Jonathan Stalling | University of Oklahoma (original) (raw)
Uploads
Papers by Jonathan Stalling
SUNY Press eBooks, Jun 11, 2009
Chinese Literature and Thought Today
Fordham University Press eBooks, Aug 25, 2009
Translation Review, Jan 2, 2022
Howard Goldblatt is recognized as one of the most renowned translators of Chinese literature. He ... more Howard Goldblatt is recognized as one of the most renowned translators of Chinese literature. He has translated more than fifty books, including novels by the Nobel Prize winner Mo Yan. His other t...
Fordham University Press eBooks, May 7, 2010
Sign Language Studies, 2009
This essay was practically finished by the late Ernest Fenollosa; I have done little more than re... more This essay was practically finished by the late Ernest Fenollosa; I have done little more than remove a few repetitions and shape a few sentences. We have here not a bare philological discussion, but a study of the fundamentals of all esthetics. In his search through unknown art Fenollosa, coming upon unknown motives and principles unrecognized in the West, was already led into many modes of thought since fruitful in "new" western painting and poetry. He was a forerunner without knowing it and without being known as such. He discerned principles of writing which he had scarcely time to put into practice. In Japan he restored, or greatly helped to restore, a respect for the native art. In America and Europe he cannot be looked upon as a mere searcher after exotics. His mind was constantly filled with parallels and comparisons between eastern and western art. To him the exotic was always a means of fructification. He looked to an American renaissance. The vitality of his outlook can be judged from the fact that although this essay was written some time before his death in 1908 I have not had to change the allusions to western conditions. The later movements in art have corroborated his theories.-Ezra Pound. ] This twentieth century not only turns a new page in the book of the world, but opens another and a startling chapter. Vistas of strange futures unfold for man, of world-embracing cultures half weaned from Europe, of hitherto undreamed responsibilities for nations and races. The Chinese problem alone is so vast that no nation can afford to ignore it. We in America, especially, must face it across the Pacific, and master it or it will master us. And the only way to master it is to strive with patient sympathy to understand the best, the most hopeful and the most human elements in it. It is unfortunate that England and America have so long ignored or mistaken the deeper problems of Oriental culture. We have misconceived the Chinese for a materialistic people, for a debased and worn-out race. We have belittled the
Routledge eBooks, Jun 21, 2023
Chinese Walls in Time and Space
Chinese Literature Today, 2014
Yang Jian was born in 1967 in Ma An Shan, Anhui Province. He started writing poetry in 1986, and ... more Yang Jian was born in 1967 in Ma An Shan, Anhui Province. He started writing poetry in 1986, and loves calligraphy and painting. His awards include the Liu Li Ann Poetry Award, the Rou Gang Poetry Award, the Yu Long Poetry Award, Ten New Prominent Poets, and the Sixth Chinese Media Poetry Award. He has published poetry collections Sunset (Mu Wan ) with He Bei Education Publishing House in 2003, Ancient Bridgehead (Gu Qiaotou ) with Shanghai Arts Publishing House in 2007, and Ashamed (Can Kui ) with Taiwan Tangshan Publishing House in 2009.
Chinese Literature Today, 2019
Poetics of EmptinessTransformations of Asian Thought in American Poetry, 2010
Poetics of EmptinessTransformations of Asian Thought in American Poetry, 2010
World Literature Today, 2010
Chinese Literature Today, 2011
Chinese Literature Today, 2011
Zheng Xiaoqiong was born in rural Sichuan in 1980. She moved as a migrant worker in 2001 to Dongg... more Zheng Xiaoqiong was born in rural Sichuan in 1980. She moved as a migrant worker in 2001 to Dongguan City in southern Guangdong Province and began to write poetry during a six-year stint in a hardware factory. Zheng's poetry burst onto the literary scene from seemingly nowhere to win the Liqun Literature Award from Peoples' Literature in 2007 and quickly became the public face of migrant worker poetry, yet her poetry defies many of the aesthetic expectations this label might imply. While her work clearly foregrounds the painful vulnerability of migrant workers and draws upon the industrial and pastoral language of the factory and the rural landscapes she lives within, her work is stylistically quite complex. Her long poems like “The Complete Darkness” are layered in classical Chinese philosophical and cultural allusions in innovative collage-like assemblages. Unlike the poetry of Tian He and Zeng Dekuang, Zheng's poetry is truly from the migrant working classes, yet the ...
