Mack Hagood | Miami University (original) (raw)

Books by Mack Hagood

Research paper thumbnail of Hush: Media and Sonic Self-Control (Introduction)

Duke University Press, 2019

Introductory chapter to Hush by Mack Hagood. For almost sixty years, media technologies have prom... more Introductory chapter to Hush by Mack Hagood. For almost sixty years, media technologies have promised users the ability to create sonic safe spaces for themselves—from bedside white noise machines to Beats by Dre's “Hear What You Want” ad campaign, in which Colin Kaepernick's headphones protect him from taunting crowds. In Hush, Mack Hagood draws evidence from noise-canceling headphones, tinnitus maskers, LPs that play ocean sounds, nature-sound mobile apps, and in-ear smart technologies to argue the true purpose of media is not information transmission, but rather the control of how we engage our environment. These devices, which Hagood calls orphic media, give users the freedom to remain unaffected in the changeable and distracting spaces of contemporary capitalism and reveal how racial, gendered, ableist, and class ideologies shape our desire to block unwanted sounds. In a noisy world of haters, trolls, and information overload, guarded listening can be a necessity for self-care, but Hagood argues our efforts to shield ourselves can also decrease our tolerance for sonic and social difference. Challenging our self-defeating attempts to be free of one another, he rethinks media theory, sound studies, and the very definition of media.

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Research paper thumbnail of Hush: Media and Sonic Self-Control (Duke UP 2019)

Media devices that allow individuals to customize and control their sonic environments are prolif... more Media devices that allow individuals to customize and control their sonic environments are proliferating. Generating billions of dollars in revenue, these technologies include noise-canceling headphones, white noise machines, smartphone apps designed to make a noisy office or bedroom sound like the seashore or a rainy country field, hearing aids with wind-chime settings to mask the sound of tinnitus, and new in-ear smart devices ("hearables") that filter and alter the sounds of the world. Until now, neither consumers nor scholars have considered the use of these disparate devices as a singular and prevalent form of media practice—one with important implications for how we experience ourselves, one another, and the world. While the human experience of sound, space, self, and sociality has always been an emergent and technological process, today's sonic new media practices are profoundly altering this emergence. Hush: Media and Sonic Self-Control deploys archival and ethnographic research to explore technological practices of sonic remediation from Greek myth to the digital future. These media technologies do not tell stories, entertain, or inform—instead, they offer a mode of self-control through sound control. Just as Orpheus heroically drowned the Sirens' fatal, mind-captivating voices in sound waves of his own, singing and playing his lyre to create a space of safe passage for the Argonauts, orphic media such as noise-canceling headphones help users manage and protect their own subjectivities in changeable, stressful, and distracting environments.

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Papers by Mack Hagood

Research paper thumbnail of Hush

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Research paper thumbnail of Critical Thinking and Signature Pedagogies

Teaching as if Learning Matters

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Research paper thumbnail of Introduction: Toward a Disability Media Studies

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Research paper thumbnail of The Tinnitus Trope : Acoustic Trauma in Narrative Film

In Alfonso Cuarón’s Children of Men (2006), this otological lesson is delivered to protagonist Th... more In Alfonso Cuarón’s Children of Men (2006), this otological lesson is delivered to protagonist Theo Faron (Clive Owen) after his narrow escape from a coffee shop bombing. The speaker is Theo’s ex-wife Julian (Julianne Moore), the leader of an underground militia group. The audio-visual perspective is Theo’s. Julian stands in an abandoned rail station with a high, vaulted ceiling, addressing the camera/Theo as her men drag him away. As Julian recedes from view, her voice recedes into its own reflections in the empty, reverberant space—its attenuation only amplifying her prediction of oncoming hearing loss.

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Research paper thumbnail of Disability and Biomediation

Disability Media Studies

The medical mediation of bodily differences can be fraught, and many scholars have shown how the ... more The medical mediation of bodily differences can be fraught, and many scholars have shown how the combination of media and medicine can produce disablement according to biopolitical norms. Mack Hagood proposes a framework for the study of biomediation that disentangles medical uses of media technologies from the medical model of disability. Using tinnitus as his case study, he demonstrates the value of this framework for understanding the complex role of media in both biological and political struggles over disability and disabled identities.

