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Papers by Timothy N D Easton
Proceedings of the Suffolk Institute of Archaeology and History vol. XXXVIII pt 1, 1993
SPAB winter magazine , 2018
Doors scribed with protective symbols. An explanation about three doors shown in the 2018 'SPELLB... more Doors scribed with protective symbols.
An explanation about three doors shown in the 2018 'SPELLBOUND' exhibition at the Ashmolean Museum, Oxford.
The recording of apotropaic circular symbols intended to give protection to agricultural building... more The recording of apotropaic circular symbols intended to give protection to agricultural buildings against several possible threats. Most of these are found in England, but are beginning to be found in Tasmanian buildings and most recently in France.
Before the move in the 70s and 80s to convert barns and stables into homes I made notes of the ci... more Before the move in the 70s and 80s to convert barns and stables into homes I made notes of the circular symbols I saw inscribed on their plastered internal surfaces. I began to think that their original purpose might be as protective (apotropaic) symbols against agricultural misfortunes especially damage to stored crops and animals believed to be caused by the interference of malevolent spirits. Subsequently such symbols have proved to be extensively distributed across many parts of Britain, on a variety of materials.
EXAMINING THE REASON THE VV SYMBOL, AS WELL AS Ms were applied to the surfaces of buildings for a... more EXAMINING THE REASON THE VV SYMBOL, AS WELL AS Ms were applied to the surfaces of buildings for apotropaic purposes, their origins derived from the Virgin Mary's monograms, but their changed meanings divorced from any association with her during the later 16th century and beyond.
AN EXAMINATION OF SOME OLDER PRACTICES ASSOCIATED WITH THE END OF OLD CHRISTMAS, INCLUDING SOME A... more AN EXAMINATION OF SOME OLDER PRACTICES ASSOCIATED WITH THE END OF OLD CHRISTMAS, INCLUDING SOME APOTROPAIC RITUALS FOR PROTECTING THE FAMILY AND THEIR WAYS OF LIFE FOR THE COMING YEAR
THE POSSIBLE ORIGINS OF WELL KNOWN DECORATED 16TH AND 17TH CENTURY HIGHLY VALUED CHESTS, USUALLY ... more THE POSSIBLE ORIGINS OF WELL KNOWN DECORATED 16TH AND 17TH CENTURY HIGHLY VALUED CHESTS, USUALLY DESCRIBED AS NORTHERN ITALIAN, BUT NOW THOUGHT TO ORIGINATE FROM CRETE
Post-Medieval Archaeology, 1986
Apotropaic symbols: a classification of the different forms of circular patterns found in houses,... more Apotropaic symbols: a classification of the different forms of circular patterns found in houses, barns and churches and some early origins.
Apotropaic symbols: a classification of the different forms of circular patterns found in houses,... more Apotropaic symbols: a classification of the different forms of circular patterns found in houses, barns and churches and some early origins.
The influence and taste of an early 17th century owner of a Suffolk timber framed house for its ... more The influence and taste of an early 17th century owner of a Suffolk timber framed house for its room arrangements, taste in the new style of plain decoration with hints of classicism, and a 'magical' ceiling to protect a new kitchen of 1620.
The earliest rural police house and cells in England
EARLY CHURCH MUSIC and APOTROPAIC
Discovery of parts from two early 16th century church instruments that led to their reconstructio... more Discovery of parts from two early 16th century church instruments that led to their reconstructions.This allowed their sounds to be heard once more in concerts and recordings. Apotropaic reasons for hiding one within house walls discussed.
PRESENTATION OF A POSSIBLE SCHEME TO DECORATE THE NEW SHAKESPEARE'S GLOBE THEATRE, LONDON WITH CO... more PRESENTATION OF A POSSIBLE SCHEME TO DECORATE THE NEW SHAKESPEARE'S GLOBE THEATRE, LONDON WITH COLOUR APPROPRIATE FOR 1599. THIS PAPER DISCUSS THE ORIGIN FOR CONSTRUCTING SUCH ENTERTAINMENT GRANDSTANDS IN THE LATE 16TH AND EARLY 17TH CENTURY
PAINTED BRICKWORK FROM ROMAN BRICKWORK TO THE 18TH CENTURY
SOME METHODS USED TO DEPICT IMITATION BRICK COURSES APPLIED TO PLASTER, WOOD OR BRICK ON INTERNAL... more SOME METHODS USED TO DEPICT IMITATION BRICK COURSES APPLIED TO PLASTER, WOOD OR BRICK ON INTERNAL AND EXTERNAL SURFACES: FRO 'MEDIEVAL EUROPE BRUGGE', 1997 CONFERENCE
EXPERIMENTAL RECONSTRUCTION OF EARLY COLOUR SCHEMES ON A 17TH CENTURY BRICK HOUSE.
AN OVERVIEW OF THE ORIGINAL COLOURED SURFACES OF MOST EARLY BRICK BUILDINGS AND THE USE OF MORTAR... more AN OVERVIEW OF THE ORIGINAL COLOURED SURFACES OF MOST EARLY BRICK BUILDINGS AND THE USE OF MORTAR IN IMITATION OF STONE
Proceedings of the Suffolk Institute of Archaeology and History vol. XXXVIII pt 1, 1993
SPAB winter magazine , 2018
Doors scribed with protective symbols. An explanation about three doors shown in the 2018 'SPELLB... more Doors scribed with protective symbols.
