Spohr, Louis, composer - Social Networks and Archival Context (original) (raw)
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Letter book; 1850-58.ff. 179. 225 x 184mm.includes:ff. 2, 10, 34, 54, 56, 60v, 75r, 75v, 77, 95, 96, 97 Sir Michael Costa, composer: George Hogarth, music critic and composer; Secretary, Philharmonic Society: Letters to Sir Michael Costa from Georg..., 1850-1858
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‘Original letters’: Starr – Szczepanowski (ff. 241); 1819-1913, n.d.includes:f. 1 Henry R. Starr, viola player: William Hayman Cummings, Mus.D: Postcard to William Hayman Cummings from Henry R. Starr: 1908.ff. 2-5 William Watts, Secretary, Philha..., 1819-1913
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MUSICAL autograph album of Eliza Wesley, containing short pieces, inscriptions and signatures of numerous composers, musicians, singers and others, English and foreign, written between 1836 and 1895. At the beginning are a few miscellaneous autograph..., 1836-1895
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Symphony [no.1] in E flat, op. 20. Copy by J[oseph] J[ohn] H[arris]; 1824.ff. iii+196 228 x 290mm.Louis Spohr, composer: Joseph John Harris, music copyist: Symphony no.1 in E flat, op.20 by Louis Spohr, in the hand of Joseph John Harris: 1824: Copy., 1824
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‘Original letters’: Bedford – Bergson (ff. 252); 1823-1938, n.d.includes:ff. 1-2 Alberto Igenio Randegger, composer: Sir Frederic Hymen Cowen, composer: Herbert Bedford, composer and painter: Francesco Berger, pianist and composer; Secretary, Philhar..., 1823-1938
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Symphony no. 4 in F, ‘Die Weihe der Tone’. op. 86. Copy; n.d. (wm 1832).ff. ii+88 243 x 295mm.Louis Spohr, composer: William Goodwin, music copyist: 'Weihe der Töne, Characteristic Sinfonie', op.86 by Louis Spohr, probably in the hand of William Good...
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" ZEMIRE E AZOR”. ff. 187. xixth cent.Louis Spohr, composer: Zemire e Azor : opera: 19th cent., 19th century
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Symphony no. 6 in G, ‘Historical’, op. 116. [German] copy, signed by the composer; 1839.ff. ii+58 250 x 355mm.Louis Spohr, composer: 'Historical symphony', op.116 by Louis Spohr: 1839: Copy, signed by the composer., 1839
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Concertante no. 2 in A for two violins and orchestra in A, op. 48. Copy by William Goodwin; 1847.ff. ii+60 237 x 295mm.Louis Spohr, composer: William Goodwin, music copyist: Works for violin and orchestra by Louis Spohr, in the hand of William Goodwi..., 1847
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Letter book; 1846-49. In the hand of William Watts, 1846-47, and of George William Budd, 1847-49.ff. 115. 222 x 185mm.includes:f. 1 Sir Michael Costa, composer: William Watts, Secretary, Philharmonic Society: Copy of a letter to Sir Michael Costa f..., 1846-1849
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Overture Faust. Copy by J[oseph] J[ohn] H[arris]; 1824.ff. ii+22 230 x 290mm.Louis Spohr, composer: Joseph John Harris, music copyist: Overtures to operas by Louis Spohr, in the hand of Joseph John Harris: 1826, 1824, n.d.: Copies., 1824
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Overture Pietro von Abano. Copy by W[illiam] Goodwin; 1829.ff. ii+20 245 x 295mm.Louis Spohr, composer: William Goodwin, music copyist: Overture to the opera 'Pietro von Abano' by Louis Spohr, in the hand of William Goodwin: 1829: Copy., 1829
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COLLECTION of letters, receipts, autographs, etc., of musicians, artists, actors, and others, comprising, besides others included in the index, the following:-1. Renunciation by Haydn of rights in the first six "Salomon" overtures, or symphonies; 13..., 18th century-19th century
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MISCELLANEOUS Original letters, etc., chiefly of foreign musical composers; 1788-1872. 1.Josephus Haydn to [-Artaria?]; Esterhaz, 17 Aug. 1788. Germ. f. 1. 2. [Johann Christoph Friedrich von] Sch[iller] to [Karl Theodor Körner]; Weimar, 5 July, 1802..., 1788-1872
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" FAUST: Romantische Oper in zwei Aufzugen," by Ludwig Spohr. In full score. Two volumes. Paper; ff. 214, 207. xixth cent. Obl. Folio., 19th century
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" JESSONDA," opera in 3 Acts, in full score, with the German text, by Louis Spohr. Three volumes. Paper; ff. 183, 213, 134. xixth cent, Formerly belonged to John and William Hawes. Obl. Folio., 19th century
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Concerto for violin and orchestra no. 7 in E, op.38. Copy; n.d.ff. ii+71 350 x 265mm.Louis Spohr, composer: Concerto for violino and orchestra no.7 by Louis Spohr: n.d.: Copy.
