Marit Stranden | Nord University (original) (raw)
Papers by Marit Stranden
This is a report illustrated with photos and videos from a artistic research project. The Choreog... more This is a report illustrated with photos and videos from a artistic research project. The Choreographer and dancers engaged the audience to participate in the dancing, Advanced, artistic use of folkdance is a new field of Norwegian dance art, searching for a profile, which includes participatory elements. Performer - audience interaction is a potential which seems to be particularly applicable and near at hand for folkdance. An artistically viable break through would represent a crucial innovation for folk dance as dance art. The challenge is to find techniques that reduce the performer - audience split. They should enable all participants in an artistic event to experience one's own and other's bodily movements merged and shared. The project assumes that the conventional stage is a hinder for a fuller artistic explication of folk dance.
Journal of Comparative Physiology A: Sensory, Neural, and Behavioral Physiology, 2003
Hvordan laerer og husker vi dufter? Hvordan skiller vi dem fra hverandre? Det finnes liten kunnsk... more Hvordan laerer og husker vi dufter? Hvordan skiller vi dem fra hverandre? Det finnes liten kunnskap om hvilke duftsubstanser ulike lukteceller er utviklet for. I dag er gener for luktereseptorer ide ...
Pp 91-99 in: Sammen fremmer vi helse. Helsefremming gjennom sosial støtte og samhandling. Publisher Helse-Frelse, ISBN 978-82-93074-11-3, 2014
By og bygd, Immateriell kulturarv på museum, Norsk Folkemuseums årbok, 47:19-42, 2018
The Journal for Artistic Researh (Open Access) https://www.researchcatalogue.net/view/60494/60495, 2015
This is a report illustrated with photos and videos from a artistic research project. The Choreog... more This is a report illustrated with photos and videos from a artistic research project. The Choreographer and dancers engaged the audience to participate in the dancing,
Advanced, artistic use of folkdance is a new field of Norwegian dance art, searching for a profile, which includes participatory elements. Performer - audience interaction is a potential which seems to be particularly applicable and near at hand for folkdance. An artistically viable break through would represent a crucial innovation for folk dance as dance art. The challenge is to find techniques that reduce the performer - audience split. They should enable all participants in an
artistic event to experience one's own and other's bodily movements
merged and shared. The project assumes that the conventional stage
is a hinder for a fuller artistic explication of folk dance.
Recent Advances in Phytochemistry, 2005
ABSTRACT
Chemical Senses, 2002
Plants release complex mixtures of volatiles, including chiral constituents. In the search for th... more Plants release complex mixtures of volatiles, including chiral constituents. In the search for the biologically relevant plant odorants, gas chromatography linked to electrophysiological recordings from single receptor neurons has been employed. In heliothine moths, including the females of the Eurasian cotton bollworm moth Helicoverpa armigera, a major type of receptor neurons is identified, showing high sensitivity and selectivity for the
Journal of Experimental Biology, 2007
Journal of Experimental Biology, 2005
Journal of Comparative Physiology A: Sensory, Neural, and Behavioral Physiology, 2003
Chemical Senses, 2005
Moths of the subfamily Heliothinae are suitable models for comparative studies of plant odour inf... more Moths of the subfamily Heliothinae are suitable models for comparative studies of plant odour information encoded by the olfactory system. Here we identify and functionally classify types of olfactory receptor neurons by means of electrophysiological recordings from single receptor neurons linked to gas chromatography and to mass spectrometry. The molecular receptive ranges of 14 types in the two polyphagous species Heliothis virescens and Helicoverpa armigera are presented. The receptor neurons are characterized by a narrow tuning, showing the best response to one primary odorant and weak responses to a few chemically related compounds. The most frequently occurring of the 14 types constituted the receptor neurons tuned to (+)-linalool, the enantioselectivity of which was shown by testing two samples with opposite enantiomeric ratios. These neurons, also responding to dihydrolinalool, were found to be functionally similar in the two related species. The primary odorants for 10 other receptor neuron types were identified as (3Z)-hexenyl acetate, (+)-3-carene, trans-pinocarveol, trans-verbenol, vinylbenzaldehyde, 2-phenylethanol, methyl benzoate, alpha-caryophyllene and caryophyllene oxide, respectively. Most odorants were present in several host and non-host plant species, often in trace amounts. The specificity as well as the co-localization of particular neuron types so far recorded in both species showed similarities of the olfactory systems receiving plant odour information in these two species of heliothine moths.
This is a report illustrated with photos and videos from a artistic research project. The Choreog... more This is a report illustrated with photos and videos from a artistic research project. The Choreographer and dancers engaged the audience to participate in the dancing, Advanced, artistic use of folkdance is a new field of Norwegian dance art, searching for a profile, which includes participatory elements. Performer - audience interaction is a potential which seems to be particularly applicable and near at hand for folkdance. An artistically viable break through would represent a crucial innovation for folk dance as dance art. The challenge is to find techniques that reduce the performer - audience split. They should enable all participants in an artistic event to experience one's own and other's bodily movements merged and shared. The project assumes that the conventional stage is a hinder for a fuller artistic explication of folk dance.
