Rosetta (original) (raw)
Nov 2024
Type releases
Skolar Sans Hebrew by Eran Ben Barak
Oct 2024
Lectures
Oct 2024
Articles
Automatic Type Design conference and bursary scheme for disadvantaged speakers
Sep 2024
Lectures
Jun 2024
Awards
Grand prize for Georgian at Granshan 2024 for Adapter Georgian
Jun 2024
Awards
Special mention for Arabic at Granshan 2024 for Mehraban Arabic
Apr 2024
Type releases
Apr 2024
Articles
Larger licence tiers and new online reseller
Mar 2024
Articles
The new Aisha comes with exuberant variable swashes
Jan 2024
Type releases
Adapter Georgian by Ana Sanikidze
Jan 2024
Lectures
“Elements of multi-script typography: the wayfinding edition” (University of Reading, UK)
Jan 2024
Academic
Can we selectively attend to the top halves of letters and ignore the bottom halves?
Nov 2023
Our projects
Oct 2023
Type releases
Sep 2023
Type releases
Adapter Tamil by Aadarsh Rajan
Jun 2023
Type releases
Mehraban Arabic by Amir Mahdi Moslehi
Jun 2023
Type releases
Mehraban Avestan by Amir Mahdi Moslehi
Jun 2023
Type releases
Mehraban Book Pahlavi by Amir Mahdi Moslehi
May 2023
Type releases
May 2023
Our projects
Online book “Legibility: how and why typography affects ease of reading” by Mary Dyson
Nov 2022
Type releases
Adapter Mono PE by Tania Chacana, David Březina
Nov 2022
Lectures
Type at the centre of branding (Brno Bold, Brno, Czechia)
Jul 2022
Interviews
Jul 2022
Lectures
“Questioning the obvious: different ways of seeing” (ICTVC 8 conference, Thessaloniki, Greece)
Jul 2022
Lectures
Jun 2022
Lectures
Guest visit and public lecture (Type Paris, France)
Jun 2022
Lectures
Guest lecture (ANRT, Nancy, France)
Apr 2022
Academic
The sequel to exploring disfluency: Do we remember the visual appearance of words?
2022
Academic
Elements of multi-script typography: paragraphs and pixels
2022
Academic
Elements of multi-script typography: codes, keys, and word shapes
Nov 2021
Fonts in use
May 2021
Interviews
“How important is harmony when designing multiscript type systems?” in Type 01 magazine
May 2021
Our projects
Mar 2021
Our projects
Mar 2021
Interviews
“Czech typography yesterday, today, and tomorrow” on Czech TV
Jan 2021
Articles
2021
Academic
Elements of multi-script typography: introduction
2021
Academic
Exploring disfluency: Are designers too sensitive to harder-to-read typefaces?
2021
Academic
Review: Character complexity and redundancy in writing systems over human history
2021
Lectures
Several notes on modernism in type (VOŠG, Hellichova, Prague, Czechia)
2021
Lectures
Several notes on modernism in type (SSUD, Brno, Czechia)
2021
Custom fonts
[Multi-script Lutes UD for Morisawa](/custom-services/Multi-script Lutes UD for Morisawa)
2021
Fonts in use
Jul 2020
Type releases
May 2020
Our projects
Mar 2020
Articles
Adapter™ World design programme
Mar 2020
Type releases
Adapter Arabic by Borna Izadpanah
Nov 2019
Type releases
Adapter Hebrew by Sláva Jevčinová
Nov 2019
Custom fonts
[Avory for Pilsner Urquell](/custom-services/Avory for Pilsner Urquell)
Oct 2019
Type releases
Jun 2019
Fonts in use
Specimen binder with all specimens
May 2019
Type releases
Adapter PE by William Montrose, Sláva Jevčinová, David Březina
May 2019
Articles
May 2019
Fonts in use
2019
Lectures
2019
Lectures
Character similarity and coherence in typeface design (ICTVC 7 conference, Patras, Greece)
2019
Lectures
Several notes on modernism in type (FaVU VUT, Brno, Czechia)
2019
Workshops
“Design of a logotype for an unfamiliar script” (Masaryk University, Brno, Czechia)
2019
Awards
Modern Cyrillic 2019 for Adapter PE
2019
Awards
Modern Cyrillic 2019 for Avory PE
2019
Fonts in use
2019
Fonts in use
2019
Fonts in use
Worte verschwinden – fliegen – zum blauen Licht
2019
Fonts in use
