hatice özyurt özcan | Muğla Üniversitesi (original) (raw)

Papers by hatice özyurt özcan

Research paper thumbnail of Alanya Kalesi̇nde Üç Bi̇zans Ki̇li̇sesi̇ / the Byzantine Churches in Castle of Alanya

Atatürk Üniversitesi Güzel Sanatlar Fakültesi Sanat Dergisi, 2004

Hatice Özyurt ÖZCAN* i 1HE 8YZANI1NE CHLLRCHES IN CASILE OF ALANYA Alanya. which used to be calle... more Hatice Özyurt ÖZCAN* i 1HE 8YZANI1NE CHLLRCHES IN CASILE OF ALANYA Alanya. which used to be called Korakesian in the Antiquity. is a frontier dty between Pamphylla and J<jlikia. Having an appearance of a citadel situated on a steep rock, the clty is surrounded by Antalya and Slde In the west, by Silifke in the east, by Mediterranean Sea in the south and by Kapadokya in the north. We do not have much information about the early Christian period of the eity. However, it is known that the castle of Alanya was restored and re-mended against the Arabs, who were dangerous enemies of the Byzantines in the 7th century. Within this castle. there are three Byzantlne churches having survived up to the present. one in the inner castle. one In the central fortress and the other in the cilvardo nose. The old church In the inner castle is built of a four-Ieaf trlkonkhos shape. Sound and strong today, the church has two entrances, one from the west and the other from the north. The trikonkhos branches covered wlth seml domes surraunding the central dome extend outwards from the sides. The second church is built of the c1bor1um plan in a battıement of the Hellenistic period in the central fortress. The iast building discovered In the castle is the Cllvardo Nose Chapel. Built on arather steep rocky field, the church has, not unlike the Arabic Evliya, a ciborium plan. All three bulldings are made out of rubbles. Although we do not have any exact knowledge as to the buildlng dates of them, it would be reasonable to place them within the period from the Iate 7th century, when the castle was restored, to the early 13th century when thẽ Ijuks gained the control and command of Alanya.

Research paper thumbnail of AYDIN VE MUGLA'dan BIZANS DONEMINE AIT BIR GRUP DUVAR RESMIpdf

Four painted rock surfaces were found in Ballıkaya, above the village of Dereağzı in Incirliova d... more Four painted rock surfaces were found in Ballıkaya, above the village of Dereağzı in Incirliova district of Aydın, and in Yava village of Yatağan district of Muğla Province. In Ballıkaya, Aydın, on the right side of the entrance of the cave, which is located in a very steep area, a single figure, the Archangel Michael, is depicted in a panel consisting of a bluish-grey background on the plastered surface from the front and standing. The angel is wearing a tunic and armour with an embroidered front. The angel, whose open wings spread on both sides and reach down to the ground, holds the sword resting on his shoulder with one hand and the scabbard downwards with the other. The first of the paintings identified in Yatağan is located in southwest of the monumental rock mass popularly known as Resimli Kaya. The paintings, which were painted on the unplastered surface, are located on two bands extending in the east-west direction. The first identifiable scene in the upper strip is the betrayal of Judas. In the central part of the depiction, there are two standing figures, one with a body painted from the front and the other from the side. The heads of these figures, representing Jesus on the left and Judas on the right, leaning against each other, are from the front. The Crucifixion of Jesus is depicted in the continuation of the depiction. In the centre of the composition, there are Jesus, Mary and John on the cross. In the lower band are six medallions depicting portraits of saints, bishops or church fathers in bust form. The third painting in Yatağan is in a small space called the Rosette Cave formed by stone blocks to the north of the Painted Rock Mass. There are no figures in the plaster paintings. The naturally formed dome-like form in the space is framed by a thin black line and the interior is bordered by a thick circular border in light green. In the lower part of the outer left corner of the circular frame, there is a tulip motif with long green leaves. The fourth painted surface at Yatağan is located in a deep niche on the west face of the rock mass called Nişli Kaya, northwest of the Resimli Kaya. The interior of the niche was plastered and decorated with a single scene painting. In the centre of the scene, Mary and child Jesus are depicted. Based on the stylistic and iconographic characteristics of the paintings, it is understood that the second phase of the first group of paintings of the Painted Rock was renewed during the Middle Byzantine period. As for the paintings on the rosette rock, their stylistic and motif choices point to the Iconoclasm period.