SUNY Press eBooks, Jun 11, 2009
Chinese Literature and Thought Today
Fordham University Press eBooks, Aug 25, 2009
Translation Review, Jan 2, 2022
Howard Goldblatt is recognized as one of the most renowned translators of Chinese literature. He ... more Howard Goldblatt is recognized as one of the most renowned translators of Chinese literature. He has translated more than fifty books, including novels by the Nobel Prize winner Mo Yan. His other t...
Fordham University Press eBooks, May 7, 2010
Sign Language Studies, 2009
This essay was practically finished by the late Ernest Fenollosa; I have done little more than re... more This essay was practically finished by the late Ernest Fenollosa; I have done little more than remove a few repetitions and shape a few sentences. We have here not a bare philological discussion, but a study of the fundamentals of all esthetics. In his search through unknown art Fenollosa, coming upon unknown motives and principles unrecognized in the West, was already led into many modes of thought since fruitful in "new" western painting and poetry. He was a forerunner without knowing it and without being known as such. He discerned principles of writing which he had scarcely time to put into practice. In Japan he restored, or greatly helped to restore, a respect for the native art. In America and Europe he cannot be looked upon as a mere searcher after exotics. His mind was constantly filled with parallels and comparisons between eastern and western art. To him the exotic was always a means of fructification. He looked to an American renaissance. The vitality of his outlook can be judged from the fact that although this essay was written some time before his death in 1908 I have not had to change the allusions to western conditions. The later movements in art have corroborated his theories.-Ezra Pound. ] This twentieth century not only turns a new page in the book of the world, but opens another and a startling chapter. Vistas of strange futures unfold for man, of world-embracing cultures half weaned from Europe, of hitherto undreamed responsibilities for nations and races. The Chinese problem alone is so vast that no nation can afford to ignore it. We in America, especially, must face it across the Pacific, and master it or it will master us. And the only way to master it is to strive with patient sympathy to understand the best, the most hopeful and the most human elements in it. It is unfortunate that England and America have so long ignored or mistaken the deeper problems of Oriental culture. We have misconceived the Chinese for a materialistic people, for a debased and worn-out race. We have belittled the
Routledge eBooks, Jun 21, 2023
Chinese Walls in Time and Space
Chinese Literature Today, 2014
Yang Jian was born in 1967 in Ma An Shan, Anhui Province. He started writing poetry in 1986, and ... more Yang Jian was born in 1967 in Ma An Shan, Anhui Province. He started writing poetry in 1986, and loves calligraphy and painting. His awards include the Liu Li Ann Poetry Award, the Rou Gang Poetry Award, the Yu Long Poetry Award, Ten New Prominent Poets, and the Sixth Chinese Media Poetry Award. He has published poetry collections Sunset (Mu Wan ) with He Bei Education Publishing House in 2003, Ancient Bridgehead (Gu Qiaotou ) with Shanghai Arts Publishing House in 2007, and Ashamed (Can Kui ) with Taiwan Tangshan Publishing House in 2009.
Chinese Literature Today, 2019
Poetics of EmptinessTransformations of Asian Thought in American Poetry, 2010
Poetics of EmptinessTransformations of Asian Thought in American Poetry, 2010
World Literature Today, 2010
Chinese Literature Today, 2011
Chinese Literature Today, 2011
Zheng Xiaoqiong was born in rural Sichuan in 1980. She moved as a migrant worker in 2001 to Dongg... more Zheng Xiaoqiong was born in rural Sichuan in 1980. She moved as a migrant worker in 2001 to Dongguan City in southern Guangdong Province and began to write poetry during a six-year stint in a hardware factory. Zheng's poetry burst onto the literary scene from seemingly nowhere to win the Liqun Literature Award from Peoples' Literature in 2007 and quickly became the public face of migrant worker poetry, yet her poetry defies many of the aesthetic expectations this label might imply. While her work clearly foregrounds the painful vulnerability of migrant workers and draws upon the industrial and pastoral language of the factory and the rural landscapes she lives within, her work is stylistically quite complex. Her long poems like “The Complete Darkness” are layered in classical Chinese philosophical and cultural allusions in innovative collage-like assemblages. Unlike the poetry of Tian He and Zeng Dekuang, Zheng's poetry is truly from the migrant working classes, yet the ...