Charlotte Trinquet du Lys | University of Central Florida (original) (raw)
Papers by Charlotte Trinquet du Lys
Open Cultural Studies, 2021
A Cultural History of Fairy Tales in the Long Eighteenth Century, 2021
A Cultural History of Fairy Tales in the Long Eighteenth Century
Oeuvres Et Critiques, 2010
Inconnue du grand public moderne et presque oubliée des critiques, Charlotte-Rose de Caumont de l... more Inconnue du grand public moderne et presque oubliée des critiques, Charlotte-Rose de Caumont de la Force était renommée par ses contemporains aussi bien par son talent d'écrivain et son esprit vif et plaisant que par sa vie à la cour de Louis XIV. Dans une lettre du 27 septembre 1720, Madame rappelle que : « Les Mémoires de la Reine Marguerite de Navarre sont un roman composé par Mademoiselle de la Force ; & la vie de cette Demoiselle est elle-même un roman. Elle est d'une grande & bonne maison : mais excessivement pauvre. » (48) En écho aux propos de Madame, au fil des siècles, la production narrative de Mlle de La Force a fini par se confondre avec l'auteur, et l'on trouve de nos jours une fictionnalisation de sa vie qu'elle n'aurait sûrement pu imaginer de son vivant. Elle-même victime de ce qu'elle aurait inventé, il est maintenant difficile de séparer sa biographie véritable d'une suite d'anecdotes romanesques que la postérité aura bien voulu conter. Dans cet article, il s'agira d'une part de présenter les faits de sa vie qui semblent les plus réels, en laissant de côté les légendes. Ensuite, nous examinerons sa production littéraire en fonction de l'opinion de ses contemporains et éditeurs. Enfin, il sera question de cerner l'apport de Mlle de La Force dans l'écriture féminine du XVII e siècle, tel qu'il est analysé par la critique moderne. Charlotte-Rose de Caumont, une demoiselle qui « mérite qu'on tente de la faire revivre » (Tallemant des Réaux 89) Mlle de la Force descend d'une grande famille huguenote du Périgord, remontant au XI e siècle. Elle serait née vers 1650 à « Castelmoron près de Bazas » du marquis de Castelmoron et de Marguerite de Viçose. (La Force 59) Elle est donc La Force par son père et Castelnau par les liens maternels, ce qui l'apparente à une autre conteuse célèbre de l'époque, Henriette-Julie de Castelnau, comtesse de Murat. Au château de La Force vivait alors son grand-père, Jacques de Caumont, fils du duc assassiné lors de la St Barthélémy, premier duc de La Force et premier pair et maréchal de France de sa brought to you by CORE View metadata, citation and similar papers at core.ac.uk
Marvels Amp Tales, 2007
... At this point only, she refers to herself by Perrault's heroine's name: Altesses, ... more ... At this point only, she refers to herself by Perrault's heroine's name: Altesses, Cendrillon vous méprise autant que vous le méritez (Highnesses, Cendrillon despises you as much as ... [End Page 49]. Copyright © 2007 Wayne State University Press. Project MUSE® - View Citation. ...
Marvels & Tales, 2016
Contes: Charles Perrault. Edited by Tony Gheeraert. Paris: Honoré Champion, 2012. 466 pp. This ne... more Contes: Charles Perrault. Edited by Tony Gheeraert. Paris: Honoré Champion, 2012. 466 pp. This new French edition of Perrault’s fairy tales has the immense merit of being a comprehensive collection of Perrault’s writings in the genre, including his versified tales, prose tales (found in the 1695 manuscript, the Mercure galant, and the 1697 edition), and prefaces, dedications, contemporary letters, and contemporary articles on the subject. The book is divided into four main parts, followed by outlines and notices of each tale, a bibliography, an index of the main mentioned names, and a table of illustrations. The first section is a long introduction. Next is Perrault’s versified tales and their prefaces. They are followed by the published tales of the 1697 Histoires ou contes du temps passé, including the dedication, illustrations, and an extract of the king’s privilege. The appendix constitutes the longest part of the book, in which the editor reproduces letters, the integral text o...
