Escobar no se sale con la suya - Production & Contact Info (original) (raw)

The series begins and ends with his dramatic last moments before being shot to death by agents of the Colombian National Police, while escaping from a relative's home, and later flashing back to his childood in Valle de Aburra, Colombia, ...See moreThe series begins and ends with his dramatic last moments before being shot to death by agents of the Colombian National Police, while escaping from a relative's home, and later flashing back to his childood in Valle de Aburra, Colombia, where Pablo is teased by his cousin, Gonzalo, and older brother, Peluche, on a footbridge crossing a creek, eventually rescued by his mother, who scolds Pablo for crying. His mother's influence on Escobar's life choices is portrayed in the first episode and throughout the series, starting with her admonishment that if he is going to do something bad, he had better do it really well, after he is frustrated while trying to cheat on a test and starting a class rebellion to avoid the consequences. As he and Gonzalo became older, they began their lives of organized crime, becoming bodyguards to a well known smuggler and eventually his partners, after successfully standing off with police in what would become Escobar's trademark "Plata o Plomo" approach to dealing with law enforcement -- "accept our bribe or prepare for a shootout with us." After robbing a bank and being turned in by one of their neighbors, Pablo and his cousin start their careers as murderers by killing him. Thereafter, the series follows Pablo's adventures and misadventures in organized crime and eventually cocaine smuggling, building an empire of wealthy criminals who contest power, often violently, with the Colombian state, eventually leading to murders of prominent politicians, policemen, business associates, friends, lovers, and eventually common citizens. The plot focuses on Escobar's contradictory drives to be a good husband; a decent, upstanding, Colombian citizen; a left-wing politician; a supporter of the poor; and a wealthy, powerful "bandido" (an endearing term for criminal, like "rascal"), all while seeking ever more political power, wealth, and sexual exploits.See less