Research paper thumbnail of Muğla, Seydikemer'de İkonoklast Bezemeli Bir Mağara Şapeli: Bahattin Samanlığı

An Iconoclast Decorated Cave Chapel in Seydikemer, Muğla: Bahattin Haystack At the site of Naldök... more An Iconoclast Decorated Cave Chapel in Seydikemer, Muğla: Bahattin Haystack At the site of Naldöken Kayasi, 10 km. west of Bayır village in the Seydikemer District of the Mugla Province, there is a rock mass lying in a row, forming a front towards the plain to the north. At the lowest part of the rock mass, there is a natural hollow, popularly known as "Bahattin Haystack" with a circular arrangement and a wide opening. The interior of this natural hollow, which was used without any additions, is decorated with a non-figurative painting programme in fresco technique, starting from the upper cover up to a height of 1 m above the floor. The upper cover, which is completely covered with a layer of soot, was surrounded by a circular form with double bands. The lower part of the circular form is surrounded by a border in which geometric arrangements are decorated with floral motifs. In the lower part of the border, there are 6 panels in different forms with crosses, floral and geometrical arrangements, separated from each other by bands. Three of the panels are complete and the other three are partially extant. The cross, floral motifs and inscription in the northwest of the lower row of this section and the partially preserved geometrical ornaments in the southeast constitute the two separate panels of the last decoration belt of the space. In the preserved sections of the wall paintings covering the interior of the Bahattin Samanlığı Cave, a decoration programme showing the characteristics of the aniconic was applied, including crosses, floral and geometric motifs as well as inscriptions. As in other Iconoclastic examples, the dominant element in the decoration is the cross. The cross has been widely used as a symbol of fertility, immortality, life, spirit, etc. since the earliest times, with varying meanings according to the cultures in which it was found. In the wall paintings of the Bahattin Samanlığı rock carving, the most common ornamentation after the cross motif consists of geometric forms around

Research paper thumbnail of Çine'de Bir Kaya Kütlesi İçinde Yer Alan 'İsa'nın Doğumu' Sahnesi Üzerine İncelemeler Studies on the 'Nativity of Jesus' Scene in a Rock Mass in Çine

kompozisyon düzenine sahiptir. Ayrıca Meryem'in 10. yüzyıldan sonra yarı oturur pozisyonda ve baş... more kompozisyon düzenine sahiptir. Ayrıca Meryem'in 10. yüzyıldan sonra yarı oturur pozisyonda ve başı ile beşikteki İsa'yı gösterecek şekilde resmedilmesi, yaygın olarak 11. yüzyıl yapılarında uygulanan teknik ve boyama üslubu özelliklerinin Dinecik'deki tasvirde de kullanılmış olması resmin, 10. yüzyıl sonları ile 11. yüzyılın ortalarında, yerel ustalar tarafından bölgesel karakterli olarak yapıldığına işaret etmektedir..

Research paper thumbnail of Çine’de Bir Kaya Kütlesi İçinde Yer Alan ‘İsa’nın Doğumu’ Sahnesi Üzerine İncelemeler

Sanat Tarihi Yıllığı / Journal of Art History

Research paper thumbnail of The Floor Mosaics of the Çatalçam Basilica in Akyaka

Istanbul University - DergiPark, May 1, 2013

PROQUEST ve TÜBİTAK-ULAKBİM Sosyal Bilimler Veri Tabanlarında taranmaktadır. Alman Arkeoloji Enst... more PROQUEST ve TÜBİTAK-ULAKBİM Sosyal Bilimler Veri Tabanlarında taranmaktadır. Alman Arkeoloji Enstitüsü'nün (DAI) Kısaltmalar Dizini'nde 'OLBA' şeklinde yer almaktadır. OLBA dergisi hakemlidir ve Mayıs ayında olmak üzere, yılda bir kez basılmaktadır.

