Takuro Shibayama - Academia.edu (original) (raw)

Takuro Shibayama

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Christian Utz

University of Music and Performing Arts Graz (Austria)

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Antonio Ezquerro

CSIC (Consejo Superior de Investigaciones Científicas-Spanish National Research Council)

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Papers by Takuro Shibayama

Research paper thumbnail of 音楽情動研究の動向 : 歴史・計測・理論の視点から

Research paper thumbnail of Music Generation System Based on Human Instinctive Creativity

Most human beings, not only composers, have musical creativity; they can hum and whistle without ... more Most human beings, not only composers, have musical creativity; they can hum and whistle without musical education. We focused on the creativity of creating simple melodies such as humming, and developed a system that generated three melodies based on the physical relationship of notes and probability density functions. We confirmed that the system could create simple melodies like humming and whistling. Moreover, we confirmed that the output melodies of the system included various musical elements such as mode, scale, and rhythm.

Research paper thumbnail of A Tentative Assumption of Electroacoustic Music as an Enjoyable Music for Diverse People

A Tentative Assumption of Electroacoustic Music as an Enjoyable Music for Diverse People

Music went through a huge transformation between the end of the 19th century and the beginning of... more Music went through a huge transformation between the end of the 19th century and the beginning of the 20th. Part of this transformation involved the separation of music intended for entertainment, which everyone can enjoy, and music that is primarily artistic and philosophical. The latter became more esoteric: today this type of ‘artistic’ music is often called ‘contemporary music’, and it has yet to win many supporters. The reason for this is believed to be that the artistic expression of music is ‘difficult’ for many people to interpret. However, we disprove this theory, developing a workshop aimed at creating electroacoustic, or contemporary, music with a diverse group of people. From these workshops, we determine that electroacoustic music is actually experienced as ‘enjoyable’ by many people. This paper describes our tentative assumption that both our artistic and research activities support this idea, and its implications to integrating aesthetic and philosophical points of view.

Research paper thumbnail of 人間の因果推論にみられる認知バイアスに基づいたメロディ生成システム

人間の因果推論にみられる認知バイアスに基づいたメロディ生成システム

Journal of Japan Society for Fuzzy Theory and Intelligent Informatics, 2012

Research paper thumbnail of 音楽情動研究の動向 : 歴史・計測・理論の視点から

Research paper thumbnail of Music Generation System Based on Human Instinctive Creativity

Most human beings, not only composers, have musical creativity; they can hum and whistle without ... more Most human beings, not only composers, have musical creativity; they can hum and whistle without musical education. We focused on the creativity of creating simple melodies such as humming, and developed a system that generated three melodies based on the physical relationship of notes and probability density functions. We confirmed that the system could create simple melodies like humming and whistling. Moreover, we confirmed that the output melodies of the system included various musical elements such as mode, scale, and rhythm.

Research paper thumbnail of A Tentative Assumption of Electroacoustic Music as an Enjoyable Music for Diverse People

A Tentative Assumption of Electroacoustic Music as an Enjoyable Music for Diverse People

Music went through a huge transformation between the end of the 19th century and the beginning of... more Music went through a huge transformation between the end of the 19th century and the beginning of the 20th. Part of this transformation involved the separation of music intended for entertainment, which everyone can enjoy, and music that is primarily artistic and philosophical. The latter became more esoteric: today this type of ‘artistic’ music is often called ‘contemporary music’, and it has yet to win many supporters. The reason for this is believed to be that the artistic expression of music is ‘difficult’ for many people to interpret. However, we disprove this theory, developing a workshop aimed at creating electroacoustic, or contemporary, music with a diverse group of people. From these workshops, we determine that electroacoustic music is actually experienced as ‘enjoyable’ by many people. This paper describes our tentative assumption that both our artistic and research activities support this idea, and its implications to integrating aesthetic and philosophical points of view.

Research paper thumbnail of 人間の因果推論にみられる認知バイアスに基づいたメロディ生成システム

人間の因果推論にみられる認知バイアスに基づいたメロディ生成システム

Journal of Japan Society for Fuzzy Theory and Intelligent Informatics, 2012

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