hasnil aflah - Academia.edu (original) (raw)
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Universitas Pembangunan Nasional "Veteran" Yogyakarta
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Film is one of mass media, as well as radio, television, and newspapers, have moral responsibilit... more Film is one of mass media, as well as radio, television, and newspapers, have moral responsibility to provide educational value, goodness value as well as religious values. This purpose of this study is to analyze representation of Islamic values in Film Duka Sedalam Cinta. This research used a descriptive qualitative research method. It considers meaning as the main attention. The form of religious values in question is the Islamic values conveyed through message that exist in the film. The analysis method used is semiotics according to Fiske with the analysis unit consists of three levels: reality level, representation level, ideology level. The finding indicates that the representations encapsulate the perception of Islamic value in film Duka Sedalam Cinta may contribute towards establishing a more democratic and peaceful. Keywords—representation; islamic value; film; semiotic fiske
Film is one of mass media, as well as radio, television, and newspapers, have moral responsibilit... more Film is one of mass media, as well as radio, television, and newspapers, have moral responsibility to provide educational value, goodness value as well as religious values. This purpose of this study is to analyze representation of Islamic values in Film Duka Sedalam Cinta. This research used a descriptive qualitative research method. It considers meaning as the main attention. The form of religious values in question is the Islamic values conveyed through message that exist in the film. The analysis method used is semiotics according to Fiske with the analysis unit consists of three levels: reality level, representation level, ideology level. The finding indicates that the representations encapsulate the perception of Islamic value in film Duka Sedalam Cinta may contribute towards establishing a more democratic and peaceful. Keywords—representation; islamic value; film; semiotic fiske