Stuart A Day | University of Kansas (original) (raw)
Papers by Stuart A Day
Latin American Literary Review
Palgrave Macmillan US eBooks, 2014
Performances that Change the Americas, 2021
Latin American Theatre Review, 1999
... Jorge Castañeda's assertion that the difference between those who subscribe to these eco... more ... Jorge Castañeda's assertion that the difference between those who subscribe to these economic ideologies "is not a left-right fissure" helps to explain this dichotomy (260). ... Page 6. 10 LATIN AMERICAN THEATRE REVIEW The characters come together in Gina's apartment. ...
Discourse, 2001
Page 1. Foretelling Failure: Questioning the Mexican Political Left From Within Stuart A. Day The... more Page 1. Foretelling Failure: Questioning the Mexican Political Left From Within Stuart A. Day The presidency of Vicente Fox Quesada, for better and for worse, will guarantee the continued dominance of neoliberal ideology in Mexico. ...
Latin American Theatre Review, 1999
... Jorge Castañeda's assertion that the difference between those who subscribe to these eco... more ... Jorge Castañeda's assertion that the difference between those who subscribe to these economic ideologies "is not a left-right fissure" helps to explain this dichotomy (260). ... Page 6. 10 LATIN AMERICAN THEATRE REVIEW The characters come together in Gina's apartment. ...
Mexican Public Intellectuals
Already in late 2011 things were heating up, a year away from the elections of 2012, one of those... more Already in late 2011 things were heating up, a year away from the elections of 2012, one of those unusual years in the political cycle in which citizens of both the United States and Mexico were voting in presidential contests. Candidacies were bruited about, and the press lamented the anti-intellectualism pervading so-called political debates. On the ground, locally, things often looked somewhat different. In early November of 2011, the international hackivist group “Anonymous” backed off its promise to publish names and personal data of Mexican drug cartel members—an Internet action that would have been effectively a declaration of war, with real rather than video-game kills on both sides (revealing the locations of known cartel members would effectively target them for rival cartels; drug trafficking organizations had already murdered numerous Internet journalists and incautious users of social media). That same day, poet Javier Sicilia, the subject of the last chapter in this volume, was leaving cempazuchitl flowers at the Angel Monument in Mexico City for Day of the Dead, promising to lead a new caravan, this time from the US side of the border, to Washington DC, to protest the US counter narcotic strategy. The reelection of Obama has done little to stem the anti-intellectualist tide in US politics; that of Enrique Pena Nieto in Mexico seems a worrisome return to the PRI-dominated stagnation that marked most of the twentieth century.
Latin American Literary Review
Palgrave Macmillan US eBooks, 2014
Performances that Change the Americas, 2021
Latin American Theatre Review, 1999
... Jorge Castañeda's assertion that the difference between those who subscribe to these eco... more ... Jorge Castañeda's assertion that the difference between those who subscribe to these economic ideologies "is not a left-right fissure" helps to explain this dichotomy (260). ... Page 6. 10 LATIN AMERICAN THEATRE REVIEW The characters come together in Gina's apartment. ...
Discourse, 2001
Page 1. Foretelling Failure: Questioning the Mexican Political Left From Within Stuart A. Day The... more Page 1. Foretelling Failure: Questioning the Mexican Political Left From Within Stuart A. Day The presidency of Vicente Fox Quesada, for better and for worse, will guarantee the continued dominance of neoliberal ideology in Mexico. ...
Latin American Theatre Review, 1999
... Jorge Castañeda's assertion that the difference between those who subscribe to these eco... more ... Jorge Castañeda's assertion that the difference between those who subscribe to these economic ideologies "is not a left-right fissure" helps to explain this dichotomy (260). ... Page 6. 10 LATIN AMERICAN THEATRE REVIEW The characters come together in Gina's apartment. ...
Mexican Public Intellectuals
Already in late 2011 things were heating up, a year away from the elections of 2012, one of those... more Already in late 2011 things were heating up, a year away from the elections of 2012, one of those unusual years in the political cycle in which citizens of both the United States and Mexico were voting in presidential contests. Candidacies were bruited about, and the press lamented the anti-intellectualism pervading so-called political debates. On the ground, locally, things often looked somewhat different. In early November of 2011, the international hackivist group “Anonymous” backed off its promise to publish names and personal data of Mexican drug cartel members—an Internet action that would have been effectively a declaration of war, with real rather than video-game kills on both sides (revealing the locations of known cartel members would effectively target them for rival cartels; drug trafficking organizations had already murdered numerous Internet journalists and incautious users of social media). That same day, poet Javier Sicilia, the subject of the last chapter in this volume, was leaving cempazuchitl flowers at the Angel Monument in Mexico City for Day of the Dead, promising to lead a new caravan, this time from the US side of the border, to Washington DC, to protest the US counter narcotic strategy. The reelection of Obama has done little to stem the anti-intellectualist tide in US politics; that of Enrique Pena Nieto in Mexico seems a worrisome return to the PRI-dominated stagnation that marked most of the twentieth century.
English version of a ten-minute play.
English version of my ten-minute play "Bounce!"
Outside Theater: Introduction
"So I'm teaching them acting through improv. Well, in the middle of rehearsal, I think our second... more "So I'm teaching them acting through improv. Well, in the middle of rehearsal, I think our second rehearsal, comes the two leaders of the Latino gang. They were doing life. These guys had killed a couple of guys since they were in prison, really tough guys. And they sit down and we're thinking OK, who are they here to kill? And I'm watching out the corner of my eye and Raphael, the leader, he's getting upset. After about 10 minutes, he jumps up and he says: Ese, could I speak to you a minute? And I said, sure. He says, that guy you're working with, that guy that F-ing guy, yo ese, he's not feeling his character."