komarudin kudiya - Academia.edu (original) (raw)
Papers by komarudin kudiya
Mediator: Jurnal Komunikasi
The aim of this research is to obtain a relationship between the aesthetic visual communication m... more The aim of this research is to obtain a relationship between the aesthetic visual communication media and the functional relationship between phenomena that is more accurate and definite from the traditional batik motif of Taman Telaga Teratai in the Cirebon Palace. The fact is that the Cirebon Keraton batik and its decorative styles have distinctive differences in the three palaces and one unique Peguron. The diversity of these ornamental styles is characteristic and unique within the Kasepuhan Palace, Kanoman Palace, Kacirebonan Palace, and Peguron Kaprabonan. The method used is a qualitative approach, combined with an analytical descriptive method in the form of observations and interviews with cultural stakeholders of the Cirebon palace. This research resulted in the finding that Cirebon batik artisans have the courage and flexibility in realizing self-expression and the consistency of producing traditional batik by giving symbolic meaning, as well as adding to the depth of phil...
Journal of Urban Society's Arts, 2020
Pangandaran is known as one of the tourist destinations in West Java Province with its beautiful ... more Pangandaran is known as one of the tourist destinations in West Java Province with its beautiful natural marine charm. The charm of the beauty of Pangandaran beach and its surroundings attracts tourists’ attention and reaches 4,044,204 visitors in 2018. Pangandaran has 21 beach tourist destinations. Therefore, souvenirs become one of the aspects that strongly complement tourism in Pangandaran, a tourism souvenir. This study aims to produce innovative products of featured art supporting tourism by raising the iconic potential of natural resources and artisan resources from the local community. This article is one of the results of the applied research in the type of practice-based research focusing on the creative industry of craft art (batik) products that support tourism through eco-design and eco-tourism approaches. In its application, this study uses the design thinking method, with the results in the form of a prototype of mask product for tourism souvenir with marine park patte...
Waca Cipta Ruang
Kota Bandung sejak tahun 2010 mengalami lonjakan perkembangan yang sangat pesat berkaitan dengan ... more Kota Bandung sejak tahun 2010 mengalami lonjakan perkembangan yang sangat pesat berkaitan dengan tumbuh suburnya kafe-kafe yang berada di tengah kota hingga menjangkau daerah pinggiran di wilayah kota Bandung. Kafe merupakan tempat alternatif sebagai ruang untuk melakukan interaksi antar sesama anggota keluarga, teman atau kolega dalam kehidupan sosialnya. Untuk mendatangkan jumlah pengunjung maka pengelola kafe harus memikirkan suasana interior yang bertujuan untuk memberikan kenyaman pengunjung dengan memperhatikan pencahayaan, desain interior, suara musik juga suhu sebagai preferensi tujuan dipilihnya kafe tersebut. Batasan penelitian ini berkaitan dengan ruang terbuka hijau, sedangkan tujuannya adalah untuk mendapatkan korelasi antara corak batik yang dijadikan sebagai penunjang elemen estetik serta perlunya suasana interior yang unik, estetik dan memberikan rasa nyaman akan berdampak kepada jumlah pengunjung meningkat atau mereka akan datang kembali pada kali berikutnya. Metod...
