Herbert Arlt | Jura Soyfer Society (original) (raw)
www.arltherbert.at
Scientific Director of INST: www.inst.at
President of Jura Soyfer Society: www.soyfer.at
President of Polylogue Center: www.polylogzentrum.at
Certified EU Expert with a contract to the European Innovation Council (10 billion Euro for production of new technology in EU)
Owner: enterprise: Dr. Herbert Arlt e.U.: Quantum technology
Publications in 40 languages
Umami: World Project of Cooking
The Iron Age. Poems 1973-2023. A project in over 30 languages with my poems
8 World conferences (up to 7.000 participants from over 100 countries/ start: 1999 in UNESCO Headquaters in Paris)
32 Soyfer Symposia in Vienna, Argentinia, Czech Republic, France, Germany, Georgia, Italy, Norway, Serbia, Turkiye, Ukraine, USA
Editor: Journals, Book Series
Phone: ++43 676 5364912
Address: Rosa-Jochmann-Ring 54/5/6, 1110 Vienna, Austria
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Papers by Herbert Arlt
BANDUNG-BELGRADE-HAVANA IN GLOBAL HISTORY AND PERSPECTIVE: The Deployment of Bandung Constellation towards a Shared Global Future. Darwis Khudori et el. (editors): Universitas Airlangga Press 2022, p. 302-309., 2022
This is a paper which played a role in the preparation of the G20 summit in Indonesia 2022 and wa... more This is a paper which played a role in the preparation of the G20 summit in Indonesia 2022 and was presented also at a conference in Indonesia organized in 2022 by Darwis Khudori.
Eolss Publishers eBooks, 2009
The transition from patronage to the market in works of art 2. The nation state, its common langu... more The transition from patronage to the market in works of art 2. The nation state, its common language and culture, as a unified market for art 2.1. The development of the book market during the age of mercantilism 2.2. The importance of standardization of languages for the development of a common market for the arts 2.3. The difficult transition to full-time professional artist 2.4. Copyright 2.5. Originality, "Genius" and the competition of the market: the new definition of art and artist 2.6. The growth in the number of writers in response to the growing market 2.7. Censorship, the market and the autonomy of the arts 2.8. The transition of music from church and court to the market 3. The market at the turn of the nineteenth to the twentieth century 3.1. The description of the change to a market economy: Balzac and Zola 3.2. The class base of authors at the beginning of the twentieth century, and the commodity form of art 3.3. Culture for the masses 3.4. Culture in exile 4. Art market in America, mass media 4.1. Mass production and consumerism 5. Socialist control of art 5.1. Free market and planned economy 5.2. Central planning, the market and consumer 5.3. The critique of the market and consumer art: Lukacs and Adorno 5.4. Anticapitalism and anti-aestheticism of the 1968 revolt 6. The challenges of the 21st century 6.1. The concentration in the media market 6.2. The new media: internet and the convergence of all communication media Art-Centres and Transnational Processes
Zukunft | Future: Love | Hate, 2023
This is a paper in the context of the 32nd Jura Soyfer Symposion Arlt is organizing. It questions... more This is a paper in the context of the 32nd Jura Soyfer Symposion Arlt is organizing. It questions if the Soyfer play "The Ende of the World" (premiere 1936 in Austrofascist Austria) is a contemporary play. The performances, an exhibition at the World Museum in Vienna, Hollywood say yes. This shows the liveliness of an author who was murdered 1939 in Concentration Camp Buchenwald.
오스트리아 문학이라는 개념은 18세기 이래의 학술문헌에 존재해 왔다. 오스트리아 문학이라는 개념이 처음에는 독일어로 된 문학만을 가리켰다면, 늦어도 1866년 이후로는 적어도... more 오스트리아 문학이라는 개념은 18세기 이래의 학술문헌에 존재해 왔다. 오스트리아 문학이라는 개념이 처음에는 독일어로 된 문학만을 가리켰다면, 늦어도 1866년 이후로는 적어도 12개 언어의 문학에 이 개념이 적용되었다. 이 개념의 역사적 맥락은 예컨대 1938년부터 1945년까지 나치 독일에 의한 오스트리아 강점에서 보듯이 근본적인 변화를 거듭해 왔다. 오스트리아 문학이라는 개념은 따라서 그러한 역사적 맥락을 배경으로 사용되고 또 그 역사적 맥락과의 상호작용을 통해 성립되는 만큼, 오늘날까지도 여전히 다양한 의미로 쓰일 수밖에 없다. 그렇게 보면 성호문화적 관점에서 오스트리아 문학에 접근한다는 것은 일련의 매우 복합적인 측면들을 포괄한다
The transition from patronage to the market in works of art 2. The nation state, its common langu... more The transition from patronage to the market in works of art 2. The nation state, its common language and culture, as a unified market for art 2.1. The development of the book market during the age of mercantilism 2.2. The importance of standardization of languages for the development of a common market for the arts 2.3. The difficult transition to full-time professional artist 2.4. Copyright 2.5. Originality, "Genius" and the competition of the market: the new definition of art and artist 2.6. The growth in the number of writers in response to the growing market 2.7. Censorship, the market and the autonomy of the arts 2.8. The transition of music from church and court to the market 3. The market at the turn of the nineteenth to the twentieth century 3.1. The description of the change to a market economy: Balzac and Zola 3.2. The class base of authors at the beginning of the twentieth century, and the commodity form of art 3.3. Culture for the masses 3.4. Culture in exile 4. Art market in America, mass media 4.1. Mass production and consumerism 5. Socialist control of art 5.1. Free market and planned economy 5.2. Central planning, the market and consumer 5.3. The critique of the market and consumer art: Lukacs and Adorno 5.4. Anticapitalism and anti-aestheticism of the 1968 revolt 6. The challenges of the 21st century 6.1. The concentration in the media market 6.2. The new media: internet and the convergence of all communication media Art-Centres and Transnational Processes
BANDUNG-BELGRADE-HAVANA IN GLOBAL HISTORY AND PERSPECTIVE: The Deployment of Bandung Constellation towards a Shared Global Future. Darwis Khudori et el. (editors): Universitas Airlangga Press 2022, p. 302-309., 2022
This is a paper which played a role in the preparation of the G20 summit in Indonesia 2022 and wa... more This is a paper which played a role in the preparation of the G20 summit in Indonesia 2022 and was presented also at a conference in Indonesia organized in 2022 by Darwis Khudori.