Marvels & Tales, 2019
IJTHE • RITPU Le profil de l' enseignant de l' enseignement supérieur influence-t-il l'usage des ... more IJTHE • RITPU Le profil de l' enseignant de l' enseignement supérieur influence-t-il l'usage des outils des plateformes?
Marvels and Tales, 2016
Contes: Charles Perrault. Edited by Tony Gheeraert. Paris: Honore Champion, 2012. 466 pp.This new... more Contes: Charles Perrault. Edited by Tony Gheeraert. Paris: Honore Champion, 2012. 466 pp.This new French edition of Perrault's fairy tales has the immense merit of being a comprehensive collection of Perrault's writings in the genre, including his versified tales, prose tales (found in the 1695 manuscript, the Mercure galant, and the 1697 edition), and prefaces, dedications, contemporary letters, and contemporary articles on the subject. The book is divided into four main parts, followed by outlines and notices of each tale, a bibliography, an index of the main mentioned names, and a table of illustrations. The first section is a long introduction. Next is Perrault's versified tales and their prefaces. They are followed by the published tales of the 1697 Histoires ou contes du temps passe, including the dedication, illustrations, and an extract of the king's privilege. The appendix constitutes the longest part of the book, in which the editor reproduces letters, the ...
Biblio 17, Vol.180, 2009
This article outlines technologically-enhanced pedagogy designed to motivate students to acquire ... more This article outlines technologically-enhanced pedagogy designed to motivate students to acquire a deeper understanding of their own culture by studying its past. We specifically apply this to teaching Early Modern French fairy tales within the context of Disney culture, according to five cycles; each representative of a body of stories while introducing a specific aspect of criticism. The structure and assessment integrate the latest tech-culture to enhance knowledge, collaboration, enthusiasm, and relevance, by recreating a seventeenth century French literary salon in virtual environments, allowing students to directly experience talewriting across the centuries.
Reprinted in Trudeau, Laurence, Ed. Gender and Sexuality in Disney, Children's Literature Review. Columbia: Layman Poupard Publishing, (2018): 137-143.
Marvels & Tales: Journal of Fairy-Tale Studies, Vol. 33, No. 1 , 2019
The generation of women writers of the late-seventeenth-century France took part in the growing ... more The generation of women writers of the late-seventeenth-century France
took part in the growing criticism against the monarchy of Louis XIV by
using the popular medium of fairy tales to illustrate their often satirical and subversive viewpoints on the subject. The focus of this article is on the ideology of masculinity under Louis XIV—particularly as it emerged in the pageantry of war—and the way women writers responded to it with fairy tales. How are war and masculinity illuminated by gender-bending in the tales, and how does the sociohistorical context of cross-dressing in the tales respond to the crisis around men and war? I will analyze and compare two of these tales about women soldiers and exemplify the different treatments their authors give female power, cross-dressing, war, and masculinity in the society of their times: “Marmoisan, or the Innocent Deception” (“Marmoisan, ou l’innoncente tromperie: nouvelle héroïque et satirique,” 1695) by Mlle L'Héritier, “Belle-Belle or the fortunate Knight” (“Belle-Belle ou le chevalier Fortuné,” 1698) by Mme d'Aulnoy.
Creation, Re-creation, and Entertainment: Early Modernity and Postmodernity, Tubingen: Biblio 17, 2019
In this paper, we will analyze these two styles of fairytale writing – the bourgeois and the aris... more In this paper, we will analyze these two styles of fairytale writing – the bourgeois and the aristocratic – to show that some seventeenth-century fairytale female aristocratic writers were intriguingly well ahead of their time in challenging the economic zeitgeist and anticipated the paradigm shift that gave rise to classical political economy in the works of the 18th century Physiocrats and Adam Smith. We see this as an example of artistic developments anticipating scientific ones, especially when given freedom from disciplinary and canonical constraints.
