Tim Edensor | Manchester Metropolitan University (original) (raw)
Papers by Tim Edensor
SAGE Publications Ltd eBooks, May 15, 2012
International Journal of Heritage Studies, Feb 1, 2023
Routledge eBooks, Apr 27, 2018
SAGE Publications Ltd eBooks, Mar 8, 2018
Edward Elgar Publishing eBooks, Apr 22, 2021
This chapter seeks to exemplify how the material constitution of the city frequently bears traces... more This chapter seeks to exemplify how the material constitution of the city frequently bears traces of the skilled labour through which it was creatively fashioned, though this may have been carried out long ago and far away. In looking at a controversial, contested heritage attraction in Melbourne, Cook’s Cottage, Edensor explores how it materially embodies a relational expression of creativity, one that has been distributed across continents and eras, but as with other elements of the built environment, a labour that is integral to the ongoing emergence of the city.
Landscape Research, Nov 7, 2022
Journal of Historical Geography, 2023
Routledge eBooks, Mar 22, 2022
Landscape, Materiality and Heritage, 2022
Routledge, Oct 29, 2020
In this concluding chapter, we will bring together the theoretical frameworks, methodological app... more In this concluding chapter, we will bring together the theoretical frameworks, methodological approaches and empirical work in order to explain their implications for this emerging multi- and inter-disciplinary subject. The chapter will discuss the variations of darkness and light that co-exist and the different histories, geographies, creative engagements and cultural practices that are informing a multitude of different experiences and representations of darkness. This chapter will also contribute to a better understanding of how artistic and other creative practices can enrich academic theories through fresh perspectives and provide valuable critical accounts for inter-disciplinary research. Further, it will respond to some of the innovative professional approaches included within the book to identify new ways in which we might design with and for darkness, a significantly overlooked field at present. In doing so, this chapter will provide an authoritative account of how and why embracing its potential and developing a much more nuanced and critical understanding of the situated and plural nature of darkness is key to addressing key creative and social issues. Finally, this chapter will conclude by reaffirming the collection’s contribution to knowledge and outlining future research that might be undertaken in the wider context of environmental challenges
Non-Representational Theory and the Creative Arts, 2019
This chapter seeks to exemplify how the material constitution of the city frequently bears traces... more This chapter seeks to exemplify how the material constitution of the city frequently bears traces of the skilled labour through which it was creatively fashioned, though this may have been carried out long ago and far away. In looking at a controversial, contested heritage attraction in Melbourne, Cook’s Cottage, Edensor explores how it materially embodies a relational expression of creativity, one that has been distributed across continents and eras, but as with other elements of the built environment, a labour that is integral to the ongoing emergence of the city.
From the Lighthouse: Interdisciplinary Reflections on Light, 2018
Tourism: a gender …, 1994
Thesis Eleven
In drawing out how human lives are always already inextricably entangled with the non-human eleme... more In drawing out how human lives are always already inextricably entangled with the non-human elements of the world, this paper explores how stone, as a constituent of urban materiality, provokes a wealth of emotional, sensory and affective impacts in the experience of place. The paper discusses how the sonic, tactile and visual qualities of stone contribute to the sensory and affective experience of places, shape the symbolic meanings and affective impacts of diverse memorials, and trigger a powerful sense of geological conviviality.
SAGE Publications Ltd eBooks, May 15, 2012
International Journal of Heritage Studies, Feb 1, 2023
Routledge eBooks, Apr 27, 2018
SAGE Publications Ltd eBooks, Mar 8, 2018
Edward Elgar Publishing eBooks, Apr 22, 2021
This chapter seeks to exemplify how the material constitution of the city frequently bears traces... more This chapter seeks to exemplify how the material constitution of the city frequently bears traces of the skilled labour through which it was creatively fashioned, though this may have been carried out long ago and far away. In looking at a controversial, contested heritage attraction in Melbourne, Cook’s Cottage, Edensor explores how it materially embodies a relational expression of creativity, one that has been distributed across continents and eras, but as with other elements of the built environment, a labour that is integral to the ongoing emergence of the city.
