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Papers by Susanne Jaschko
The Mobile Audience, 2011
This text is an excerpt from a paper which was researched on the basis of a grant by the Fondatio... more This text is an excerpt from a paper which was researched on the basis of a grant by the Fondation Daniel Langlois. Hence focus has been laid on the documents archived at the Foundation.
"This book documents and reflects on a project that tried to create an experimental local cu... more "This book documents and reflects on a project that tried to create an experimental local currency for the small island of Suomenlinna near Helsinki. The book describes the process that took place over the two-and-a-half-year duration of the project. It looks at the particular challenges faced by the project, as well as the broader topics of participatory practices and money as a social and material medium . The book is aimed at practitioners who work at the intersection of art, research and social action . It should be particularly useful for people working on alternative money models and projects . The first part of the book tells the story of the project through a series of vignettes that describe incidents that shaped the project, and give the reader an insight into the ambiguous dynamics of participatory processes . Each vignette is presented from the point of view of one or several project team members and focuses on their personal experiences . These vignettes are accompanied by related pictorial and textual artefacts that were produced during the project such as interview notes, newspaper articles, photos and money designs. The second part of the book positions the project in a wider context of participatory art and alternative money projects . It contains a number of commissioned and republished essays that reflect on the social, political, economic and artistic context of the project ."
Leonardo electronic almanac, 2014
What is Red Art? Or rather: what could Red Art be in today’s post-communist, post-utopian world, ... more What is Red Art? Or rather: what could Red Art be in today’s post-communist, post-utopian world, a world shaken by conflicts engendered by contrary beliefs and ideologies which have little to do with communism? A world in which countries and societies are disrupted by territorial disputes, and by bloody fights about questions of religious identity, national identity, and ideology? Where communism has been overrun by capitalism with rare exception; where the European left movement is weak. Where the post-industrial era has produced an economic reality that is orders of magnitude more complex, transnational and therefore more difficult to control or change, than history has ever seen. In this situation, can there (still) be art that deals with ideas of communism constructively, or does contemporary art look at communist ideals only with nostalgia?
Die in der DDR entstandene große Zahl von Selbstporträts und die in der DDR-Kulturpolitik veranke... more Die in der DDR entstandene große Zahl von Selbstporträts und die in der DDR-Kulturpolitik verankerte gesellschaftliche Rolle des Künstlers, der sich als Kulturarbeiter verstehen sollte und dessen kreativem Schaffensprozess die gleiche Wertigkeit wie alle anderen ...
Arte Y Politicas De Identidad, 2013
Der Spatial Turn und die neue Emotionsforschung, 2011
Eine Typologie für Ausstellungsgestalter, Architekten und Museologen. A Typology for Architects, Designers and Museum Professionals, 2012
Essay in 'Autopsy of an Island Currency', Pixelache, 2014
This book documents an attempt to create an experimental local currency for the small island of S... more This book documents an attempt to create an experimental local currency for the small island of Suomenlinna in Helsinki. It describes
the surprising challenges faced by the project from multiple points of view. It explores the issue of participatory practices and money as a social & material medium through a number of commissioned essays by theoreticians and practitioners. The book is aimed at people who work at the intersection of art, research and social acton and should be particularly useful for those working on alternative money models and projects.
Article in Public Art Review, Vol. 21, No 1, Issue 41, Minnesota, USA, Winter 09
Die in der DDR entstandene große Zahl von Selbstporträts und die in der DDR-Kulturpolitik veranke... more Die in der DDR entstandene große Zahl von Selbstporträts und die in der DDR-Kulturpolitik verankerte gesellschaftliche Rolle des Künstlers, der sich als Kulturarbeiter verstehen sollte und dessen kreativem Schaffensprozess die gleiche Wertigkeit wie alle anderen ...
Inter: Art actuel, Jan 1, 2011
Susanne Jaschko est une commissaire en art contemporain qui vit et travaille à Berlin, en Allemag... more Susanne Jaschko est une commissaire en art contemporain qui vit et travaille à Berlin, en Allemagne. Après s'être concentrée principalement sur les arts médiatiques, elle a récemment fondé Prozessagenten, une organisation basée sur les réseaux, qui fait de la recherche ...
Snore Louder if You Can, The Substation, Singapore
Les percées technologiques accélèrent les voyages et multiplient les distances qu'on peut par... more Les percées technologiques accélèrent les voyages et multiplient les distances qu'on peut parcourir en un temps donné. Simultanément, le voyageur moderne désire de plus en plus rester en contact avec la maison. Les appareils mobiles lui permettent de combler ce désir ...