Research paper thumbnail of Studies on a Basilica and Baptistery Located in İçmeler Sectionof Marmaris

Istanbul University - DergiPark, May 1, 2016

PROQUEST ve TÜBİTAK-ULAKBİM Sosyal Bilimler Veri Tabanlarında taranmaktadır. Alman Arkeoloji Enst... more PROQUEST ve TÜBİTAK-ULAKBİM Sosyal Bilimler Veri Tabanlarında taranmaktadır. Alman Arkeoloji Enstitüsü'nün (DAI) Kısaltmalar Dizini'nde 'OLBA' şeklinde yer almaktadır. OLBA dergsi hakemlidir. Makalelerdeki görüş, düşünce ve bilimsel değerlendirmelerin yasal sorumluluğu yazarlara aittir. The articles are evaluated by referees. The legal responsibility of the ideas, opinions and scientific evaluations are carried by the author. OLBA dergisi, Mayıs ayında olmak üzere, yılda bir kez basılmaktadır.

Research paper thumbnail of Datça’Da Bi̇r Theotokos Meryem Tasvi̇ri̇

Research paper thumbnail of Byzantine Period in Kedreai (Sedir Island):Churches

Istanbul University - DergiPark, May 1, 2012

PROQUEST ve TÜBİTAK-ULAKBİM Sosyal Bilimler Veri Tabanlarında taranmaktadır. Alman Arkeoloji Enst... more PROQUEST ve TÜBİTAK-ULAKBİM Sosyal Bilimler Veri Tabanlarında taranmaktadır. Alman Arkeoloji Enstitüsü'nün (DAI) Kısaltmalar Dizini'nde 'OLBA' şeklinde yer almaktadır. OLBA dergisi hakemlidir ve Mayıs ayında olmak üzere, yılda bir kez basılmaktadır. Published each year in May. MERSİN ÜNİVERSİTESİ KILIKIA ARKEOLOJİSİNİ ARAŞTIRMA MERKEZİ BİLİMSEL SÜRELİ YAYINI 'OLBA' Kapsam Olba süreli yayını Mayıs ayında olmak üzere yılda bir kez yayınlanır. Yayınlanması istenilen makalelerin en geç her yıl Kasım ayında gönderilmiş olması gerekmektedir.

Research paper thumbnail of Kiborion Tipin Mimari Forma Dönüşümü, Gelişimi ve Bizans’taki Formasyonu

Research paper thumbnail of Examples of Architectural Sculpture with Figurative and Floral Decoration of the Byzantine Period at Muğla, Bodrum and Milas Archaeological Museums

Research paper thumbnail of Akyaka’Daki̇ Çatalçam Bazi̇li̇kasina Ai̇t Döşeme Mozai̇kleri̇

Olba, 2013

Gunumuzde Mugla’ya bagli bir belde olan Akyaka’da Mugla Arkeoloji Muzesi tarafindan gerceklestiri... more Gunumuzde Mugla’ya bagli bir belde olan Akyaka’da Mugla Arkeoloji Muzesi tarafindan gerceklestirilen kurtarma kazilari sonucunda orta nefi mozaik dosemeli uc nefli, uc apsisli, bazilikal planli bir yapi ortaya cikarilmistir. Kup sekline getirilmis mermer, tugla ve kirec tasinin kullanildigi tessaralardan yapilmis opus tesellatum teknigindeki mozaikler, geometrik formlarin dis cerceve olarak kullanildigi hayvan figurlerinin yani sira, bitkisel ve geometrik motiflerin panolarin ic duzenlemelerinde yer aldigi zengin bir bezeme programina sahiptir. Bordurlerde ve panolari kaplayan genis alanlarda uygulanan geometrik duzenlemelerin, cok yaygin kullanimi olan basit formlardan meydana geldikleri gorulmektedir. Geometrik desenli panolar bemanin templon stylobatina yakin bolumunde baslamis ve orta nefte yayginlasmistir. Bazilikanin bemasinda ve orta nefin dis bordurlerinde ise, tavus kusalari, kantharos, nar, geyik ve yunuslardan olusan figurlu kompozisyonlara yer verilmistir. Catalcam Bazil...