Dec 2018
Type releases
Oct 2018
Type releases
Jul 2018
Fonts in use
2018
Academic
Coherence in typeface design: visual similarity of characters in Cyrillic, Devanagari, and Latin
2018
Lectures
Recent projects from Rosetta (FaVU VUT, Brno, Czechia)
2018
Lectures
Recent projects from Rosetta (Brno Design Days, Czechia)
2018
Lectures
Character similarity and coherence in typeface design (Graphemics in 21st century, Brest, France)
2018
Interviews
“Forget your knowledge: Interview with David Březina of Rosetta Type” in Bi-Scriptual book
2018
Custom fonts
[Multi-script Clarimo UD for Morisawa](/custom-services/Multi-script Clarimo UD for Morisawa)
2018
Awards
Silver from European Design Awards 2018 for Avory PE
2018
Fonts in use
2018
Fonts in use
Nov 2017
Type releases
Corsair PE by Ksenya Samarskaya
Nov 2017
Fonts in use
Oct 2017
Lectures
Collaboration and design processes at Rosetta (Wroclaw Type Forum, Wrocław, Poland)
May 2017
Type releases
May 2017
Articles
Jaroslav Benda: nouveau, cubiste, moderne
Mar 2017
Fonts in use
Feb 2017
Fonts in use
Feb 2017
Fonts in use
2017
Lectures
Some of the things I do not know about typefaces (Typostammtisch, Berlin, Germany)
2017
Lectures
Recent projects from Rosetta (Typostammtisch, Berlin, Germany)
2017
Custom fonts
[Branding fonts for DFL/Bundesliga](/custom-services/Branding fonts for DFL:Bundesliga)
2017
Awards
Typographica’s Typefaces of 2017 for Avory PE
2017
Fonts in use
Kollm. Eine Minuskelgeschichte.
2017
Fonts in use
2017
Fonts in use
2017
Fonts in use
2017
Fonts in use
2017
Fonts in use
2017
Fonts in use
Dublin International Film Festival
Nov 2016
Type releases
Skolar Sans Arabic by Titus Nemeth
Nov 2016
Articles
The development of Skolar Sans Arabic
Sep 2016
Articles
Sep 2016
Fonts in use
Jun 2016
Fonts in use
Jun 2016
Fonts in use
May 2016
Articles
A brief overview of the various Arabic calligraphic styles
May 2016
Articles
A work in progress – Nassim 2.0
Apr 2016
Type releases
Apr 2016
Articles
Mar 2016
Interviews
Developing Yrsa and Rasa: An Interview with Anna Giedryś of Rosetta Type in TypeThursday
Mar 2016
Articles
Mar 2016
Type releases
Feb 2016
Type releases
Rasa by Anna Štepanovská, David Březina
Feb 2016
Type releases
Yrsa by Anna Štepanovská, David Březina
Feb 2016
Articles
Jan 2016
Articles
Harmonizing Rasa Gujarati and Yrsa Latin
Jan 2016
Articles
2016
Workshops
“A brief introduction to Python for data visualisation” (University of Reading, UK)
2016
Exhibitions
Granshan exhibition (ATypI Warszaw, Poland)
2016
Custom fonts
[Yrsa and Rasa for Google](/custom-services/Yrsa and Rasa for Google)
2016
Custom fonts
[Skolar Sans for RFE/RL](/custom-services/Skolar Sans for RFE:RL)
2016
Awards
Honourable mention, Pangramme exhibition 2016 for Gitan Latin
2016
Fonts in use
2016
Fonts in use
2016
Fonts in use
2016
Fonts in use
2016
Fonts in use
Oct 2015
Type releases
Clone Rounded PE by Lasko Džurovski
Sep 2015
Articles
Feb 2015
Articles
Considerations in multilingual type design
2015
Lectures
Recent projects from Rosetta (Du monde entier au cœur du monde, Paris, France)
2015
Lectures
Letters of Rosetta: from Brno to Bern (TypEast, Bern, Switzerland)
2015
Workshops
“A brief introduction to Python for type designers.” (University of Reading, UK)
2015
Custom fonts
[WebOS fonts for LG](/custom-services/WebOS fonts for LG)
2015
Awards
Typographica’s Best of 2015 for Clone Rounded PE
2015
Awards
Silver from European Design Awards 2015 for Skolar Sans PE
2015
Awards
Special mention for Greek at Granshan 2015 for Skolar Sans PE
2015
Fonts in use
Arabic Culture Festival huna/k
2015
Fonts in use
2015
Fonts in use
2015
Fonts in use
2015
Fonts in use
2015
Fonts in use
2015
Fonts in use
2015
Fonts in use
2015
