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khaldoun shamaa

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Research paper thumbnail of Modernism and after: Modern Arabic literary theory from literary criticism to cultural critique

This thesis aims to provide the interested reader with a critical account of far-reaching changes... more This thesis aims to provide the interested reader with a critical account of far-reaching changes in modem Arabic literary theory, approximately since the 1970s, in the light of an ascending paradigm in motion, and of the tendency by subsequent critics and commentators to view literary criticism in terms of a self-elaborating category morphing into cultural critique. The first part focuses on interdisciplinary problems confronting Arab critics in their attempt "to modernize but not to westernize", and also provides a comparative treatment of the terms, concepts and definitions used in the context of an ever-growing Arabic literary canon, along with consideration of how these relate to European modernist thought and of the controversies surrounding them among Arab critics. The second part explores some distinguishable morphological markers whose deployment involves a more or less radical distinction between, on the one hand, renovationist assumptions of cultural change as a...

Research paper thumbnail of Modernism and after: Modern Arabic literary theory from literary criticism to cultural critique

This thesis aims to provide the interested reader with a critical account of far-reaching changes... more This thesis aims to provide the interested reader with a critical account of far-reaching changes in modem Arabic literary theory, approximately since the 1970s, in the light of an ascending paradigm in motion, and of the tendency by subsequent critics and commentators to view literary criticism in terms of a self-elaborating category morphing into cultural critique. The first part focuses on interdisciplinary problems confronting Arab critics in their attempt "to modernize but not to westernize", and also provides a comparative treatment of the terms, concepts and definitions used in the context of an ever-growing Arabic literary canon, along with consideration of how these relate to European modernist thought and of the controversies surrounding them among Arab critics. The second part explores some distinguishable morphological markers whose deployment involves a more or less radical distinction between, on the one hand, renovationist assumptions of cultural change as a...

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