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Articles, Book Chapters, and Research Notes by Jacopo Gnisci
CaNaMEI Reports, 2024
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Karlsson, Jonas, Jacopo Gnisci, and Sophia Dege-Müller. ‘A Handlist of Illustrated Early Solomonic Manuscripts in British Public Collections’. Aethiopica 26 (forthcoming)., 2024
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Gnisci, Jacopo, and Alula Pankhurst. ‘The Return of a Looted Processional Cross from Magdala’. Rassegna di Studi Etiopici, Forthcoming., 2024
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Gnisci, Jacopo, and Alessandro Bausi. ‘“Medieval” Ethiopia’. In The Oxford Research Encyclopedia of African History, edited by Thomas Spear. Oxford: Oxford University Press, 2024. doi:10.1093/acrefore/9780190277734.013.ORE_AFH-01082.R1., 2024
Ethiopia is located in the northern Horn of Africa. As a choronym or place name in modern scholar... more Ethiopia is located in the northern Horn of Africa. As a choronym or place name in modern scholarship, Ethiopia has been used to designate several past and present entities with different cultural, ethnic, and territorial configurations. Here, the term is used to refer to a predominantly Christian state in the northern Horn of Africa that
was ruled by a Christian sovereign. Terms such as medieval and Middle Ages have been used and continue to appear in historical writing about Ethiopia’s past, but it is important to bear in mind that such terms were used by early modern historiography to establish a time frame for studying European history. Their relevance to non-European contexts is questionable, but they may have value as a means to help situate the study of Ethiopia within the broader field of global history. There are no universally accepted criteria or terms for the periodization of Ethiopian history. However, most works focusing on the centuries between c. 500 and 1500 CE, dates that do not neatly align with major turning points in Ethiopian history, have adopted periodizations that are based on episodes of dynastic succession.
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Gnisci, Jacopo. ‘Ethiopia and Byzantium’. In Africa and Byzantium, edited by Andrea Achi, 207–14, 306–7. New York, NY: The Metropolitan Museum of Art, 2023., 2023
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Gnisci, Jacopo and qasis Abate Gobena. ‘Ethiopian Crosses: Art in Motion’. In Africa and Byzantium, edited by Andrea Achi, 224–32. New York, NY: The Metropolitan Museum of Art, 2023., 2023
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Staging the Ruler’s Body in Medieval Cultures: A Comparative Perspective, 2023
This book explores the viewing and sensorial contexts in which the bodies of kings and queens wer... more This book explores the viewing and sensorial contexts in which the bodies of kings and queens were involved in the premodern societies of Europe, Asia, and Africa, relying on a methodology that aims to overcoming the traditional boundaries between material studies, art history, political theory, and Repräsentationsgeschichte. More specifically, it investigates the multiple ways in which the ruler’s physical appearance was apprehended and invested with visual, metaphorical, and emotional associations, as well as the dynamics whereby such mise-en-scène devices either were inspired by or worked as sources of inspiration for textual and pictorial representations of royalty. The outcome is a multifaced analysis of the multiple, imaginative, and terribly ambiguous ways in which, in past societies, the notion of a God-driven, eternal, and transpersonal royal power came to be associated with the material bodies of kings and queens, and of the impressive efforts made, in different cultures, to elude the conundrum of the latter’s weakness, transitoriness, and individual distinctiveness.
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The Art Bulletin, 2020
Determining what the psalter illustrations of medieval Ethiopia—especially the David and Solomon ... more Determining what the psalter illustrations of medieval Ethiopia—especially the David and Solomon portraits in the Juel-Jensen Psalter—have in common with other traditions helps to single out what makes them unique and shows that they were structured around Ethiopian imperial ideology, which considered the country’s emperors as descendants of these biblical figures. The distinctly Ethiopian character of these images is foregrounded to show that the work of Ethiopian artists can be appreciated only if one considers their communicative intentions and sociocultural backgrounds.
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Dege-Müller, Sophia, Jacopo Gnisci, and Vitagrazia Pisani. ‘A Handlist of Illustrated Early Solomonic Manuscripts in German Public Collections’. Aethiopica 25 (2022): 60–98, 2022
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Illuminating Metalwork: Metal, Object, and Image in Medieval Manuscripts, 2021
Illuminating Metalwork: Metal, Object, and Image in Medieval Manuscripts. Edited by: Joseph Sal... more Illuminating Metalwork: Metal, Object, and Image in Medieval Manuscripts.
Edited by: Joseph Salvatore Ackley and Shannon L. Wearing.
