Justine Lloyd | Macquarie University (original) (raw)
Papers by Justine Lloyd
Space and Culture
There is neither a first nor last word and there are no limits to the dialogic context (it extend... more There is neither a first nor last word and there are no limits to the dialogic context (it extends into the boundless past and the boundless future). Even past meanings, that is, those born in the dialogue of past centuries, can never be stable (finalized, ended once and for all)—they will always change (be renewed) in the process of subsequent, future development of the dialogue. At any moment in the development of the dialogue there are immense, boundless masses of forgotten contextual meanings, but at certain moments of the dialogue’s subsequent development along the way they are recalled and reinvigorated in renewed form (in a new context). Nothing is absolutely dead: every meaning will have its homecoming festival. (Bakhtin, 1986, p. 170)
Journal of Place Management and Development
Purpose This study aims to address the research gap about value in the holistic discourse of crea... more Purpose This study aims to address the research gap about value in the holistic discourse of creative placemaking. It identifies and synthesises the often discounted social and environmental values of creative placemaking along with typically emphasised economic values. Design/methodology/approach This paper builds upon two research phases; first, a review and extraction of creative placemaking value indicators from relevant current urban, cultural and planning literature; and second, the identification of relevant, practice-based, value indicators through interviews with 23 placemaking experts including practitioners, urban planners, developers and place managers from the two largest cities of NSW, Australia; Sydney and Newcastle. Findings This study identifies three broad thematics for valuing creative placemaking along with several sub-categories of qualitative and quantitative indicators. These indicators reveal the holistic value of creative placemaking for its key stakeholders...
Higher Education, Skills and Work-Based Learning
PurposeThe purpose of this paper is to report on the implications of new and unfamiliar roles for... more PurposeThe purpose of this paper is to report on the implications of new and unfamiliar roles for educators, students and employers generated by experiential learning (EL) activities. It considers how a series of tensions and instabilities in traditional role identities for each group arise from an expanded definition of university learning environments.Design/methodology/approachThe paper thus uses the concept of liminality, or “in-between-ness”, to explore processes of role transition via EL. This theme emerged from analysis of qualitative data gathered via focus groups and interviews with academic unit convenors, workplace supervisors and students across a range of disciplines.FindingsBecause none of the cohorts were fully supported in or securely ascribed to these new roles, the unsettled nature of EL is argued to be both a key benefit and challenge to educators.Research limitations/implicationsThis paper was based on a small-scale study of a specific EL programme. As such, it c...
Space and Culture
Introduction to Spaces and Cultures of Quarantine. This special issue assembles a set of short in... more Introduction to Spaces and Cultures of Quarantine. This special issue assembles a set of short interventions selected by internal blind review from submissions in response to a call for papers. The contributors document the first phase of the pandemic from February to May 2020, reflect on and respond to the first few months of the global spread of COVID-19, its arrival in communities and its personal impacts and effects on the public realm, from travel to retail to work and civil society. They encompass many continents, from Latin America to Asia. Staying six feet apart provides a rubric for the spatial experience and impact of the COVID-19 pandemic on urban life, our understanding of public interaction, crowd practice, and everyday life at home under self-isolation and lockdown. Time changed to a before and after of COVID-19. The temporality of pandemics is noted in its present and historical popular forms such as nursery rhymes (Ring around the Rosie). Place ballets of avoidance, ...
Media International Australia incorporating Culture and Policy
Feminist Media Histories
This article outlines impulses toward internationalism in women's programming during the twen... more This article outlines impulses toward internationalism in women's programming during the twentieth century at two public service broadcasters: the Canadian Broadcasting Corporation (CBC) in Canada and the Australian Broadcasting Commission (ABC) in Australia. These case studies show common patterns as well as key differences in the establishment of an international frame for the modern domestic sphere. Research conducted in paper and audio recording archives relating to nonfiction programming for women demonstrates pervasive tensions between women's international versus national solidarities. The article argues that these contradictions must be highlighted—rather than papered over in a simplistic understanding of such programming as reflecting a binary domestic ideology of private versus public, home versus world—to fully understand media history and cultural memory from a gendered perspective.
