Giuliana Pieri | Royal Holloway, University of London (original) (raw)
Uploads
Papers by Giuliana Pieri
History: Reviews of New Books, May 9, 2018
Modern Language Review, 2019
Modern Language Review, 2009
Italian Studies, Oct 2, 2019
La Rassegna della letteratura italiana, 2016
Modern Italy, May 1, 2013
Italian Studies, Jul 3, 2017
Gruppo 70 was an Italian neo-avant-gardist group of artists and critics, including Lamberto
Italian Studies, Apr 2, 2020
The volume focused on Mitchell's 'the pictorial turn', textual pictures, pictorial texts, but pic... more The volume focused on Mitchell's 'the pictorial turn', textual pictures, pictorial texts, but pictures and power, and pictures and the public sphere.
Modern Italy, Nov 1, 2016
Modern Language Review, Apr 1, 2001
... 30 For D'Annunzio's fascination for foreign and exotic names see John Woodhouse, &#... more ... 30 For D'Annunzio's fascination for foreign and exotic names see John Woodhouse, 'Dante Gabriel Rossetti, D'Annunzio e il preraffaellismo', Rassegna Dannunziana, 2 (December 1982), iI i. 31 I am grateful to the Isaiah Berlin Fund and to The Oxford Italian Association for their ...
La Rassegna della letteratura italiana, 2016
Romance Studies, Apr 1, 2007
This essay focuses on the way in which Milan and its periphery in particular have been represente... more This essay focuses on the way in which Milan and its periphery in particular have been represented by successive generations of Milanese noir and crime writers. Most writers have mirrored and reinforced the idea of Milan as a city of strong contrasts surrounded by an undesirable periphery, which traditionally has been viewed, from both a socio-political and aesthetic perspective, as the locus of isolation, alienation and criminality. Yet works by some contemporary writers (Dazieri and Biondillo) also show signs of a new acceptance and understanding of urban life in the post-modern city, which has influenced the relationship between centre and periphery. The transformation of Milan in the post-industrial era into a città diffusa, with its polycentric nature and easy access to all areas of the city, becomes, in the narrative of these writers, a metaphor for a new aesthetics and way of life in the post-postmodern age.
Manchester University Press eBooks, Nov 1, 2015
Italian Studies, Aug 28, 2019
3 'It has become increasingly clear that the relegating of women to the margins of culture is not... more 3 'It has become increasingly clear that the relegating of women to the margins of culture is not unrelated to the place accorded to "woman" by the cultural imaginary'. Susan Rubin Suleiman, Subversive Intent: Gender Politics and the Avant-Garde (Cambridge, MA, and London: Harvard University Press, 1990), p. 14. 4 'In examining the 1970s, many institutions have tended to privilege Conceptual art, sometimes overlooking the debate around feminist art that still brackets Conceptualism. Part of what makes historicizing the 1970s so complicated is the overlap of feminist practice with other current impulses'.
Italian Studies, Sep 1, 2007
... 10344; Maria Teresa Marabini Moevs, Gabriele D'Annunzio e le estetiche della fine del s... more ... 10344; Maria Teresa Marabini Moevs, Gabriele D'Annunzio e le estetiche della fine del secolo (L'Aquila: LU Japadre, 1976). ... 12 On D'Annunzio and the English Pre-Raphaelites see GiulianaPieri, The Influence of Pre-Raphaelitism on Fin-de-Siècle Italy: Art, Beauty ...
Modern Language Review, Apr 1, 2004
... Ugo Ojetti, 'I prerafaeliti', Fanfulla dell... more ... Ugo Ojetti, 'I prerafaeliti', Fanfulla della domenica, 19 March 1893 (unpaginated). 'Puristi e prerafaellisti', Nuova rassegna, 10 (1893), 31415. ... 35186. See also Helen Rossetti Angeli, Dante Gabriel Rossetti (Bergamo: Istituto Italiano d'Arti Grafiche, 1906). ...
Manchester University Press eBooks, Nov 1, 2015
History: Reviews of New Books, May 9, 2018
Modern Language Review, 2019
Modern Language Review, 2009
Italian Studies, Oct 2, 2019
La Rassegna della letteratura italiana, 2016
Modern Italy, May 1, 2013
Italian Studies, Jul 3, 2017
Gruppo 70 was an Italian neo-avant-gardist group of artists and critics, including Lamberto
Italian Studies, Apr 2, 2020
The volume focused on Mitchell's 'the pictorial turn', textual pictures, pictorial texts, but pic... more The volume focused on Mitchell's 'the pictorial turn', textual pictures, pictorial texts, but pictures and power, and pictures and the public sphere.