Fonts in use
Murty Classical Library of India
2015
Fonts in use
2015
Fonts in use
Nov 2014
Type releases
Skolar Sans PE by David Březina, Sláva Jevčinová
Nov 2014
Articles
Sep 2014
Interviews
Apr 2014
Articles
Note on the new edition of Aisha
Feb 2014
Articles
2014
Awards
Bronze from European Design Awards 2014 for Eskorte
2014
Awards
Typographica’s Best of 2014 for Skolar Sans PE
2014
Fonts in use
2014
Fonts in use
2014
Fonts in use
2014
Fonts in use
2014
Fonts in use
2014
Fonts in use
2014
Fonts in use
2014
Fonts in use
2014
Fonts in use
Pełnia architektury by Walter Gropius
Sep 2013
Our projects
TypeTalks 3 conference in Brno
Sep 2013
Our projects
Jun 2013
Interviews
“Rosetta Type Foundry” in Creative Characters
May 2013
Articles
Feb 2013
Articles
What is multi-script typography all about
Feb 2013
Type releases
Eskorte Arabic by Elena Schneider
Feb 2013
Type releases
Eskorte Latin by Elena Schneider
2013
Lectures
Challenges in multilingual type design (II) (ATypI, Amsterdam, Netherlands)
2013
Lectures
Rethinking type experience (Smashing conference, Freiburg im Breisgau, Germany)
2013
Workshops
“Concepts for originality in typeface design and general feedback.” (University of Reading, UK)
2013
Exhibitions
Granshan exhibition (Bangkok, Thailand)
2013
Awards
Typographica’s Best of 2013 for Arek
2013
Awards
First prize for Arabic at Granshan 2013 for Eskorte Arabic
2013
Awards
Typographica’s Favourites 2013 for Eskorte
2013
Awards
Second prize for Gujarati at Granshan 2013 for Skolar Gujarati
2013
Awards
Communication Arts Typographic Annual 2013 for Sutturah
2013
Fonts in use
2013
Fonts in use
2013
Fonts in use
2013
Fonts in use
2013
Fonts in use
2013
Fonts in use
2013
Fonts in use
Charles University Linguistics edition
2013
Fonts in use
2013
Fonts in use
2013
Fonts in use
2013
Fonts in use
2013
Fonts in use
2013
Fonts in use
2013
Fonts in use
2013
Fonts in use
2013
Fonts in use
2013
Fonts in use
Dec 2012
Type releases
Arek Armenian by Khajag Apelian
Dec 2012
Type releases
Nov 2012
Type releases
Skolar Gujarati by David Březina
Oct 2012
Articles
Jun 2012
Type releases
Skolar Devanagari by Vaibhav Singh
Jun 2012
Articles
The development of Skolar Devanagari
Jun 2012
Our projects
Jun 2012
Interviews
Award-winning Czech typographer takes on Gujarati in Radio Praha
Apr 2012
Interviews
Interview with David Březina on Czech TV
Apr 2012
Articles
Mar 2012
Interviews
“This Czech is a Gujarati ‘type’.” in Times of India
Mar 2012
Articles
Lectures at NID and Typoday conference
Feb 2012
Articles
Jan 2012
Articles
2012
Academic
Typography follows linguistics?: on some parallels between the Prague School of Linguistics and Karel Teige’s typographic program
2012
Lectures
Challenges in Indian type design (Association of British Scholars, Vadodara, India)
2012
Lectures
Challenges in multilingual type design (Typography day, Mumbai, India)
2012
Lectures
Challenges in multilingual type design (NID, Ahmedabad, India)
2012
Lectures
Specifying type consistency (The University of the Arts London, UK)
2012
Workshops
“Type design workshop focused on webfonts.” (Seznam.cz, Brno, Czechia)
2012
Workshops
“Concepts for originality in type design.” (University of Reading, UK)
2012
Workshops
“Type design workshop/feedback.” (Central Saint Martins, University of the Arts London, UK)
2012
Exhibitions
25th International Biennial of Graphic design (Brno, Czechia)
2012
Our projects
David Březina was a guest editor of TYPO 49 focused on Indian typography
2012
Awards
Typographica’s Best of 2012 for Nassim
2012
Awards
Typographica’s Best of 2012 for Neacademia
2012
Awards
First prize for Devanagari at Granshan 2012 for Skolar Devanagari
2012
Awards
Certificate of Excellence in Type Design, TDC2 2012 for Sutturah