Yayasan Batik Jawa Barat, Feb 5, 2018
ITB Press, Aug 15, 2019
Buku ini disajikan dengan bahasa yang sederhana dan lugas; tidak menghadirkan kajian teoretis sec... more Buku ini disajikan dengan bahasa yang sederhana dan lugas; tidak menghadirkan kajian teoretis secara mendalam.Buku ini menuntun dan memberi pembaca arah deskriptif teknik eksplorasi pengembangan batik tradisional,hasil dari serangkaian pengalaman empirik penulis selama + 20 tahun, selaku pembatik tradisional sekaligus mengajarkan teknik batik di berbagai daerah
Batik merupakan salah satu bagian warisan karya seni budaya luhur Bangsa Indonesia, yang dapat me... more Batik merupakan salah satu bagian warisan karya seni budaya luhur Bangsa Indonesia, yang dapat memberikan nilai positif baik dari sisi ekonomi dan budaya serta memiliki keunikan serta kekhasan yang menjadikannya mampu bertahan hingga saat sekarang ditengah derasnya gempuran globalisasi dunia. Dengan diterbitkan buku ini penulis berusaha memaparkan rahasia pengalaman dan kesuksesan dalam menjalankan bisnis batik yang dialami secara utuh dan dijalaninya hingga sekarang ini. Kiranya sedikit pengalaman ini bisa menambah semangat dan pengalaman ilmu bagi yang ingin menjalankan bisnis batik
Arts and Design Studies, 2014
The Batik creation process cannot be separated from batik wax making process. There are many thin... more The Batik creation process cannot be separated from batik wax making process. There are many things should have been done in the making of cheap, high quality batik wax, as well as resistant to weather in the surrounding environment. The problems encountered in the process of waxing including air temperature conditions different at each location will make the wax fragile (cracked) and does not function properly. Generally, batik artisans are not much concerned about the standard of good quality batik wax by recognizing well a melting point of wax. Keywords: Optimization, Waxing, Melting Point, Cirebon Batik
 Respectin g traditions of the nation, which is preserving a batik tradition. Cirebon is the re... more  Respectin g traditions of the nation, which is preserving a batik tradition. Cirebon is the region that has a rich cultural treasures batik varied. Given its development, with a variety of Cirebon Kraton, Kraton Batik Cirebon products nowadays have more characteristics, e.g.: (1) Kasepuhan Kraton on Singa Barong’s ornament; (2) Kanoman Kraton on Paksi Naga Liman’s ornament; (3) Kacirebonan Kraton on Bintulu’s ornament and (4) Kaprabonan on Dalung’s ornament and motif without pictures of animals. Thi s research needs to exploring, discovering, and formulating design elements (ornament, mate- rial, and color). This study used ethnographic method and experimental visuals method for ornaments on Kraton Batik Kasepuhan, Kanoman, Kaprabonan, and Kacirebonan based on historical cultural influences from Hinduism, Islam, China, and Europe. A s long batik owned by all Cirebon Kraton which is available during this condition can not be iden- tified and their physical condition is dam...
Panggung, 2021
Industri batik tradisional di Indonesia, sebagian besar masih menggunakan teknik pewarnaan menggu... more Industri batik tradisional di Indonesia, sebagian besar masih menggunakan teknik pewarnaan menggunakan sinar matahari langsung, sedangkan di musim penghujan perajin secara rutin masih harus tetap memproduksi kain batik untuk memenuhi target dari berbagai penanan. Artikel ini bertujuan menguatkan keberlangsungan industri kecil dan mengah perajin batik di musim penghujan, maka diperlukan langkah strategis dalam menghadirkan solusi yang lebih efektif. Metode yang digunakan dari penelitian ini yaitu Participation Action Research (PAR) dengan paradigma practice-led reseach dan pendekatan strategi kreatif industry design. Kelompok perajin home industry batik sebagai populasi, dan Batik Komar sebagai sampel pada penelitian ini. Instrumen penelitian melalui beberapa elemen dan prinsip desain, teknologi dan industri. Adapun prosedur penelitian melalui tahapan design thinking. Hasil penelitian ini yaitu produk kain batik dengan teknik pewarnaan sinar ultraviolet melalui mesin fotonik. Mesin f...