Eolss Publishers eBooks, 2009
The transition from patronage to the market in works of art 2. The nation state, its common langu... more The transition from patronage to the market in works of art 2. The nation state, its common language and culture, as a unified market for art 2.1. The development of the book market during the age of mercantilism 2.2. The importance of standardization of languages for the development of a common market for the arts 2.3. The difficult transition to full-time professional artist 2.4. Copyright 2.5. Originality, "Genius" and the competition of the market: the new definition of art and artist 2.6. The growth in the number of writers in response to the growing market 2.7. Censorship, the market and the autonomy of the arts 2.8. The transition of music from church and court to the market 3. The market at the turn of the nineteenth to the twentieth century 3.1. The description of the change to a market economy: Balzac and Zola 3.2. The class base of authors at the beginning of the twentieth century, and the commodity form of art 3.3. Culture for the masses 3.4. Culture in exile 4. Art market in America, mass media 4.1. Mass production and consumerism 5. Socialist control of art 5.1. Free market and planned economy 5.2. Central planning, the market and consumer 5.3. The critique of the market and consumer art: Lukacs and Adorno 5.4. Anticapitalism and anti-aestheticism of the 1968 revolt 6. The challenges of the 21st century 6.1. The concentration in the media market 6.2. The new media: internet and the convergence of all communication media Art-Centres and Transnational Processes
Zukunft | Future: Love | Hate, 2023
This is a paper in the context of the 32nd Jura Soyfer Symposion Arlt is organizing. It questions... more This is a paper in the context of the 32nd Jura Soyfer Symposion Arlt is organizing. It questions if the Soyfer play "The Ende of the World" (premiere 1936 in Austrofascist Austria) is a contemporary play. The performances, an exhibition at the World Museum in Vienna, Hollywood say yes. This shows the liveliness of an author who was murdered 1939 in Concentration Camp Buchenwald.
오스트리아 문학이라는 개념은 18세기 이래의 학술문헌에 존재해 왔다. 오스트리아 문학이라는 개념이 처음에는 독일어로 된 문학만을 가리켰다면, 늦어도 1866년 이후로는 적어도... more 오스트리아 문학이라는 개념은 18세기 이래의 학술문헌에 존재해 왔다. 오스트리아 문학이라는 개념이 처음에는 독일어로 된 문학만을 가리켰다면, 늦어도 1866년 이후로는 적어도 12개 언어의 문학에 이 개념이 적용되었다. 이 개념의 역사적 맥락은 예컨대 1938년부터 1945년까지 나치 독일에 의한 오스트리아 강점에서 보듯이 근본적인 변화를 거듭해 왔다. 오스트리아 문학이라는 개념은 따라서 그러한 역사적 맥락을 배경으로 사용되고 또 그 역사적 맥락과의 상호작용을 통해 성립되는 만큼, 오늘날까지도 여전히 다양한 의미로 쓰일 수밖에 없다. 그렇게 보면 성호문화적 관점에서 오스트리아 문학에 접근한다는 것은 일련의 매우 복합적인 측면들을 포괄한다
The transition from patronage to the market in works of art 2. The nation state, its common langu... more The transition from patronage to the market in works of art 2. The nation state, its common language and culture, as a unified market for art 2.1. The development of the book market during the age of mercantilism 2.2. The importance of standardization of languages for the development of a common market for the arts 2.3. The difficult transition to full-time professional artist 2.4. Copyright 2.5. Originality, "Genius" and the competition of the market: the new definition of art and artist 2.6. The growth in the number of writers in response to the growing market 2.7. Censorship, the market and the autonomy of the arts 2.8. The transition of music from church and court to the market 3. The market at the turn of the nineteenth to the twentieth century 3.1. The description of the change to a market economy: Balzac and Zola 3.2. The class base of authors at the beginning of the twentieth century, and the commodity form of art 3.3. Culture for the masses 3.4. Culture in exile 4. Art market in America, mass media 4.1. Mass production and consumerism 5. Socialist control of art 5.1. Free market and planned economy 5.2. Central planning, the market and consumer 5.3. The critique of the market and consumer art: Lukacs and Adorno 5.4. Anticapitalism and anti-aestheticism of the 1968 revolt 6. The challenges of the 21st century 6.1. The concentration in the media market 6.2. The new media: internet and the convergence of all communication media Art-Centres and Transnational Processes
Academia.edu, 2024
This article is a contribution to the conference The Rise of Asia from 21-23 April 2024 in Paris ... more This article is a contribution to the conference The Rise of Asia from 21-23 April 2024 in Paris and Le Havre. At Le Havre there was only the possibility for some sentences via ZOOM. Now this is an article in the format of a Portal with links, footnotes.