Media International Australia
On the evening of 5 September 1975, 150 women occupied the offices of the Canberra Times, protest... more On the evening of 5 September 1975, 150 women occupied the offices of the Canberra Times, protesting about an editorial hostile to participants in a national conference on ‘Women and Politics’. This action, at the production site of the Australian capital’s only broadsheet newspaper, provides a context for this themed issue’s focus on gendered labour and media. We review recent perspectives on contemporary labour, and note that a persistent theme of this research is that recent changes in the media industries have seen the devaluation of professional work cultures as work in such industries has become more precarious. These changes are set against legacies of the devaluation of women’s work within the media, and negotiations of spaces for women to carve out media careers, which are explored by contributors to this issue. The article concludes by drawing out the need for a historically informed position on the gendering of media labour
Cultural Studies Review
A review of Claudia Sadowski-Smith's (Ed.) Globalization on the Line: Culture, Capital and Ci... more A review of Claudia Sadowski-Smith's (Ed.) Globalization on the Line: Culture, Capital and Citizenship at US Borders (Palgrave, New York, 2002).
Media International Australia
For a roughly a century, from the 1870s to the 1970s, most Australian newspapers ran a section di... more For a roughly a century, from the 1870s to the 1970s, most Australian newspapers ran a section directed towards a woman reader written from a woman's perspective and edited by a female journalist. The rise and fall of the women's editor's ‘empire within an empire’ provides insight into female journalists' industrial situation, as well as a window on to gender relations in colonial and post-Federation Australia. This history matches wider struggles over the notion of separate spheres and resulting claims for equality, as well as debates over mainstream news values. This article investigates the appearance and disappearance of women's sections from Australian newspapers, and argues that this story has greater impact on contemporary digital formats than we perhaps realise.
To cite this article: Lloyd, Justine. The Castle: A Cinema of Dislocation [online]. Australian Sc... more To cite this article: Lloyd, Justine. The Castle: A Cinema of Dislocation [online]. Australian Screen Education Online, No. 30, Summer 2002: 125-130. Availability: <http://search.informit.com.au /documentSummary;dn=819390004016983;res=IELHSS> ISSN: 1443-1629. [cited 13 Oct ...
Http Dx Doi Org 10 1080 08164640050138662, Jun 9, 2010
Australian Feminist Studies, 2000
Cinema and the City, 2000
Media, Culture & Society, 2015
The demands of flexible labour and the technologization of social networks are currently being fe... more The demands of flexible labour and the technologization of social networks are currently being felt in profound shifts in the ways in which we spend time with others. This article analyses the everyday communicative practices of adults living in Sydney surrounding their use of text messaging in shared social spaces. Asking the research participants when, how and why they rely on text messaging exposes increasingly routine transgressions of boundaries between different social spheres. While participants were acutely aware of largely unspoken social norms and expectations attached to mobile phone use in the presence of others, they themselves strategically used text messages to create layers of intimacy within shared social spaces. We explore the implications of this tension by highlighting how rituals of social interaction are cared about by social actors but play into a wider sense of the abandonment of care for the presence of others.
Storytelling: A Critical Journal of Popular Narrative, 2007
In the 1930s, radio became a cultural institution. Rapidly moving away from its scientific and ex... more In the 1930s, radio became a cultural institution. Rapidly moving away from its scientific and experimental phase established during the nineteenth century, during which it was understood primarily as a way of extending existing tech-niques of sound reproduction to places at a ...
Space and Culture, 2003
This essay speculates on the changing forms through which “traveler’s space” is materially consti... more This essay speculates on the changing forms through which “traveler’s space” is materially constituted within the fabric of everyday life. The author first provides a history of traveler’s space as a non-place, via the writings of Le Corbusier, Boorstin, and Augé. Second, through an examination of the recent public work of celebrity architects such as Norman Foster, the author suggests that rather than displaying a tendency to an overarching “supermodernity” dictating flow and movement, contemporary technospaces work toward a new experience of waiting as pleasurable. This hybrid and remixed modernity invites a different kind of engagement between technology and travel that affects our ways of being in place. Finally, in a case study of the recent renovation of Sydney Airport, the author draws some distinctions between the scales of travel (local, regional, global), which affect such spatial performances.