Mudra Jurnal Seni Budaya, 2017
Cirebon Batik Pegajahan is the result ofthe creative process, feeling, intention, also long thoug... more Cirebon Batik Pegajahan is the result ofthe creative process, feeling, intention, also long thought of people who have expertise in interpreting the condition of people‘s behavior of Cirebon (palace), which was then adapted into a form of art and culture of batik fabric through a process of creativity of the craftsmen. This Batik Pegajahan grows and develops within the community of (palace) Cirebon, including: Kasepuhan Palace, Kanoman, Kacirebonan, and Keprabonan.This study will explain the symbolic narrative contained in Pegajahan Cirebon batik decoration. The discussion is based on the systematic symbolic visual elements of the Pegajahan batik decoration which is based on the teachings ofthe Tarekat Syattariyah attitudes and behavior of (palace) Cirebon society, form of local wisdom that is reflected in the symbolic-aesthetic elements.The research used descriptive—analytic method and ethnography, in describing the symbolic narrative found in Batik Pegajahan Cirebon, The results ar...
Pacific Rim Objective Measurement Symposium (PROMS) 2016 Conference Proceedings, 2018
Arts and Design Studies, 2014
The Batik creation process cannot be separated from batik wax making process. There are many thin... more The Batik creation process cannot be separated from batik wax making process. There are many things should have been done in the making of cheap, high quality batik wax, as well as resistant to weather in the surrounding environment. The problems encountered in the process of waxing including air temperature conditions different at each location will make the wax fragile (cracked) and does not function properly. Generally, batik artisans are not much concerned about the standard of good quality batik wax by recognizing well a melting point of wax.
Kosmik Hukum, 2020
In the history of batik in Indonesia, We used to know that batik is identified with Javanese cult... more In the history of batik in Indonesia, We used to know that batik is identified with Javanese culture. In addition, the use of batik cloth is limited to the royal court with a variety of very strict rules. But in its development, batik is no longer owned by Javanese, batik has now become one of the "national clothes" of Indonesia that is used by Indonesians throughout the archipelago on various occasions. In West Java batik has grown and developed in 27 regencies/cities spread from the eastern part of the Cirebon district to the western of West Java, Depok. There are potential characteristics and excellences from each region in West Java that people could not find in other regions. The uniqueness and characteristics of batik in certain area are part of the protection system of geographical indications that identify an area of the country, as the origin region of the product, where the reputation, quality and characteristics of related products are largely determined by geog...
Waca Cipta Ruang, May 30, 2020
Dalam sejarah batik di Indonesia, sering kali kita mendengar bahwa batik diidentikan dengan buday... more Dalam sejarah batik di Indonesia, sering kali kita mendengar bahwa batik diidentikan dengan budaya masyarakat Jawa. Selain itu penggunaan kain batik pada awalnya terbatas hanya pada golongan ningrat keraton dengan berbagai aturan yang melingkupinya. Namun pada perkembangannya, batik bukan lagi dimiliki oleh masyarakat Jawa, kini produk batik tradisional telah menjadi busana Indonesia yang dipakai oleh bangsa Indonesia di seluruh Nusantara dalam berbagai kesempatan. Di Jawa Barat batik telah tumbuh dan berkembang di 27 kabupaten/kota yang tersebar dari belahan timur kabupaten Cirebon hingga di ujung sebelah barat Jawa Barat yaitu kotamadya Depok. Pada tiap-tiap daerah di Jawa Barat yang menghasilkan batik terdapat potensi karakteristik dan keunggulan teknik produksi, corak dan motif yang tidak terdapat di daerah lainnya. Keunikan dan karakteristik batik Cirebon merupakan bagian dari ruang identitas bagi masyarakat Cirebon serta layak mendapatkan Indikasi Geografis guna memberikan nilai-nilai ekonomi yang berdampak pada pelestarian tradisi batik Indonesia pada umumnya. Perlindungan Indikasi Geografis (IG) merupakan hal yang sangat penting mengingat aneka desain motif batik di Jawa Barat memiliki potensi yang sangat besar yang dapat dilindungi sebagai bagian dari Indikasi Geografis (IG) yang dapat digunakan sebagai alat pemasaran dalam dunia transaksi perdagangan, dalam kancah regional, nasional bahkan internasional.
