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Papers by Catalina Mir

Research paper thumbnail of (2024). «De la torxa olímpica a la foguera humana: espai i violència a 'El complot dels anells' d'Assumpció Maresma» / «From the Olympic Torch to the Human Bonfire: Space and Violence in 'El complot dels anells', by Assumpció Maresma»

452ºF. Revista de Teoría de la Literatura y Literatura Comparada, 2024

In 1988, when the movement for Catalan independence was not deemed to have enough support to driv... more In 1988, when the movement for Catalan independence was not deemed to have enough support to drive political change, the dystopian film and novel 'El complot dels anells' recreated the possibility that a group of pro-independence activists would organise into an armed gang, with great support from the citizenship. They would conspire to dismantle the security system of the Barcelona Olympic Stadium, kidnap three hundred journalists and demand, in exchange for their release, the recognition of Catalonia as a sovereign country in Europe. This article offers a contextualised and critical reading of the novel 'El complot dels anells' within the parameters of the representations of violence and space.

Research paper thumbnail of (2023) (ed., amb Elisenda Marcer, Irene Mira-Navarro i Catalina Mir). Mirades afectives sobre la cultura catalana contemporània. Venezia: Edizioni Ca’Foscari. ISBN: 978-88-6969-755-5 / 978-88-6969-754-8.

Mirades afectives sobre la cultura catalana contemporània, 2023

This edited volume provides an overview of Catalan culture through the lens of Affect Studies. Th... more This edited volume provides an overview of Catalan culture through the lens of Affect Studies. The goal is to examine and interpret literature, performing arts, music, and dance as reflections of contemporary emotional regimes. The essays in the book address two primary objectives regarding the presence of emotions in today's world. Firstly, they explore discourses on pain, vulnerability, anger or resilience, among other concepts, to explain how emotions and affects manifest in culture. Secondly, they examine the mechanisms by which art can either challenge or reproduce societal affective mandates.

Catalan culture, contemporary literature, Affect Studies, subjectivity

Research paper thumbnail of (2023) (amb Carolina Carrijo). «Simposi Internacional Emilia Pardo Bazán a la premsa: violència, gènere i representacions (Universitat de Barcelona, 26 de novembre de 2021)»

Estudis Romànics, vol. XLV, Jan 2023

Crònica de l'acte.

Research paper thumbnail of (2021). «Paròdia sobre paròdia. C. A. Jordana reescrit per Mercè Rodoreda» / «Parody over parody. C. A. Jordana rewritten by Mercè Rodoreda»

Studia Romanica Posnaniensia 48/3, 2021

This paper proposes a reinterpretation of plot parallelisms between "El collar de la Núria" (1927... more This paper proposes a reinterpretation of plot parallelisms between "El collar de la Núria" (1927), by C. A. Jordana, and "Crim" (1936), by Mercè Rodoreda. The comparative analysis aims to show how "Crim", in addition to working as a parody of the principles of the detective story, can be read as a parody of an earlier parody of the same genre –that is, the text by Jordana. This rewriting exercise strengthens the hypertextual link between these two novels and results in what we may call, following the terminology by Gérard Genette, a hyperparody.

Research paper thumbnail of (2019). «“...Aquella absurda, prodigiosa abundància de paraules”: l'exploració de la paraula a 'Vés-te'n, ianqui!'»

Maria Aurèlia Capmany: escriptora i pensadora (ed. Joan Vergés, Francesco Ardolino i Marta Nadal), 2019

Research paper thumbnail of (2018). «Víctimes (i agressores?) en els contes de Mercè Rodoreda»

Papeles del crimen. Mujeres y violencia en la ficción criminal (ed. Elena Losada Soler, María Xesús Lama i Dolores Resano), 2019

Existeix consens en el fet que hi ha, entre els personatges femenins de Rodoreda, un grup format ... more Existeix consens en el fet que hi ha, entre els personatges femenins de Rodoreda, un grup format per les dones-víctima, però no queda tan clar qui són les altres, les que conformen el grup antagònic. Podrien ser, per ventura, les agressores? Ens disposem a avaluar la validesa d'aquesta etiqueta amb l'anàlisi de quatre narracions de l'autora, tres del recull Vint-i-dos contes (1958) —«Divendres 8 de juny», «Abans de morir», «Fil a l'agulla»— i un de La meva Cristina i altres contes (1967) —«Una carta»—.

Research paper thumbnail of (2018). «El jardí en la poesia tardana de Jacint Verdaguer»

Anuari Verdaguer. Revista d'estudis literaris del segle XIX, 2018

The main purpose of this paper is to theorise on the literary treatment of the motif of the garde... more The main purpose of this paper is to theorise on the literary treatment of the motif of the garden in Jacint Verdaguer’s late poetry. Therefore, the question we start from is: what is the garden in Verdaguer’s poetry? Undoubtedly, the answer requires to invert the elements of the formulation and consider what Verdaguer is in that delimited space which we name “garden”. In a work like this, we cannot ignore the close relation that place and person maintain, whereby the no-place of the interior experience is exteriorly visualised in a concrete where.

Book Reviews by Catalina Mir

Research paper thumbnail of (2021) «Picornell, Mercè. "Sumar les restes. Ruïnes i mals endreços en la cultura catalana postfranquista". Edicions UIB, Biblioteca Miquel dels Sants Oliver, 54. Barcelona / Palma: Publicacions de l’Abadia de Montserrat, 2020, 318 pp.»

Catalan Review. International Journal of Catalan Culture, 2021

Research paper thumbnail of (2019). «Allà on res no arriba». Caràcters, 86. 14.

Caràcters. És una revista de llibres, 2019

Ressenya del volum de contes d'Anna Dodas "Capvespres de foc i de grana" (Cal·lígraf, 2018).