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Research paper thumbnail of Hush

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Research paper thumbnail of Everything is Connected": Networked Conspirituality in New Age Media

AoIR Selected Papers of Internet Research

Conspirituality refers to the confluence of New Age spirituality and conspiracism that frame real... more Conspirituality refers to the confluence of New Age spirituality and conspiracism that frame reality through holistic thinking—connecting events and energies, the inner self to the outer world in unseen ways. Conspirituality has thrived online: between the pleasure of the weekly horoscope and the obsession with the QAnon drop is a mode of causal promiscuity in which, as Q puts it, “future proves past.” This panel traces forms of conspirituality from MAGA mystics to New Age influencers, from technolibertarian imageboards to Silicon Valley vision quests. While conspirituality marks an online psychographic segmentation, it also traces a formal quality that organizes ways of navigating, knowing, and critiquing the internet, which is undergirded by New Age spirituality’s perennialism: a belief that different spiritual traditions are equally valid, because they all essentially worship the same divine source that emanates throughout the cosmos and the human body. The internet supercharges ...

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Research paper thumbnail of Liminal States: Life as an Indie Musician on Taiwan

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Research paper thumbnail of Liminal States: Life as an Indie Musician on Taiwan

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Research paper thumbnail of A Resonant Tome

Http Dx Doi Org 10 1080 09502386 2013 860999, Jan 6, 2015

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Research paper thumbnail of Disability and Biomediation: Tinnitus as Phantom Disability

Disability Media Studies, 2017

The medical mediation of bodily differences can be fraught, and many scholars have shown how the ... more The medical mediation of bodily differences can be fraught, and many scholars have shown how the combination of media and medicine can produce disablement according to biopolitical norms. Mack Hagood proposes a framework for the study of biomediation that disentangles medical uses of media technologies from the medical model of disability. Using tinnitus as his case study, he demonstrates the value of this framework for understanding the complex role of media in both biological and political struggles over disability and disabled identities.

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Research paper thumbnail of The Real Problem is Not Misinformation

As progressives, journalists, and media scholars attempt to account for the role of media in the ... more As progressives, journalists, and media scholars attempt to account for the role of media in the Trump victory, opinions have coalesced around one culprit: misinformation. The quick consensus around the online misinformation theory suggests a lingering and dangerous mismatch between our conceptions of new media users as political subjects and the reality. To understand what ails our digitally mediated democracy we will need to embrace an affective conception of political subjects and their media use.

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Research paper thumbnail of Did Crowd Mics Amp Up Democratic National Convention Drama?

On television, the first night of the 2016 Democratic National Convention was severely disrupted ... more On television, the first night of the 2016 Democratic National Convention was severely disrupted by booing Bernie Sanders supporters--yet many reporters on the floor of the convention claimed the booing was not so loud or widespread on-site. This discrepancy has much to do with sonic changes in the technological medium of television over the past half century, as mundane aspects of audio production such as microphones and audio compressors interact with politics in unpredictable ways. Critically analyzing these interactions is an important skill for all citizens in our mediated democracy to develop.

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Research paper thumbnail of The 12th Man: Fan noise in the contemporary NFL

The study of sound is largely absent from scholarship on sport in general and sport fandom in par... more The study of sound is largely absent from scholarship on sport in general and sport fandom in particular. Sound, however, plays a crucial role in the cultivation, maintenance, and performance of sports fandom. Using Seattle's 12th Man and the discourses surrounding it, this essay examines the relationship between sound, space, and fandom in the contemporary National Football League. We consider how fans' sonic labor is constitutive of their place within a fan community; the relationship between sound and fandom's spatial and affective dimensions; and how contemporary sport and media organizations capitalize on fans' production of sound and the embodied experience and communal identity it fashions. By investigating the 12th Man's sonic relations to fandom, space, games, and television, we demonstrate how the league has shifted from regulating fan noise as an interruption to cultivating it as a communicative resource that adds value to games.

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Research paper thumbnail of The Tinnitus Trope: Acoustic Trauma in Narrative Film

By charting the form and history of the tinnitus effect, we can begin to examine why a mixture of... more By charting the form and history of the tinnitus effect, we can begin to examine why a mixture of piercing and muffled sound has lately become so useful and salient in narrative film, a question that gives entry to broader issues of cinematic subjectivity and its cultural-historical context. It may be that cinematic tinnitus successfully sonifies contemporary feelings of loss and unease around politics and selfhood.