Landscape Research, Nov 7, 2022
Journal of Historical Geography, 2023
Routledge eBooks, Mar 22, 2022
Landscape, Materiality and Heritage, 2022
Routledge, Oct 29, 2020
In this concluding chapter, we will bring together the theoretical frameworks, methodological app... more In this concluding chapter, we will bring together the theoretical frameworks, methodological approaches and empirical work in order to explain their implications for this emerging multi- and inter-disciplinary subject. The chapter will discuss the variations of darkness and light that co-exist and the different histories, geographies, creative engagements and cultural practices that are informing a multitude of different experiences and representations of darkness. This chapter will also contribute to a better understanding of how artistic and other creative practices can enrich academic theories through fresh perspectives and provide valuable critical accounts for inter-disciplinary research. Further, it will respond to some of the innovative professional approaches included within the book to identify new ways in which we might design with and for darkness, a significantly overlooked field at present. In doing so, this chapter will provide an authoritative account of how and why embracing its potential and developing a much more nuanced and critical understanding of the situated and plural nature of darkness is key to addressing key creative and social issues. Finally, this chapter will conclude by reaffirming the collection’s contribution to knowledge and outlining future research that might be undertaken in the wider context of environmental challenges
Non-Representational Theory and the Creative Arts, 2019
This chapter seeks to exemplify how the material constitution of the city frequently bears traces... more This chapter seeks to exemplify how the material constitution of the city frequently bears traces of the skilled labour through which it was creatively fashioned, though this may have been carried out long ago and far away. In looking at a controversial, contested heritage attraction in Melbourne, Cook’s Cottage, Edensor explores how it materially embodies a relational expression of creativity, one that has been distributed across continents and eras, but as with other elements of the built environment, a labour that is integral to the ongoing emergence of the city.
From the Lighthouse: Interdisciplinary Reflections on Light, 2018
Tourism: a gender …, 1994
Thesis Eleven
In drawing out how human lives are always already inextricably entangled with the non-human eleme... more In drawing out how human lives are always already inextricably entangled with the non-human elements of the world, this paper explores how stone, as a constituent of urban materiality, provokes a wealth of emotional, sensory and affective impacts in the experience of place. The paper discusses how the sonic, tactile and visual qualities of stone contribute to the sensory and affective experience of places, shape the symbolic meanings and affective impacts of diverse memorials, and trigger a powerful sense of geological conviviality.
article in Environment and Planning A
Edensor, T and Larsen, J (2018)Rhythmanalysing marathon running: 'A drama of rhythms'. Environmen... more Edensor, T and Larsen, J (2018)Rhythmanalysing marathon running: 'A drama of rhythms'. Environment and Planning A, 50 (3). pp. 730-746. ISSN 0308-518X Downloaded from: http://e-space.mmu.ac.uk/620714/ Publisher: SAGE Publications ABSTRACT This paper draws on Lefebvre's rhythmanalysis (2004) to investigate the multiple rhythms of the Berlin Marathon, exemplifying and expanding understandings about the rhythms of places
Creativity has become part of the language of regeneration experts, urban planners and government... more Creativity has become part of the language of regeneration experts, urban planners and government policy makers attempting to revive the economic and cultural life of cities in the 21st century. Concepts such as the creative class, the creative industries and bohemian cultural clusters have come to dominate thinking about how creativity can contribute to urban renewal. Spaces of Vernacular Creativity offers a critical perspective on the instrumental use of arts and creative practices for the purposes of urban regeneration or civic boosterism.
Several important contributions are brought into one volume to examine the geography of locally embedded forms of arts and creative practice. There has been an explosion of interest in both academic and policy circles in the notion of creativity, and its role in economic development and urban regeneration. This book argues for a rethinking of what constitutes creativity, foregrounding non-economic values and practices, and the often marginal and everyday spaces in which creativity takes shape. Drawing on a range of geographic contexts including the U.S., Europe, Canada and Australia, the book explores a diverse array of creative practices ranging from art, music, and design to community gardening and anticapitalist resistance. The book examines working class, ethnic and non-elite forms of creativity, and a variety of creative spaces, including rural areas, suburbs and abandoned areas of the city. The authors argue for a broader and more inclusive conception of what constitutes creative practice, advocating for an approach that foregrounds economies of generosity, conviviality and activism. The book also explores the complexities and nuances that connect the local and the global and finally, the book provides a space for valuing alternative, marginal and displaced knowledges.
Spaces of Vernacular Creativity provides an important contribution to the debates on the creative class and on the role of value of creative knowledge and skills. The book aims to contribute to contemporary academic debates regarding the development of post-industrial economies and the cognitive cultural economy. It will appeal to a wide range of disciplines including, geography, applied art, planning, cultural studies, sociology and urban studies, plus specialised programmes on creativity and cultural industries at Undergraduate and Postgraduate levels.