Mediator: Jurnal Komunikasi
The aim of this research is to obtain a relationship between the aesthetic visual communication m... more The aim of this research is to obtain a relationship between the aesthetic visual communication media and the functional relationship between phenomena that is more accurate and definite from the traditional batik motif of Taman Telaga Teratai in the Cirebon Palace. The fact is that the Cirebon Keraton batik and its decorative styles have distinctive differences in the three palaces and one unique Peguron. The diversity of these ornamental styles is characteristic and unique within the Kasepuhan Palace, Kanoman Palace, Kacirebonan Palace, and Peguron Kaprabonan. The method used is a qualitative approach, combined with an analytical descriptive method in the form of observations and interviews with cultural stakeholders of the Cirebon palace. This research resulted in the finding that Cirebon batik artisans have the courage and flexibility in realizing self-expression and the consistency of producing traditional batik by giving symbolic meaning, as well as adding to the depth of phil...
Journal of Urban Society's Arts, 2020
Pangandaran is known as one of the tourist destinations in West Java Province with its beautiful ... more Pangandaran is known as one of the tourist destinations in West Java Province with its beautiful natural marine charm. The charm of the beauty of Pangandaran beach and its surroundings attracts tourists’ attention and reaches 4,044,204 visitors in 2018. Pangandaran has 21 beach tourist destinations. Therefore, souvenirs become one of the aspects that strongly complement tourism in Pangandaran, a tourism souvenir. This study aims to produce innovative products of featured art supporting tourism by raising the iconic potential of natural resources and artisan resources from the local community. This article is one of the results of the applied research in the type of practice-based research focusing on the creative industry of craft art (batik) products that support tourism through eco-design and eco-tourism approaches. In its application, this study uses the design thinking method, with the results in the form of a prototype of mask product for tourism souvenir with marine park patte...
Waca Cipta Ruang
Kota Bandung sejak tahun 2010 mengalami lonjakan perkembangan yang sangat pesat berkaitan dengan ... more Kota Bandung sejak tahun 2010 mengalami lonjakan perkembangan yang sangat pesat berkaitan dengan tumbuh suburnya kafe-kafe yang berada di tengah kota hingga menjangkau daerah pinggiran di wilayah kota Bandung. Kafe merupakan tempat alternatif sebagai ruang untuk melakukan interaksi antar sesama anggota keluarga, teman atau kolega dalam kehidupan sosialnya. Untuk mendatangkan jumlah pengunjung maka pengelola kafe harus memikirkan suasana interior yang bertujuan untuk memberikan kenyaman pengunjung dengan memperhatikan pencahayaan, desain interior, suara musik juga suhu sebagai preferensi tujuan dipilihnya kafe tersebut. Batasan penelitian ini berkaitan dengan ruang terbuka hijau, sedangkan tujuannya adalah untuk mendapatkan korelasi antara corak batik yang dijadikan sebagai penunjang elemen estetik serta perlunya suasana interior yang unik, estetik dan memberikan rasa nyaman akan berdampak kepada jumlah pengunjung meningkat atau mereka akan datang kembali pada kali berikutnya. Metod...
