Masako Racel | Kennesaw State University (original) (raw)
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Papers by Masako Racel
World History Bulletin, Sep 22, 2015
Handbook of Confucianism in Modern Japan
This Thesis is brought to you for free and open access by the Department of History at ScholarWor... more This Thesis is brought to you for free and open access by the Department of History at ScholarWorks @ Georgia State University. It has been accepted for inclusion in History Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact
Handbook of Confucianism in Modern Japan, 2022
The Meiji era (1868-1912) in Japanese history was characterized by the extensive adoption of West... more The Meiji era (1868-1912) in Japanese history was characterized by the extensive adoption of Western institutions, technology, and customs. The dramatic changes that took place caused the era’s intellectuals to ponder Japan's position within the larger global context. The East-West binary was a particularly important part of the discourse as the intellectuals analyzed and criticized the current state of affairs and offered their visions of Japan’s future. This dissertation examines five Meiji intellectuals who had very different orientations and agendas: Fukuzawa Yukichi, an influential philosopher and political theorist; Shimoda Utako, a pioneer of women's education; Uchimura Kanzō, a Christian leader; Okakura Kakuzō, an art critic; and Kōtoku Shūsui, a socialist. Also considered here are related concepts such as "civilization (bunmei)," "barbarism, " and "imperialism. " Close examination of the five intellectuals ' use of the East-West ...
The Meiji era (1868-1912) in Japanese history was characterized by the extensive adoption of West... more The Meiji era (1868-1912) in Japanese history was characterized by the extensive adoption of Western institutions, technology, and customs. The dramatic changes that took place caused the era’s intellectuals to ponder Japan's position within the larger global context. The East-West binary was a particularly important part of the discourse as the intellectuals analyzed and criticized the current state of affairs and offered their visions of Japan’s future. This dissertation examines five Meiji intellectuals who had very different orientations and agendas: Fukuzawa Yukichi, an influential philosopher and political theorist; Shimoda Utako, a pioneer of women's education; Uchimura Kanzō, a Christian leader; Okakura Kakuzō, an art critic; and Kōtoku Shūsui, a socialist. Also considered here are related concepts such as "civilization (bunmei)," "barbarism," and "imperialism." Close examination of the five intellectuals' use of the East-West binary...
The Myth of Continents and Michael Adas' Machines as the Measure of Men, both of which helped ins... more The Myth of Continents and Michael Adas' Machines as the Measure of Men, both of which helped inspire my project.
The Asian review of World Histories, 2014
Okakura Kakuzō (1863-1913), the founder of the Japan Art Institute, is best known for his proclam... more Okakura Kakuzō (1863-1913), the founder of the Japan Art Institute, is best known for his proclamation, "Asia is One." This phrase in his book, The Ideals of the East, and his connections to Bengali revolutionaries resulted in Okakura being remembered as one of Japan's foremost Pan-Asianists. He did not, however, write The Ideals of the East as political propaganda to justify Japanese aggression; he wrote it for Westerners as an exposition of Japan's aesthetic heritage. In fact, he devoted much of his life to the preservation and promotion of Japan's artistic heritage, giving lectures to both Japanese and Western audiences. This did not necessarily mean that he rejected Western philosophy and theories. A close examination of his views of both Eastern and Western art and history reveals that he was greatly influenced by Hegel's notion of dialectics and the evolutionary theories proposed by Darwin and Spencer. Okakura viewed cross-cultural encounters to be a catalyst for change and saw his own time as a critical point where Eastern and Western history was colliding, causing the evolution of both artistic cultures.
World History Bulletin, Sep 22, 2015
Handbook of Confucianism in Modern Japan
This Thesis is brought to you for free and open access by the Department of History at ScholarWor... more This Thesis is brought to you for free and open access by the Department of History at ScholarWorks @ Georgia State University. It has been accepted for inclusion in History Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact
Handbook of Confucianism in Modern Japan, 2022
The Meiji era (1868-1912) in Japanese history was characterized by the extensive adoption of West... more The Meiji era (1868-1912) in Japanese history was characterized by the extensive adoption of Western institutions, technology, and customs. The dramatic changes that took place caused the era’s intellectuals to ponder Japan's position within the larger global context. The East-West binary was a particularly important part of the discourse as the intellectuals analyzed and criticized the current state of affairs and offered their visions of Japan’s future. This dissertation examines five Meiji intellectuals who had very different orientations and agendas: Fukuzawa Yukichi, an influential philosopher and political theorist; Shimoda Utako, a pioneer of women's education; Uchimura Kanzō, a Christian leader; Okakura Kakuzō, an art critic; and Kōtoku Shūsui, a socialist. Also considered here are related concepts such as "civilization (bunmei)," "barbarism, " and "imperialism. " Close examination of the five intellectuals ' use of the East-West ...
The Meiji era (1868-1912) in Japanese history was characterized by the extensive adoption of West... more The Meiji era (1868-1912) in Japanese history was characterized by the extensive adoption of Western institutions, technology, and customs. The dramatic changes that took place caused the era’s intellectuals to ponder Japan's position within the larger global context. The East-West binary was a particularly important part of the discourse as the intellectuals analyzed and criticized the current state of affairs and offered their visions of Japan’s future. This dissertation examines five Meiji intellectuals who had very different orientations and agendas: Fukuzawa Yukichi, an influential philosopher and political theorist; Shimoda Utako, a pioneer of women's education; Uchimura Kanzō, a Christian leader; Okakura Kakuzō, an art critic; and Kōtoku Shūsui, a socialist. Also considered here are related concepts such as "civilization (bunmei)," "barbarism," and "imperialism." Close examination of the five intellectuals' use of the East-West binary...
The Myth of Continents and Michael Adas' Machines as the Measure of Men, both of which helped ins... more The Myth of Continents and Michael Adas' Machines as the Measure of Men, both of which helped inspire my project.
The Asian review of World Histories, 2014
Okakura Kakuzō (1863-1913), the founder of the Japan Art Institute, is best known for his proclam... more Okakura Kakuzō (1863-1913), the founder of the Japan Art Institute, is best known for his proclamation, "Asia is One." This phrase in his book, The Ideals of the East, and his connections to Bengali revolutionaries resulted in Okakura being remembered as one of Japan's foremost Pan-Asianists. He did not, however, write The Ideals of the East as political propaganda to justify Japanese aggression; he wrote it for Westerners as an exposition of Japan's aesthetic heritage. In fact, he devoted much of his life to the preservation and promotion of Japan's artistic heritage, giving lectures to both Japanese and Western audiences. This did not necessarily mean that he rejected Western philosophy and theories. A close examination of his views of both Eastern and Western art and history reveals that he was greatly influenced by Hegel's notion of dialectics and the evolutionary theories proposed by Darwin and Spencer. Okakura viewed cross-cultural encounters to be a catalyst for change and saw his own time as a critical point where Eastern and Western history was colliding, causing the evolution of both artistic cultures.