PFSCL XLI, 81, 2014
Cet article a pour but d'analyser la façon dont trois célèbres conteuses,. Mlle L'héritier, Mme d... more Cet article a pour but d'analyser la façon dont trois célèbres conteuses,. Mlle L'héritier, Mme d'Aulnoy, et Mme de Murat, reprenant la fable IV-1 de Straparole, se servent de l'homosexualité, des travestissements et de l'ambiguïté des sexes pour créer d'un coté une contestation évidente du système social en place, et de l'autre un véritable manifeste de leur écriture littéraire et proto-féministe.
Œuvres & Critiques, XXXV, 1, 2010
Inconnue du grand public moderne et presque oubliée des critiques, Charlotte-Rose de Caumont de l... more Inconnue du grand public moderne et presque oubliée des critiques, Charlotte-Rose de Caumont de la Force était renommée par ses contemporains aussi bien par son talent d’écrivain et son esprit vif et plaisant que par sa
vie à la cour de Louis XIV.
Open Cultural Studies, 2021
A Cultural History of Fairy Tales in the Long Eighteenth Century, 2021
A Cultural History of Fairy Tales in the Long Eighteenth Century
Oeuvres Et Critiques, 2010
Inconnue du grand public moderne et presque oubliée des critiques, Charlotte-Rose de Caumont de l... more Inconnue du grand public moderne et presque oubliée des critiques, Charlotte-Rose de Caumont de la Force était renommée par ses contemporains aussi bien par son talent d'écrivain et son esprit vif et plaisant que par sa vie à la cour de Louis XIV. Dans une lettre du 27 septembre 1720, Madame rappelle que : « Les Mémoires de la Reine Marguerite de Navarre sont un roman composé par Mademoiselle de la Force ; & la vie de cette Demoiselle est elle-même un roman. Elle est d'une grande & bonne maison : mais excessivement pauvre. » (48) En écho aux propos de Madame, au fil des siècles, la production narrative de Mlle de La Force a fini par se confondre avec l'auteur, et l'on trouve de nos jours une fictionnalisation de sa vie qu'elle n'aurait sûrement pu imaginer de son vivant. Elle-même victime de ce qu'elle aurait inventé, il est maintenant difficile de séparer sa biographie véritable d'une suite d'anecdotes romanesques que la postérité aura bien voulu conter. Dans cet article, il s'agira d'une part de présenter les faits de sa vie qui semblent les plus réels, en laissant de côté les légendes. Ensuite, nous examinerons sa production littéraire en fonction de l'opinion de ses contemporains et éditeurs. Enfin, il sera question de cerner l'apport de Mlle de La Force dans l'écriture féminine du XVII e siècle, tel qu'il est analysé par la critique moderne. Charlotte-Rose de Caumont, une demoiselle qui « mérite qu'on tente de la faire revivre » (Tallemant des Réaux 89) Mlle de la Force descend d'une grande famille huguenote du Périgord, remontant au XI e siècle. Elle serait née vers 1650 à « Castelmoron près de Bazas » du marquis de Castelmoron et de Marguerite de Viçose. (La Force 59) Elle est donc La Force par son père et Castelnau par les liens maternels, ce qui l'apparente à une autre conteuse célèbre de l'époque, Henriette-Julie de Castelnau, comtesse de Murat. Au château de La Force vivait alors son grand-père, Jacques de Caumont, fils du duc assassiné lors de la St Barthélémy, premier duc de La Force et premier pair et maréchal de France de sa brought to you by CORE View metadata, citation and similar papers at core.ac.uk
Marvels Amp Tales, 2007
... At this point only, she refers to herself by Perrault's heroine's name: Altesses, ... more ... At this point only, she refers to herself by Perrault's heroine's name: Altesses, Cendrillon vous méprise autant que vous le méritez (Highnesses, Cendrillon despises you as much as ... [End Page 49]. Copyright © 2007 Wayne State University Press. Project MUSE® - View Citation. ...