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Symphony no. 8 in G, op. 137. [German] copy; n.d.ff. i+64 263 x 330mm.Louis Spohr, composer: Symphony no.8 in G op.137 by Louis Spohr: n.d.: Copy.
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Overture Der Berggeist, op. 73. Copy by J[oseph] J[ohn] H[arris]; 1826.ff. ii+24 232 x 325mm.Louis Spohr, composer: Joseph John Harris, music copyist: Overtures to operas by Louis Spohr, in the hand of Joseph John Harris: 1826, 1824, n.d.: Copies., 1826
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Ludwig van Beethoven (1770-1827): Three-part canon ‘Kurz ist der Schmerz’ (words Friedrich von Schiller, from Die Jungfrau von Orleans), WoO 166; 1815. Autograph. Written in ink on the recto of a single leaf; staves drawn freehand by Beethoven. The m..., 1815
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PSALM CXXVIII., after the version of Charles Bayles Broadley, set for soli and chorus with full orchestra, by Ludwig Spohr: "Instrumentirt in Sept. 1842." In score. Autograph. Paper; ff. 12. Oblong Folio.Louis Spohr, composer: cxxviiith psalm set to ..., 1842
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‘Original letters’: Moul – Novello (ff. 259); 1828-1913, 1921, n.d.includes:ff. 1, 3 Charles Louis Ambroise Thomas, composer: Alfred Moul, agent, Société des Auteurs, Compositeurs, et Editeurs de Musique: Francesco Berger, pianist and composer; Sec..., 1828-1921
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Grand Concert] Overture in F, WoO 1; n.d. [1819]. Autograph. ff. iii+29 320 x 240mm.Louis Spohr, composer: Grand concert overture in F by Louis Spohr: [1819]: Autogr., 1819
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‘Original letters’: Mason – Meyerbeer (ff. 249); 1822-1913, n.d.includes:ff. 1-5 Gwendolen Mason, harpist: Letters from Gwendolen Mason: 1908-1909.ff. 6-7 Gwendolen Mason, harpist: William Hayman Cummings, Mus.D: Postcards to William Hayman Cummi..., 1822-1913
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ORIGINAL, LETTERS Of musicians, arranged as in the preceding volume ; 16th-19th centt. The names of writers are given in the Index. Among them are:-Dr. Thomas Augustus Arne. Sir Henry Rowley Bishop. Dr. William Boyce. Orlando Gibbons. Henry Lawes. Ma..., 16th century-19th century
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NOVELLO COLLECTION. Vol. CX. Vocal and instrumental music; after 1811 (watermark)-1847, n.d. Chorus, vocal, close or instrumental scores. Mostly autograph. ff. iii+102. 305 x 240mm. Vincent Novello's binding of 1847, numbered 149. 1. ff. 2-3v. Willia..., 1811-1847
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MADRIGALS and part-,songs by John Morley, Gerolamo Converso, Jeremiah Saville, John Wilbye, Thomas Linley, Luca Marenzio, John Danby, Samuel Webbe [senior], Lord Mornington, Rev. R. J. S. Stevens, Thomas Ford, Giovanni dalla Croce, Jonathan Battishil..., 19th century
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MISCELLANEOUS LETTERS; 1697-1901, n.d. Apparently a collection of autographs. Includes correspondence of the 2nd Earl of Liverpool (ff. 38-141 passim). All correspondents are indexed. Formerly owned by Mr Norman Norris of Brighton. Presented by the N..., 1697-1901
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RPS MSS 220, 221 Faust, opera in two acts, WoO 51 (text, Joseph Carl Bernard). [German] copy; n.d. Copied in two different hands. Some individual number headings indicate a division into four acts. In two vols., as follows:-
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Symphony no. 3 in C minor, op. 78. Copy; n.d. (wm 1828). Coverff. i+84 243 x 295mm.Louis Spohr, composer: Symphony no.3 in C minor, op.78 by Louis Spohr: n.d. [wm 1828]: Copy.
