George Yudice | University of Miami (original) (raw)
Papers by George Yudice
Keywords for American Cultural Studies, Second Edition
New York University Press eBooks, Dec 1, 2004
Resisting Categories: Latin American and/or Latino?, 2017
Letras (Lima), 1985
El análisis literario no es una actividad que se da en el vacío, libre de condicionamientos ide... more El análisis literario no es una actividad que se da en el vacío, libre de condicionamientos ideológicos. Aun cuando se pretenda describir un texto con total objetividad, sabemos ya que ello es imposible: toda enunciación conlleva un(os) juicio(s) —entre las múltiples fuliciones que desempeña: función comunicativa, fática, conativa, poética, refcrencial, etc.— que la relaciona(n) con una subjetividad que toma posición precisamente en el acto de enunciar. El sujeto es efecto de sus discursos, en los cuales se "reconoce".
Prologo / George Yudice. – Presentacion / Maria Soledad Segura y Anna Valeria Prato. – Cartas, ju... more Prologo / George Yudice. – Presentacion / Maria Soledad Segura y Anna Valeria Prato. – Cartas, juegos y naipes. Produccion teorica sobre sociedad civil y politicas culturales argentinas entre 2002 y 2017 / Isa Paula Morais. – Seccion 1: Haciendose lugar. Intervencion de organizaciones sociales en politicas de cultura La participacion de la sociedad civil en las nuevas normas culturales / De la Ley de Servicios de Comunicacion Audiovisual al proyecto de Ley Federal de las Culturas / Anna Valeria Prato, Natalia Gabriela Traversaro y Maria Soledad Segura. – Emancipacion a partir de la cultura. Construccion del proyecto de Ley Federal de las Culturas / Guillermo Diaz. – Cultura Viva Comunitaria: un camino y sus enigmas / Eduardo Balan. – Productores Culturales de Sierras Chicas: una experiencia de articulacion territorial / Maria Emilia Ruiz. – Revistas culturales: la articulacion del sector frente a politicas discontinuas y la ausencia de una ley / Daniel Badenes. – ARECIA y el proyect...
The pros and contras of Negrian-inspired political museum (Museum of Contemporary Art of Barcelon... more The pros and contras of Negrian-inspired political museum (Museum of Contemporary Art of Barcelona) and the "new museology" of the early 21st Century that sought to involve communities in cultural development. (In Portuguese)
Latin American Women's Narrative / Narrativa Femenina en América Latina, 2003
International Journal of Cultural Policy, 2018
The Education of the Filmmaker in Africa, the Middle East, and the Americas, 2013
When I first conceptualized this study, I called it “Community Audiovisual Production.” Some of t... more When I first conceptualized this study, I called it “Community Audiovisual Production.” Some of the experiences that I refer to, however, are not necessarily communitarian, although many are. I have chosen the word “peripheries” because it refers not only to marginalized communities, like favelas,1 on which much of my research focuses, but also to experiences that are not dominant or central in the sense of commanding large-scale resources, venues, contacts, policies (both explicit and implicit), the law, and often coercion. This is the primary sense in which I am using this term, for there is nothing essentially peripheral about the diverse experiences that I will speak about, especially not to the protagonists of these experiences, who reject the idea that they are somehow lesser because they do not inhabit or aspire to the current professional-industrial mainstream. Moreover, these diverse protagonists increasingly have the sense that they form part of an emergent plurality. It could be said that these peripheral practices constitute an emergent field of audiovisual production that challenges and reformulates the dominant field, composed largely of educated, professional middle-class filmmakers and producers who see the narrative feature film as the most valued kind of audiovisual product and the movie house as the appropriate venue for cinematic experience. The field of peripheral audiovisual production, while not neglecting these criteria, nevertheless prioritizes other practices and formats such as collaborative production, documentaries, shorts, activist video, and so on; circulation in community settings, informal markets, public TV, and Internet portals and sites like YouTube and Vimeo, and so on; and education in community workshops, through viewership and discussion in local settings, civic organizations, and cineclub networks, all of which generate new kinds of cinephilia.
