Yijia Du | The University of Sydney (original) (raw)
I am a feminist with strong research interests in gender, feminist theory, sexuality, and popular literature. My research engages with embodied and social aspects of new media and digital cultures, fan studies, Digital feminism, and sexuality studies.
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Papers by Yijia Du
In September 2015, China ended the one child policy and opened the two-child policy. However, the... more In September 2015, China ended the one child policy and opened the two-child policy. However, the focus on fertility and family in public and government discourse is still links to issues of national survival and economic development. This means that women’s social roles are still defined according to the needs and interests of the state, and scripted, first and foremost, as familial. Women are marginalized in the process of government policy formulation and become the recipients of government discourse and/or policy initiatives which continue to define them as mothers and constrain them into family roles. This paper focuses on the two-child policy in China and uses Bacchi’s framework – ‘What’s the Problem Represented to be?’ (WPR) to problematize the two-child policy from a feminist theory perspective. (Less)
Transformative Works and Cultures, 2023
To explore the connections between Chinese online fiction fandom and feminism, in-depth interview... more To explore the connections between Chinese online fiction fandom and feminism, in-depth interviews were conducted with thirty-two Chinese women and nonbinary fans of online fiction. Online fiction fandom is both a counterpublic and an intimate public in which women and nonbinary fans are connected by a common interest, their feminist identities are formed through or emerge through participation in such a public, and their shared values and understanding of feminism create a closer sense of belonging and affective solidarity. Engaging with feminism through online fiction is a form of digital feminism, creating feminist consciousness among online fiction fans through literary and discursive constructs. Women-oriented online fiction has become a space for many young Chinese women and nonbinary people to criticize and challenge patriarchal gender norms and reflect on mainstream gender relations. This space continues to produce educational cultural resources that make feminist learning and practice a work in progress.
In September 2015, China ended the one child policy and opened the two-child policy. However, the... more In September 2015, China ended the one child policy and opened the two-child policy. However, the focus on fertility and family in public and government discourse is still links to issues of national survival and economic development. This means that women’s social roles are still defined according to the needs and interests of the state, and scripted, first and foremost, as familial. Women are marginalized in the process of government policy formulation and become the recipients of government discourse and/or policy initiatives which continue to define them as mothers and constrain them into family roles. This paper focuses on the two-child policy in China and uses Bacchi’s framework – ‘What’s the Problem Represented to be?’ (WPR) to problematize the two-child policy from a feminist theory perspective. (Less)
Transformative Works and Cultures, 2023
To explore the connections between Chinese online fiction fandom and feminism, in-depth interview... more To explore the connections between Chinese online fiction fandom and feminism, in-depth interviews were conducted with thirty-two Chinese women and nonbinary fans of online fiction. Online fiction fandom is both a counterpublic and an intimate public in which women and nonbinary fans are connected by a common interest, their feminist identities are formed through or emerge through participation in such a public, and their shared values and understanding of feminism create a closer sense of belonging and affective solidarity. Engaging with feminism through online fiction is a form of digital feminism, creating feminist consciousness among online fiction fans through literary and discursive constructs. Women-oriented online fiction has become a space for many young Chinese women and nonbinary people to criticize and challenge patriarchal gender norms and reflect on mainstream gender relations. This space continues to produce educational cultural resources that make feminist learning and practice a work in progress.