2012
Awards
Second prize, Granshan 2012 (Display) for Sutturah
2012
Awards
Typographica’s Best of 2012 for Sutturah
2012
Fonts in use
2012
Fonts in use
The Diaspora of Armenian Printing
2012
Fonts in use
2012
Fonts in use
2012
Fonts in use
2012
Fonts in use
2012
Fonts in use
2012
Fonts in use
2012
Fonts in use
Nov 2011
Type releases
Jun 2011
Type releases
Jun 2011
Type releases
Jun 2011
Type releases
Jun 2011
Our projects
TypeTalks 2 conference in Poznań
Jun 2011
Our projects
Apr 2011
Articles
Jan 2011
Our projects
Rosetta Type Foundry officially launched
Jan 2011
Type releases
Jan 2011
Type releases
Jan 2011
Type releases
2011
Lectures
Type is the most important thing on the Web (WebExpo, Prague, Czechia)
2011
Lectures
Specifying type consistency (TypoTopo talks, Bratislava, Slovakia)
2011
Workshops
“Type design workshops.” (FaVU VUT, Brno, Czechia)
2011
Workshops
“Type design workflow and running a Type Foundry.” (University of Reading, UK)
2011
Interviews
Interview with David Březina in 8 Faces magazine
2011
Interviews
“Vytvářet písma je jako mluvit různými hlasy” in Masaryk University magazine
2011
Awards
Nominated for the German Design Award 2011 for Aisha
2011
Awards
Creative Review Type Annual 2011 for Aisha
2011
Awards
ATypI Letter.2 award 2011 for Arek
2011
Awards
ATypI Letter.2 award 2011 for Nassim
2011
Fonts in use
2011
Fonts in use
2011
Fonts in use
2011
Fonts in use
2011
Fonts in use
2011
Fonts in use
2011
Fonts in use
2011
Fonts in use
2011
Fonts in use
2011
Fonts in use
2011
Fonts in use
2011
Fonts in use
Jun 2010
Our projects
2010
Lectures
Thinking in typeface design (ICTVC 3 conference, Nicosia, Cyprus)
2010
Lectures
General issues in multi-script typography (4th International ConTeXt Meeting, Czechia)
2010
Lectures
On typeface design (University of Ostrava, Czechia)
2010
Lectures
On typeface design (Academy of Fine Arts in Poznań, Poland)
2010
Workshops
“On type” (Pellico5 workshops, Brno, Czechia)
2010
Exhibitions
24th International Biennial of Graphic design (Brno, Czechia)
2010
Exhibitions
Collective type design exhibition (Klingspor-Museum Offenbach, Germany)
2010
Custom fonts
[BBC Nassim Arabic](/custom-services/BBC Nassim Arabic)
2010
Awards
Certificate of Excellence in Type Design, TDC2 2010 for Aisha
2010
Awards
First prize for Armenian at Granshan 2010 for Arek Armenian
2010
Fonts in use
2009
Workshops
“Type design workshops” (FaVU VUT, Brno, Czechia)
2009
Workshops
“Multilingual typography workshop” (Sign and typography studio of The Academy )of Fine Arts in Poznań, Poland
2009
Workshops
“Type design process & automation” (University of Reading, UK)
2009
Workshops
“A brief introduction to Python for FontLab” (Monotype Imaging, Salfords, UK)
2009
Exhibitions
Modern Cyrillic exhibition (ATypI Mexico City, Mexico)
2009
Awards
Modern Cyrillic 2009 for Neacademia
2009
Awards
First prize for Cyrillic at Granshan 2009 for Skolar PE
2009
Awards
Special Diploma in Modern Cyrillic 2009 for Skolar PE
2008
Lectures
General issues in multi-script typography (ATypI conference, Saint Petersburg, Russia)
2008
Exhibitions
23rd International Biennial of Graphic design (Brno, Czechia)
2008
Awards
Second prize in European Design Awards 2008 for Skolar
2008
Awards
I love typography’s best of 2008 for Skolar PE
2007
Academic
The evolution of the Gujarati typographic script
2007
Academic
General issues in multi-script typography
2007
Awards
Certificate of Excellence in Type Design, TDC2 2007 for Nassim
2007
Awards
First prize from European Design Awards 2007 for Nassim
2007
Awards
Shortlisted for ‘Design of the Year 2007’, Design Museum London for Nassim
2006
Exhibitions
22nd International Biennial of Graphic design (Brno, Czechia)