Journal of Comparative Physiology A: Sensory, Neural, and Behavioral Physiology, 2003
Hvordan laerer og husker vi dufter? Hvordan skiller vi dem fra hverandre? Det finnes liten kunnsk... more Hvordan laerer og husker vi dufter? Hvordan skiller vi dem fra hverandre? Det finnes liten kunnskap om hvilke duftsubstanser ulike lukteceller er utviklet for. I dag er gener for luktereseptorer ide ...
Pp 91-99 in: Sammen fremmer vi helse. Helsefremming gjennom sosial støtte og samhandling. Publisher Helse-Frelse, ISBN 978-82-93074-11-3, 2014
By og bygd, Immateriell kulturarv på museum, Norsk Folkemuseums årbok, 47:19-42, 2018
The Journal for Artistic Researh (Open Access) https://www.researchcatalogue.net/view/60494/60495, 2015
This is a report illustrated with photos and videos from a artistic research project. The Choreog... more This is a report illustrated with photos and videos from a artistic research project. The Choreographer and dancers engaged the audience to participate in the dancing,
Advanced, artistic use of folkdance is a new field of Norwegian dance art, searching for a profile, which includes participatory elements. Performer - audience interaction is a potential which seems to be particularly applicable and near at hand for folkdance. An artistically viable break through would represent a crucial innovation for folk dance as dance art. The challenge is to find techniques that reduce the performer - audience split. They should enable all participants in an
artistic event to experience one's own and other's bodily movements
merged and shared. The project assumes that the conventional stage
is a hinder for a fuller artistic explication of folk dance.
Recent Advances in Phytochemistry, 2005
ABSTRACT
Chemical Senses, 2002
Plants release complex mixtures of volatiles, including chiral constituents. In the search for th... more Plants release complex mixtures of volatiles, including chiral constituents. In the search for the biologically relevant plant odorants, gas chromatography linked to electrophysiological recordings from single receptor neurons has been employed. In heliothine moths, including the females of the Eurasian cotton bollworm moth Helicoverpa armigera, a major type of receptor neurons is identified, showing high sensitivity and selectivity for the
Journal of Experimental Biology, 2007
Journal of Experimental Biology, 2005
Journal of Comparative Physiology A: Sensory, Neural, and Behavioral Physiology, 2003
Chemical Senses, 2005
Moths of the subfamily Heliothinae are suitable models for comparative studies of plant odour inf... more Moths of the subfamily Heliothinae are suitable models for comparative studies of plant odour information encoded by the olfactory system. Here we identify and functionally classify types of olfactory receptor neurons by means of electrophysiological recordings from single receptor neurons linked to gas chromatography and to mass spectrometry. The molecular receptive ranges of 14 types in the two polyphagous species Heliothis virescens and Helicoverpa armigera are presented. The receptor neurons are characterized by a narrow tuning, showing the best response to one primary odorant and weak responses to a few chemically related compounds. The most frequently occurring of the 14 types constituted the receptor neurons tuned to (+)-linalool, the enantioselectivity of which was shown by testing two samples with opposite enantiomeric ratios. These neurons, also responding to dihydrolinalool, were found to be functionally similar in the two related species. The primary odorants for 10 other receptor neuron types were identified as (3Z)-hexenyl acetate, (+)-3-carene, trans-pinocarveol, trans-verbenol, vinylbenzaldehyde, 2-phenylethanol, methyl benzoate, alpha-caryophyllene and caryophyllene oxide, respectively. Most odorants were present in several host and non-host plant species, often in trace amounts. The specificity as well as the co-localization of particular neuron types so far recorded in both species showed similarities of the olfactory systems receiving plant odour information in these two species of heliothine moths.
Dr. scient. thesis, NTNU, Trondheim, ISBN:8247152169, 2003
This thesis is based on the following papers, which will be referred to by their Roman numerals: ... more This thesis is based on the following papers, which will be referred to by their Roman numerals:
Stranden, M; Borg-Karlson, A-K; Mustaparta, H. Receptor neuron discrimination of the germacrene D enantiomers in the moth Helicoverpa armigera. Chem. Senses. 27(2): 143-152, 2002.
Stranden, M; Liblikas, I; König, WA; Almaas, TJ; Borg-Karlson, A-K; Mustaparta, H. (-)-Germacrene D receptor neurones in three species of heliothine moths: structure-activity relationships. J Comp Physiol A. 189(7): 563-577, 2003.
Stranden, M; Røstelien, T; Liblikas, I; Almaas, TJ; Borg-Karlson, A-K; Mustaparta, H. Receptor neurones in three heliothine moths responding to floral and inducible plant volatiles. Chemoecology. 13(3): 143-154, 2003.
