cesar escuder - Academia.edu (original) (raw)
Address: Linz, Oberösterreich, Austria
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ESAD - Escola Superior de Artes e Design
Charité - Universitätsmedizin Berlin / Charité Medical University Berlin
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Thesis by cesar escuder
Unmasking the secret mechanisms in the photographic message has been a continuing concern by theo... more Unmasking the secret mechanisms in the photographic message has been a continuing concern by theorists and artists from Walter Benjamin until the present. What is it? What does it show? What lies behind each one of these significant surfaces? Nowadays, the new-media context managed by the Internet and the computer remains as enigmatic as a photographic image. The viewer has become the user, the computer in a media manager and pictures in Graphic User Interface (GUI). The objective of this thesis is to investigate how the development of GUI has changed the artistic production and how artistic practices are able to change the GUI models into something critical. What the GUI is showing us? What is it hiding us? How can we show what we do not know?
Papers by cesar escuder
Input device, inspired by old optical-telegraphy systems; detecting through tracking-video the po... more Input device, inspired by old optical-telegraphy systems; detecting through tracking-video the positioning of the fingers on a box equipped with five holes, converting a binary code of five elements in alphanumeric, allowing the communication via computer.
Unmasking the secret mechanisms in the photographic message has been a continuing concern by theo... more Unmasking the secret mechanisms in the photographic message has been a continuing concern by theorists and artists from Walter Benjamin until the present. What is it? What does it show? What lies behind each one of these significant surfaces? Nowadays, the new-media context managed by the Internet and the computer remains as enigmatic as a photographic image. The viewer has become the user, the computer in a media manager and pictures in Graphic User Interface (GUI). The objective of this thesis is to investigate how the development of GUI has changed the artistic production and how artistic practices are able to change the GUI models into something critical. What the GUI is showing us? What is it hiding us? How can we show what we do not know?
Input device, inspired by old optical-telegraphy systems; detecting through tracking-video the po... more Input device, inspired by old optical-telegraphy systems; detecting through tracking-video the positioning of the fingers on a box equipped with five holes, converting a binary code of five elements in alphanumeric, allowing the communication via computer.