Jeffrey Rubenstein | New York University (original) (raw)
Articles & Reviews by Jeffrey Rubenstein
This paper analyzes the "story-cycle" in Nedarim 91a-b, focusing on its literary qualities, struc... more This paper analyzes the "story-cycle" in Nedarim 91a-b, focusing on its literary qualities, structure and poetics. Eli Yassif called attention to the story-cycle in rabbinic literature in a pioneering article published in 1990. He argued that sequences of three or more stories appear throughout rabbinic literature and comprise a distinct literary phenomenon. 1 Yassif identified 44 story-cycles overall, with 24 appearing in the Bavli, which contained 228 stories. He sought to understand, "In what manner were the groupings organized and edited, and by what artistic and ideological motivations were they inspired?," and "How can we describe the literary or ideational rationale which led the compiler to collect in one place a given set of tales and none other, in that particular order." 2 In Yassif's view, the story cycle "constitutes a transitional stage" between "two modes of literary expression … from folktale to literary work." The stories, Yassif theorized, originated in disparate settings and were later collected into a literary unit by the compiler of the story-cycle. The rabbinic story-cycle was therefore a precursor of the independent collections of narratives compiled in the Middle Ages such as Ḥibbur Yafeh Mehayeshua [An Elegant Composition Concerning Relief after Adversity] and Sefer Hama'asim [The Book of Exempla]." 3
The 'negative definition' of aggada reflected in the quotation from Fraenkel has been standard si... more The 'negative definition' of aggada reflected in the quotation from Fraenkel has been standard since the beginnings of critical study: 'lore' was adopted more for its alliterative coupling with 'law' than as a precise equivalent of the term. This definition goes back to the Middle Ages, as attested in the words of Shmuel ha-Nagid (993-1055): 'Haggadah is all commentary in the Talmud that deals with something other than mitzvah (commandment)' , that is, anything not of normative or legal force.3 Leopold Zunz observed that aggada is 'that which is not halakha' .4 Similarly W.Z. Bacher writes that aggada 'signifies in Rabbinic Literature all that does not belong to the sphere of Halacha' .5 Judah Goldin notes: 'By aggadah is meant that which strictly speaking is not classified as halakhah, as required, normative, practice' .6 These explanations, both of Shmuel ha-Nagid and modern scholars, presuppose that halakha can be identified as such and aggada distinguished from it, even if it can only be defined as halakha's opposite. These negative definitions of aggada (or haggada; see below) in terms of what it is not stand in some tension with the semantics and etymology of the term 'aggada' , which have long troubled scholars. As with most rabbinic terms, no explicit definition is found in rabbinic sources. The closest to a definition is the following self-reflective tradition from SifDeut 49: 'Expounders of haggadot (dorshei haggadot; MSS Berlin, London read aggadot) say: If you wish to know Him who spoke, and the world came into being, study haggada, for thereby you will come to know Him and to cling to his ways' .7 Yet this advice is not a definition but rather a description of the purpose of haggada/aggada and 3 Shmuel ha-Nagid, 'Mevo ha-Talmud' printed in the Babylonian Talmud, ed Vilna, after tractate Berakhot, quoted in Heinemann, 'Nature of Aggadah' , 42.
It is most fitting that a volume in honor of Rabbi Joel Roth includes the study of a story about ... more It is most fitting that a volume in honor of Rabbi Joel Roth includes the study of a story about masters and disciples. Rabbi Roth has been the consummate teacher and rabbinic master at the Jewish Theological Seminary for decades. He taught me Talmud during my first year of study at JTS, and it is from Rabbi Roth that I learned many of the skills necessary for scholarship of rabbinic literature. To be counted among his disciples is a great honor.
The point of departure for this paper is a difficulty that confronts the critical study of the Ba... more The point of departure for this paper is a difficulty that confronts the critical study of the Babylonian Talmud and in particular the study of Talmudic narratives, primarily biographical anecdotes of the lives and deeds of the rabbinic sages whose legal traditions are scattered throughout the Talmud. This problem is that of studying the Babylonian Talmud in its wider cultural context, namely the Persian Sasanian Empire: How do we get outside the confines of the Babylonian Talmud? It goes without saying that a comprehensive understanding of any text requires a solid appreciation of the ambient historical setting, material conditions, and culture in which it was produced. This is particularly true of ancient texts which can be so alien to us moderns due to the vast temporal gap separating us from the cultures that produced them. Empirically the study of rabbinic texts from the Land of Israel of the Roman-Byzantine era -the Mishnah and Tosefta, the Jerusalem Talmud, and the Amoraic midrashim -has been enriched enormously by setting the sources in the context of the classical world. Words, idioms, and references to institutions, artifacts, and even literary genres that were impenetrable to medieval commentators have been explained by modern scholars through their knowledge of classical literature, philology, and archeology.
The Bavli's story of Herod's rise to power, murder of the Hasmonean family and of the rabbis, enc... more The Bavli's story of Herod's rise to power, murder of the Hasmonean family and of the rabbis, encounter with Bava b. Buta, and construction of the temple, found at Bava Batra 3b-4a, has long puzzled scholars.
