Hommage à Penderecki (original) (raw)
简介 · · · · · ·
The violinist Anne-Sophie Mutter and the composer and conductor Krzysztof Penderecki are among the leading musical figures of our age. For more than thirty years these two outstanding musicians have been close friends, and during that time their friendship has proved a fruitful one, repeatedly inspiring and challenging both parties. To mark the composer’s eighty-fifth birthda... (展开全部) The violinist Anne-Sophie Mutter and the composer and conductor Krzysztof Penderecki are among the leading musical figures of our age. For more than thirty years these two outstanding musicians have been close friends, and during that time their friendship has proved a fruitful one, repeatedly inspiring and challenging both parties. To mark the composer’s eighty-fifth birthday Deutsche Grammophon is now releasing a very special double album featuring Anne-Sophie Mutter both as a soloist and in partnership with a number of colleagues. All the works that are included here reflect Penderecki’s unique musical language in fascinatingly intense and multifaceted ways. The result is a sensitive and moving homage on the part of the violinist to a musical friend whose Second Violin Sonata she has recorded for the first time.
Penderecki’s works have an existential depth to them that goes far beyond the sheer sensuousness of the musical world that they inhabit. Anne-Sophie Mutter compares their complex, multifaceted mature to the canvases of Pablo Picasso, so varied, extreme and contrastive are they. For the composer himself these works are the end result of a creative process that is both tireless and extremely demanding. As he himself puts it: “I like travelling uncharted pathways. I have to do this whenever I compose, otherwise nothing comes out. I start somewhere in the middle of a work, before moving to the right or left and time and again having to get back on course, which often means retracing my steps. I continue to compose until it becomes clear to me that I could really do it much better. I then start at the beginning.” Penderecki has retained this self-critical attitude right up to the present day. It is an attitude that places enormous demands on him. The works that have come into existence in this way afford impressive proof of his uncompromising dedication to music and provide thrilling evidence of his ability to explore the emotional extremes of human existence.
This double album brings together various pieces that Penderecki has written for the violin and that are performed by Anne-Sophie Mutter in ways that bring out their wealth of tone colours and captivating expressivity, while also striking a personal note. In addition to La Follia, a virtuoso set of variations for unaccompanied violin, and the dialogue-like concert duet for violin and double bass that Anne-Sophie Mutter has recorded with the bass player Roman Patkoló, it is two large-scale, complex works that are at the heart of the present release. Both reflect Penderecki’s multilayered and hugely expressive art of composition. Laid out along symphonic lines, the Second Violin Concerto – subtitled Metamorphosen – was premiered by Anne-Sophie Mutter in 1995: “For me this task is physically and psychologically challenging, but it is a challenge that I am grateful to accept,” says the violinist about the extremely demanding and contrastive work, in which Penderecki provides a virtuoso amalgam of the most varied styles. Like the Second Violin Concerto, the Second Violin Sonata is dedicated to Anne-Sophie Mutter, who has recorded it for the present album with the pianist Lambert Orkis. The piece is in five movements and resembles a dramatic disquisition on life that ultimately leaves the listener emotionally moved.
Penderecki and Mutter have been friends for many years. It is a friendship that has proved inspirational. They first got to know each other in the early 1980s, although it was not until 1988 that they began to work together closely. This was the year in which the then twenty-five-year-old violinist played Prokofiev’s First Violin Concerto under Penderecki’s direction. From the outset the conductor was fascinated by her musical maturity. Their musical association has lasted until the present day. For Anne-Sophie Mutter, it is “far more than mere admiration that has bound me to Krzysztof Penderecki’s works for several decades. I am shaken to the very roots of my being by the depth of emotion that issues from them – almost more than I am by his genius as a composer.” With this double album, Hommage à Penderecki, the violinist pays touching tribute to a truly exceptional composer and to their mutual friendship.
曲目 · · · · · ·
- Andante - Anne-Sophie Mutter
- Var. I Tempo I - Anne-Sophie Mutter
- Var. II Allegro giocoso alla polacca - Anne-Sophie Mutter
- Var. III Adagio, ma non troppo - Anne-Sophie Mutter
- Var. IV Tempo I - Anne-Sophie Mutter
- Var. V Allegro con brio - Anne-Sophie Mutter
- Var. VI Tempo I - Anne-Sophie Mutter
- Var. VII Allegretto - Anne-Sophie Mutter
- Var. VIII Adagio tanquillo - Anne-Sophie Mutter
- Var. IX Tempo I - più mosso - poco pesante - Tempo I - Anne-Sophie Mutter
- Duo concertante - Anne-Sophie Mutter, Roman Patkoló
- Larghetto - Anne-Sophie Mutter, Lambert Orkis
- Allegretto scherzando - Anne-Sophie Mutter, Lambert Orkis
- Notturno - Anne-Sophie Mutter, Lambert Orkis
- Allegro - Anne-Sophie Mutter, Lambert Orkis
- Andante - Anne-Sophie Mutter, Lambert Orkis
- Allegro ma non troppo - Anne-Sophie Mutter, London Symphony Orchestra, Krzysztof Penderecki
- Allegretto - Anne-Sophie Mutter, London Symphony Orchestra, Krzysztof Penderecki
- Molto - Anne-Sophie Mutter, London Symphony Orchestra, Krzysztof Penderecki
- Vivace - Anne-Sophie Mutter, London Symphony Orchestra, Krzysztof Penderecki
- Scherzando - Anne-Sophie Mutter, London Symphony Orchestra, Krzysztof Penderecki
- Andante con moto - Anne-Sophie Mutter, London Symphony Orchestra, Krzysztof Penderecki
喜欢听"Hommage à Penderecki"的人也喜欢的唱片 · · · · · ·
03/29/2020
封套及内页照片加分，穆阿姨风韵犹存。能留下老潘的小提琴作品录音本身也是功劳。
喜欢Metamorphosen。到处都是面目模糊的人；他们在秘而不宣的同谋中缄默，各自钻营着虚妄以期蜕变出诡谲的异彩，身下铺满不够老熟的棱角，将混杂疯癫的迷思洒向每一块破碎的苍穹。
黑白照片真不吉利！
喜欢Metamorphosen。到处都是面目模糊的人；他们在秘而不宣的同谋中缄默，各自钻营着虚妄以期蜕变出诡谲的异彩，身下铺满不够老熟的棱角，将混杂疯癫的迷思洒向每一块破碎的苍穹。
点点滴滴都是爱 :D
演奏技巧上的现代性无法掩饰这张专辑的古典内核，原来当代还有这么古典的作曲家。
Hommage à Penderecki的乐评 · · · · · ·( 全部 1 条 )
達文兮 2019-11-17 22:41:48
Review
Anne-Sophie Mutter has advocated contemporary music throughout her fourdecade career and Krzysztof Penderecki above all, as this two-disc 85th birthday retrospective makes plain. Interestingly the pieces are presented in reverse chronological order – openi... (展开)
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