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Concerto for violin and orchestra no 11 in G, op. 70. Copy by W. Goodwin; 1846.ff. ii+74 300 x 230mm.Louis Spohr, composer: William Goodwin, music copyist: Works for violin and orchestra by Louis Spohr, in the hand of William Goodwin: 1846, 1847: Cop..., 1846
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‘Original letters’: Tabb – Vert (ff. 269); 1821-1913, 1950-53, n.d.includes:f. 1 Richard Prestridge Valentine Tabb, cellist: William Hayman Cummings, Mus.D: Letter to William Hayman Cummings from Richard Prestridge Valentine Tabb: circa 1908.f. 2 ..., 1821-1953
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FAUST, 19th century
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‘Liebe ist die zarte Blüthe’, from Faust: ornamentation for the vocal line of the final section. Copy; n.d. Headed ‘Fermat zum Schluss der Arie aus Faust von Spohr "Liebe ist die zarte Blüthe"’. Six bars of vocal line with piano reduction of the acco...
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Orchestral works65113. WALTER LEIGH COLLECTION. Vol. IX (ff. 83). Orchestral works; 1936, n.d. 1. ff. 1-63v. 'Pastoral Suite', for chamber orchestra; 1936. Full score (ff. 1-50) and sketches (ff. 55-63v). Largest size 360 x 265mm. 2. ff. 64-74v. 'Sel..., 1936
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Original letters: supplementary volume.ff. 265.1. ff. 1-15. Correspondence of William Watts (secretary of the Philharmonic Society 1815-47); 1816-26, n.d. Included are letters from J. H. Griesbach, Henry Smart and Thomas Lindsay Willman. With a lette..., 1816-1976
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RPS MSS 228, 229 Zemire und Azor, opera in two acts, WoO 52 (text, Johann Jacob Ihlée). [German] copy; n.d. Written in three different hands. In two vols., as follows:-
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RPS MSS 226, 227 Pietro von Abano, opera in two acts, WoO 56 (text, Karl Pfeiffer). [German] copy; n.d. In two different hands, each copying an entire act. Stage directions and some spoken dialogue cues are given throughout. In two volumes, as follow...
