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Research paper thumbnail of ‘Voices of nature and the soul’: Fowl Sensations and Ideas in Aesthetic Paintings by Spartali Stillman and De Morgan

HAL (Le Centre pour la Communication Scientifique Directe), Jul 13, 2022

Research paper thumbnail of Re-Dressing Oscar Wilde’s Fairy Tales: a Transnational Approach to Illustrated Editions of 'A House of Pomegranates' in the 20th and 21st centuries

HAL (Le Centre pour la Communication Scientifique Directe), May 7, 2023

Research paper thumbnail of A Dress of One’s Own : Craft Transmission and Ecopolitics for Girls in Jessie M. King's 'Cinderella' (1924)

HAL (Le Centre pour la Communication Scientifique Directe), May 31, 2023

Research paper thumbnail of The Illustrator as Critic: Desire, Curiosity and the Myth of Persephone in Jessie Marion King's Illustrations for Oscar Wilde's "A House of Pomegranates

HAL (Le Centre pour la Communication Scientifique Directe), Jun 27, 2019

Research paper thumbnail of Livre d’art, livre d’exception ?

HAL (Le Centre pour la Communication Scientifique Directe), Jun 5, 2019

Research paper thumbnail of La vision en sphères séparées dans l'Angleterre des années 1890

HAL (Le Centre pour la Communication Scientifique Directe), Dec 31, 1997

Research paper thumbnail of Art and Womanhood in Fin-de-Siècle Writing

HAL (Le Centre pour la Communication Scientifique Directe), 2011

Research paper thumbnail of Art and Womanhood in Fin-de-Siecle Writing

Routledge eBooks, Oct 6, 2015

Research paper thumbnail of Artist Stories of the 1890s: Life, Art and Sacrice

Research paper thumbnail of La « nouvelle » critique d’art de The Studio Magazine (1893-1900)

Research paper thumbnail of The Lay Figure Speaks

HAL (Le Centre pour la Communication Scientifique Directe), 2008

Research paper thumbnail of SHERRY Vincent, Modernism and the Reinvention of Decadence. New York: Cambridge University Press, 2015 (333 p.). ISBN 978-1107079328

Recent editor of The Cambridge History of Modernism (New York: Cambridge University Press, 2017),... more Recent editor of The Cambridge History of Modernism (New York: Cambridge University Press, 2017), Vincent Sherry is a preeminent specialist of British and Irish modernism, the literature of the First World War, and authors such as T. S. Eliot, James Joyce, Wyndham Lewis, and Ezra Pound. But he has also had a long-standing interest in the notions of literary lateness vs. modernity, in fin de siecle decadence, and in the art of reading modernism backward—from the 1920s to the 1890s. His latest ...

Research paper thumbnail of SHERRY Vincent, Modernism and the Reinvention of Decadence

Etudes britanniques contemporaines, Nov 1, 2018

Recent editor of The Cambridge History of Modernism (New York: Cambridge University Press, 2017),... more Recent editor of The Cambridge History of Modernism (New York: Cambridge University Press, 2017), Vincent Sherry is a preeminent specialist of British and Irish modernism, the literature of the First World War, and authors such as T. S. Eliot, James Joyce, Wyndham Lewis, and Ezra Pound. But he has also had a long-standing interest in the notions of literary lateness vs. modernity, in fin de siècle decadence, and in the art of reading modernism backward—from the 1920s to the 1890s. His latest ..

Research paper thumbnail of Nature, contre-nature et supernature dans "The Portrait of a Lady

HAL (Le Centre pour la Communication Scientifique Directe), 1998

Research paper thumbnail of Introduction. Women’s Public Voice and Political Agency: Rethinking the Representation of the People Act 1918

Caliban. French Journal of English Studies, Nov 10, 2019

Research paper thumbnail of Laurence Talairach-Vielmas, Moulding the Female Body in Victorian Fairy Tales and Sensation Novels