Marvels & Tales, 2016
Contes: Charles Perrault. Edited by Tony Gheeraert. Paris: Honoré Champion, 2012. 466 pp. This ne... more Contes: Charles Perrault. Edited by Tony Gheeraert. Paris: Honoré Champion, 2012. 466 pp. This new French edition of Perrault’s fairy tales has the immense merit of being a comprehensive collection of Perrault’s writings in the genre, including his versified tales, prose tales (found in the 1695 manuscript, the Mercure galant, and the 1697 edition), and prefaces, dedications, contemporary letters, and contemporary articles on the subject. The book is divided into four main parts, followed by outlines and notices of each tale, a bibliography, an index of the main mentioned names, and a table of illustrations. The first section is a long introduction. Next is Perrault’s versified tales and their prefaces. They are followed by the published tales of the 1697 Histoires ou contes du temps passé, including the dedication, illustrations, and an extract of the king’s privilege. The appendix constitutes the longest part of the book, in which the editor reproduces letters, the integral text o...
Marvels & Tales, 2019
IJTHE • RITPU Le profil de l' enseignant de l' enseignement supérieur influence-t-il l'usage des ... more IJTHE • RITPU Le profil de l' enseignant de l' enseignement supérieur influence-t-il l'usage des outils des plateformes?
Marvels and Tales, 2016
Contes: Charles Perrault. Edited by Tony Gheeraert. Paris: Honore Champion, 2012. 466 pp.This new... more Contes: Charles Perrault. Edited by Tony Gheeraert. Paris: Honore Champion, 2012. 466 pp.This new French edition of Perrault's fairy tales has the immense merit of being a comprehensive collection of Perrault's writings in the genre, including his versified tales, prose tales (found in the 1695 manuscript, the Mercure galant, and the 1697 edition), and prefaces, dedications, contemporary letters, and contemporary articles on the subject. The book is divided into four main parts, followed by outlines and notices of each tale, a bibliography, an index of the main mentioned names, and a table of illustrations. The first section is a long introduction. Next is Perrault's versified tales and their prefaces. They are followed by the published tales of the 1697 Histoires ou contes du temps passe, including the dedication, illustrations, and an extract of the king's privilege. The appendix constitutes the longest part of the book, in which the editor reproduces letters, the ...
Biblio 17, Vol.180, 2009
This article outlines technologically-enhanced pedagogy designed to motivate students to acquire ... more This article outlines technologically-enhanced pedagogy designed to motivate students to acquire a deeper understanding of their own culture by studying its past. We specifically apply this to teaching Early Modern French fairy tales within the context of Disney culture, according to five cycles; each representative of a body of stories while introducing a specific aspect of criticism. The structure and assessment integrate the latest tech-culture to enhance knowledge, collaboration, enthusiasm, and relevance, by recreating a seventeenth century French literary salon in virtual environments, allowing students to directly experience talewriting across the centuries.
Reprinted in Trudeau, Laurence, Ed. Gender and Sexuality in Disney, Children's Literature Review. Columbia: Layman Poupard Publishing, (2018): 137-143.
Marvels & Tales: Journal of Fairy-Tale Studies, Vol. 33, No. 1 , 2019
The generation of women writers of the late-seventeenth-century France took part in the growing ... more The generation of women writers of the late-seventeenth-century France
took part in the growing criticism against the monarchy of Louis XIV by
using the popular medium of fairy tales to illustrate their often satirical and subversive viewpoints on the subject. The focus of this article is on the ideology of masculinity under Louis XIV—particularly as it emerged in the pageantry of war—and the way women writers responded to it with fairy tales. How are war and masculinity illuminated by gender-bending in the tales, and how does the sociohistorical context of cross-dressing in the tales respond to the crisis around men and war? I will analyze and compare two of these tales about women soldiers and exemplify the different treatments their authors give female power, cross-dressing, war, and masculinity in the society of their times: “Marmoisan, or the Innocent Deception” (“Marmoisan, ou l’innoncente tromperie: nouvelle héroïque et satirique,” 1695) by Mlle L'Héritier, “Belle-Belle or the fortunate Knight” (“Belle-Belle ou le chevalier Fortuné,” 1698) by Mme d'Aulnoy.