Modern Italy, Nov 1, 2016
Modern Language Review, Apr 1, 2001
... 30 For D'Annunzio's fascination for foreign and exotic names see John Woodhouse, &#... more ... 30 For D'Annunzio's fascination for foreign and exotic names see John Woodhouse, 'Dante Gabriel Rossetti, D'Annunzio e il preraffaellismo', Rassegna Dannunziana, 2 (December 1982), iI i. 31 I am grateful to the Isaiah Berlin Fund and to The Oxford Italian Association for their ...
La Rassegna della letteratura italiana, 2016
Romance Studies, Apr 1, 2007
This essay focuses on the way in which Milan and its periphery in particular have been represente... more This essay focuses on the way in which Milan and its periphery in particular have been represented by successive generations of Milanese noir and crime writers. Most writers have mirrored and reinforced the idea of Milan as a city of strong contrasts surrounded by an undesirable periphery, which traditionally has been viewed, from both a socio-political and aesthetic perspective, as the locus of isolation, alienation and criminality. Yet works by some contemporary writers (Dazieri and Biondillo) also show signs of a new acceptance and understanding of urban life in the post-modern city, which has influenced the relationship between centre and periphery. The transformation of Milan in the post-industrial era into a città diffusa, with its polycentric nature and easy access to all areas of the city, becomes, in the narrative of these writers, a metaphor for a new aesthetics and way of life in the post-postmodern age.
Manchester University Press eBooks, Nov 1, 2015
Italian Studies, Aug 28, 2019
3 'It has become increasingly clear that the relegating of women to the margins of culture is not... more 3 'It has become increasingly clear that the relegating of women to the margins of culture is not unrelated to the place accorded to "woman" by the cultural imaginary'. Susan Rubin Suleiman, Subversive Intent: Gender Politics and the Avant-Garde (Cambridge, MA, and London: Harvard University Press, 1990), p. 14. 4 'In examining the 1970s, many institutions have tended to privilege Conceptual art, sometimes overlooking the debate around feminist art that still brackets Conceptualism. Part of what makes historicizing the 1970s so complicated is the overlap of feminist practice with other current impulses'.
Italian Studies, Sep 1, 2007
... 10344; Maria Teresa Marabini Moevs, Gabriele D'Annunzio e le estetiche della fine del s... more ... 10344; Maria Teresa Marabini Moevs, Gabriele D'Annunzio e le estetiche della fine del secolo (L'Aquila: LU Japadre, 1976). ... 12 On D'Annunzio and the English Pre-Raphaelites see GiulianaPieri, The Influence of Pre-Raphaelitism on Fin-de-Siècle Italy: Art, Beauty ...
Modern Language Review, Apr 1, 2004
... Ugo Ojetti, 'I prerafaeliti', Fanfulla dell... more ... Ugo Ojetti, 'I prerafaeliti', Fanfulla della domenica, 19 March 1893 (unpaginated). 'Puristi e prerafaellisti', Nuova rassegna, 10 (1893), 31415. ... 35186. See also Helen Rossetti Angeli, Dante Gabriel Rossetti (Bergamo: Istituto Italiano d'Arti Grafiche, 1906). ...
Manchester University Press eBooks, Nov 1, 2015
Interdisciplinary Italy Blog, 2019
When do conferences break new ground? One can think about individual presentations, or panels, th... more When do conferences break new ground? One can think about individual presentations, or panels, that stand out as paradigm shifting-though this is often a tall order in the short twenty-minute span available to speakers. Most conferences in the Humanities still follow the traditional format of papers, panels and keynote addresses. It is a tried and tested way to present ideas, new interpretations, and spark debate. Press Play: Creative Interventions in Research and Practice, hosted by MACRO and the British School at Rome (28-29 March 2019), and organised by a team led by Emma Bond and Derek Duncan (both based in the Italian department at the University of St Andrews) took things in a different direction. The conference aimed to fuse together academic research, creative practice, and civic engagement in a combined conference and exhibition. Both the central thematic concerns and the format of the conference and associated events were innovative. It is the first academic conference I attend in which the organizers have created a space for thinking through making rather than simply thinking through scholarly discourse and debate.