Research paper thumbnail of Muğla, Bodrum Ve Mi̇las Arkeoloji̇ Müzeleri̇’Ndeki̇ Orta Bi̇zans Dönemi̇ne Ai̇t Bi̇r Grup Li̇türji̇k İşlevli̇ Taş Eser

Olba, 2012

Mugla, Bodrum ve Milas Muzelerinde yaptigimiz calismalar sirasinda uzerleri geometrik kompozisyon... more Mugla, Bodrum ve Milas Muzelerinde yaptigimiz calismalar sirasinda uzerleri geometrik kompozisyonlarla bezenmis liturjik islevli mimari plastik eserler tespit edilmistir. Geometrik ve bitkisel bezemelerin cesitli duzenlemelerinden olusan kompozisyonlarla bezenmis bu eserler, motif ve uslup bakimindan birbirleriyle benzerlikler gostermektedirler. Arsitrav, levha, paye ve basliklar uzerinde 9. yuzyildan itibaren gorulen arkad dizileri, birbirine dugumlerle baglanan kare, daire ve eskenar dortgenlerden olusan geometrik duzenlemeler ve bunlarin uzerinde matkapla yapilmis oyuklar, Orta Bizans’in ozgun kompozisyonlarini ve bu doneme ozgu bezeme tekniklerini olusturmaktadir. Diger taraftan degisik tipte palmetler ve geometrik formlarin icini dolduran rozetler, her yuzyilda kullanilmalarina karsin bu motiflerde yapraklarin icbukey islenisi de Orta Bizans doneminin yaygin bir uygulamasidir. Kiyi ve ic Ege’nin yani sira Likya bolgesinde bulunan tarihlendirmesi yapilmis veya kesin tarihi belli...

Research paper thumbnail of Van Ve Çevresi̇ndeki̇ Hiri̇sti̇yanlik Dönemi̇ Yapilarin Plan Açisindan Değerlendi̇ri̇lmesi̇ / Evaluation of the Churches in and Around Van in Terms of Plan

Research paper thumbnail of Alanya Kalesi̇nde Üç Bi̇zans Ki̇li̇sesi̇ / the Byzantine Churches in Castle of Alanya

Journal of Fine Arts, 2004

Research paper thumbnail of A new basilical church uncovered at Akyaka in Caria

Research paper thumbnail of Marmari̇s'İn İçmeler Mevki̇i̇nde Yer Alan Bi̇r Bazi̇li̇ka Ve Vafti̇zhane Üzeri̇ne İncelemeler

Research paper thumbnail of Tigran Honents (Aydınlatıcı Aziz Gregorios) Klisesinin freskoları ne kadar Bizans'lı?

Edebiyat Fakultesi Dergisi, 2008

Research paper thumbnail of Osmaneli’ndeki Bir Rum Kilisesi’nin Düşündürdükleri

Gunumuzde Bilecik’e bagli kucuk bir ilce olan Osmaneli, Bizans ve Osmanli Imparatorluklari donemi... more Gunumuzde Bilecik’e bagli kucuk bir ilce olan Osmaneli, Bizans ve Osmanli Imparatorluklari doneminde onemli bir gecis noktasi olmus, sefere giden ordular buradan gecmistir. Osmaneli, Kurutulus savasina kadar Turk ve Rumlarin birlikte yasadigi bir kaba olarak kalmistir. Osmaneli’nde Rum halktan kalan tek eser Cumhuriyet caddesinde yer alan Aya Yorgi olarak adlandirilan kilisedir. Bu 19.yy yapisinin birkac yapim evresi gecirdigi arsiv belgelerinden anlasilmaktadir. Ilk yapinin bazilikal planli kirma ahsap catili oldugu, Islahat fermani ile birlikte Rum halkin elde ettigi imtiyazlardan sonra bugunku plana kavustugu arsiv kayitlarindaki belgelerde detayli olarak anlatilmaktadir. Yunan haci planindaki yapinin bugun ust ortusu mevcut degildir. Yapinin en dikkat cekici noktasini bati cephede, girisin iki yaninda yukselen kuleler olusturmaktadir. Uzerleri kucuk kubbeler ile ortulu olan bu kuleler, hem ikinci kata cikisi saglamakta hem de can kulesi islevini gormektedir. Yapilarin bati cephe...

