ventsislav dimov - Academia.edu (original) (raw)
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Papers by ventsislav dimov
Българско музикознание, 2018
Изкуствоведски четения, 2016
Yearbook for Traditional Music
Изкуствоведски четения, 2015
Изкуствоведски четения, 2020
Muzikologija
The earliest surviving sound evidence of music and musicians from Bulgaria is on commercial gramo... more The earliest surviving sound evidence of music and musicians from Bulgaria is on commercial gramophone records from the early XX century. Although unique sources for ethnomusicological and historical research, these commercial recordings are little known and almost unexplored. The proposed text sets out to collect and describe information on the first decade of commercial gramophone recordings in Bulgaria. The basis for the research is sound evidence from scholarly and museum archives and private collections; music company catalogues, labels on gramophone records, discographies; and supporting information - texts and advertising images from newspapers, memoirs and memoir literature as primary and secondary sources. The sought ethnomusicological approach is achieved through a combination of different research methods: ethnographic, historical, discographic, cultural, anthropological. The results of the research present the role of commercial recordings in musical and popular culture ...
Yearbook for Traditional Music, 2008
The study delineates the dynamic picture of the Roma music on the Balkans. The research interest ... more The study delineates the dynamic picture of the Roma music on the Balkans. The research interest is both anthropological and culturological, focused on the musical contexts – the functioning of music in the media and the music industry during the 20th and the 21st centuries. The first part of the study is dedicated to the recorded music on the Balkans during the current-day times: gramophone records from the first half of the 20th century, recorded Roma music from the Balkans at the beginning of the third millennium. Names, titles and phenomena from present times – still waiting to become an object of scientific analytical interpretation, are included in the final section: Roma contributions in the local ethno-pop music on the Balkans, kings and queens of the new Roma music, revival of local Roma practices in the instrumental music. The second part of the study traces the routes of the Balkan Roma music on the globalisation road in the space of the new media: the Internet, as voices...
Journal of Modern Greek Studies, 2004
This book examines the lives of the instrumentalists within a Rom community whose members reside ... more This book examines the lives of the instrumentalists within a Rom community whose members reside in the small town of Iraklia (formerly Jumaya), located near the Greek-Bulgarian border, in the district of Serres, northeastern Greek Macedonia. Its material is ...
Българско музикознание, 2018
Изкуствоведски четения, 2016
Yearbook for Traditional Music
Изкуствоведски четения, 2015
Изкуствоведски четения, 2020
Muzikologija
The earliest surviving sound evidence of music and musicians from Bulgaria is on commercial gramo... more The earliest surviving sound evidence of music and musicians from Bulgaria is on commercial gramophone records from the early XX century. Although unique sources for ethnomusicological and historical research, these commercial recordings are little known and almost unexplored. The proposed text sets out to collect and describe information on the first decade of commercial gramophone recordings in Bulgaria. The basis for the research is sound evidence from scholarly and museum archives and private collections; music company catalogues, labels on gramophone records, discographies; and supporting information - texts and advertising images from newspapers, memoirs and memoir literature as primary and secondary sources. The sought ethnomusicological approach is achieved through a combination of different research methods: ethnographic, historical, discographic, cultural, anthropological. The results of the research present the role of commercial recordings in musical and popular culture ...
Yearbook for Traditional Music, 2008
The study delineates the dynamic picture of the Roma music on the Balkans. The research interest ... more The study delineates the dynamic picture of the Roma music on the Balkans. The research interest is both anthropological and culturological, focused on the musical contexts – the functioning of music in the media and the music industry during the 20th and the 21st centuries. The first part of the study is dedicated to the recorded music on the Balkans during the current-day times: gramophone records from the first half of the 20th century, recorded Roma music from the Balkans at the beginning of the third millennium. Names, titles and phenomena from present times – still waiting to become an object of scientific analytical interpretation, are included in the final section: Roma contributions in the local ethno-pop music on the Balkans, kings and queens of the new Roma music, revival of local Roma practices in the instrumental music. The second part of the study traces the routes of the Balkan Roma music on the globalisation road in the space of the new media: the Internet, as voices...
Journal of Modern Greek Studies, 2004
This book examines the lives of the instrumentalists within a Rom community whose members reside ... more This book examines the lives of the instrumentalists within a Rom community whose members reside in the small town of Iraklia (formerly Jumaya), located near the Greek-Bulgarian border, in the district of Serres, northeastern Greek Macedonia. Its material is ...