The Journal of Asian Studies, 2001
Gender, Place & Culture, 2013
Space and Culture
There is neither a first nor last word and there are no limits to the dialogic context (it extend... more There is neither a first nor last word and there are no limits to the dialogic context (it extends into the boundless past and the boundless future). Even past meanings, that is, those born in the dialogue of past centuries, can never be stable (finalized, ended once and for all)—they will always change (be renewed) in the process of subsequent, future development of the dialogue. At any moment in the development of the dialogue there are immense, boundless masses of forgotten contextual meanings, but at certain moments of the dialogue’s subsequent development along the way they are recalled and reinvigorated in renewed form (in a new context). Nothing is absolutely dead: every meaning will have its homecoming festival. (Bakhtin, 1986, p. 170)
Journal of Place Management and Development
Purpose This study aims to address the research gap about value in the holistic discourse of crea... more Purpose This study aims to address the research gap about value in the holistic discourse of creative placemaking. It identifies and synthesises the often discounted social and environmental values of creative placemaking along with typically emphasised economic values. Design/methodology/approach This paper builds upon two research phases; first, a review and extraction of creative placemaking value indicators from relevant current urban, cultural and planning literature; and second, the identification of relevant, practice-based, value indicators through interviews with 23 placemaking experts including practitioners, urban planners, developers and place managers from the two largest cities of NSW, Australia; Sydney and Newcastle. Findings This study identifies three broad thematics for valuing creative placemaking along with several sub-categories of qualitative and quantitative indicators. These indicators reveal the holistic value of creative placemaking for its key stakeholders...
Higher Education, Skills and Work-Based Learning
PurposeThe purpose of this paper is to report on the implications of new and unfamiliar roles for... more PurposeThe purpose of this paper is to report on the implications of new and unfamiliar roles for educators, students and employers generated by experiential learning (EL) activities. It considers how a series of tensions and instabilities in traditional role identities for each group arise from an expanded definition of university learning environments.Design/methodology/approachThe paper thus uses the concept of liminality, or “in-between-ness”, to explore processes of role transition via EL. This theme emerged from analysis of qualitative data gathered via focus groups and interviews with academic unit convenors, workplace supervisors and students across a range of disciplines.FindingsBecause none of the cohorts were fully supported in or securely ascribed to these new roles, the unsettled nature of EL is argued to be both a key benefit and challenge to educators.Research limitations/implicationsThis paper was based on a small-scale study of a specific EL programme. As such, it c...
Space and Culture
Introduction to Spaces and Cultures of Quarantine. This special issue assembles a set of short in... more Introduction to Spaces and Cultures of Quarantine. This special issue assembles a set of short interventions selected by internal blind review from submissions in response to a call for papers. The contributors document the first phase of the pandemic from February to May 2020, reflect on and respond to the first few months of the global spread of COVID-19, its arrival in communities and its personal impacts and effects on the public realm, from travel to retail to work and civil society. They encompass many continents, from Latin America to Asia. Staying six feet apart provides a rubric for the spatial experience and impact of the COVID-19 pandemic on urban life, our understanding of public interaction, crowd practice, and everyday life at home under self-isolation and lockdown. Time changed to a before and after of COVID-19. The temporality of pandemics is noted in its present and historical popular forms such as nursery rhymes (Ring around the Rosie). Place ballets of avoidance, ...
Media International Australia incorporating Culture and Policy
Feminist Media Histories
This article outlines impulses toward internationalism in women's programming during the twen... more This article outlines impulses toward internationalism in women's programming during the twentieth century at two public service broadcasters: the Canadian Broadcasting Corporation (CBC) in Canada and the Australian Broadcasting Commission (ABC) in Australia. These case studies show common patterns as well as key differences in the establishment of an international frame for the modern domestic sphere. Research conducted in paper and audio recording archives relating to nonfiction programming for women demonstrates pervasive tensions between women's international versus national solidarities. The article argues that these contradictions must be highlighted—rather than papered over in a simplistic understanding of such programming as reflecting a binary domestic ideology of private versus public, home versus world—to fully understand media history and cultural memory from a gendered perspective.
