Tiziana D'Angelo | University of Nottingham (original) (raw)

Papers by Tiziana D'Angelo

Research paper thumbnail of D'Angelo, T. (2020) 'Late Archaic funerary painting in Greek and native Apulia', in La Tomba del Tuffatore: Rito, arte e poesia a Paestum e nel Mediterraneo d’epoca tardo-arcaica, eds. A. Meriani, G. Zuchtriegel, Pisa, 133-174

Research paper thumbnail of D'Angelo, T. (2020) 'Hybris and sophrosyne on the Amazon Sarcophagus from Tarquinia', in La mitologia figurata degli Etruschi. Nuove ricerche, ed. S. Bruni, Pisa, 91-109.

Research paper thumbnail of D'Angelo, T. (2019) 'Histories of ancient painting': Review article: Jerome J. Pollitt (ed.) 2014. The Cambridge History of Painting in the Classical World. Cambridge. Journal of Greek Archaeology: 507-518

Research paper thumbnail of D'Angelo, T. (2019) 'Greek power and italic identity in 4th-century BC painted tombs at Poseidonia', in Περὶ γραφικῆς. Pittori, tecniche, trattati, contesti tra testimonianze e ricezione, eds. G. Adornato, E. Falaschi, A. Poggio, Milan, 97-121.

D'Angelo, T. (2019) 'Greek power and italic identity in 4th-century BC painted tombs at Poseidonia', in Περὶ γραφικῆς. Pittori, tecniche, trattati, contesti tra testimonianze e ricezione, eds. G. Adornato, E. Falaschi, A. Poggio, Milan, 97-121.

Research paper thumbnail of Tiziana D'Angelo and Maya Muratov. 2017: “Silent Attendants: Terracotta Statues and Death Rituals in Canosa.” In: Women's Ritual Competence in the Greco-Roman Mediterranean, edited by Esther Eidinow, Lisa Maurizio, Matthew Dillon, pp. 65-93. Farnham: Ashgate.

Research paper thumbnail of •	D’Angelo, T. (2018) ‘Messapian stelae: settlements, boundaries and native identity in Southeast Italy’, BABESCH Annual Papers on Mediterranean Archaeology 93: 1-26.

This article focuses on a group of anthropomorphic stelae that were found in five sites in Salent... more This article focuses on a group of anthropomorphic stelae that were found in five sites in Salento between the 1960s and 2005. Survey projects and archaeological excavations conducted over the past decades in southeast Italy have radically improved our knowledge of ancient Messapia, and thus offer the opportunity to reconsider the function and meaning of these monuments within the development of native settlements during the Iron Age and Archaic period. I examine the decoration of the stelae as well as their archaeological and cultural contexts, and use them as evidence to reassess their dating and discuss the dynamics of interaction between native communities and Greek settlers in southeast Italy. I also challenge a traditional interpretation of these stelae as funerary semata and I propose that they served to mark spatial boundaries and articulate urban landscape, ultimately commemorating elite identity in the context of a geographic and political rearrangement of native settlements in Salento between the late 8 th and the early 6 th century BC.

Research paper thumbnail of D’Angelo, T., and M. Muratov (2018) ‘“Fraudulent ingenuity”: Charles W. King and 19th-century collections of antique gems’, in T. D’Angelo, M. Muratov, et al. (eds.), Collecting and Collectors from Antiquity to Modernity, Selected Papers on Ancient Art and Architecture 4. Boston: 147-164.

Research paper thumbnail of D’Angelo, T. (2017) ‘La pittura funeraria pestana tra Magna Grecia e Roma’, in Action Painting: rito & arte nelle tombe di Paestum, eds. M. Niola, G. Zuchtriegel. Naples: 75-91.

Research paper thumbnail of D’Angelo, T. (2017) ‘Medicine, religion and magic in two inscribed bronze tablets from Ticinum (CIL V 6414-6415)’, Zeitschrift für Papyrologie und Epigraphik 202: 189-207.

6 Mommsen made a fi rst transcription in 1867, which he then revised based on suggestions receive... more 6 Mommsen made a fi rst transcription in 1867, which he then revised based on suggestions received from Giovanni Maria Bussedi in a letter dated 30 November 1868 and on a second analysis agrees with previous readings of the inscriptions, with one exception: in 6414, 5, she interprets F M as abbreviations of fontis mei instead of fontis meae proposed by Gabba (1957, 93; 1987, 201-2). Tomasi's transcription of 6414 (Tomasi 2013, 193) contains a mistake which affects the reading and translation of the inscription: at the beginning of line 5, where the tablet clearly shows aquam, she reads a(qua) and translates: "nell'acqua della mia fonte". ) suggests an earlier date, in the second century CE. Fig. 1. CIL V 6414. Inscribed bronze tablet from Ticinum. Photo: Tiziana D'Angelo © Sistema Museale di Ateneo, Università di Pavia Fig. 2. CIL V 6415. Inscribed bronze tablet from Ticinum.

