Olga Manulkina | Saint-Petersburg State University (original) (raw)

Olga Manulkina

Dr. Olga Manulkina is an associate professor at the St Petersburg University, head of a Music criticism MA program, and at the St Petersburg Conservatory.
Olga Manulkina is a member of the editorial board of the quarterly journal MUSIC ACADEMY; she was the founding editor-in-chief of the journal OPERA MUSICOLOGICA (2009-2018).
In 2002 Olga Manulkina was a Fulbright scholar at the Graduate Centre of the CUNY. She is a member of the St. Petersburg Composers’ Union (from 1999 to 2014 — a member of the board), of Pro Arte Foundation board of experts. She was a member of the jury of Russian National Theatre Prize «Golden Mask» (2007, 2010 and 2012), an organizer of a number of festivals and conferences and a curator of «American season in St Petersburg» (2008).

Olga Manulkina was a music critic of the Russian federal newspaper Kommersant and Afisha magazine. She is the author of the book From Ives to Adams: American Music of the Twentieth Century (2010), numerous articles on Russian and American music, a number of translations, including Shostakovich: A Life Remembered by E. Wilson (2006), and over 500 reviews and articles published in newspapers and magazines. She has compiled and edited with Pavel Gershenzon a book A Century of Le Sacre – a Century of Modernism (Bolshoi theatre, 2013) and New Russian Music Criticism. 1993-2003 (1st volume, Opera, Moscow, 2015).

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Videos by Olga Manulkina

Лекция в подкасте «Лаборатория современного зрителя» musicAeterna

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Papers by Olga Manulkina

Language, Music and Gesture: Informational Crossroads, 2021

Russian Music since 1917: Reappraisal and Rediscovery / Edited by Patrick Zuk and Marina Frolova-Walker, published for The British Academy by Oxford University Press, print ISBN-13: 9780197266151, ISSN 0068-1202, DOI: 10.5871/bacad/9780197266151.001.0001, 2017

The standard term used in Russian to refer to ‘foreign music’, zarubezhnaya muzïka, has an intere... more The standard term used in Russian to refer to ‘foreign music’, zarubezhnaya muzïka, has an interesting history, as zarubezhnaya literally means ‘music from outside the border’—the border in question being that of the USSR. The term was coined in 1948 as one of the measures taken in the ideological campaign to purify Soviet music of ‘cosmopolitan’ influences. This chapter sets out to explore the concept of zarubezhnaya muzïka and trace how this canon was formed, to examine the strategies that it was necessary to adopt to carry out research on European and American music and to assess the implications for the lives and careers of Soviet musicologists.
Keywords: Soviet musicology, censorship, Soviet nationalism, cosmopolitanism, the musical life of the late Stalinist era

Liber amicorum Людмиле Ковнацкой, Feb 2016

The Rite of Spring at 100, 1913/2013 Edited by Severine Neff, Maureen Carr, and Gretchen Horlacher With John Reef, Foreword by Stephen Walsh, 2017

Шостакович в Ленинградской консерватории: 1919-1930. В 3 томах. Т. 3. C. 359-365, 2013

Научный вестник Московской консерватории. 2013. № 2.

Критика. Музыкознание. Современные аспекты: Статьи и материалы Международной научной конференции к XXXV-летию Кафедры музыкальной критики, 2012

Opera musicologica. 2012. № 3 (13)

Голос человеческий: к столетию со дня рождения В. Дж. Конен. Воспоминания. Письма. Статьи / Отв. ред. М. А. Сапонов, 2011

Opera musicologica. 2011. №№ 3-4 (9-10). С. 151-166, 2011

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Стравинский в контексте времени и места / Ред-сост. С. И. Савенко, 2006

Жизнь религии в музыке. Сборник статей. С. 209-226, 2006

Критика. Публицистика. Страницы истории. Сборник к ХХХ-летию кафедры критики СПб консерватории / Ред.-сост. Л. Г. Данько, 2006

Mitteilungen der Tschaikowsky-Gesellschaft 13 (2006). S. 155-181.

Русско-итальянские музыкальные связи, 2004

Pro голландскую музыку , 2003

Русско-французские музыкальные связи, 2004