Research paper thumbnail of A group of byzantine coins at the erzurum archeology museum

Research paper thumbnail of Alanya Kalesi̇nde Üç Bi̇zans Ki̇li̇sesi̇ / the Byzantine Churches in Castle of Alanya

Atatürk Üniversitesi Güzel Sanatlar Fakültesi Sanat Dergisi, 2004

Hatice Özyurt ÖZCAN* i 1HE 8YZANI1NE CHLLRCHES IN CASILE OF ALANYA Alanya. which used to be calle... more Hatice Özyurt ÖZCAN* i 1HE 8YZANI1NE CHLLRCHES IN CASILE OF ALANYA Alanya. which used to be called Korakesian in the Antiquity. is a frontier dty between Pamphylla and J<jlikia. Having an appearance of a citadel situated on a steep rock, the clty is surrounded by Antalya and Slde In the west, by Silifke in the east, by Mediterranean Sea in the south and by Kapadokya in the north. We do not have much information about the early Christian period of the eity. However, it is known that the castle of Alanya was restored and re-mended against the Arabs, who were dangerous enemies of the Byzantines in the 7th century. Within this castle. there are three Byzantlne churches having survived up to the present. one in the inner castle. one In the central fortress and the other in the cilvardo nose. The old church In the inner castle is built of a four-Ieaf trlkonkhos shape. Sound and strong today, the church has two entrances, one from the west and the other from the north. The trikonkhos branches covered wlth seml domes surraunding the central dome extend outwards from the sides. The second church is built of the c1bor1um plan in a battıement of the Hellenistic period in the central fortress. The iast building discovered In the castle is the Cllvardo Nose Chapel. Built on arather steep rocky field, the church has, not unlike the Arabic Evliya, a ciborium plan. All three bulldings are made out of rubbles. Although we do not have any exact knowledge as to the buildlng dates of them, it would be reasonable to place them within the period from the Iate 7th century, when the castle was restored, to the early 13th century when thẽ Ijuks gained the control and command of Alanya.

Research paper thumbnail of AYDIN VE MUGLA'dan BIZANS DONEMINE AIT BIR GRUP DUVAR RESMIpdf

Four painted rock surfaces were found in Ballıkaya, above the village of Dereağzı in Incirliova d... more Four painted rock surfaces were found in Ballıkaya, above the village of Dereağzı in Incirliova district of Aydın, and in Yava village of Yatağan district of Muğla Province. In Ballıkaya, Aydın, on the right side of the entrance of the cave, which is located in a very steep area, a single figure, the Archangel Michael, is depicted in a panel consisting of a bluish-grey background on the plastered surface from the front and standing. The angel is wearing a tunic and armour with an embroidered front. The angel, whose open wings spread on both sides and reach down to the ground, holds the sword resting on his shoulder with one hand and the scabbard downwards with the other. The first of the paintings identified in Yatağan is located in southwest of the monumental rock mass popularly known as Resimli Kaya. The paintings, which were painted on the unplastered surface, are located on two bands extending in the east-west direction. The first identifiable scene in the upper strip is the betrayal of Judas. In the central part of the depiction, there are two standing figures, one with a body painted from the front and the other from the side. The heads of these figures, representing Jesus on the left and Judas on the right, leaning against each other, are from the front. The Crucifixion of Jesus is depicted in the continuation of the depiction. In the centre of the composition, there are Jesus, Mary and John on the cross. In the lower band are six medallions depicting portraits of saints, bishops or church fathers in bust form. The third painting in Yatağan is in a small space called the Rosette Cave formed by stone blocks to the north of the Painted Rock Mass. There are no figures in the plaster paintings. The naturally formed dome-like form in the space is framed by a thin black line and the interior is bordered by a thick circular border in light green. In the lower part of the outer left corner of the circular frame, there is a tulip motif with long green leaves. The fourth painted surface at Yatağan is located in a deep niche on the west face of the rock mass called Nişli Kaya, northwest of the Resimli Kaya. The interior of the niche was plastered and decorated with a single scene painting. In the centre of the scene, Mary and child Jesus are depicted. Based on the stylistic and iconographic characteristics of the paintings, it is understood that the second phase of the first group of paintings of the Painted Rock was renewed during the Middle Byzantine period. As for the paintings on the rosette rock, their stylistic and motif choices point to the Iconoclasm period.