An explanation about three doors shown in the 2018 'SPELLBOUND' exhibition at the Ashmolean Museum, Oxford.
The recording of apotropaic circular symbols intended to give protection to agricultural building... more The recording of apotropaic circular symbols intended to give protection to agricultural buildings against several possible threats. Most of these are found in England, but are beginning to be found in Tasmanian buildings and most recently in France.
Before the move in the 70s and 80s to convert barns and stables into homes I made notes of the ci... more Before the move in the 70s and 80s to convert barns and stables into homes I made notes of the circular symbols I saw inscribed on their plastered internal surfaces. I began to think that their original purpose might be as protective (apotropaic) symbols against agricultural misfortunes especially damage to stored crops and animals believed to be caused by the interference of malevolent spirits. Subsequently such symbols have proved to be extensively distributed across many parts of Britain, on a variety of materials.
EXAMINING THE REASON THE VV SYMBOL, AS WELL AS Ms were applied to the surfaces of buildings for a... more EXAMINING THE REASON THE VV SYMBOL, AS WELL AS Ms were applied to the surfaces of buildings for apotropaic purposes, their origins derived from the Virgin Mary's monograms, but their changed meanings divorced from any association with her during the later 16th century and beyond.
AN EXAMINATION OF SOME OLDER PRACTICES ASSOCIATED WITH THE END OF OLD CHRISTMAS, INCLUDING SOME A... more AN EXAMINATION OF SOME OLDER PRACTICES ASSOCIATED WITH THE END OF OLD CHRISTMAS, INCLUDING SOME APOTROPAIC RITUALS FOR PROTECTING THE FAMILY AND THEIR WAYS OF LIFE FOR THE COMING YEAR
THE POSSIBLE ORIGINS OF WELL KNOWN DECORATED 16TH AND 17TH CENTURY HIGHLY VALUED CHESTS, USUALLY ... more THE POSSIBLE ORIGINS OF WELL KNOWN DECORATED 16TH AND 17TH CENTURY HIGHLY VALUED CHESTS, USUALLY DESCRIBED AS NORTHERN ITALIAN, BUT NOW THOUGHT TO ORIGINATE FROM CRETE
Post-Medieval Archaeology, 1986
Apotropaic symbols: a classification of the different forms of circular patterns found in houses,... more Apotropaic symbols: a classification of the different forms of circular patterns found in houses, barns and churches and some early origins.
Apotropaic symbols: a classification of the different forms of circular patterns found in houses,... more Apotropaic symbols: a classification of the different forms of circular patterns found in houses, barns and churches and some early origins.
The influence and taste of an early 17th century owner of a Suffolk timber framed house for its ... more The influence and taste of an early 17th century owner of a Suffolk timber framed house for its room arrangements, taste in the new style of plain decoration with hints of classicism, and a 'magical' ceiling to protect a new kitchen of 1620.
The earliest rural police house and cells in England
EARLY CHURCH MUSIC and APOTROPAIC
Discovery of parts from two early 16th century church instruments that led to their reconstructio... more Discovery of parts from two early 16th century church instruments that led to their reconstructions.This allowed their sounds to be heard once more in concerts and recordings. Apotropaic reasons for hiding one within house walls discussed.
PRESENTATION OF A POSSIBLE SCHEME TO DECORATE THE NEW SHAKESPEARE'S GLOBE THEATRE, LONDON WITH CO... more PRESENTATION OF A POSSIBLE SCHEME TO DECORATE THE NEW SHAKESPEARE'S GLOBE THEATRE, LONDON WITH COLOUR APPROPRIATE FOR 1599. THIS PAPER DISCUSS THE ORIGIN FOR CONSTRUCTING SUCH ENTERTAINMENT GRANDSTANDS IN THE LATE 16TH AND EARLY 17TH CENTURY
PAINTED BRICKWORK FROM ROMAN BRICKWORK TO THE 18TH CENTURY
SOME METHODS USED TO DEPICT IMITATION BRICK COURSES APPLIED TO PLASTER, WOOD OR BRICK ON INTERNAL... more SOME METHODS USED TO DEPICT IMITATION BRICK COURSES APPLIED TO PLASTER, WOOD OR BRICK ON INTERNAL AND EXTERNAL SURFACES: FRO 'MEDIEVAL EUROPE BRUGGE', 1997 CONFERENCE
EXPERIMENTAL RECONSTRUCTION OF EARLY COLOUR SCHEMES ON A 17TH CENTURY BRICK HOUSE.
AN OVERVIEW OF THE ORIGINAL COLOURED SURFACES OF MOST EARLY BRICK BUILDINGS AND THE USE OF MORTAR... more AN OVERVIEW OF THE ORIGINAL COLOURED SURFACES OF MOST EARLY BRICK BUILDINGS AND THE USE OF MORTAR IN IMITATION OF STONE
ICOMOS SYMPOSIUM ARTICLE, YORK, UK, 2018
Apotropaic symbols were scribed by British craftsmen into timber building components from the 16t... more Apotropaic symbols were scribed by British craftsmen into timber building components from the 16th century onwards. Later symbols, burn marks and identity marks were added by other individuals. Recording these accurately presents challenges, especially if the original surfaces have become degraded. Assembling photographic images and translating them into accurate drawings encourages the owners to appreciate what they possess, and others to understand them. This then allows for discussion and the education of those who work with the timber heritage. It also leads to informed conservation and some elucidation of the hidden spiritual values of the occupiers of such buildings.
Timothy Easton