Interdisciplinary Italy Blog, 2017
Interdisciplinary Italy Blog, 2017
Interdisciplinary Italy Blog, 2019
Interdisciplinary Italy Blog, 2019
Interdisciplinary Italy Blog, 2019
As a new workshop with schools at Tate Exchange fast approaches (Tate Modern, 16 May 2019, 12-3pm... more As a new workshop with schools at Tate Exchange fast approaches (Tate Modern, 16 May 2019, 12-3pm), and our collaboration with schools around the country continues to flourish, I continue to reflect of the role and significance of cross-disciplinary and creative encounters in the classroom. In 2017, I ran a workshop on Futurism [link here] in which I began to think through the practical and theoretical implications of 'thinking through making' rather than the more common reliance on 'thinking through writing'. Students after studying Italian Futurism, and preparing a pop-up exhibition of Futurist artworks and texts, were asked to respond creatively to Futurist poetry by writing their own poems. 'Writing' did of course mean playing with typography and thinking through images as well as words.
Guest Seminar as part of the Yale Series “Italian Studies: In Theory and in Practice” — Yale, 15 ... more Guest Seminar as part of the Yale Series “Italian Studies: In Theory and in Practice” — Yale, 15 April 2022, 15:30 EST.
Zoom link – https://yale.zoom.us/s/93845986858
Password – 780717
ABSTRACT — Italy by Design is a long-term project based at Edinburgh and applying concepts from Decolonial and Intermediality Studies to the material success of the invention of Italy in the last 500 years. In this initiative, we see Italy as one of the most labour-intensive unsustainables of project Europe, and we invite participants — students, scholars, the general public — to rethink this powerful construct and signifier from the combined perspective of material studies and decolonial thought. Following the success of the guest speaker series pilot attached to the project, we are planning to launch the first fully public “Mini MAXXI: Radical Conversation on Material Culture” this autumn. As well as widening the project’s reach, Mini MAXXI 3 will bring together the 28 scholars whose work is being commissioned as part of the book proposal we are making to a North-American Press, our remit both individually and overall being the double perspective that opens up if we accept to have to call Italy both entangled (in its own specific materiality) and hooked (habit-formed, i.e., dependent on a unique form of subalternity). It is this complex dialogue — in progress as much as it is collaborative — that I want to explore further as part of my talk.
Project Contributors: Alessandra Antola Swan; Paolo Bartoloni; Lisa Colletta; Luca Cottini; Roberto Dainotto; Reidar Due; Daniel Finch-Race; Claudio Fogu; Robert Gordon; Emiliano Guaraldo; Stephen Gundle; Sally (Patricia) Hill; Stephanie M. Hom; Stefano Jossa; Medina Lasansky; Giuliana Minghelli; Federico Pacchioni; Matteo Paoletti; Silvana Patriarca; Emanuela Patti; Eugenia Paulicelli; Federica G Pedriali; Giuliana Pieri; Pierluigi Sacco; Massimo Vedovelli; Laura Wittman; Diego Zancani; Gaoheng Zhang.
Project Concept and Guest Speakers Series © Federica G Pedriali
Zoom Link to register – https://yale.zoom.us/meeting/register/tJclc-yhpj0iH9y8v2asmYnTI-62X8zYjnFJ
Annali d'Italianistica 41 , 2023
Annali d'Italianistica 41 2023
Annalid'italianistica,Inc., wasfounded at theUniversityofNotre Dame in 1983 andw as sponsoredby t... more Annalid'italianistica,Inc., wasfounded at theUniversityofNotre Dame in 1983 andw as sponsoredby theD epartmento fR omance Studiesa tt he University of NorthC arolinaa tC hapelH illf rom1 989u ntil 2017.H ostedb yJSTOR, Annali d'italianistica is an independentjournal of ItalianStudies managedand editedby an internationalteamofscholars. Annali is listed amongthe toptierjournals(class A, area 10)bythe ItalianNationalAgencyfor theEvaluationofUniversitiesand Research Institutes(ANVUR). It is listed in theEuropeanReference Indexfor the Humanities andS ocialS ciences(ERIH PLUS). It is listed in theM LA InternationalB ibliography.I ti samember of theT he Councilo fE ditors of LearnedJournals(CELJ).