Media International Australia
On the evening of 5 September 1975, 150 women occupied the offices of the Canberra Times, protest... more On the evening of 5 September 1975, 150 women occupied the offices of the Canberra Times, protesting about an editorial hostile to participants in a national conference on ‘Women and Politics’. This action, at the production site of the Australian capital’s only broadsheet newspaper, provides a context for this themed issue’s focus on gendered labour and media. We review recent perspectives on contemporary labour, and note that a persistent theme of this research is that recent changes in the media industries have seen the devaluation of professional work cultures as work in such industries has become more precarious. These changes are set against legacies of the devaluation of women’s work within the media, and negotiations of spaces for women to carve out media careers, which are explored by contributors to this issue. The article concludes by drawing out the need for a historically informed position on the gendering of media labour
Cultural Studies Review
A review of Claudia Sadowski-Smith's (Ed.) Globalization on the Line: Culture, Capital and Ci... more A review of Claudia Sadowski-Smith's (Ed.) Globalization on the Line: Culture, Capital and Citizenship at US Borders (Palgrave, New York, 2002).
Media International Australia
For a roughly a century, from the 1870s to the 1970s, most Australian newspapers ran a section di... more For a roughly a century, from the 1870s to the 1970s, most Australian newspapers ran a section directed towards a woman reader written from a woman's perspective and edited by a female journalist. The rise and fall of the women's editor's ‘empire within an empire’ provides insight into female journalists' industrial situation, as well as a window on to gender relations in colonial and post-Federation Australia. This history matches wider struggles over the notion of separate spheres and resulting claims for equality, as well as debates over mainstream news values. This article investigates the appearance and disappearance of women's sections from Australian newspapers, and argues that this story has greater impact on contemporary digital formats than we perhaps realise.
To cite this article: Lloyd, Justine. The Castle: A Cinema of Dislocation [online]. Australian Sc... more To cite this article: Lloyd, Justine. The Castle: A Cinema of Dislocation [online]. Australian Screen Education Online, No. 30, Summer 2002: 125-130. Availability: <http://search.informit.com.au /documentSummary;dn=819390004016983;res=IELHSS> ISSN: 1443-1629. [cited 13 Oct ...
Http Dx Doi Org 10 1080 08164640050138662, Jun 9, 2010
Australian Feminist Studies, 2000
Cinema and the City, 2000
Media, Culture & Society, 2015
The demands of flexible labour and the technologization of social networks are currently being fe... more The demands of flexible labour and the technologization of social networks are currently being felt in profound shifts in the ways in which we spend time with others. This article analyses the everyday communicative practices of adults living in Sydney surrounding their use of text messaging in shared social spaces. Asking the research participants when, how and why they rely on text messaging exposes increasingly routine transgressions of boundaries between different social spheres. While participants were acutely aware of largely unspoken social norms and expectations attached to mobile phone use in the presence of others, they themselves strategically used text messages to create layers of intimacy within shared social spaces. We explore the implications of this tension by highlighting how rituals of social interaction are cared about by social actors but play into a wider sense of the abandonment of care for the presence of others.
Storytelling: A Critical Journal of Popular Narrative, 2007
In the 1930s, radio became a cultural institution. Rapidly moving away from its scientific and ex... more In the 1930s, radio became a cultural institution. Rapidly moving away from its scientific and experimental phase established during the nineteenth century, during which it was understood primarily as a way of extending existing tech-niques of sound reproduction to places at a ...
Space and Culture, 2003
This essay speculates on the changing forms through which “traveler’s space” is materially consti... more This essay speculates on the changing forms through which “traveler’s space” is materially constituted within the fabric of everyday life. The author first provides a history of traveler’s space as a non-place, via the writings of Le Corbusier, Boorstin, and Augé. Second, through an examination of the recent public work of celebrity architects such as Norman Foster, the author suggests that rather than displaying a tendency to an overarching “supermodernity” dictating flow and movement, contemporary technospaces work toward a new experience of waiting as pleasurable. This hybrid and remixed modernity invites a different kind of engagement between technology and travel that affects our ways of being in place. Finally, in a case study of the recent renovation of Sydney Airport, the author draws some distinctions between the scales of travel (local, regional, global), which affect such spatial performances.
The Journal of Asian Studies, 2001
Gender, Place & Culture, 2013