This paper analyzes the "story-cycle" in Nedarim 91a-b, focusing on its literary qualities, struc... more This paper analyzes the "story-cycle" in Nedarim 91a-b, focusing on its literary qualities, structure and poetics. Eli Yassif called attention to the story-cycle in rabbinic literature in a pioneering article published in 1990. He argued that sequences of three or more stories appear throughout rabbinic literature and comprise a distinct literary phenomenon. 1 Yassif identified 44 story-cycles overall, with 24 appearing in the Bavli, which contained 228 stories. He sought to understand, "In what manner were the groupings organized and edited, and by what artistic and ideological motivations were they inspired?," and "How can we describe the literary or ideational rationale which led the compiler to collect in one place a given set of tales and none other, in that particular order." 2 In Yassif's view, the story cycle "constitutes a transitional stage" between "two modes of literary expression … from folktale to literary work." The stories, Yassif theorized, originated in disparate settings and were later collected into a literary unit by the compiler of the story-cycle. The rabbinic story-cycle was therefore a precursor of the independent collections of narratives compiled in the Middle Ages such as Ḥibbur Yafeh Mehayeshua [An Elegant Composition Concerning Relief after Adversity] and Sefer Hama'asim [The Book of Exempla]." 3
The 'negative definition' of aggada reflected in the quotation from Fraenkel has been standard si... more The 'negative definition' of aggada reflected in the quotation from Fraenkel has been standard since the beginnings of critical study: 'lore' was adopted more for its alliterative coupling with 'law' than as a precise equivalent of the term. This definition goes back to the Middle Ages, as attested in the words of Shmuel ha-Nagid (993-1055): 'Haggadah is all commentary in the Talmud that deals with something other than mitzvah (commandment)' , that is, anything not of normative or legal force.3 Leopold Zunz observed that aggada is 'that which is not halakha' .4 Similarly W.Z. Bacher writes that aggada 'signifies in Rabbinic Literature all that does not belong to the sphere of Halacha' .5 Judah Goldin notes: 'By aggadah is meant that which strictly speaking is not classified as halakhah, as required, normative, practice' .6 These explanations, both of Shmuel ha-Nagid and modern scholars, presuppose that halakha can be identified as such and aggada distinguished from it, even if it can only be defined as halakha's opposite. These negative definitions of aggada (or haggada; see below) in terms of what it is not stand in some tension with the semantics and etymology of the term 'aggada' , which have long troubled scholars. As with most rabbinic terms, no explicit definition is found in rabbinic sources. The closest to a definition is the following self-reflective tradition from SifDeut 49: 'Expounders of haggadot (dorshei haggadot; MSS Berlin, London read aggadot) say: If you wish to know Him who spoke, and the world came into being, study haggada, for thereby you will come to know Him and to cling to his ways' .7 Yet this advice is not a definition but rather a description of the purpose of haggada/aggada and 3 Shmuel ha-Nagid, 'Mevo ha-Talmud' printed in the Babylonian Talmud, ed Vilna, after tractate Berakhot, quoted in Heinemann, 'Nature of Aggadah' , 42.
It is most fitting that a volume in honor of Rabbi Joel Roth includes the study of a story about ... more It is most fitting that a volume in honor of Rabbi Joel Roth includes the study of a story about masters and disciples. Rabbi Roth has been the consummate teacher and rabbinic master at the Jewish Theological Seminary for decades. He taught me Talmud during my first year of study at JTS, and it is from Rabbi Roth that I learned many of the skills necessary for scholarship of rabbinic literature. To be counted among his disciples is a great honor.
The point of departure for this paper is a difficulty that confronts the critical study of the Ba... more The point of departure for this paper is a difficulty that confronts the critical study of the Babylonian Talmud and in particular the study of Talmudic narratives, primarily biographical anecdotes of the lives and deeds of the rabbinic sages whose legal traditions are scattered throughout the Talmud. This problem is that of studying the Babylonian Talmud in its wider cultural context, namely the Persian Sasanian Empire: How do we get outside the confines of the Babylonian Talmud? It goes without saying that a comprehensive understanding of any text requires a solid appreciation of the ambient historical setting, material conditions, and culture in which it was produced. This is particularly true of ancient texts which can be so alien to us moderns due to the vast temporal gap separating us from the cultures that produced them. Empirically the study of rabbinic texts from the Land of Israel of the Roman-Byzantine era -the Mishnah and Tosefta, the Jerusalem Talmud, and the Amoraic midrashim -has been enriched enormously by setting the sources in the context of the classical world. Words, idioms, and references to institutions, artifacts, and even literary genres that were impenetrable to medieval commentators have been explained by modern scholars through their knowledge of classical literature, philology, and archeology.
The Bavli's story of Herod's rise to power, murder of the Hasmonean family and of the rabbis, enc... more The Bavli's story of Herod's rise to power, murder of the Hasmonean family and of the rabbis, encounter with Bava b. Buta, and construction of the temple, found at Bava Batra 3b-4a, has long puzzled scholars.
The Jewish Quarterly Review, 1994
Page 1. THE JEWISH QUARTERLY REVIEW, LXXXIV, No. 4 (April, 1994) 417-444 THE SADDUCEES AND THE WA... more Page 1. THE JEWISH QUARTERLY REVIEW, LXXXIV, No. 4 (April, 1994) 417-444 THE SADDUCEES AND THE WATER LIBATION JEFFREY RUBENSTEIN, New York University ABSTRACT The consensus of scholarship believes ...
A review of Dov S. Zakheim, The Prince and the Emperors: The Life and Times of Rabbi Judah the Pr... more A review of Dov S. Zakheim, The Prince and the Emperors: The Life and Times of Rabbi Judah the Prince (Jerusalem: Maggid Books, 2021).
"In sum, Zakheim has written a book that presents the life of R. Yehudah HaNasi as imagined by different, conflicting, and legendary rabbinic traditions over the course of at least eight centuries filtered through 21st century eyes. Readers should not mistake the book for history, biography or scholarship."