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Research paper thumbnail of Touching Sound, Touching Image

Of course, film sound has a copious and illustrious literature that I have taken great pleasure i... more Of course, film sound has a copious and illustrious literature that I have taken great pleasure in studying and to which I hope to have done justice. Yet every article leaves some work undone and in the case of “Unpacking a Punch,” I wish I had done similar justice to the less-copious but equally intriguing literature on touch in film—especially Lisa Marks’ work on haptics and material connectedness in cinema. So, with this in mind, I’d like to use these afterthoughts to compare and contrast my discussion of visceral sound with Marks’ innovative work on haptic image. http://www.cmstudies.org/?CJ_after534_hagood

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Research paper thumbnail of Unpacking a Punch: Transduction and the Sound of Combat Foley in Fight Club

This article unpacks the production and impact of the Foley punch in David Fincher’s Fight Club (... more This article unpacks the production and impact of the Foley punch in David Fincher’s Fight Club (1999) to theorize the sonic transmission of affect in cinema. It advocates transduction as a model for a soundtrack analysis that acknowledges the already-mediated nature of aural subjectivity and allows for authenticity in electronically mediated experiences.

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Research paper thumbnail of Quiet Comfort: Noise, Otherness, and the Mobile Production of Personal Space

American Quarterly, 2011

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Research paper thumbnail of Hush: Media and Sonic Self-Control (Introduction)

Duke University Press, 2019

Introductory chapter to Hush by Mack Hagood. For almost sixty years, media technologies have prom... more Introductory chapter to Hush by Mack Hagood. For almost sixty years, media technologies have promised users the ability to create sonic safe spaces for themselves—from bedside white noise machines to Beats by Dre's “Hear What You Want” ad campaign, in which Colin Kaepernick's headphones protect him from taunting crowds. In Hush, Mack Hagood draws evidence from noise-canceling headphones, tinnitus maskers, LPs that play ocean sounds, nature-sound mobile apps, and in-ear smart technologies to argue the true purpose of media is not information transmission, but rather the control of how we engage our environment. These devices, which Hagood calls orphic media, give users the freedom to remain unaffected in the changeable and distracting spaces of contemporary capitalism and reveal how racial, gendered, ableist, and class ideologies shape our desire to block unwanted sounds. In a noisy world of haters, trolls, and information overload, guarded listening can be a necessity for self-care, but Hagood argues our efforts to shield ourselves can also decrease our tolerance for sonic and social difference. Challenging our self-defeating attempts to be free of one another, he rethinks media theory, sound studies, and the very definition of media.

Bookmarks Related papers MentionsView impact

Research paper thumbnail of Hush: Media and Sonic Self-Control (Duke UP 2019)

Media devices that allow individuals to customize and control their sonic environments are prolif... more Media devices that allow individuals to customize and control their sonic environments are proliferating. Generating billions of dollars in revenue, these technologies include noise-canceling headphones, white noise machines, smartphone apps designed to make a noisy office or bedroom sound like the seashore or a rainy country field, hearing aids with wind-chime settings to mask the sound of tinnitus, and new in-ear smart devices ("hearables") that filter and alter the sounds of the world. Until now, neither consumers nor scholars have considered the use of these disparate devices as a singular and prevalent form of media practice—one with important implications for how we experience ourselves, one another, and the world. While the human experience of sound, space, self, and sociality has always been an emergent and technological process, today's sonic new media practices are profoundly altering this emergence. Hush: Media and Sonic Self-Control deploys archival and ethnographic research to explore technological practices of sonic remediation from Greek myth to the digital future. These media technologies do not tell stories, entertain, or inform—instead, they offer a mode of self-control through sound control. Just as Orpheus heroically drowned the Sirens' fatal, mind-captivating voices in sound waves of his own, singing and playing his lyre to create a space of safe passage for the Argonauts, orphic media such as noise-canceling headphones help users manage and protect their own subjectivities in changeable, stressful, and distracting environments.

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Research paper thumbnail of Hush

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Research paper thumbnail of Critical Thinking and Signature Pedagogies

Teaching as if Learning Matters

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Research paper thumbnail of Introduction: Toward a Disability Media Studies

Bookmarks Related papers MentionsView impact

Research paper thumbnail of The Tinnitus Trope : Acoustic Trauma in Narrative Film

In Alfonso Cuarón’s Children of Men (2006), this otological lesson is delivered to protagonist Th... more In Alfonso Cuarón’s Children of Men (2006), this otological lesson is delivered to protagonist Theo Faron (Clive Owen) after his narrow escape from a coffee shop bombing. The speaker is Theo’s ex-wife Julian (Julianne Moore), the leader of an underground militia group. The audio-visual perspective is Theo’s. Julian stands in an abandoned rail station with a high, vaulted ceiling, addressing the camera/Theo as her men drag him away. As Julian recedes from view, her voice recedes into its own reflections in the empty, reverberant space—its attenuation only amplifying her prediction of oncoming hearing loss.