Research paper thumbnail of •	D’Angelo, T. (2017) ‘Stele messapiche: segni di confine e d’identità nel Salento dell’Età del Ferro’, DialArchMed I.3, 673-682.

Research paper thumbnail of •	D’Angelo, T. (2012) ‘Etruscan colors in the XX century: the Tarquinian tombs and the Duell Collection’, in Segni e colore. Dialoghi sulla pittura tardoclassica ed ellenistica. Studia Archaeologica, 188, eds. M. Harari and S. Paltineri, Rome («L’Erma» di Bretschneider): 61-68.

Research paper thumbnail of D’Angelo, T. (2012) ‘Mirroring eyes: Narcissus and the others in Pompeian wall paintings,’ in I. Colpo and F. Ghedini (eds), Il gran poema delle passioni e delle meraviglie. Ovidio e il repertorio letterario e figurativo fra antico e riscoperta dell'antico, Padua, 223-234.

Research paper thumbnail of D’Angelo, T. 2011, ‘Un “Symposion in 4D”: spazio e memoria nel fregio della facciata della Tomba di Agios Athanasios,’ in G.F. La Torre and M. Torelli (eds.), Pittura ellenistica in Italia e in Sicilia. Linguaggi e tradizioni, Rome 2011, pp. 49-63

Talks by Tiziana D'Angelo

Research paper thumbnail of 'Silent mourners: Terracotta statues and death rituals in Canusium’ (with Prof. M. Muratov) (Women's Ritual Competence in Greek Religion, Society for Ancient Mediterranean Religions, Bates College, Lewiston, ME, USA 25-27 April 2014)

Research paper thumbnail of 'Più di qua che di là: Lo spazio del colore nella pittura funeraria dell'Italia meridionale' (Deutsches Archäologisches Institut, Rom Abteilung, Rome, 11 April 2014)

Research paper thumbnail of ‘Painted contexts and paintings in context: Polychrome painting in pre-Roman tombs from South Italy’ (MET Colloquia, The Metropolitan Museum of Art, New York, NY, 21 March 2014)

Research paper thumbnail of ‘Beyond magicae vanitates: Medical science and local religion in two inscribed bronze tablets from Gallia Cisalpina (CIL V, 6414-6415)’ (115th AIA and APA Joint Annual Meeting, Chicago, IL, 2-5 January 2014)

Research paper thumbnail of ‘“A construction unique under the heavens”: Trajan’s Column and its archaeological histories’ (Trajan’s Column: The Typographic Legacy, The Cooper Union for the Advancement of Science and Art, New York, NY, 2 December 2013)

Research paper thumbnail of 'Orantes in context: Canosa and its Daunian tombs’, (Orantes: Ancient Statues from South Italy, Forum and Salisbury Symposium, Worcester Art Museum, Worcester, MA, 25 October 2013)

Research paper thumbnail of ‘Mirroring eyes: Narcissus and the others in Pompeian wall painting’ (Classics Day for Teachers, New Hampshire Classical Association, Manchester, NH, 27 September 2013)

Research paper thumbnail of D'Angelo, T. (2020) 'Late Archaic funerary painting in Greek and native Apulia', in La Tomba del Tuffatore: Rito, arte e poesia a Paestum e nel Mediterraneo d’epoca tardo-arcaica, eds. A. Meriani, G. Zuchtriegel, Pisa, 133-174

Research paper thumbnail of D'Angelo, T. (2020) 'Hybris and sophrosyne on the Amazon Sarcophagus from Tarquinia', in La mitologia figurata degli Etruschi. Nuove ricerche, ed. S. Bruni, Pisa, 91-109.

Research paper thumbnail of D'Angelo, T. (2019) 'Histories of ancient painting': Review article: Jerome J. Pollitt (ed.) 2014. The Cambridge History of Painting in the Classical World. Cambridge. Journal of Greek Archaeology: 507-518

Research paper thumbnail of D'Angelo, T. (2019) 'Greek power and italic identity in 4th-century BC painted tombs at Poseidonia', in Περὶ γραφικῆς. Pittori, tecniche, trattati, contesti tra testimonianze e ricezione, eds. G. Adornato, E. Falaschi, A. Poggio, Milan, 97-121.

D'Angelo, T. (2019) 'Greek power and italic identity in 4th-century BC painted tombs at Poseidonia', in Περὶ γραφικῆς. Pittori, tecniche, trattati, contesti tra testimonianze e ricezione, eds. G. Adornato, E. Falaschi, A. Poggio, Milan, 97-121.

