Carlos Guedes | New York University Abu Dhabi (original) (raw)

Carlos Guedes

Phone: +971 2 628 5240
Address: New York University Abu Dhabi
PO Box 129188
Abu Dhabi, United Arab Emirates

less

Uploads

Papers by Carlos Guedes

Research paper thumbnail of becoming space: International Computer Music Conference 2017

Research paper thumbnail of Mystik: NYU New Music and Dance Ensemble

Research paper thumbnail of Rhythmic Analysis of Carnatic Style Percussive Music Using an Adaptive Time Domain Decomposition Method

Research paper thumbnail of Etude for Unstable Time: Computer Music Modeling and Retrieval 2005 Conference

Research paper thumbnail of O Acidente (50

Research paper thumbnail of Experiment #1 in acoustic cross-synthesis voice-flute for voice and bass flute

Research paper thumbnail of The strings, the springs, among other things... (15’): 15th Matosinhos Jazz Festival

Research paper thumbnail of Côr: Um projecto audiovisual interactivo

Research paper thumbnail of Challenges in computational modeling and generation of Carnatic percussion music

Research paper thumbnail of Fragile ecosystems for bass drum and electronics

Research paper thumbnail of Happy Miso 25!: 7th Sound and Music Computing Conference

Research paper thumbnail of Olo: Um solo sem s

Research paper thumbnail of Puppets & Live electronic music: (premiere)

Research paper thumbnail of Modeling carnatic rhythm generation: A data driven approach based on rhythmic analysis

Research paper thumbnail of La brume, et la plume du poète qui inquiète: Festival ESMAE

Research paper thumbnail of Cliclos de Música: MIMO (2013)

Research paper thumbnail of Jazz from Heaven: Festival 50 Years of Computer Music

Research paper thumbnail of A piscina (3

Research paper thumbnail of 1985.2: Noisegate festival

Research paper thumbnail of Acidente: Guimarães 2012

Research paper thumbnail of Trochidis, Konstantinos, et al. "Mapping the Sounds of the Swahili coast and the Arab Mashriq: Music research at the intersection of computational analysis and cultural heritage preservation"

Proceedings of the Digital Libraries for Musicology Workshop, 2019

Konstantinos Trochidis, Beth Russell, Andrew Eisenberg, Kaustuv Kanti Ganguli, Oscar Gomez, Chris... more Konstantinos Trochidis, Beth Russell, Andrew Eisenberg, Kaustuv Kanti Ganguli, Oscar Gomez, Christos Plachouras, Carlos Guedes, Virginia Danielson

This paper discusses an overview of an ongoing research that combines the preservation of musical heritage with ethnomusicological research driven by computational analysis. The two collections of non-Eurogenetic music under study are a curated collection of East African Swahili coast music and commercial recordings of Arab music. We explore the cross-cultural similarities, interactions and patterns of the music excerpts from the different regions and understand the similarities by employing computational audio analysis, machine learning and visualization techniques. We used a base-line model of representation by extracting Mel-Frequency Cepstral Coefficients (MFCC) features to model the spectral characteristics of the music excerpts in conjunction with t-distributed stochas-tic neighbor embedding (t-SNE) to create 2-D mappings of these features into a lower dimensional space of similarity. We compare this representation with more sophisticated approaches of acoustic feature representation. Principal Component Analysis (PCA) was used on the mel-scaled spectrograms of the music excerpts, and t-SNE was used to map the Principal Components to a 2-D space. The logarithmic short-time Fourier transform (STFT) of the music excerpts were extracted and a deep autoencoder neural network was trained to learn the relationships and structure of the excerpts by compressing the raw representation of the STFT. The results from the analysis show that PCA and the autoencoder model can reveal more interesting cluster representation than MFCCs by generating more complex clusters between the different styles of the corpus.

Log In