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Research paper thumbnail of Disability and Biomediation

Disability Media Studies

The medical mediation of bodily differences can be fraught, and many scholars have shown how the ... more The medical mediation of bodily differences can be fraught, and many scholars have shown how the combination of media and medicine can produce disablement according to biopolitical norms. Mack Hagood proposes a framework for the study of biomediation that disentangles medical uses of media technologies from the medical model of disability. Using tinnitus as his case study, he demonstrates the value of this framework for understanding the complex role of media in both biological and political struggles over disability and disabled identities.

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Research paper thumbnail of Hush

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Research paper thumbnail of Everything is Connected": Networked Conspirituality in New Age Media

AoIR Selected Papers of Internet Research

Conspirituality refers to the confluence of New Age spirituality and conspiracism that frame real... more Conspirituality refers to the confluence of New Age spirituality and conspiracism that frame reality through holistic thinking—connecting events and energies, the inner self to the outer world in unseen ways. Conspirituality has thrived online: between the pleasure of the weekly horoscope and the obsession with the QAnon drop is a mode of causal promiscuity in which, as Q puts it, “future proves past.” This panel traces forms of conspirituality from MAGA mystics to New Age influencers, from technolibertarian imageboards to Silicon Valley vision quests. While conspirituality marks an online psychographic segmentation, it also traces a formal quality that organizes ways of navigating, knowing, and critiquing the internet, which is undergirded by New Age spirituality’s perennialism: a belief that different spiritual traditions are equally valid, because they all essentially worship the same divine source that emanates throughout the cosmos and the human body. The internet supercharges ...

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Research paper thumbnail of Liminal States: Life as an Indie Musician on Taiwan

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Research paper thumbnail of Liminal States: Life as an Indie Musician on Taiwan

Bookmarks Related papers MentionsView impact

Research paper thumbnail of A Resonant Tome

Http Dx Doi Org 10 1080 09502386 2013 860999, Jan 6, 2015

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Research paper thumbnail of Disability and Biomediation: Tinnitus as Phantom Disability

Disability Media Studies, 2017

The medical mediation of bodily differences can be fraught, and many scholars have shown how the ... more The medical mediation of bodily differences can be fraught, and many scholars have shown how the combination of media and medicine can produce disablement according to biopolitical norms. Mack Hagood proposes a framework for the study of biomediation that disentangles medical uses of media technologies from the medical model of disability. Using tinnitus as his case study, he demonstrates the value of this framework for understanding the complex role of media in both biological and political struggles over disability and disabled identities.

Bookmarks Related papers MentionsView impact

Research paper thumbnail of The Real Problem is Not Misinformation

As progressives, journalists, and media scholars attempt to account for the role of media in the ... more As progressives, journalists, and media scholars attempt to account for the role of media in the Trump victory, opinions have coalesced around one culprit: misinformation. The quick consensus around the online misinformation theory suggests a lingering and dangerous mismatch between our conceptions of new media users as political subjects and the reality. To understand what ails our digitally mediated democracy we will need to embrace an affective conception of political subjects and their media use.

Bookmarks Related papers MentionsView impact

Research paper thumbnail of Did Crowd Mics Amp Up Democratic National Convention Drama?

On television, the first night of the 2016 Democratic National Convention was severely disrupted ... more On television, the first night of the 2016 Democratic National Convention was severely disrupted by booing Bernie Sanders supporters--yet many reporters on the floor of the convention claimed the booing was not so loud or widespread on-site. This discrepancy has much to do with sonic changes in the technological medium of television over the past half century, as mundane aspects of audio production such as microphones and audio compressors interact with politics in unpredictable ways. Critically analyzing these interactions is an important skill for all citizens in our mediated democracy to develop.

Bookmarks Related papers MentionsView impact

Research paper thumbnail of The 12th Man: Fan noise in the contemporary NFL

The study of sound is largely absent from scholarship on sport in general and sport fandom in par... more The study of sound is largely absent from scholarship on sport in general and sport fandom in particular. Sound, however, plays a crucial role in the cultivation, maintenance, and performance of sports fandom. Using Seattle's 12th Man and the discourses surrounding it, this essay examines the relationship between sound, space, and fandom in the contemporary National Football League. We consider how fans' sonic labor is constitutive of their place within a fan community; the relationship between sound and fandom's spatial and affective dimensions; and how contemporary sport and media organizations capitalize on fans' production of sound and the embodied experience and communal identity it fashions. By investigating the 12th Man's sonic relations to fandom, space, games, and television, we demonstrate how the league has shifted from regulating fan noise as an interruption to cultivating it as a communicative resource that adds value to games.