Mozuraitis, R; Stranden, M; Ramirez, MI; Borg-Karlson, A-K; Mustaparta, H. (-)-Germacrene D increases attraction and oviposition by the tobacco budworm moth Heliothis virescens. Chem. Senses. 27(6): 505-509, 2002.
CONCLUSIONS AND PROSPECTS
The results of this study show that plant odour information in females of the three heliothine moths H. virescens, H. armigera and H. assulta, is received by narrowly tuned RNs with non-overlapping molecular receptive ranges. The five RNs described are all strongly activated by one key odorant and show weaker response to a few related molecules. The RN types are functionally similar within and between the three heliothine species. A new staining method is tested which show projections of the RNs in the antennal lobe. One odorant, being the key stimulus for the major RN type, was found to be attractive when added to host plants that did not contain this odorant.
The identified biologically relevant odorants provide a basis for further studies of olfaction in heliothine moths. This knowledge is presently used in studies of olfactory coding and olfactory learning in addition to behavioural experiments. In future experiments combining physiology, molecular biology and chemistry, the identified odorants may be utilised to study the molecular and cellular function of olfactory RNs.
Publisher Fagbokforlaget, ISBN: 9788232103713 , 2014
Contents Foreword Egil Bakka’s career – an overview Magne Velure: Understanding traditional d... more Contents
Foreword
Egil Bakka’s career – an overview
Magne Velure: Understanding traditional dance Some memories of Egil Bakka’s early career as a field worker and researcher, 1966-1967
Kari Margrete Okstad, Marit Stranden & Anne Fiskvik: Egil Bakka – educator and researcher
PART 1 Egil Bakka’s legacy to fieldwork and teaching
Geir Egil Larsen: Ferdaminne frå sommaren 1968
Tor Stallvik: På leiting etter T-trinnet
Dag Vårdal: Fullført saksbehandling Erfaringer fra feltarbeid med innsamling som fundament for formidling
Ivar Mogstad: Dansemusikken i arkivet
Marit Stranden & Stian Roland: Analyse og kroppsliggjøring av dansematerialet fra arkivet
Siri Mæland: Tradisjonsdans som universitetsstudium? Prøveordning med utøvarstudium i tradisjonsdans (2009-2012)
Arne M. Sølvberg: Bygda dansar – frå idé til røyndom
Georgiana Gore & Andrée Grau: Dance, cultural heritage, and the training of future heritage “managers”: Anthropological reflections
PART 2 Fieldwork past and present
Irene Loutzaki: Placing an ethnographic film in context: The dance at the Metamorphosis of Christ Festival in Asklipio, Rhodes, Greece A commentary
Petri Hoppu: Encounters in dance and music Fieldwork and embodiment
Ola Kai Ledang: Ei reise til Tanzania 1977/78 – og eit tilbakeblikk
Mohd Anis Md Nor: Between orality and dance notation: Reviving Zapin dance and music as cultural heritage
Daniela Stavelova: The oldest records of Czech traditional dances: Rethinking dancescape
Judy Van Zile: (Re)Searching the field: “Just do it naturally!”
PART 3 Methods, didactics, terminology and typology
Anca Giurchescu: “Experiencing the field”: Fieldwork research theory, methods and experience
Catherine E. Foley: Negotiating the ‘native self’ and the ‘professional self’: Ethnochoreological and ethnomusicological challenges in the field
Lena Hammergren: The field of dance didactics: The use of analytical terminology in the studio
Gediminas Karoblis: Philosophy of svikt-analysis
László Felföldi: Constructing dance knowledge: Issues related to the systematic publication of the sources in Hungarian ethnochoreology
Colin Quigley: Dance revival activism and ethnochoreological research: The Hungarian dance house example
Tellef Kvifte: Traditions, archives and change
Bjørn Aksdal: From minuet to pols Some reflections on the transition of dance tunes in Norwegian folk music
PART 4 Nordic and international dance history
Theresa Jill Buckland: Pioneering England’s dances among late Victorian youth: On the early work of Mary Neal and Grace Kimmins
Turid Nøkleberg Schjønsby: Bruk av gestikk i dans etter Isadora Duncan
Anne Margrete Fiskvik: Shaping the image of a “soulful barefoot dancer”
Karen Vedel: Scaramouche (1922–24) Ballet pantomime in four Nordic capitals
Anders Chr. N. Christensen: ”Med skæv skulder og sidevind” Omdrejnings- og danseretninger i folkelige runddanse i Danmark
Gunnel Biskop: Folklig dans på estraden hos den svenskspråkiga befolkningen i Finland under senare delen av 1800-talet
Inger Damsholt: ”Et chassé til højre og et chassé til venstre” Fortløbende forskning i den danske lanciertradition
Mats Nilsson: Dancing names – “a neverending story”
Abstracts (in English)
Contributors
Tabula Gratulatoria