Research paper thumbnail of Tiziana D'Angelo and Maya Muratov. 2017: “Silent Attendants: Terracotta Statues and Death Rituals in Canosa.” In: Women's Ritual Competence in the Greco-Roman Mediterranean, edited by Esther Eidinow, Lisa Maurizio, Matthew Dillon, pp. 65-93. Farnham: Ashgate.

Research paper thumbnail of •	D’Angelo, T. (2018) ‘Messapian stelae: settlements, boundaries and native identity in Southeast Italy’, BABESCH Annual Papers on Mediterranean Archaeology 93: 1-26.

This article focuses on a group of anthropomorphic stelae that were found in five sites in Salent... more This article focuses on a group of anthropomorphic stelae that were found in five sites in Salento between the 1960s and 2005. Survey projects and archaeological excavations conducted over the past decades in southeast Italy have radically improved our knowledge of ancient Messapia, and thus offer the opportunity to reconsider the function and meaning of these monuments within the development of native settlements during the Iron Age and Archaic period. I examine the decoration of the stelae as well as their archaeological and cultural contexts, and use them as evidence to reassess their dating and discuss the dynamics of interaction between native communities and Greek settlers in southeast Italy. I also challenge a traditional interpretation of these stelae as funerary semata and I propose that they served to mark spatial boundaries and articulate urban landscape, ultimately commemorating elite identity in the context of a geographic and political rearrangement of native settlements in Salento between the late 8 th and the early 6 th century BC.

Research paper thumbnail of D’Angelo, T., and M. Muratov (2018) ‘“Fraudulent ingenuity”: Charles W. King and 19th-century collections of antique gems’, in T. D’Angelo, M. Muratov, et al. (eds.), Collecting and Collectors from Antiquity to Modernity, Selected Papers on Ancient Art and Architecture 4. Boston: 147-164.

Research paper thumbnail of D’Angelo, T. (2017) ‘La pittura funeraria pestana tra Magna Grecia e Roma’, in Action Painting: rito & arte nelle tombe di Paestum, eds. M. Niola, G. Zuchtriegel. Naples: 75-91.

Research paper thumbnail of D’Angelo, T. (2017) ‘Medicine, religion and magic in two inscribed bronze tablets from Ticinum (CIL V 6414-6415)’, Zeitschrift für Papyrologie und Epigraphik 202: 189-207.

6 Mommsen made a fi rst transcription in 1867, which he then revised based on suggestions receive... more 6 Mommsen made a fi rst transcription in 1867, which he then revised based on suggestions received from Giovanni Maria Bussedi in a letter dated 30 November 1868 and on a second analysis agrees with previous readings of the inscriptions, with one exception: in 6414, 5, she interprets F M as abbreviations of fontis mei instead of fontis meae proposed by Gabba (1957, 93; 1987, 201-2). Tomasi's transcription of 6414 (Tomasi 2013, 193) contains a mistake which affects the reading and translation of the inscription: at the beginning of line 5, where the tablet clearly shows aquam, she reads a(qua) and translates: "nell'acqua della mia fonte". ) suggests an earlier date, in the second century CE. Fig. 1. CIL V 6414. Inscribed bronze tablet from Ticinum. Photo: Tiziana D'Angelo © Sistema Museale di Ateneo, Università di Pavia Fig. 2. CIL V 6415. Inscribed bronze tablet from Ticinum.

Research paper thumbnail of •	D’Angelo, T. (2017) ‘Stele messapiche: segni di confine e d’identità nel Salento dell’Età del Ferro’, DialArchMed I.3, 673-682.

Research paper thumbnail of •	D’Angelo, T. (2012) ‘Etruscan colors in the XX century: the Tarquinian tombs and the Duell Collection’, in Segni e colore. Dialoghi sulla pittura tardoclassica ed ellenistica. Studia Archaeologica, 188, eds. M. Harari and S. Paltineri, Rome («L’Erma» di Bretschneider): 61-68.

Research paper thumbnail of D’Angelo, T. (2012) ‘Mirroring eyes: Narcissus and the others in Pompeian wall paintings,’ in I. Colpo and F. Ghedini (eds), Il gran poema delle passioni e delle meraviglie. Ovidio e il repertorio letterario e figurativo fra antico e riscoperta dell'antico, Padua, 223-234.

Research paper thumbnail of D’Angelo, T. 2011, ‘Un “Symposion in 4D”: spazio e memoria nel fregio della facciata della Tomba di Agios Athanasios,’ in G.F. La Torre and M. Torelli (eds.), Pittura ellenistica in Italia e in Sicilia. Linguaggi e tradizioni, Rome 2011, pp. 49-63