Bookmarks Related papers MentionsView impact

Research paper thumbnail of The Tinnitus Trope: Acoustic Trauma in Narrative Film

By charting the form and history of the tinnitus effect, we can begin to examine why a mixture of... more By charting the form and history of the tinnitus effect, we can begin to examine why a mixture of piercing and muffled sound has lately become so useful and salient in narrative film, a question that gives entry to broader issues of cinematic subjectivity and its cultural-historical context. It may be that cinematic tinnitus successfully sonifies contemporary feelings of loss and unease around politics and selfhood.

Bookmarks Related papers MentionsView impact

Research paper thumbnail of Touching Sound, Touching Image

Of course, film sound has a copious and illustrious literature that I have taken great pleasure i... more Of course, film sound has a copious and illustrious literature that I have taken great pleasure in studying and to which I hope to have done justice. Yet every article leaves some work undone and in the case of “Unpacking a Punch,” I wish I had done similar justice to the less-copious but equally intriguing literature on touch in film—especially Lisa Marks’ work on haptics and material connectedness in cinema. So, with this in mind, I’d like to use these afterthoughts to compare and contrast my discussion of visceral sound with Marks’ innovative work on haptic image. http://www.cmstudies.org/?CJ_after534_hagood

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Research paper thumbnail of Unpacking a Punch: Transduction and the Sound of Combat Foley in Fight Club

This article unpacks the production and impact of the Foley punch in David Fincher’s Fight Club (... more This article unpacks the production and impact of the Foley punch in David Fincher’s Fight Club (1999) to theorize the sonic transmission of affect in cinema. It advocates transduction as a model for a soundtrack analysis that acknowledges the already-mediated nature of aural subjectivity and allows for authenticity in electronically mediated experiences.

Bookmarks Related papers MentionsView impact

Research paper thumbnail of Quiet Comfort: Noise, Otherness, and the Mobile Production of Personal Space

American Quarterly, 2011

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Research paper thumbnail of Listening to Tinnitus: Roles of Media When Hearing Breaks Down

Sounding Out!, Jul 16, 2012

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Research paper thumbnail of Liminal States: Life as an Indie Musician on Taiwan

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Research paper thumbnail of Review of Making noise: from Babel to the big bang & beyond by Hillel Schwartz

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Research paper thumbnail of Review of Stance: Ideas about Emotion, Style, and Meaning for the Study of Expressive Culture

Journal of Folklore Research Reviews

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Research paper thumbnail of Review of Mechanical Sound: Technology, Culture, and Public Problems of Noise in the Twentieth Century

Journal of Folklore Research Reviews

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Research paper thumbnail of Phantom Power Podcast Ep. 5: Ears Racing (Jennifer Stoever)

This episode, we talk with Jennifer Lynn Stoever–editor of the influential sound studies blog Sou... more This episode, we talk with Jennifer Lynn Stoever–editor of the influential sound studies blog Sounding Out!–about her new book, The Sonic Color Line: Race and the Cultural Politics of Listening (NYU Press, 2016). We tend to think of race and racism as visual phenomena, but Stoever challenges white listeners to examine how racism can infect our ears, altering the sound of the world and other people. We discuss the history of American prejudicial listening since slavery and learn how African American writers and musicians have pushed back against this invisible “sonic color line.”

Works discussed include Richard Wright’s Native Son and music by Huddie Ledbetter (Lead Belly), Fishbone, and Lena Horne.

Additional music by Graeme Gibson and Blue the Fifth.

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Research paper thumbnail of Phantom Power Podcast Ep. 4: On Listening In (Lawrence English)

Lawrence English is an influential sound composer, media artist and curator based in Australia. I... more Lawrence English is an influential sound composer, media artist and curator based in Australia. In this episode of Phantom Power: Sounds about Sound we speak with Lawrence about listening. In particular we think about his reworking of an important work in the fields of musique concrète and field recording, Presque Rien by Luc Ferrari, and the recent premiere of Wave Fields, his own 12-hour durational sound installation for sleepers at Burleigh Heads in Queensland as part of the Bleach* Festival.

Lawrence is interested in the nature of listening and the capability of sound to occupy a body. Working across an eclectic array of aesthetic investigations, English’s work prompts questions of field, perception and memory. He investigates the politics of relation listening and perception, through live performance, field recordings and installation.

