Dylan Goldblatt | Kennesaw State University (original) (raw)

Dylan Goldblatt

Dylan Goldblatt earned a B.A. in German Studies and Linguistics at the College of William

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Papers by Dylan Goldblatt

Research paper thumbnail of The Vitruvian Source of Marvell’s Tortoise in “Upon Appleton House, To My Lord Fairfax"

South Central Review, 2019

This essay explores the provenance of the tortoise metaphor in Andrew Marvell's “Upon Appleton Ho... more This essay explores the provenance of the tortoise metaphor in Andrew Marvell's “Upon Appleton House, To My Lord Fairfax” (1652). It discusses the degree to which the tortoise metaphor celebrates the classical architecture of the estate. It identifies a thread of testudinal imagery originating in the architectural writings of Vitruvius (fl. 70–15 BCE), who invokes the tortoise metaphor to describe both primitive dwellings and siege weapons. It also traces the thread of influence through the various revivals of Vitruvian theory, including Leonardo da Vinci's “Vitruvian Man” (1490), Palladio's “I quattro libri dell'architettura” (1570), Inigo Jones's architectural designs (1614–17), and John Webb’s design for Appleton House (1650).

Research paper thumbnail of Die Hochzeit Des Mönchs: Recovering the Art of the Oral Story

Talks by Dylan Goldblatt

Research paper thumbnail of The Limits of Improvisational Narrative in C.F. Meyer's Die Hochzeit des Mönchs (1884)

Research paper thumbnail of Recovering the Art of the Oral Story

Research paper thumbnail of In Their Own Words: Talking about Homelessness in Germany

Research paper thumbnail of The Vitruvian Source of Marvell’s Tortoise in “Upon Appleton House, To My Lord Fairfax"

South Central Review, 2019

This essay explores the provenance of the tortoise metaphor in Andrew Marvell's “Upon Appleton Ho... more This essay explores the provenance of the tortoise metaphor in Andrew Marvell's “Upon Appleton House, To My Lord Fairfax” (1652). It discusses the degree to which the tortoise metaphor celebrates the classical architecture of the estate. It identifies a thread of testudinal imagery originating in the architectural writings of Vitruvius (fl. 70–15 BCE), who invokes the tortoise metaphor to describe both primitive dwellings and siege weapons. It also traces the thread of influence through the various revivals of Vitruvian theory, including Leonardo da Vinci's “Vitruvian Man” (1490), Palladio's “I quattro libri dell'architettura” (1570), Inigo Jones's architectural designs (1614–17), and John Webb’s design for Appleton House (1650).

Research paper thumbnail of Die Hochzeit Des Mönchs: Recovering the Art of the Oral Story

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