Haluk Yüksel - Academia.edu (original) (raw)

Papers by Haluk Yüksel

Research paper thumbnail of İletişiminin Tanımı ve Temel Bileşenleri

Pegem Akademi Yayıncılık eBooks, 2019

Research paper thumbnail of Gelenekselden Güncele, Brezilya Modasında Zanaat Uygulamaları: Martha Medeiros ve Marcia Ganem

Brezilya’nın kolonileştirilmesi sürecinden bu yana, neredeyse dünyanın her yerinden pek çok farkl... more Brezilya’nın kolonileştirilmesi sürecinden bu yana, neredeyse dünyanın her yerinden pek çok farklı topluluk ülkenin çeşitli yerlerine yerleşmiştir. Bu topluluklar kendi kültürlerine ait unsurları da şüphesiz beraberinde getirmiş ve kültürlerin kaynaşması ile pek çok farklı kültür unsuru bölgenin çeşitli yerlerine dağılıp melezleşmiştir. Bu nedenle, giyim bakımından Brezilya birçok farklı geleneksel giyim biçiminin görüldüğü ve bu biçimlerinin birbiri ile kaynaştığı bir yer haline gelmiş; buna benzer olarak birçok farklı tekstil zanaatı uygulaması da ülkede yaşama imkanı bulmuştur. Brezilya modasında, geleneksel zanaat uygulamaları modernleştirilmiş bir biçimde Brezilyalı moda tasarımcıları tarafından kullanılmakta ve Brezilya modasına uluslararası moda sahnesinde kimlik kazandıran önemli bir unsur olarak karşımıza çıkmaktadır. Moda; geleneksel el işçiliğini sembolik anlamlarla donatılmış bir alana taşımanın yollarından biridir ve geleneksel el işçiliğinden temellenen yeni estetik biçimler ve değerler etrafında üretilmiş katma değeri yüksek ürünler üretmek bölgelerin ve ülkenin ekonomisine katkı sağlamaktadır. Bu araştırmada, hem Brezilya hem uluslararası moda sahnesinde isimlerinden söz ettiren ve Brezilya’da yaygın bir geleneksel el işçiliği olan Rönesans dantelini güncel tasarımlarında kullanan iki moda tasarımcısı Martha Medeiros ve Marcia Ganem tanıtılacak ve bu tasarımcıların çalışmaları gelenekseli güncele dönüştürme fikri ışığında ele alınacaktır. From the colonization period of Brazil, many various communities from almost all over the world have settled in various places around the region. Undoubtedly, these communities have brought their cultural beliefs and practices as well as the ways of creating and transforming the aesthetic and artisanal objects with themselves. By the cultural amalgamation, various cultural elements have spread throughout the region and hybridized. In terms of textiles and clothing, in Brazil, it is possible to recognize so many different ways of traditional clothing and also artisanal applications and practices based on textiles. In the contemporary Brazilian fashion, it has become common to fashion designers and luxury fashion-lifestyle brands to employ modernized versions of these artisanal applications and practices in their collections. In addition to this, employing traditional artisanal applications and practices in the contemporary Brazilian fashion is also a significant branding strategy that provides the opportunity of gaining recognition in the international fashion scene to the Brazilian fashion and Brazilian fashion-lifestyle brands. So that, fashion is a way of moving the traditional handcraft to a sphere surrounded by symbolic meanings. Also, producing products with high added value based on traditional handcrafts through new aesthetic values and approaches contributes the regional and national economy and development. In this study, I introduce two well-known Brazilian fashion designers, Martha Medeiros and Marcia Hanem, whose works are based on a traditional handcraft common to northern regions of Brazil, Renaissance Lace, and examine their designs in the light of the notion of transforming the traditional into the contemporary.

Research paper thumbnail of Konuşma ve Dinleme

Research paper thumbnail of Using Learning Technologies

Research paper thumbnail of The World of Open and Distance Learning

Citeseer

Dear readers of TOJDE, Welcome to the fourth issue of The Turkish Online Journal of Distance Educ... more Dear readers of TOJDE, Welcome to the fourth issue of The Turkish Online Journal of Distance Education-TOJDE, which is an online publication of the Anadolu University in Eskisehir, Turkey. Some of my thoughts are well known from the back issue's readers of TOJDE ...

Research paper thumbnail of Religious Language on Social Media: Perspectives of Content Producers and Users

Medya ve Din Araştırmaları Dergisi, 2023

Nowadays, when the distinction between the digital and physical worlds is becoming less and less ... more Nowadays, when the distinction between the digital and physical worlds is becoming less and less clear, social media is becoming the most important platform to meet people's communication needs. People are increasingly using social media to access the information they need about their beliefs as well as many other issues. While some of those who produce religious content on social media continue to convey their messages using traditional religious language, some content producers produce content in accordance with the popular language of social media. In this study, the issue of how the religious language in social media should be addressed by referring to the opinions of both content producers and social media users. In the research conducted within the study, semi-structured interviews were made with 27 social media users and 5 content producers, and the collected data were analyzed by descriptive analysis method. According to the findings, the language that social media users and content producers should use when sharing religious content on social media should be consistent, sincere, away from financial expectations, concise, tolerant, aesthetic, appropriate to the language of youth and holistic. In addition, religious content should be away from prohibitive language and should not distort the essence of religious values for the sake of popularity.