Cahiers Victoriens & Edouardiens, Dec 30, 2008

The centerpiece of chapter 3 is Tennyson's The Princess, which again illustrates "efforts to resc... more The centerpiece of chapter 3 is Tennyson's The Princess, which again illustrates "efforts to rescue the individual from insignificance" (65), efforts Zimmerman connects to the assertion and undermining of female significance (her book also applies geological interpretation to class structure and imperialism). Chapter 4 concerns archaeology, using parallels that Victorians perceived between the ruins of ancient London and those of Pompeii, which were excavated and interpreted along similar geology-influenced lines. Employing the archaeological model, chapter 5 examines two novels by Charles Dickens, Little Dorrit and Our Mutual Friend, whose characters "must stare down geologic and cultural pasts" and "assert themselves into the present urban landscape" while joining "fragments into whole narratives" (143). Chapter 6, a brief conclusion, is entitled "Final Fragments," perhaps acknowledging the imperfection that necessarily arises from trying to gather together so many and varied types of evidence into one volume. In all of the chapters the protean idea of trace comes and goes, operating in various ways in different contexts, but always focusing on the complicity of time and interpretation. An exercise in cultural studies and historical epistemology, Excavating Victorians perhaps is more successful in displaying, somewhat like the museum collections it discusses, evidence for the broad impact of geological thinking, including some interesting literary curiosities, than it is in opening up strikingly new critical readings of major texts. Occasionally Zimmerman's interpretations of individual passages, building upon the prevalence of geologylike phenomena in everyday environments and language-rocks, wearing away, metaphorical references to digging and uncovering, and so forth-seem like stretches. Overall, however, Excavating Victorians effectively works to alter readers' readings of the Victorian cultural landscape. I learned much from it and recommend it to anyone wishing to delve into this terrain.

Research paper thumbnail of Moulding the Female Body in Victorian Fairy Tales and Sensation Novels (Laurence Talairach-Vielmas)

HAL (Le Centre pour la Communication Scientifique Directe), 2008

Research paper thumbnail of Sensation, Impersonality and Disinterestedness in Beardsley‘s Representation of the Body

HAL (Le Centre pour la Communication Scientifique Directe), 2006

Research paper thumbnail of Anne-Florence Gillard-Estrada et Xavier Giudicelli, L’esthétisme britannique (1860-1900). Peinture, littérature et critique d’art. Reims : Éditions et presses universitaires de Reims, 2020, 283 p

Caliban. French Journal of English Studies, Oct 10, 2021

Research paper thumbnail of Vernon Lee critique esthétique

HAL (Le Centre pour la Communication Scientifique Directe), 2009

Research paper thumbnail of ‘Voices of nature and the soul’: Fowl Sensations and Ideas in Aesthetic Paintings by Spartali Stillman and De Morgan

HAL (Le Centre pour la Communication Scientifique Directe), Jul 13, 2022

Research paper thumbnail of Re-Dressing Oscar Wilde’s Fairy Tales: a Transnational Approach to Illustrated Editions of 'A House of Pomegranates' in the 20th and 21st centuries

HAL (Le Centre pour la Communication Scientifique Directe), May 7, 2023

Research paper thumbnail of A Dress of One’s Own : Craft Transmission and Ecopolitics for Girls in Jessie M. King's 'Cinderella' (1924)

HAL (Le Centre pour la Communication Scientifique Directe), May 31, 2023

Research paper thumbnail of The Illustrator as Critic: Desire, Curiosity and the Myth of Persephone in Jessie Marion King's Illustrations for Oscar Wilde's "A House of Pomegranates

HAL (Le Centre pour la Communication Scientifique Directe), Jun 27, 2019

Research paper thumbnail of Livre d’art, livre d’exception ?

HAL (Le Centre pour la Communication Scientifique Directe), Jun 5, 2019

Research paper thumbnail of La vision en sphères séparées dans l'Angleterre des années 1890

HAL (Le Centre pour la Communication Scientifique Directe), Dec 31, 1997

Research paper thumbnail of Art and Womanhood in Fin-de-Siècle Writing

HAL (Le Centre pour la Communication Scientifique Directe), 2011

Research paper thumbnail of Art and Womanhood in Fin-de-Siecle Writing

Routledge eBooks, Oct 6, 2015

Research paper thumbnail of Artist Stories of the 1890s: Life, Art and Sacrice

Research paper thumbnail of La « nouvelle » critique d’art de The Studio Magazine (1893-1900)

Research paper thumbnail of The Lay Figure Speaks

HAL (Le Centre pour la Communication Scientifique Directe), 2008

Research paper thumbnail of SHERRY Vincent, Modernism and the Reinvention of Decadence. New York: Cambridge University Press, 2015 (333 p.). ISBN 978-1107079328

Recent editor of The Cambridge History of Modernism (New York: Cambridge University Press, 2017),... more Recent editor of The Cambridge History of Modernism (New York: Cambridge University Press, 2017), Vincent Sherry is a preeminent specialist of British and Irish modernism, the literature of the First World War, and authors such as T. S. Eliot, James Joyce, Wyndham Lewis, and Ezra Pound. But he has also had a long-standing interest in the notions of literary lateness vs. modernity, in fin de siecle decadence, and in the art of reading modernism backward—from the 1920s to the 1890s. His latest ...

