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Das Historisch-politische Buch, 2021
Zeitschrift der Savigny-Stiftung für Rechtsgeschichte. Germanistische Abteilung, Aug 1, 1993
Das Historisch-Politische Buch (HPB)
Das Historisch-Politische Buch (HPB)
Das Historisch-Politische Buch, 2018
Museologica Brunensia, 2017
34 The analysis of "Museographia. Oder Anleitung zum rechten Begriff und nützlicher Anlegung der ... more 34 The analysis of "Museographia. Oder Anleitung zum rechten Begriff und nützlicher Anlegung der Museorum oder Raritäten. Kammern..." (1727) is the topic of a next study. 35 AIGNER, Heribert. Museale Vorläufer vom Alten Orient bis in die griechisch-römische Welt.
Das Historisch-Politische Buch, 2019
The nineteenth and twentieth centuries saw much of the nation-making and museum creation discusse... more The nineteenth and twentieth centuries saw much of the nation-making and museum creation discussed in this paper, Austria underwent a whole spectrum of constitutions: monarchy, republic, autocracy and part of a totalitarian state and then again, since the ten years spanning 1945-1955, a republic. This dramatic history is also reflected in the changing borders of Austriafrom a geographically extensive mosaic of the Habsburg Monarchy (as a Vielvölkerstaat; a multinational realm) to today's Austria that is made up by nine federal states with approximately 8,4 million inhabitants in total. Thus, an important question concerns what the term 'national' may refer to in the specific case of Austria. Turning to developments in the museum sphere, the period of the Austrian Empire (1804-1867) and the Austro-Hungarian Empire (1867-1918)-especially in the Vormärz-was marked by royal initiatives regarding existing collections. A process of centralizing and ordering collections, that hitherto had been dispersed, began and thus it was only now that these began to be regarded as entities. In the imperial city of Vienna, splendid buildings were constructed to host these collections during the second half of the century, e.g. the "twin museums" Kunsthistorisches Museum (KM, Museum of Art History) and Naturhistorisches Museum (NM, Museum of Natural History), emerging from the imperial collections. However, the two museums were never described as 'national', since the Vielvölkerstaat had to represent all peoples. The same can be said about the Austrian Museum für Volkskunde (The Austrian Museum of Folk Life and Art), inaugurated in 1894. Outside Vienna, a number of regional/provincial museums were founded; the Joanneum in Graz/Styria (1811) being perhaps the most prominent example. The Joanneum serves as a case study, highlighting topics such as the development of a national and regional identity and private initiatives in the museum sphere. The question of the relation between region and nation, what is centre and what is periphery is important in this context. According to Raffler, these museums were Janus-faced, being both cosmopolitan and regional as the museums presented both history of humanity and nationally specific knowledge (Raffler 2007: 344f). With the disintegration of the Habsburgian monarchy, museums became state-owned. Often characterized as a time of crisis, a new self-image and identity had to be invented. The term 'Austria' was however, regarded with scepticism since it hitherto primarily had been associated with the dynasty of the Habsburgs. Rituals and festivities rooted in the empire had to be replaced and attempts were made to promote music as the factor that made the geographically highlyshrunken Austria into a world nation (Mattl 1995). The period also included art restoration claims, posed by former members of the multinational realm.. During NS-rule, megalomaniac projects included new museums, here exemplified with plans for (but never completed) Fuehrer-museums in Linz and Vienna. Austria's role during this period of fascism has been much disputed, affecting later plans and discussions for museum projects dealing with this period: Austria as a victim vs. Austria as willing partner? Further postwar * = Outsourced, but still state-owned, museums with responsibility for management and finances.
Die Musealisierung der Nation
Museologica Brunensia, 2017
MARLIES RAFFLER "Ohne die Erinnerung und die Verdinglichung, die aus der Erinnerung selbst entspr... more MARLIES RAFFLER "Ohne die Erinnerung und die Verdinglichung, die aus der Erinnerung selbst entspringt, weil die Erinnerung der Verdinglichung für ihr eigenes Erinnern bedarf, würde das lebendig gehandelte, das gesprochene Wort, der gedachte Gedanke spurlos verschwinden." 2 "Museums are in the business of history" 3-"Museums are in the memory business" 4 Sowohl der "Geschichte"-im Sinne einer wissenschaftlichen Disziplinund der Institution "Museum" ist, wie schon F. Waidacher und andere als Merkformel definierten, gemeinsam, das existentielle menschliche Bedürfnis "Erinnerung" wach zu halten und daraus Definitions-und Orientierungshilfen für Gegenwart und Zukunft abzuleiten. 5
... Guillotine. Johann Ludwig Ewalds "Was sollte der Adel jetzt tun?" (1793) (). S. 19 ... more ... Guillotine. Johann Ludwig Ewalds "Was sollte der Adel jetzt tun?" (1793) (). S. 19 - 30 Published Online: 2009/12/07 10:12:55 Object Identifier: 0xc1aa500d 0x0022ae36 ... come. Inhaltsverzeichnisse und Leseproben sind frei zugänglich. ...
Page 1. Böhlau Page 2. Page 3. Marlies Raffler Museum Spiegel der Nation: Zugänge zur Historisc... more Page 1. Böhlau Page 2. Page 3. Marlies Raffler Museum Spiegel der Nation: Zugänge zur Historischen Museologie am Beispiel der Genese von Landes-und Nationalmuseen in der Habsburgermonarchie Böhlau Vedag Wien Köln Weimar Page 4. ...
