Dominique Jeannerod | Queen's University Belfast (original) (raw)
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Papers by Dominique Jeannerod
THESIS 8093The modernity of the detective novel, associated with its narratological and formal in... more THESIS 8093The modernity of the detective novel, associated with its narratological and formal innovations, entails a reversal of the relationship between the text and its author. The situation of the detective fiction writer, with his submission to the laws of genre, to the conditions of exploitation it implies and to his actual relegation in favour of his characters succeeds in a \u27functionalisation\u27 of the author, as seen in Post-Structural criticism. The response to this dissolution of authority results in two distinct strategies among French Post-War detective fiction authors. On the one hand, the writer emphasizes the commercial aspect of his work and his situation as producer within the cultural industry. On the other hand, he instigates a questioning of literary hierarchies and the symbolic discrimination they imply, leading to his affirmation of the inherently literary quality of his production
The Year's Work in Modern Language Studies, Mar 19, 2008
The Year's Work in Modern Language Studies, Dec 30, 2009
Food and scenes of eating represent manifestly important topoi in the work of many nineteenth-cen... more Food and scenes of eating represent manifestly important topoi in the work of many nineteenth-century novelists, but the theme tends to be treated as highly contextdependent, with numerous books and articles focusing on the use of food by single authors and even in single texts. Catherine Gautschi-Lanz’s study is therefore welcome, since it endeavours to read scenes of eating synoptically across the fiction of the latter half of the century, and principally in the novels of Flaubert, Maupassant, and Zola. The body of the book explores scenes of eating in a number of novels (although Zola’s Rougon-Macquart series predominates, for obvious quantitative reasons) in relation to various interests and obsessions of the period; the most recurrent themes of Gautschi-Lanz’s analysis, however, are the closely interrelated questions of class anxiety and politics. Such a reading certainly has its merits: it is for instance intriguing to observe how novelists may demystify the politics of their ...
transcript Verlag eBooks, Dec 31, 2016
Irish Journal of French Studies, 2006
... TABLE DES MATIERES Introduction Sabine van Wesemael Jeanette den Toonder Sjef Houppermans Jor... more ... TABLE DES MATIERES Introduction Sabine van Wesemael Jeanette den Toonder Sjef Houppermans Jorden Veldhuijsen Mariska Koopman-Thurlings Dominique ... Mura-Brunel Richard Millet: entre les ombres et les vivants Cora Reitsma-La Brujeere Annelies Schulte Nordholt ...
Australian Journal of French Studies, 2007
... historiens, cf. www.amnistia.net / Les enquêtes interdites. 33 Cf. notamment: Le Chat de Tiga... more ... historiens, cf. www.amnistia.net / Les enquêtes interdites. 33 Cf. notamment: Le Chat de Tigali (Paris: Syros, 1996); Les Trois Secrets d'Alexandra, t. 1: Il faut désobéir (Voisins-le-Bretonneux, Rue du monde, 2003). 34 Daeninckx ...
THESIS 8093The modernity of the detective novel, associated with its narratological and formal in... more THESIS 8093The modernity of the detective novel, associated with its narratological and formal innovations, entails a reversal of the relationship between the text and its author. The situation of the detective fiction writer, with his submission to the laws of genre, to the conditions of exploitation it implies and to his actual relegation in favour of his characters succeeds in a \u27functionalisation\u27 of the author, as seen in Post-Structural criticism. The response to this dissolution of authority results in two distinct strategies among French Post-War detective fiction authors. On the one hand, the writer emphasizes the commercial aspect of his work and his situation as producer within the cultural industry. On the other hand, he instigates a questioning of literary hierarchies and the symbolic discrimination they imply, leading to his affirmation of the inherently literary quality of his production
The Year's Work in Modern Language Studies, Mar 19, 2008
The Year's Work in Modern Language Studies, Dec 30, 2009
Food and scenes of eating represent manifestly important topoi in the work of many nineteenth-cen... more Food and scenes of eating represent manifestly important topoi in the work of many nineteenth-century novelists, but the theme tends to be treated as highly contextdependent, with numerous books and articles focusing on the use of food by single authors and even in single texts. Catherine Gautschi-Lanz’s study is therefore welcome, since it endeavours to read scenes of eating synoptically across the fiction of the latter half of the century, and principally in the novels of Flaubert, Maupassant, and Zola. The body of the book explores scenes of eating in a number of novels (although Zola’s Rougon-Macquart series predominates, for obvious quantitative reasons) in relation to various interests and obsessions of the period; the most recurrent themes of Gautschi-Lanz’s analysis, however, are the closely interrelated questions of class anxiety and politics. Such a reading certainly has its merits: it is for instance intriguing to observe how novelists may demystify the politics of their ...
transcript Verlag eBooks, Dec 31, 2016
Irish Journal of French Studies, 2006
... TABLE DES MATIERES Introduction Sabine van Wesemael Jeanette den Toonder Sjef Houppermans Jor... more ... TABLE DES MATIERES Introduction Sabine van Wesemael Jeanette den Toonder Sjef Houppermans Jorden Veldhuijsen Mariska Koopman-Thurlings Dominique ... Mura-Brunel Richard Millet: entre les ombres et les vivants Cora Reitsma-La Brujeere Annelies Schulte Nordholt ...
Australian Journal of French Studies, 2007
... historiens, cf. www.amnistia.net / Les enquêtes interdites. 33 Cf. notamment: Le Chat de Tiga... more ... historiens, cf. www.amnistia.net / Les enquêtes interdites. 33 Cf. notamment: Le Chat de Tigali (Paris: Syros, 1996); Les Trois Secrets d'Alexandra, t. 1: Il faut désobéir (Voisins-le-Bretonneux, Rue du monde, 2003). 34 Daeninckx ...