Yayasan Batik Jawa Barat, Feb 5, 2018
ITB Press, Aug 15, 2019
Buku ini disajikan dengan bahasa yang sederhana dan lugas; tidak menghadirkan kajian teoretis sec... more Buku ini disajikan dengan bahasa yang sederhana dan lugas; tidak menghadirkan kajian teoretis secara mendalam.Buku ini menuntun dan memberi pembaca arah deskriptif teknik eksplorasi pengembangan batik tradisional,hasil dari serangkaian pengalaman empirik penulis selama + 20 tahun, selaku pembatik tradisional sekaligus mengajarkan teknik batik di berbagai daerah
Batik merupakan salah satu bagian warisan karya seni budaya luhur Bangsa Indonesia, yang dapat me... more Batik merupakan salah satu bagian warisan karya seni budaya luhur Bangsa Indonesia, yang dapat memberikan nilai positif baik dari sisi ekonomi dan budaya serta memiliki keunikan serta kekhasan yang menjadikannya mampu bertahan hingga saat sekarang ditengah derasnya gempuran globalisasi dunia. Dengan diterbitkan buku ini penulis berusaha memaparkan rahasia pengalaman dan kesuksesan dalam menjalankan bisnis batik yang dialami secara utuh dan dijalaninya hingga sekarang ini. Kiranya sedikit pengalaman ini bisa menambah semangat dan pengalaman ilmu bagi yang ingin menjalankan bisnis batik
Arts and Design Studies, 2014
The Batik creation process cannot be separated from batik wax making process. There are many thin... more The Batik creation process cannot be separated from batik wax making process. There are many things should have been done in the making of cheap, high quality batik wax, as well as resistant to weather in the surrounding environment. The problems encountered in the process of waxing including air temperature conditions different at each location will make the wax fragile (cracked) and does not function properly. Generally, batik artisans are not much concerned about the standard of good quality batik wax by recognizing well a melting point of wax. Keywords: Optimization, Waxing, Melting Point, Cirebon Batik
 Respectin g traditions of the nation, which is preserving a batik tradition. Cirebon is the re... more  Respectin g traditions of the nation, which is preserving a batik tradition. Cirebon is the region that has a rich cultural treasures batik varied. Given its development, with a variety of Cirebon Kraton, Kraton Batik Cirebon products nowadays have more characteristics, e.g.: (1) Kasepuhan Kraton on Singa Barong’s ornament; (2) Kanoman Kraton on Paksi Naga Liman’s ornament; (3) Kacirebonan Kraton on Bintulu’s ornament and (4) Kaprabonan on Dalung’s ornament and motif without pictures of animals. Thi s research needs to exploring, discovering, and formulating design elements (ornament, mate- rial, and color). This study used ethnographic method and experimental visuals method for ornaments on Kraton Batik Kasepuhan, Kanoman, Kaprabonan, and Kacirebonan based on historical cultural influences from Hinduism, Islam, China, and Europe. A s long batik owned by all Cirebon Kraton which is available during this condition can not be iden- tified and their physical condition is dam...
Panggung, 2021
Industri batik tradisional di Indonesia, sebagian besar masih menggunakan teknik pewarnaan menggu... more Industri batik tradisional di Indonesia, sebagian besar masih menggunakan teknik pewarnaan menggunakan sinar matahari langsung, sedangkan di musim penghujan perajin secara rutin masih harus tetap memproduksi kain batik untuk memenuhi target dari berbagai penanan. Artikel ini bertujuan menguatkan keberlangsungan industri kecil dan mengah perajin batik di musim penghujan, maka diperlukan langkah strategis dalam menghadirkan solusi yang lebih efektif. Metode yang digunakan dari penelitian ini yaitu Participation Action Research (PAR) dengan paradigma practice-led reseach dan pendekatan strategi kreatif industry design. Kelompok perajin home industry batik sebagai populasi, dan Batik Komar sebagai sampel pada penelitian ini. Instrumen penelitian melalui beberapa elemen dan prinsip desain, teknologi dan industri. Adapun prosedur penelitian melalui tahapan design thinking. Hasil penelitian ini yaitu produk kain batik dengan teknik pewarnaan sinar ultraviolet melalui mesin fotonik. Mesin f...