Das Historisch-politische Buch, 2021
Zeitschrift der Savigny-Stiftung für Rechtsgeschichte. Germanistische Abteilung, Aug 1, 1993
Das Historisch-Politische Buch (HPB)
Das Historisch-Politische Buch (HPB)
Das Historisch-Politische Buch, 2018
Museologica Brunensia, 2017
34 The analysis of "Museographia. Oder Anleitung zum rechten Begriff und nützlicher Anlegung der ... more 34 The analysis of "Museographia. Oder Anleitung zum rechten Begriff und nützlicher Anlegung der Museorum oder Raritäten. Kammern..." (1727) is the topic of a next study. 35 AIGNER, Heribert. Museale Vorläufer vom Alten Orient bis in die griechisch-römische Welt.
Das Historisch-Politische Buch, 2019
The nineteenth and twentieth centuries saw much of the nation-making and museum creation discusse... more The nineteenth and twentieth centuries saw much of the nation-making and museum creation discussed in this paper, Austria underwent a whole spectrum of constitutions: monarchy, republic, autocracy and part of a totalitarian state and then again, since the ten years spanning 1945-1955, a republic. This dramatic history is also reflected in the changing borders of Austriafrom a geographically extensive mosaic of the Habsburg Monarchy (as a Vielvölkerstaat; a multinational realm) to today's Austria that is made up by nine federal states with approximately 8,4 million inhabitants in total. Thus, an important question concerns what the term 'national' may refer to in the specific case of Austria. Turning to developments in the museum sphere, the period of the Austrian Empire (1804-1867) and the Austro-Hungarian Empire (1867-1918)-especially in the Vormärz-was marked by royal initiatives regarding existing collections. A process of centralizing and ordering collections, that hitherto had been dispersed, began and thus it was only now that these began to be regarded as entities. In the imperial city of Vienna, splendid buildings were constructed to host these collections during the second half of the century, e.g. the "twin museums" Kunsthistorisches Museum (KM, Museum of Art History) and Naturhistorisches Museum (NM, Museum of Natural History), emerging from the imperial collections. However, the two museums were never described as 'national', since the Vielvölkerstaat had to represent all peoples. The same can be said about the Austrian Museum für Volkskunde (The Austrian Museum of Folk Life and Art), inaugurated in 1894. Outside Vienna, a number of regional/provincial museums were founded; the Joanneum in Graz/Styria (1811) being perhaps the most prominent example. The Joanneum serves as a case study, highlighting topics such as the development of a national and regional identity and private initiatives in the museum sphere. The question of the relation between region and nation, what is centre and what is periphery is important in this context. According to Raffler, these museums were Janus-faced, being both cosmopolitan and regional as the museums presented both history of humanity and nationally specific knowledge (Raffler 2007: 344f). With the disintegration of the Habsburgian monarchy, museums became state-owned. Often characterized as a time of crisis, a new self-image and identity had to be invented. The term 'Austria' was however, regarded with scepticism since it hitherto primarily had been associated with the dynasty of the Habsburgs. Rituals and festivities rooted in the empire had to be replaced and attempts were made to promote music as the factor that made the geographically highlyshrunken Austria into a world nation (Mattl 1995). The period also included art restoration claims, posed by former members of the multinational realm.. During NS-rule, megalomaniac projects included new museums, here exemplified with plans for (but never completed) Fuehrer-museums in Linz and Vienna. Austria's role during this period of fascism has been much disputed, affecting later plans and discussions for museum projects dealing with this period: Austria as a victim vs. Austria as willing partner? Further postwar * = Outsourced, but still state-owned, museums with responsibility for management and finances.
Die Musealisierung der Nation
Museologica Brunensia, 2017
MARLIES RAFFLER "Ohne die Erinnerung und die Verdinglichung, die aus der Erinnerung selbst entspr... more MARLIES RAFFLER "Ohne die Erinnerung und die Verdinglichung, die aus der Erinnerung selbst entspringt, weil die Erinnerung der Verdinglichung für ihr eigenes Erinnern bedarf, würde das lebendig gehandelte, das gesprochene Wort, der gedachte Gedanke spurlos verschwinden." 2 "Museums are in the business of history" 3-"Museums are in the memory business" 4 Sowohl der "Geschichte"-im Sinne einer wissenschaftlichen Disziplinund der Institution "Museum" ist, wie schon F. Waidacher und andere als Merkformel definierten, gemeinsam, das existentielle menschliche Bedürfnis "Erinnerung" wach zu halten und daraus Definitions-und Orientierungshilfen für Gegenwart und Zukunft abzuleiten. 5
... Guillotine. Johann Ludwig Ewalds "Was sollte der Adel jetzt tun?" (1793) (). S. 19 ... more ... Guillotine. Johann Ludwig Ewalds "Was sollte der Adel jetzt tun?" (1793) (). S. 19 - 30 Published Online: 2009/12/07 10:12:55 Object Identifier: 0xc1aa500d 0x0022ae36 ... come. Inhaltsverzeichnisse und Leseproben sind frei zugänglich. ...
Page 1. Böhlau Page 2. Page 3. Marlies Raffler Museum Spiegel der Nation: Zugänge zur Historisc... more Page 1. Böhlau Page 2. Page 3. Marlies Raffler Museum Spiegel der Nation: Zugänge zur Historischen Museologie am Beispiel der Genese von Landes-und Nationalmuseen in der Habsburgermonarchie Böhlau Vedag Wien Köln Weimar Page 4. ...