The show includes extracts from the following tracks:

Album: Cruel Optimism: “Hammering a Screw.”

Album: Wilderness of Mirrors: “Wilderness of Mirrors,” “Wrapped in Skin.”

Album: Songs of the Living: “Trigona Carbonaria Hive Invasion, Brisbane Australia,” “Cormorants Flocking At Dusk Amazon Brazil,” “Various Chiroptera Samford Australia.”

Album: Ghost Towns: “Ghost Towns.“

Album: Kiri No Oto: “Soft Fuse.”

Luc Ferrari: Presque Rien.

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Research paper thumbnail of Phantom Power Podcast Ep. 3: Dirty Rat (Brian House)

This time we talk with a fascinating sound artist and composer Mack met at a recent meeting of th... more This time we talk with a fascinating sound artist and composer Mack met at a recent meeting of the Society for Literature, Science, and the Arts. As his website puts it, “Brian House is an artist who explores the interdependent rhythms of the body, technology, and the environment. His background in both computer science and noise music informs his research-based practice. Recent interests include AI, telegraphy, and urban rats.” If that description looks a little daunting on the screen, the work itself sounds really cool to cris and Mack. We’ll listen to three pieces of Brian’s: a composition that imprints motion-tracking data on collectible vinyl, a field recording from the Okavango Delta in Botswana, and an encounter with the wildlife that put the “burrows” in New York’s five boroughs.

Links to works discussed: Quotidian Record (2012), Urban Intonation (2017).

Mack notes that it was incredible to edit this episode using Daniel Fishkin’s daxophone arrangement of John Cage’s “Ryoanji” (1983).

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Research paper thumbnail of Phantom Power Podcast Ep. 2: City of Voices (Shannon Mattern)

This episode we have a single longform interview with a media scholar of note–The New School’s Sh... more This episode we have a single longform interview with a media scholar of note–The New School’s Shannon Mattern. We have teamed up with Mediapolis, a journal that places urban studies and media studies into conversation with one another, to interview Mattern about her new book, Code and Clay, Data and Dirt: Five Thousand Years of Urban Media (U of Minnesota Press: 2018).

And lucky for us on Phantom Power, a large portion of Mattern’s story is about sound, from the echoes of ancient caves to Roman amphitheaters to telephone wires and radio towers—she shows us how sonic infrastructures allow us to communicate and form communities, cultivating forms of intelligence that are embodied and affective, as well as informatic. Before there was the smart city, there was the sonic city—and the sonic city isn’t going anywhere soon.

Some topics discussed: Patrick Feaster and First Sounds; Neil Postman; Harold Innis; Marshall McLuhan; John Durham Peters’ The Marvelous Clouds; Carolyn Birdsall’s Nazi Soundscapes.

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Research paper thumbnail of Phantom Power Podcast Ep. 1: Dead Air (John Biguenet, Rodrigo Toscano)

On our first episode of the Phantom Power podcast, we ponder those moments when the air remains u... more On our first episode of the Phantom Power podcast, we ponder those moments when the air remains unmoved. Whether fostered by design or meteorological conditions or technological glitch, the absence of sound sometimes affects us more profoundly than the audible.

We begin with author John Biguenet discussing his book Silence (Bloomsbury, 2015) and the relationship between quietude, reading, writing, and the self.

Next, we speak to poet and hurricane responder Rodrigo Toscano, who takes us into the foreboding silence in eye of a storm.

Finally, our own co-host and poet cris cheek ponders the many contradictory experiences of “dead air” in an age of changing media technologies.

Today’s episode features music by our own Mack Hagood and by Graeme Gibson, who is currently touring on drums with Michael Nau and the Mighty Thread.

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Research paper thumbnail of Annenberg 3620 Podcast: Specters of Silence

This edition of the Annenberg School's 3620 Podcast includes an interview with me on my tinnitus ... more This edition of the Annenberg School's 3620 Podcast includes an interview with me on my tinnitus research.

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Research paper thumbnail of I-69 Sounds and Stories

This is a three-part documentary radio series created for WFHB by my students in a class at India... more This is a three-part documentary radio series created for WFHB by my students in a class at Indiana University's Department of Communication and Culture. In Audio Production as Service: Sounds and Stories in the Path of I-69, students broke into ethnographic research teams to interview rural residents and record natural sounds in the proposed pathway of a controversial interstate extension. The students investigated how I-69 will impact life stories and soundscapes in southwestern Indiana.

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