Research paper thumbnail of SHERRY Vincent, Modernism and the Reinvention of Decadence

Etudes britanniques contemporaines, Nov 1, 2018

Recent editor of The Cambridge History of Modernism (New York: Cambridge University Press, 2017),... more Recent editor of The Cambridge History of Modernism (New York: Cambridge University Press, 2017), Vincent Sherry is a preeminent specialist of British and Irish modernism, the literature of the First World War, and authors such as T. S. Eliot, James Joyce, Wyndham Lewis, and Ezra Pound. But he has also had a long-standing interest in the notions of literary lateness vs. modernity, in fin de siècle decadence, and in the art of reading modernism backward—from the 1920s to the 1890s. His latest ..

Research paper thumbnail of Nature, contre-nature et supernature dans "The Portrait of a Lady

HAL (Le Centre pour la Communication Scientifique Directe), 1998

Research paper thumbnail of Introduction. Women’s Public Voice and Political Agency: Rethinking the Representation of the People Act 1918

Caliban. French Journal of English Studies, Nov 10, 2019

Research paper thumbnail of Laurence Talairach-Vielmas, Moulding the Female Body in Victorian Fairy Tales and Sensation Novels

Cahiers Victoriens & Edouardiens, Dec 30, 2008

The centerpiece of chapter 3 is Tennyson's The Princess, which again illustrates "efforts to resc... more The centerpiece of chapter 3 is Tennyson's The Princess, which again illustrates "efforts to rescue the individual from insignificance" (65), efforts Zimmerman connects to the assertion and undermining of female significance (her book also applies geological interpretation to class structure and imperialism). Chapter 4 concerns archaeology, using parallels that Victorians perceived between the ruins of ancient London and those of Pompeii, which were excavated and interpreted along similar geology-influenced lines. Employing the archaeological model, chapter 5 examines two novels by Charles Dickens, Little Dorrit and Our Mutual Friend, whose characters "must stare down geologic and cultural pasts" and "assert themselves into the present urban landscape" while joining "fragments into whole narratives" (143). Chapter 6, a brief conclusion, is entitled "Final Fragments," perhaps acknowledging the imperfection that necessarily arises from trying to gather together so many and varied types of evidence into one volume. In all of the chapters the protean idea of trace comes and goes, operating in various ways in different contexts, but always focusing on the complicity of time and interpretation. An exercise in cultural studies and historical epistemology, Excavating Victorians perhaps is more successful in displaying, somewhat like the museum collections it discusses, evidence for the broad impact of geological thinking, including some interesting literary curiosities, than it is in opening up strikingly new critical readings of major texts. Occasionally Zimmerman's interpretations of individual passages, building upon the prevalence of geologylike phenomena in everyday environments and language-rocks, wearing away, metaphorical references to digging and uncovering, and so forth-seem like stretches. Overall, however, Excavating Victorians effectively works to alter readers' readings of the Victorian cultural landscape. I learned much from it and recommend it to anyone wishing to delve into this terrain.

Research paper thumbnail of Moulding the Female Body in Victorian Fairy Tales and Sensation Novels (Laurence Talairach-Vielmas)

HAL (Le Centre pour la Communication Scientifique Directe), 2008

Research paper thumbnail of Sensation, Impersonality and Disinterestedness in Beardsley‘s Representation of the Body

HAL (Le Centre pour la Communication Scientifique Directe), 2006

Research paper thumbnail of Anne-Florence Gillard-Estrada et Xavier Giudicelli, L’esthétisme britannique (1860-1900). Peinture, littérature et critique d’art. Reims : Éditions et presses universitaires de Reims, 2020, 283 p

Caliban. French Journal of English Studies, Oct 10, 2021

Research paper thumbnail of Vernon Lee critique esthétique

HAL (Le Centre pour la Communication Scientifique Directe), 2009