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Papers by Anastasia Kayiatos

Co-authored with Joan Ostrove. In the Fall of 2013 we team-taught a disability studies course f... more Co-authored with Joan Ostrove.
In the Fall of 2013 we team-taught a disability studies course for a small group of first-year students. The course, Minding the Body, integrated scholarship from disability studies, feminist/queer studies, psychology, and Russian Studies. Originally envisioned and taught independently in the Fall of 2012 by Joan Ostrove and focused entirely on the U.S., Anastasia Kayiatos's arrival in the Department of German and Russian Studies at Macalester College afforded us an opportunity for collaboration and co-instruction that we found invigorating, compelling, and transformative. Grounded from the outset in disability studies, the course asked students to interrogate such questions as: What is a "normal" body? A "beautiful" body? Why do we feel the way we do about our bodies? How are bodies objectified, exploited, and regulated? How and why do we discriminate against people with non-normative bodies? How do people represent the experience of having a disabled body? How can we think critically about the various ways in which people change, regulate, and enhance their bodies? How do sexism, racism, classism, colonialism, homophobia, transphobia and other forms of oppression influence how different bodies are viewed, treated, educated, and experienced? The integration of Russian Studies importantly allowed us to ask how these questions and ideas change when we travel across time and geographical space. In our paper we will reflect on our experience of co-authoring the syllabus (we will include both the solo-taught and co-taught versions of the syllabus in an appendix); outline some of our techniques for team-teaching; and analyze an exemplary assignment and class meeting. We will conclude with a final word about the unique forms of teaching and learning that happened in our class as a consequence of its collaborative and interdisciplinary approach, which opened up new perspectives in disability studies not only for our students but also for us.

All the Russias - NYU Jordan Center, Nov 2013

Taking as its theme the unsayable and the unsaid in post-Stalin Russia, this interdisciplinary di... more Taking as its theme the unsayable and the unsaid in post-Stalin Russia, this interdisciplinary dissertation pushes scholars to see more of the Soviet experience than the usual `totalitarianism' lens would allow. Its six chapters apply pressure to the cold war repressive hypothesis that casts the whispering citizens of Stalin's Russia as restored to speech during Khrushchev's cultural thaw only to be muted once more in the late sixties by political stagnation. The prevalence of this view in Russian cultural studies and national collective memory has rendered it rather difficult to write about late socialism until recently, when scholars started to take a multisensory approach to the Soviet past--not only listening to the verbal narratives of the era (whether official or dissenting), but also looking at the dynamic tensions between socialist speech and the socialist body. To counter the commonplace of Soviet history that makes quiet consonant with submission or complicity, this study attends instead to the manners in which Soviet subjects opted for silence to speak truth to power, as with the Aesopian gestural language of avant-garde pantomimists. It also pursues the wily ways that subjects presumed or produced as unspeaking or unspeakable--including the deaf-mute, the racial primitive, the sexual deviant, and the illiterate criminal--performed the silences imputed to them to say something else and, so doing, improvised interesting and unexpected scripts for late socialism.

Doctoral Dissertation in Slavic Languages & Literatures/Designated Emphasis in Women, Gender, & Sexuality Studies
UC Berkeley, August 2012

Advisor/Supervisor/Committee Chair: Eric Naiman and Mel Y. Chen
Committee Members: Olga Matich and Alexei Yurchak

*This dissertation is copyrighted, and will appear on the ProQuest database in December 2014, following a two-year release delay.

WSQ: Women's Studies Quarterly , 2012

Theatre Survey, May 2010

A television documentary on speech therapy is visible on the screen. A logopedist (speech-defect ... more A television documentary on speech therapy is visible on the screen. A logopedist (speech-defect expert) coaches a young man to overcome his stutter through hypnosis. “You will speak loudly and clearly, freely and easily, unafraid of your voice and your speech,” she instructs. The boy hesitates but finally musters the words: “I can speak.” Thus Andrei Tarkovsky begins Zerkalo [Mirror], his poetic film about personal memory and cultural trauma (conceived in 1964 and completed in 1974). The symbolism of this scene was impossible for Tarkovsky's Soviet intelligentsia audience to miss. The stutterer coming to speech allegorized the artist coming to free expression in Russia after Stalin, struggling to adapt to alternating intervals of liberating “thaw” and oppressive “freeze,” fluency and silence, in the period of de-Stalinization that Nikita Khrushchev's secret speech at the 20th Party Congress of 1956 set into motion. The crisis of the solo stutterer's speech in the film stood in for the larger emerging crisis of how to represent socialist reality, a world that once had been captured solely by socialist realism—that is, until Khrushchev deprived Stalinism of its status as real socialism and thus invalidated the basis of socialist realism.

Журнал исследований социальной политики, 2012