Research paper thumbnail of (2024). «De la torxa olímpica a la foguera humana: espai i violència a 'El complot dels anells' d'Assumpció Maresma» / «From the Olympic Torch to the Human Bonfire: Space and Violence in 'El complot dels anells', by Assumpció Maresma»

452ºF. Revista de Teoría de la Literatura y Literatura Comparada, 2024

In 1988, when the movement for Catalan independence was not deemed to have enough support to driv... more In 1988, when the movement for Catalan independence was not deemed to have enough support to drive political change, the dystopian film and novel 'El complot dels anells' recreated the possibility that a group of pro-independence activists would organise into an armed gang, with great support from the citizenship. They would conspire to dismantle the security system of the Barcelona Olympic Stadium, kidnap three hundred journalists and demand, in exchange for their release, the recognition of Catalonia as a sovereign country in Europe. This article offers a contextualised and critical reading of the novel 'El complot dels anells' within the parameters of the representations of violence and space.

Research paper thumbnail of (2023) (ed., amb Elisenda Marcer, Irene Mira-Navarro i Catalina Mir). Mirades afectives sobre la cultura catalana contemporània. Venezia: Edizioni Ca’Foscari. ISBN: 978-88-6969-755-5 / 978-88-6969-754-8.

Mirades afectives sobre la cultura catalana contemporània, 2023

This edited volume provides an overview of Catalan culture through the lens of Affect Studies. Th... more This edited volume provides an overview of Catalan culture through the lens of Affect Studies. The goal is to examine and interpret literature, performing arts, music, and dance as reflections of contemporary emotional regimes. The essays in the book address two primary objectives regarding the presence of emotions in today's world. Firstly, they explore discourses on pain, vulnerability, anger or resilience, among other concepts, to explain how emotions and affects manifest in culture. Secondly, they examine the mechanisms by which art can either challenge or reproduce societal affective mandates.

Catalan culture, contemporary literature, Affect Studies, subjectivity

Research paper thumbnail of (2023) (amb Carolina Carrijo). «Simposi Internacional Emilia Pardo Bazán a la premsa: violència, gènere i representacions (Universitat de Barcelona, 26 de novembre de 2021)»

Estudis Romànics, vol. XLV, Jan 2023

Crònica de l'acte.

Research paper thumbnail of (2021). «Paròdia sobre paròdia. C. A. Jordana reescrit per Mercè Rodoreda» / «Parody over parody. C. A. Jordana rewritten by Mercè Rodoreda»

Studia Romanica Posnaniensia 48/3, 2021

This paper proposes a reinterpretation of plot parallelisms between "El collar de la Núria" (1927... more This paper proposes a reinterpretation of plot parallelisms between "El collar de la Núria" (1927), by C. A. Jordana, and "Crim" (1936), by Mercè Rodoreda. The comparative analysis aims to show how "Crim", in addition to working as a parody of the principles of the detective story, can be read as a parody of an earlier parody of the same genre –that is, the text by Jordana. This rewriting exercise strengthens the hypertextual link between these two novels and results in what we may call, following the terminology by Gérard Genette, a hyperparody.

Research paper thumbnail of (2019). «“...Aquella absurda, prodigiosa abundància de paraules”: l'exploració de la paraula a 'Vés-te'n, ianqui!'»

Maria Aurèlia Capmany: escriptora i pensadora (ed. Joan Vergés, Francesco Ardolino i Marta Nadal), 2019

Research paper thumbnail of (2018). «Víctimes (i agressores?) en els contes de Mercè Rodoreda»

Papeles del crimen. Mujeres y violencia en la ficción criminal (ed. Elena Losada Soler, María Xesús Lama i Dolores Resano), 2019

Existeix consens en el fet que hi ha, entre els personatges femenins de Rodoreda, un grup format ... more Existeix consens en el fet que hi ha, entre els personatges femenins de Rodoreda, un grup format per les dones-víctima, però no queda tan clar qui són les altres, les que conformen el grup antagònic. Podrien ser, per ventura, les agressores? Ens disposem a avaluar la validesa d'aquesta etiqueta amb l'anàlisi de quatre narracions de l'autora, tres del recull Vint-i-dos contes (1958) —«Divendres 8 de juny», «Abans de morir», «Fil a l'agulla»— i un de La meva Cristina i altres contes (1967) —«Una carta»—.

Research paper thumbnail of (2018). «El jardí en la poesia tardana de Jacint Verdaguer»

Anuari Verdaguer. Revista d'estudis literaris del segle XIX, 2018

The main purpose of this paper is to theorise on the literary treatment of the motif of the garde... more The main purpose of this paper is to theorise on the literary treatment of the motif of the garden in Jacint Verdaguer’s late poetry. Therefore, the question we start from is: what is the garden in Verdaguer’s poetry? Undoubtedly, the answer requires to invert the elements of the formulation and consider what Verdaguer is in that delimited space which we name “garden”. In a work like this, we cannot ignore the close relation that place and person maintain, whereby the no-place of the interior experience is exteriorly visualised in a concrete where.

Research paper thumbnail of (2021) «Picornell, Mercè. "Sumar les restes. Ruïnes i mals endreços en la cultura catalana postfranquista". Edicions UIB, Biblioteca Miquel dels Sants Oliver, 54. Barcelona / Palma: Publicacions de l’Abadia de Montserrat, 2020, 318 pp.»

Catalan Review. International Journal of Catalan Culture, 2021

Research paper thumbnail of (2019). «Allà on res no arriba». Caràcters, 86. 14.

Caràcters. És una revista de llibres, 2019

Ressenya del volum de contes d'Anna Dodas "Capvespres de foc i de grana" (Cal·lígraf, 2018).