Mudra Jurnal Seni Budaya, 2017
Cirebon Batik Pegajahan is the result ofthe creative process, feeling, intention, also long thoug... more Cirebon Batik Pegajahan is the result ofthe creative process, feeling, intention, also long thought of people who have expertise in interpreting the condition of people‘s behavior of Cirebon (palace), which was then adapted into a form of art and culture of batik fabric through a process of creativity of the craftsmen. This Batik Pegajahan grows and develops within the community of (palace) Cirebon, including: Kasepuhan Palace, Kanoman, Kacirebonan, and Keprabonan.This study will explain the symbolic narrative contained in Pegajahan Cirebon batik decoration. The discussion is based on the systematic symbolic visual elements of the Pegajahan batik decoration which is based on the teachings ofthe Tarekat Syattariyah attitudes and behavior of (palace) Cirebon society, form of local wisdom that is reflected in the symbolic-aesthetic elements.The research used descriptive—analytic method and ethnography, in describing the symbolic narrative found in Batik Pegajahan Cirebon, The results ar...
Pacific Rim Objective Measurement Symposium (PROMS) 2016 Conference Proceedings, 2018
Arts and Design Studies, 2014
The Batik creation process cannot be separated from batik wax making process. There are many thin... more The Batik creation process cannot be separated from batik wax making process. There are many things should have been done in the making of cheap, high quality batik wax, as well as resistant to weather in the surrounding environment. The problems encountered in the process of waxing including air temperature conditions different at each location will make the wax fragile (cracked) and does not function properly. Generally, batik artisans are not much concerned about the standard of good quality batik wax by recognizing well a melting point of wax.
Kosmik Hukum, 2020
In the history of batik in Indonesia, We used to know that batik is identified with Javanese cult... more In the history of batik in Indonesia, We used to know that batik is identified with Javanese culture. In addition, the use of batik cloth is limited to the royal court with a variety of very strict rules. But in its development, batik is no longer owned by Javanese, batik has now become one of the "national clothes" of Indonesia that is used by Indonesians throughout the archipelago on various occasions. In West Java batik has grown and developed in 27 regencies/cities spread from the eastern part of the Cirebon district to the western of West Java, Depok. There are potential characteristics and excellences from each region in West Java that people could not find in other regions. The uniqueness and characteristics of batik in certain area are part of the protection system of geographical indications that identify an area of the country, as the origin region of the product, where the reputation, quality and characteristics of related products are largely determined by geog...
Waca Cipta Ruang, May 30, 2020
Dalam sejarah batik di Indonesia, sering kali kita mendengar bahwa batik diidentikan dengan buday... more Dalam sejarah batik di Indonesia, sering kali kita mendengar bahwa batik diidentikan dengan budaya masyarakat Jawa. Selain itu penggunaan kain batik pada awalnya terbatas hanya pada golongan ningrat keraton dengan berbagai aturan yang melingkupinya. Namun pada perkembangannya, batik bukan lagi dimiliki oleh masyarakat Jawa, kini produk batik tradisional telah menjadi busana Indonesia yang dipakai oleh bangsa Indonesia di seluruh Nusantara dalam berbagai kesempatan. Di Jawa Barat batik telah tumbuh dan berkembang di 27 kabupaten/kota yang tersebar dari belahan timur kabupaten Cirebon hingga di ujung sebelah barat Jawa Barat yaitu kotamadya Depok. Pada tiap-tiap daerah di Jawa Barat yang menghasilkan batik terdapat potensi karakteristik dan keunggulan teknik produksi, corak dan motif yang tidak terdapat di daerah lainnya. Keunikan dan karakteristik batik Cirebon merupakan bagian dari ruang identitas bagi masyarakat Cirebon serta layak mendapatkan Indikasi Geografis guna memberikan nilai-nilai ekonomi yang berdampak pada pelestarian tradisi batik Indonesia pada umumnya. Perlindungan Indikasi Geografis (IG) merupakan hal yang sangat penting mengingat aneka desain motif batik di Jawa Barat memiliki potensi yang sangat besar yang dapat dilindungi sebagai bagian dari Indikasi Geografis (IG) yang dapat digunakan sebagai alat pemasaran dalam dunia transaksi perdagangan, dalam kancah regional, nasional bahkan internasional.