Creation, Re-creation, and Entertainment: Early Modernity and Postmodernity, Tubingen: Biblio 17, 2019
In this paper, we will analyze these two styles of fairytale writing – the bourgeois and the aris... more In this paper, we will analyze these two styles of fairytale writing – the bourgeois and the aristocratic – to show that some seventeenth-century fairytale female aristocratic writers were intriguingly well ahead of their time in challenging the economic zeitgeist and anticipated the paradigm shift that gave rise to classical political economy in the works of the 18th century Physiocrats and Adam Smith. We see this as an example of artistic developments anticipating scientific ones, especially when given freedom from disciplinary and canonical constraints.
PFSCL XLI, 81, 2014
Cet article a pour but d'analyser la façon dont trois célèbres conteuses,. Mlle L'héritier, Mme d... more Cet article a pour but d'analyser la façon dont trois célèbres conteuses,. Mlle L'héritier, Mme d'Aulnoy, et Mme de Murat, reprenant la fable IV-1 de Straparole, se servent de l'homosexualité, des travestissements et de l'ambiguïté des sexes pour créer d'un coté une contestation évidente du système social en place, et de l'autre un véritable manifeste de leur écriture littéraire et proto-féministe.
Œuvres & Critiques, XXXV, 1, 2010
Inconnue du grand public moderne et presque oubliée des critiques, Charlotte-Rose de Caumont de l... more Inconnue du grand public moderne et presque oubliée des critiques, Charlotte-Rose de Caumont de la Force était renommée par ses contemporains aussi bien par son talent d’écrivain et son esprit vif et plaisant que par sa
vie à la cour de Louis XIV.
![Research paper thumbnail of Le conte de fées français (1690-1700) : Traditions italiennes et origines aristocratiques [French Fairy tale (1690-1700) : Italian Traditions and Aristocratic Origins].](https://attachments.academia-assets.com/68341345/thumbnails/1.jpg)
](Tübingen: Narr Francke Attempto Verlag, 2012
Monograph on French fairy tales within the European and Italian tradition of fairy tales and shor... more Monograph on French fairy tales within the European and Italian tradition of fairy tales and short stories.
Abstract submitted to the 2020 AECT (Association for Education Communications and Technology) Vir... more Abstract submitted to the 2020 AECT (Association for Education Communications and Technology) Virtual International Convention. November 02-07, 2020.
45th Annual Nineteenth-Century French Studies Colloquium, 2019
Conference Presentation PPTx at the 45th Annual Nineteenth-Century French Studies Colloquium. Sar... more Conference Presentation PPTx at the 45th Annual Nineteenth-Century French Studies Colloquium. Sarasota, FL, Oct 31-Nov 2, 2019.
NASSCFL CONFERENCE, 2021
This is the PPTX of my conference presentation.
This presentation in the UCF Summer Conference 2021 was the result of a semester of research in s... more This presentation in the UCF Summer Conference 2021 was the result of a semester of research in synchronous online assessments for the Faculty Center for Teaching and Learning at UCF (CIP). Denise Kay (College of Medecine) and I were in charge of reviewing the literature on online assessment. There were very few articles that specifically talked about it.
• After understanding the fairytale memes and themes used in advertisement, you will choose a pro... more • After understanding the fairytale memes and themes used in advertisement, you will choose a product, and design a fairytale themed advertising message. • Each group will choose between a print ad, an internet ad, a radio ad or a television ad. • You will be asked to also provide a 500-word reflexive statement about your participation and work in the collaborative project (10% of your project grade). • Groups of 3-5 are fine.
Department of Modern Languages and Literatures and Women and Gender Studies. Fairy tales and Fem... more Department of Modern Languages and Literatures and Women and Gender Studies.
Fairy tales and Feminism
Syllbus on French Pop Culture with Global Learning
“Les Belles au bois dormant.” Series of guest presentations at The University of Florida (FL), i... more “Les Belles au bois dormant.” Series of guest presentations at The University of Florida (FL), invited by Dr. Rori Bloom, November 13, 2019.
The SE17 international conference will take place online in October 14-15 and 22-23, 2021. Please... more The SE17 international conference will take place online in October 14-15 and 22-23, 2021.
Please see the call for Paper (abstracts due August 16, 2021).