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‘Jubel-Ouverture’. [German] copy; n.d. [1818 or 1819]. With autograph title-page with inscription to Spohr.ff. iii+20 236 x 310mm.Louis Spohr, composer: Baron Carl Maria Friedrich Ernst von Weber,; composer: 'Jubal-Ouverture', op.59 by Baron Carl Mar..., 1818-1819
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‘Original letters’: Smart – Stanislaus (ff. 278); 1820-1913, n.d.includes:ff. 1-2 William Watts, Secretary, Philharmonic Society: Charles Frederick Smart, double bass player, brother of George: Letters to [W. Watts] from Charles Frederick Smart: 18..., 1820-1913
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ORIGINAL letters of musical composers and others; 1778-1861:-1. [Karl Philipp Emanuel] Bach to -; Hamburg, 3 Jan. 1778. Germ. f. 1. 2. [Joseph] Rouget de Lisle to [? Mare François] Guillois; 24 Mar. 1820. Fr. f. 2. 3. L[uigi] Cherubini to the Baron..., 1778-1861
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‘Original letters’: Cabel – Clinton (ff. 216); 1815-1913, 1953, n.d.includes:f. 1 Stanley Lucas, Secretary, Philharmonic Society: Marie-Josèphe Cabel, née Dreulette; singer: Letter to [S. Lucas] from Marie-Josèphe Cabel: circa 1870: Fr.f. 2 Stanl..., 1815-1953
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COLLECTIONS by Eliza Wesley relating to English and foreign composers, musicians, singers and others, consisting of engraved portraits, photographs, newspaper-cuttings, and other printed matter, with a few original letters, etc. The names are all giv..., 19th century
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Letter book; 1831-44. All in the hand of William Watts.ff. 197. Largest size 230 x 185mm.includes:ff. 1, 64 William Watts, Secretary, Philharmonic Society: Pierre François Laporte, actor and impresario: Letters to Pierre François Laporte from Willi..., 1831-1844
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Overture Jessonda. Copy; n.d (wm 1822; endpaper wm 1827).ff. ii+29 228 x 288mm.Louis Spohr, composer: Joseph John Harris, music copyist: Overtures to operas by Louis Spohr, in the hand of Joseph John Harris: 1826, 1824, n.d.: Copies.
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Receipts (signed) mainly from performers, some entered on printed forms; 1815, 1830-80, n.d. Arranged in alphabetical order. Receipts for 1912-13 have been incorporated into the alphabetical series of ‘Original Letters’ in RPS MSS 333-368.ff. 405. Va..., 1815-1880
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ORIGINAL letters, etc., of musical composers and singers; 1780-1858:-1. Song, " Idens Nachtgesang," by Franz Schubert; 7 July, 1815. f. 2. 2. Lines, " Klopstock," by Johann Heinrich Rolle, director of music at Magdeburg; 20 Aug. 1780. Germ. f. 3. 3...., 1780-1858
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RPS MSS 214-216 Der Alchymist, romantic opera in three acts (text, Karl Pfeiffer), WoO 57. [German] copy; n.d. Copied in four different hands, Acts I and II each in a separate single hand, Act III the work of two further copyists. In three volumes, a...
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" ZEMIRE E AZOR”. ff. 287. xixth cent.Louis Spohr, composer: Zemire e Azor : opera: 19th cent., 19th century
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MUSICAL COMPOSITIONS, 18th century-19th century
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1. "TE DEUM," in full score, by Dr. William Boyce. Autograph. f. 1. 2. Cantatas, with a figured bass, by Nicolo Antonio Porpora. f. 37. 3. "Sonate da camera per cimbalo," by Abbate Pietro Crispi. f. 69. 4. Eight sonatas for the harpsichord, by Johann..., 18th century-19th century
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RPS MSS 223-225 Jessonda, grand opera in three acts (text Eduard Gehe), WoO 53. [German] copy; n.d. Copied in four different hands, acts I and II each in a separate single hand. In three volumes, as follows:-
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NOVELLO COLLECTION. Vol. CXII. Vocal and instrumental arrangements; 1842-1847, n.d. Mostly in the hand of Vincent Novello, some with engraver's markings in pencil. ff. iv+113. Overall size 305 x 245mm. Vincent Novello's binding of 1847, numbered 148a..., 1842-1847
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JOHN WEIPPERT: waltzes and quadrilles for piano; circa 1835. Written on pink, green and yellow paper with embossed borders and bound with several printed items by Weippert and others. Contents:— ‘Weippert’s Waltz’s’ (a set of three) (ff. 1-4); – ‘Wei..., approximately 1835
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Correspondence concerning the library and archives; 1914-15, 1923-62.ff. 258. Various sizes.includes:f. 2 Ludwig van Beethoven, composer: Stanley Hawley, Secretary, Royal Philharmonic Society: Arthur T. Cummings, hon. solicitor, Philharmonic Societ..., 1914-1962
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ROYAL MUSIC COLLECTION. Instrumental Music (Second Series), Vol. X. In score.ff. 75.1. ff. 1-6. Billema (Charles): March dedicated to Her Majesty the Queen, 1889. Arranged for military band by Meynard.2. ff. 7-12. Cusins (Sir William George): Duo for..., 1843-1889
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RPS MSS 217-219 Der Berggeist, opera in three acts, WoO 54 (text Georg Döring). [German] copy; n.d. In three different hands, each copying an entire act. Detailed stage directions and metronome markings are given throughout. In three volumes, as foll...