The Expediency of Culture, 2003
Keywords for American Cultural Studies, Second Edition
New York University Press eBooks, Dec 1, 2004
Resisting Categories: Latin American and/or Latino?, 2017
Letras (Lima), 1985
El análisis literario no es una actividad que se da en el vacío, libre de condicionamientos ide... more El análisis literario no es una actividad que se da en el vacío, libre de condicionamientos ideológicos. Aun cuando se pretenda describir un texto con total objetividad, sabemos ya que ello es imposible: toda enunciación conlleva un(os) juicio(s) —entre las múltiples fuliciones que desempeña: función comunicativa, fática, conativa, poética, refcrencial, etc.— que la relaciona(n) con una subjetividad que toma posición precisamente en el acto de enunciar. El sujeto es efecto de sus discursos, en los cuales se "reconoce".
Prologo / George Yudice. – Presentacion / Maria Soledad Segura y Anna Valeria Prato. – Cartas, ju... more Prologo / George Yudice. – Presentacion / Maria Soledad Segura y Anna Valeria Prato. – Cartas, juegos y naipes. Produccion teorica sobre sociedad civil y politicas culturales argentinas entre 2002 y 2017 / Isa Paula Morais. – Seccion 1: Haciendose lugar. Intervencion de organizaciones sociales en politicas de cultura La participacion de la sociedad civil en las nuevas normas culturales / De la Ley de Servicios de Comunicacion Audiovisual al proyecto de Ley Federal de las Culturas / Anna Valeria Prato, Natalia Gabriela Traversaro y Maria Soledad Segura. – Emancipacion a partir de la cultura. Construccion del proyecto de Ley Federal de las Culturas / Guillermo Diaz. – Cultura Viva Comunitaria: un camino y sus enigmas / Eduardo Balan. – Productores Culturales de Sierras Chicas: una experiencia de articulacion territorial / Maria Emilia Ruiz. – Revistas culturales: la articulacion del sector frente a politicas discontinuas y la ausencia de una ley / Daniel Badenes. – ARECIA y el proyect...
The pros and contras of Negrian-inspired political museum (Museum of Contemporary Art of Barcelon... more The pros and contras of Negrian-inspired political museum (Museum of Contemporary Art of Barcelona) and the "new museology" of the early 21st Century that sought to involve communities in cultural development. (In Portuguese)
Latin American Women's Narrative / Narrativa Femenina en América Latina, 2003
International Journal of Cultural Policy, 2018
The Education of the Filmmaker in Africa, the Middle East, and the Americas, 2013
When I first conceptualized this study, I called it “Community Audiovisual Production.” Some of t... more When I first conceptualized this study, I called it “Community Audiovisual Production.” Some of the experiences that I refer to, however, are not necessarily communitarian, although many are. I have chosen the word “peripheries” because it refers not only to marginalized communities, like favelas,1 on which much of my research focuses, but also to experiences that are not dominant or central in the sense of commanding large-scale resources, venues, contacts, policies (both explicit and implicit), the law, and often coercion. This is the primary sense in which I am using this term, for there is nothing essentially peripheral about the diverse experiences that I will speak about, especially not to the protagonists of these experiences, who reject the idea that they are somehow lesser because they do not inhabit or aspire to the current professional-industrial mainstream. Moreover, these diverse protagonists increasingly have the sense that they form part of an emergent plurality. It could be said that these peripheral practices constitute an emergent field of audiovisual production that challenges and reformulates the dominant field, composed largely of educated, professional middle-class filmmakers and producers who see the narrative feature film as the most valued kind of audiovisual product and the movie house as the appropriate venue for cinematic experience. The field of peripheral audiovisual production, while not neglecting these criteria, nevertheless prioritizes other practices and formats such as collaborative production, documentaries, shorts, activist video, and so on; circulation in community settings, informal markets, public TV, and Internet portals and sites like YouTube and Vimeo, and so on; and education in community workshops, through viewership and discussion in local settings, civic organizations, and cineclub networks, all of which generate new kinds of cinephilia.
The Expediency of Culture, 2003