Research paper thumbnail of İletişiminin Tanımı ve Temel Bileşenleri

Pegem Akademi Yayıncılık eBooks, 2019

Research paper thumbnail of Gelenekselden Güncele, Brezilya Modasında Zanaat Uygulamaları: Martha Medeiros ve Marcia Ganem

Brezilya’nın kolonileştirilmesi sürecinden bu yana, neredeyse dünyanın her yerinden pek çok farkl... more Brezilya’nın kolonileştirilmesi sürecinden bu yana, neredeyse dünyanın her yerinden pek çok farklı topluluk ülkenin çeşitli yerlerine yerleşmiştir. Bu topluluklar kendi kültürlerine ait unsurları da şüphesiz beraberinde getirmiş ve kültürlerin kaynaşması ile pek çok farklı kültür unsuru bölgenin çeşitli yerlerine dağılıp melezleşmiştir. Bu nedenle, giyim bakımından Brezilya birçok farklı geleneksel giyim biçiminin görüldüğü ve bu biçimlerinin birbiri ile kaynaştığı bir yer haline gelmiş; buna benzer olarak birçok farklı tekstil zanaatı uygulaması da ülkede yaşama imkanı bulmuştur. Brezilya modasında, geleneksel zanaat uygulamaları modernleştirilmiş bir biçimde Brezilyalı moda tasarımcıları tarafından kullanılmakta ve Brezilya modasına uluslararası moda sahnesinde kimlik kazandıran önemli bir unsur olarak karşımıza çıkmaktadır. Moda; geleneksel el işçiliğini sembolik anlamlarla donatılmış bir alana taşımanın yollarından biridir ve geleneksel el işçiliğinden temellenen yeni estetik biçimler ve değerler etrafında üretilmiş katma değeri yüksek ürünler üretmek bölgelerin ve ülkenin ekonomisine katkı sağlamaktadır. Bu araştırmada, hem Brezilya hem uluslararası moda sahnesinde isimlerinden söz ettiren ve Brezilya’da yaygın bir geleneksel el işçiliği olan Rönesans dantelini güncel tasarımlarında kullanan iki moda tasarımcısı Martha Medeiros ve Marcia Ganem tanıtılacak ve bu tasarımcıların çalışmaları gelenekseli güncele dönüştürme fikri ışığında ele alınacaktır. From the colonization period of Brazil, many various communities from almost all over the world have settled in various places around the region. Undoubtedly, these communities have brought their cultural beliefs and practices as well as the ways of creating and transforming the aesthetic and artisanal objects with themselves. By the cultural amalgamation, various cultural elements have spread throughout the region and hybridized. In terms of textiles and clothing, in Brazil, it is possible to recognize so many different ways of traditional clothing and also artisanal applications and practices based on textiles. In the contemporary Brazilian fashion, it has become common to fashion designers and luxury fashion-lifestyle brands to employ modernized versions of these artisanal applications and practices in their collections. In addition to this, employing traditional artisanal applications and practices in the contemporary Brazilian fashion is also a significant branding strategy that provides the opportunity of gaining recognition in the international fashion scene to the Brazilian fashion and Brazilian fashion-lifestyle brands. So that, fashion is a way of moving the traditional handcraft to a sphere surrounded by symbolic meanings. Also, producing products with high added value based on traditional handcrafts through new aesthetic values and approaches contributes the regional and national economy and development. In this study, I introduce two well-known Brazilian fashion designers, Martha Medeiros and Marcia Hanem, whose works are based on a traditional handcraft common to northern regions of Brazil, Renaissance Lace, and examine their designs in the light of the notion of transforming the traditional into the contemporary.

Research paper thumbnail of Konuşma ve Dinleme

Research paper thumbnail of Using Learning Technologies

Research paper thumbnail of The World of Open and Distance Learning

Citeseer

Dear readers of TOJDE, Welcome to the fourth issue of The Turkish Online Journal of Distance Educ... more Dear readers of TOJDE, Welcome to the fourth issue of The Turkish Online Journal of Distance Education-TOJDE, which is an online publication of the Anadolu University in Eskisehir, Turkey. Some of my thoughts are well known from the back issue's readers of TOJDE ...

Research paper thumbnail of Religious Language on Social Media: Perspectives of Content Producers and Users

Medya ve Din Araştırmaları Dergisi, 2023

Nowadays, when the distinction between the digital and physical worlds is becoming less and less ... more Nowadays, when the distinction between the digital and physical worlds is becoming less and less clear, social media is becoming the most important platform to meet people's communication needs. People are increasingly using social media to access the information they need about their beliefs as well as many other issues. While some of those who produce religious content on social media continue to convey their messages using traditional religious language, some content producers produce content in accordance with the popular language of social media. In this study, the issue of how the religious language in social media should be addressed by referring to the opinions of both content producers and social media users. In the research conducted within the study, semi-structured interviews were made with 27 social media users and 5 content producers, and the collected data were analyzed by descriptive analysis method. According to the findings, the language that social media users and content producers should use when sharing religious content on social media should be consistent, sincere, away from financial expectations, concise, tolerant, aesthetic, appropriate to the language of youth and holistic. In addition, religious content should be away from prohibitive language and should not distort the essence of religious values for the sake of popularity.