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NOVELLO COLLECTION. Vol. XCIV. Sarti -Wolf, with unattributed works; after 1802 (watermark)-1841, n.d. ff. 77. Overall size 245 x 305mm. 1. ff. 1-1v. [Giuseppe?] Sarti: 'Christe eleison', for SATB; n.d. Chorus score. Presumably copy. 2. ff. 2-9. Jos..., 1802-1841
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ROYAL MUSIC COLLECTION. Nüske (J.A.). The Nüske-Aniad; 19th century. ‘A collection of vocal melodies, consisting of celebrated airs by the leading foreign and English musicians; the works of each supplying one song: adapted to the guitar, with, relat..., 19th century
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NOVELLO COLLECTION. Vol. CIX. Vocal music; after 1819 (watermark)-1849, n.d. Vocal, chorus or full scores. Partly printed, partly in the hand of Vincent Novello. ff. ii+119. Overall size 310 x 240mm. Vincent Novello's binding of 1849, numbered 199. 1..., 1819-1849
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Meyerstein Bequest. Vol. XXI., 1772-1853
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Symphony no. 2 in D minor, op. 49. Copy [by William Goodwin]; 1846.ff. i+81 238 x 295mm.Louis Spohr, composer: Royal Philharmonic Society: William Goodwin, music copyist: Symphony no.2 in D minor, op.49 by Louis Spohr, 'composed for and dedicated to ..., 1846
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Vol. II. J. F. Barnett (signature, f.2), ff. 1-5b; H. Bedford (signature, f. 6), ff. 6-11; J. Benedict, ff. 12-15b; G. F. Handel, ff. 17-24; B. Marcello, ff. 25-30b; P. Mazzoni (signature, f. 39), ff. 31-39; A. L. Niedermeyer, ff. 40-45; G. Oberhof...
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1. MOTETS for one or two voices, with accompaniment for strings in score by Giacomo Battistini, op. 2. ff. 2, 7, 12, 15. 2. Anthem and chants, in score, by William Walond, organist of Chichester Cathedral. Autograph. Followed by an Anthem in his band..., 18th century-19th century
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RPS MSS 230, 231 Der Zweikampf mit der Geliebten, opera in three acts (words Johann Friedrich Schink), WoO 50.. [German] copy; n.d. The work of a single copyist. In two volumes, as follows:-
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‘Original letters’: Gui – Hayward (ff. 253); 1824-1913, 1952, n.d.includes:ff. 1, 9 Vittorio Gui, conductor and composer: David Ritson Smith, Secretary, Royal Philharmonic Society: Letters to Vittorio Gui from David Ritson Smith: 1952: Drafts.ff. 2..., 1824-1952
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NOVELLO COLLECTION. Vol. LXV. Selections published in Books1-3. ff. 18. 305 x 245mm.Louis Spohr, composer: Selections from 'Faust', arranged by V. Novello: n.d.Louis Spohr, composer: Vocal music by Louis Spohr: [1831?]-1841, n.d: Partly copies. Partl...
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NOVELLO COLLECTION. Vol. LXVI. Selections published in Books 3 and 4. ff. 30. Overall size 250 x 310mm.Louis Spohr, composer: Selections from 'Faust', arranged by V. Novello: n.d.Louis Spohr, composer: Vocal music by Louis Spohr: [1831?]-1841, n.d: P...
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