Research paper thumbnail of Muğla, Seydikemer'de İkonoklast Bezemeli Bir Mağara Şapeli: Bahattin Samanlığı

An Iconoclast Decorated Cave Chapel in Seydikemer, Muğla: Bahattin Haystack At the site of Naldök... more An Iconoclast Decorated Cave Chapel in Seydikemer, Muğla: Bahattin Haystack At the site of Naldöken Kayasi, 10 km. west of Bayır village in the Seydikemer District of the Mugla Province, there is a rock mass lying in a row, forming a front towards the plain to the north. At the lowest part of the rock mass, there is a natural hollow, popularly known as "Bahattin Haystack" with a circular arrangement and a wide opening. The interior of this natural hollow, which was used without any additions, is decorated with a non-figurative painting programme in fresco technique, starting from the upper cover up to a height of 1 m above the floor. The upper cover, which is completely covered with a layer of soot, was surrounded by a circular form with double bands. The lower part of the circular form is surrounded by a border in which geometric arrangements are decorated with floral motifs. In the lower part of the border, there are 6 panels in different forms with crosses, floral and geometrical arrangements, separated from each other by bands. Three of the panels are complete and the other three are partially extant. The cross, floral motifs and inscription in the northwest of the lower row of this section and the partially preserved geometrical ornaments in the southeast constitute the two separate panels of the last decoration belt of the space. In the preserved sections of the wall paintings covering the interior of the Bahattin Samanlığı Cave, a decoration programme showing the characteristics of the aniconic was applied, including crosses, floral and geometric motifs as well as inscriptions. As in other Iconoclastic examples, the dominant element in the decoration is the cross. The cross has been widely used as a symbol of fertility, immortality, life, spirit, etc. since the earliest times, with varying meanings according to the cultures in which it was found. In the wall paintings of the Bahattin Samanlığı rock carving, the most common ornamentation after the cross motif consists of geometric forms around

Research paper thumbnail of Çine'de Bir Kaya Kütlesi İçinde Yer Alan 'İsa'nın Doğumu' Sahnesi Üzerine İncelemeler Studies on the 'Nativity of Jesus' Scene in a Rock Mass in Çine

kompozisyon düzenine sahiptir. Ayrıca Meryem'in 10. yüzyıldan sonra yarı oturur pozisyonda ve baş... more kompozisyon düzenine sahiptir. Ayrıca Meryem'in 10. yüzyıldan sonra yarı oturur pozisyonda ve başı ile beşikteki İsa'yı gösterecek şekilde resmedilmesi, yaygın olarak 11. yüzyıl yapılarında uygulanan teknik ve boyama üslubu özelliklerinin Dinecik'deki tasvirde de kullanılmış olması resmin, 10. yüzyıl sonları ile 11. yüzyılın ortalarında, yerel ustalar tarafından bölgesel karakterli olarak yapıldığına işaret etmektedir..

Research paper thumbnail of Çine’de Bir Kaya Kütlesi İçinde Yer Alan ‘İsa’nın Doğumu’ Sahnesi Üzerine İncelemeler

Sanat Tarihi Yıllığı / Journal of Art History

Research paper thumbnail of The Floor Mosaics of the Çatalçam Basilica in Akyaka

Istanbul University - DergiPark, May 1, 2013

PROQUEST ve TÜBİTAK-ULAKBİM Sosyal Bilimler Veri Tabanlarında taranmaktadır. Alman Arkeoloji Enst... more PROQUEST ve TÜBİTAK-ULAKBİM Sosyal Bilimler Veri Tabanlarında taranmaktadır. Alman Arkeoloji Enstitüsü'nün (DAI) Kısaltmalar Dizini'nde 'OLBA' şeklinde yer almaktadır. OLBA dergisi hakemlidir ve Mayıs ayında olmak üzere, yılda bir kez basılmaktadır.

