Amplifying Voices - New Music USA (original) (raw)
Fostering collaboration toward racial and gender equity.
With over forty-five orchestras in the US and beyond to soon be a part of the program’s eleven consortia, Amplifying Voices facilitates co-commissions and sharing of existing repertoire by BIPOC and women composers. This long-term program aims to increase the support and promotion of under-represented composers, create space for their contributions to artistic-planning at major national orchestras, and make major strides toward transforming the classical canon for future generations.
The program was kick-started through a generous contribution from the Sphinx Organization, and increasing momentum has made possible by new funding from the Sorel Organization, Virginia B. Toulmin Foundation, and industry partners ASCAP and Wise Music, which demonstrates recognition amongst orchestras that new and inclusive approaches to programming are critical for the sector’s future relevance.
Support from the Virginia B. Toulmin Foundation will create two new consortia commissioning Katherine Balch and Clarice Assad. Previous support from the Sorel Organization has contributed to two consortia which are commissioning Jessie Montgomery and Nina Shekhar. ASCAP and Wise Music will support the Amplifying Voices Learning Lab, facilitating conversations with composers, orchestras, and industry guests. Anticipated focal points include best approaches to co-commissioning, centering existent repertoire by BIPOC and women composers, and enabling audiences around the country to discover the most exciting music of our time.
Read the latest news on program premieres and performances here.
Deceased white males comprised over two thirds of the works programmed in the 2021-22 season (Composer Diversity Institute, 2022)
67% Of orchestra music by deceased white males
Only 21.8% of music programed by orchestras was by a living composer (Composer Diversity Institute, 2022)
21% Orchestral music by living composers
Only 22.5% of programmed works are by women composers and composers of color (Composer Diversity Institute, 2022)
22% Orchestra music by women and BIPOC composers