural expression: a documentary film. Three authors, one article, and voices from the past culminate in a refined picture of the genesis of BROKEN-the-film, an altruistic attempt to continue the implementation of International Law for those whose voices cannot be heard. This article is testimony to the creation of an advocacy tool.

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