Research paper thumbnail of Studies on a Basilica and Baptistery Located in İçmeler Sectionof Marmaris

Istanbul University - DergiPark, May 1, 2016

PROQUEST ve TÜBİTAK-ULAKBİM Sosyal Bilimler Veri Tabanlarında taranmaktadır. Alman Arkeoloji Enst... more PROQUEST ve TÜBİTAK-ULAKBİM Sosyal Bilimler Veri Tabanlarında taranmaktadır. Alman Arkeoloji Enstitüsü'nün (DAI) Kısaltmalar Dizini'nde 'OLBA' şeklinde yer almaktadır. OLBA dergsi hakemlidir. Makalelerdeki görüş, düşünce ve bilimsel değerlendirmelerin yasal sorumluluğu yazarlara aittir. The articles are evaluated by referees. The legal responsibility of the ideas, opinions and scientific evaluations are carried by the author. OLBA dergisi, Mayıs ayında olmak üzere, yılda bir kez basılmaktadır.

Research paper thumbnail of Datça’Da Bi̇r Theotokos Meryem Tasvi̇ri̇

Research paper thumbnail of Byzantine Period in Kedreai (Sedir Island):Churches

Istanbul University - DergiPark, May 1, 2012

PROQUEST ve TÜBİTAK-ULAKBİM Sosyal Bilimler Veri Tabanlarında taranmaktadır. Alman Arkeoloji Enst... more PROQUEST ve TÜBİTAK-ULAKBİM Sosyal Bilimler Veri Tabanlarında taranmaktadır. Alman Arkeoloji Enstitüsü'nün (DAI) Kısaltmalar Dizini'nde 'OLBA' şeklinde yer almaktadır. OLBA dergisi hakemlidir ve Mayıs ayında olmak üzere, yılda bir kez basılmaktadır. Published each year in May. MERSİN ÜNİVERSİTESİ KILIKIA ARKEOLOJİSİNİ ARAŞTIRMA MERKEZİ BİLİMSEL SÜRELİ YAYINI 'OLBA' Kapsam Olba süreli yayını Mayıs ayında olmak üzere yılda bir kez yayınlanır. Yayınlanması istenilen makalelerin en geç her yıl Kasım ayında gönderilmiş olması gerekmektedir.

Research paper thumbnail of Kiborion Tipin Mimari Forma Dönüşümü, Gelişimi ve Bizans’taki Formasyonu

Research paper thumbnail of Examples of Architectural Sculpture with Figurative and Floral Decoration of the Byzantine Period at Muğla, Bodrum and Milas Archaeological Museums

Research paper thumbnail of Akyaka’Daki̇ Çatalçam Bazi̇li̇kasina Ai̇t Döşeme Mozai̇kleri̇

Olba, 2013

Gunumuzde Mugla’ya bagli bir belde olan Akyaka’da Mugla Arkeoloji Muzesi tarafindan gerceklestiri... more Gunumuzde Mugla’ya bagli bir belde olan Akyaka’da Mugla Arkeoloji Muzesi tarafindan gerceklestirilen kurtarma kazilari sonucunda orta nefi mozaik dosemeli uc nefli, uc apsisli, bazilikal planli bir yapi ortaya cikarilmistir. Kup sekline getirilmis mermer, tugla ve kirec tasinin kullanildigi tessaralardan yapilmis opus tesellatum teknigindeki mozaikler, geometrik formlarin dis cerceve olarak kullanildigi hayvan figurlerinin yani sira, bitkisel ve geometrik motiflerin panolarin ic duzenlemelerinde yer aldigi zengin bir bezeme programina sahiptir. Bordurlerde ve panolari kaplayan genis alanlarda uygulanan geometrik duzenlemelerin, cok yaygin kullanimi olan basit formlardan meydana geldikleri gorulmektedir. Geometrik desenli panolar bemanin templon stylobatina yakin bolumunde baslamis ve orta nefte yayginlasmistir. Bazilikanin bemasinda ve orta nefin dis bordurlerinde ise, tavus kusalari, kantharos, nar, geyik ve yunuslardan olusan figurlu kompozisyonlara yer verilmistir. Catalcam Bazil...