Generator. x, Jan 1, 2005
The Mobile Audience, 2011
This text is an excerpt from a paper which was researched on the basis of a grant by the Fondatio... more This text is an excerpt from a paper which was researched on the basis of a grant by the Fondation Daniel Langlois. Hence focus has been laid on the documents archived at the Foundation.
"This book documents and reflects on a project that tried to create an experimental local cu... more "This book documents and reflects on a project that tried to create an experimental local currency for the small island of Suomenlinna near Helsinki. The book describes the process that took place over the two-and-a-half-year duration of the project. It looks at the particular challenges faced by the project, as well as the broader topics of participatory practices and money as a social and material medium . The book is aimed at practitioners who work at the intersection of art, research and social action . It should be particularly useful for people working on alternative money models and projects . The first part of the book tells the story of the project through a series of vignettes that describe incidents that shaped the project, and give the reader an insight into the ambiguous dynamics of participatory processes . Each vignette is presented from the point of view of one or several project team members and focuses on their personal experiences . These vignettes are accompanied by related pictorial and textual artefacts that were produced during the project such as interview notes, newspaper articles, photos and money designs. The second part of the book positions the project in a wider context of participatory art and alternative money projects . It contains a number of commissioned and republished essays that reflect on the social, political, economic and artistic context of the project ."
Leonardo electronic almanac, 2014
What is Red Art? Or rather: what could Red Art be in today’s post-communist, post-utopian world, ... more What is Red Art? Or rather: what could Red Art be in today’s post-communist, post-utopian world, a world shaken by conflicts engendered by contrary beliefs and ideologies which have little to do with communism? A world in which countries and societies are disrupted by territorial disputes, and by bloody fights about questions of religious identity, national identity, and ideology? Where communism has been overrun by capitalism with rare exception; where the European left movement is weak. Where the post-industrial era has produced an economic reality that is orders of magnitude more complex, transnational and therefore more difficult to control or change, than history has ever seen. In this situation, can there (still) be art that deals with ideas of communism constructively, or does contemporary art look at communist ideals only with nostalgia?
Die in der DDR entstandene große Zahl von Selbstporträts und die in der DDR-Kulturpolitik veranke... more Die in der DDR entstandene große Zahl von Selbstporträts und die in der DDR-Kulturpolitik verankerte gesellschaftliche Rolle des Künstlers, der sich als Kulturarbeiter verstehen sollte und dessen kreativem Schaffensprozess die gleiche Wertigkeit wie alle anderen ...
Arte Y Politicas De Identidad, 2013
Der Spatial Turn und die neue Emotionsforschung, 2011
Eine Typologie für Ausstellungsgestalter, Architekten und Museologen. A Typology for Architects, Designers and Museum Professionals, 2012
Essay in 'Autopsy of an Island Currency', Pixelache, 2014
This book documents an attempt to create an experimental local currency for the small island of S... more This book documents an attempt to create an experimental local currency for the small island of Suomenlinna in Helsinki. It describes
the surprising challenges faced by the project from multiple points of view. It explores the issue of participatory practices and money as a social & material medium through a number of commissioned essays by theoreticians and practitioners. The book is aimed at people who work at the intersection of art, research and social acton and should be particularly useful for those working on alternative money models and projects.
Article in Public Art Review, Vol. 21, No 1, Issue 41, Minnesota, USA, Winter 09
Die in der DDR entstandene große Zahl von Selbstporträts und die in der DDR-Kulturpolitik veranke... more Die in der DDR entstandene große Zahl von Selbstporträts und die in der DDR-Kulturpolitik verankerte gesellschaftliche Rolle des Künstlers, der sich als Kulturarbeiter verstehen sollte und dessen kreativem Schaffensprozess die gleiche Wertigkeit wie alle anderen ...
Inter: Art actuel, Jan 1, 2011
Susanne Jaschko est une commissaire en art contemporain qui vit et travaille à Berlin, en Allemag... more Susanne Jaschko est une commissaire en art contemporain qui vit et travaille à Berlin, en Allemagne. Après s'être concentrée principalement sur les arts médiatiques, elle a récemment fondé Prozessagenten, une organisation basée sur les réseaux, qui fait de la recherche ...
Snore Louder if You Can, The Substation, Singapore
Les percées technologiques accélèrent les voyages et multiplient les distances qu'on peut par... more Les percées technologiques accélèrent les voyages et multiplient les distances qu'on peut parcourir en un temps donné. Simultanément, le voyageur moderne désire de plus en plus rester en contact avec la maison. Les appareils mobiles lui permettent de combler ce désir ...
Generator. x, Jan 1, 2005