Research paper thumbnail of Muğla, Bodrum Ve Mi̇las Arkeoloji̇ Müzeleri̇’Ndeki̇ Orta Bi̇zans Dönemi̇ne Ai̇t Bi̇r Grup Li̇türji̇k İşlevli̇ Taş Eser

Olba, 2012

Mugla, Bodrum ve Milas Muzelerinde yaptigimiz calismalar sirasinda uzerleri geometrik kompozisyon... more Mugla, Bodrum ve Milas Muzelerinde yaptigimiz calismalar sirasinda uzerleri geometrik kompozisyonlarla bezenmis liturjik islevli mimari plastik eserler tespit edilmistir. Geometrik ve bitkisel bezemelerin cesitli duzenlemelerinden olusan kompozisyonlarla bezenmis bu eserler, motif ve uslup bakimindan birbirleriyle benzerlikler gostermektedirler. Arsitrav, levha, paye ve basliklar uzerinde 9. yuzyildan itibaren gorulen arkad dizileri, birbirine dugumlerle baglanan kare, daire ve eskenar dortgenlerden olusan geometrik duzenlemeler ve bunlarin uzerinde matkapla yapilmis oyuklar, Orta Bizans’in ozgun kompozisyonlarini ve bu doneme ozgu bezeme tekniklerini olusturmaktadir. Diger taraftan degisik tipte palmetler ve geometrik formlarin icini dolduran rozetler, her yuzyilda kullanilmalarina karsin bu motiflerde yapraklarin icbukey islenisi de Orta Bizans doneminin yaygin bir uygulamasidir. Kiyi ve ic Ege’nin yani sira Likya bolgesinde bulunan tarihlendirmesi yapilmis veya kesin tarihi belli...

Research paper thumbnail of Van Ve Çevresi̇ndeki̇ Hiri̇sti̇yanlik Dönemi̇ Yapilarin Plan Açisindan Değerlendi̇ri̇lmesi̇ / Evaluation of the Churches in and Around Van in Terms of Plan

Research paper thumbnail of Alanya Kalesi̇nde Üç Bi̇zans Ki̇li̇sesi̇ / the Byzantine Churches in Castle of Alanya

Journal of Fine Arts, 2004

Research paper thumbnail of A new basilical church uncovered at Akyaka in Caria

Research paper thumbnail of Marmari̇s'İn İçmeler Mevki̇i̇nde Yer Alan Bi̇r Bazi̇li̇ka Ve Vafti̇zhane Üzeri̇ne İncelemeler

Research paper thumbnail of Tigran Honents (Aydınlatıcı Aziz Gregorios) Klisesinin freskoları ne kadar Bizans'lı?

Edebiyat Fakultesi Dergisi, 2008

Research paper thumbnail of Osmaneli’ndeki Bir Rum Kilisesi’nin Düşündürdükleri

Gunumuzde Bilecik’e bagli kucuk bir ilce olan Osmaneli, Bizans ve Osmanli Imparatorluklari donemi... more Gunumuzde Bilecik’e bagli kucuk bir ilce olan Osmaneli, Bizans ve Osmanli Imparatorluklari doneminde onemli bir gecis noktasi olmus, sefere giden ordular buradan gecmistir. Osmaneli, Kurutulus savasina kadar Turk ve Rumlarin birlikte yasadigi bir kaba olarak kalmistir. Osmaneli’nde Rum halktan kalan tek eser Cumhuriyet caddesinde yer alan Aya Yorgi olarak adlandirilan kilisedir. Bu 19.yy yapisinin birkac yapim evresi gecirdigi arsiv belgelerinden anlasilmaktadir. Ilk yapinin bazilikal planli kirma ahsap catili oldugu, Islahat fermani ile birlikte Rum halkin elde ettigi imtiyazlardan sonra bugunku plana kavustugu arsiv kayitlarindaki belgelerde detayli olarak anlatilmaktadir. Yunan haci planindaki yapinin bugun ust ortusu mevcut degildir. Yapinin en dikkat cekici noktasini bati cephede, girisin iki yaninda yukselen kuleler olusturmaktadir. Uzerleri kucuk kubbeler ile ortulu olan bu kuleler, hem ikinci kata cikisi saglamakta hem de can kulesi islevini gormektedir. Yapilarin bati cephe...

Research paper thumbnail of A group of byzantine coins at the erzurum archeology museum

Research paper thumbnail of KİSSEBÜKÜ GEÇ ANTİK ÇAĞ KENTİ KAZILARI: 2022 ÇALIŞMALARI

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Research paper thumbnail of Byzantine wall painting in Latmos