The presence of gold, silver, and other metals is a hallmark of decorated manuscripts, the very characteristic that makes them “illuminated.” Medieval artists often used metal pigment and leaf to depict metal objects both real and imagined, such as chalices, crosses, tableware, and even idols; the luminosity of these representations contrasted pointedly with the surrounding paints, enriching the page and dazzling the viewer. To elucidate this key artistic tradition, this volume represents the first in-depth scholarly assessment of the depiction of precious-metal objects in manuscripts and the media used to conjure them. From Paris to the Abbasid caliphate, and from Ethiopia to Bruges, the case studies gathered here forge novel approaches to the materiality and pictoriality of illumination. In exploring the semiotic, material, iconographic, and technical dimensions of these manuscripts, the authors reveal the canny ways in which painters generated metallic presence on the page. Illuminating Metalwork is a landmark contribution to the study of the medieval book and its visual and embodied reception, and is poised to be a staple of research in art history and manuscript studies, accessible to undergraduates and specialists alike.
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Gods’ Collections, 2023
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Gnisci, Jacopo, and César Merchán-Hamann. ‘Ethiopic Manuscripts at the Bodleian Libraries’. The Friends of the Pitt Rivers Museum, Oxford Magazine, 2023, 2023
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Apollo – The International Art Magazine, 2018
https://www.apollo-magazine.com/the-looted-ethiopian-artefacts-that-ended-up-in-uk-museums/
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Apollo Magazine, 2021
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VCS, 2022
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CaNaMEI Report 3, 2022
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Navigating a Global Middle Ages With Illuminated Manuscripts, 2022
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CaNaMEI Report 2, 2021
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Keble College, 2020
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CaNaMEI Reports, 2024
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Karlsson, Jonas, Jacopo Gnisci, and Sophia Dege-Müller. ‘A Handlist of Illustrated Early Solomonic Manuscripts in British Public Collections’. Aethiopica 26 (forthcoming)., 2024
Bookmarks Related papers MentionsView impact
Gnisci, Jacopo, and Alula Pankhurst. ‘The Return of a Looted Processional Cross from Magdala’. Rassegna di Studi Etiopici, Forthcoming., 2024
Bookmarks Related papers MentionsView impact
Gnisci, Jacopo, and Alessandro Bausi. ‘“Medieval” Ethiopia’. In The Oxford Research Encyclopedia of African History, edited by Thomas Spear. Oxford: Oxford University Press, 2024. doi:10.1093/acrefore/9780190277734.013.ORE_AFH-01082.R1., 2024
Ethiopia is located in the northern Horn of Africa. As a choronym or place name in modern scholar... more Ethiopia is located in the northern Horn of Africa. As a choronym or place name in modern scholarship, Ethiopia has been used to designate several past and present entities with different cultural, ethnic, and territorial configurations. Here, the term is used to refer to a predominantly Christian state in the northern Horn of Africa that
was ruled by a Christian sovereign. Terms such as medieval and Middle Ages have been used and continue to appear in historical writing about Ethiopia’s past, but it is important to bear in mind that such terms were used by early modern historiography to establish a time frame for studying European history. Their relevance to non-European contexts is questionable, but they may have value as a means to help situate the study of Ethiopia within the broader field of global history. There are no universally accepted criteria or terms for the periodization of Ethiopian history. However, most works focusing on the centuries between c. 500 and 1500 CE, dates that do not neatly align with major turning points in Ethiopian history, have adopted periodizations that are based on episodes of dynastic succession.
Bookmarks Related papers MentionsView impact
Gnisci, Jacopo. ‘Ethiopia and Byzantium’. In Africa and Byzantium, edited by Andrea Achi, 207–14, 306–7. New York, NY: The Metropolitan Museum of Art, 2023., 2023
Bookmarks Related papers MentionsView impact
Gnisci, Jacopo and qasis Abate Gobena. ‘Ethiopian Crosses: Art in Motion’. In Africa and Byzantium, edited by Andrea Achi, 224–32. New York, NY: The Metropolitan Museum of Art, 2023., 2023
Bookmarks Related papers MentionsView impact
Staging the Ruler’s Body in Medieval Cultures: A Comparative Perspective, 2023
This book explores the viewing and sensorial contexts in which the bodies of kings and queens wer... more This book explores the viewing and sensorial contexts in which the bodies of kings and queens were involved in the premodern societies of Europe, Asia, and Africa, relying on a methodology that aims to overcoming the traditional boundaries between material studies, art history, political theory, and Repräsentationsgeschichte. More specifically, it investigates the multiple ways in which the ruler’s physical appearance was apprehended and invested with visual, metaphorical, and emotional associations, as well as the dynamics whereby such mise-en-scène devices either were inspired by or worked as sources of inspiration for textual and pictorial representations of royalty. The outcome is a multifaced analysis of the multiple, imaginative, and terribly ambiguous ways in which, in past societies, the notion of a God-driven, eternal, and transpersonal royal power came to be associated with the material bodies of kings and queens, and of the impressive efforts made, in different cultures, to elude the conundrum of the latter’s weakness, transitoriness, and individual distinctiveness.
Bookmarks Related papers MentionsView impact
The Art Bulletin, 2020
Determining what the psalter illustrations of medieval Ethiopia—especially the David and Solomon ... more Determining what the psalter illustrations of medieval Ethiopia—especially the David and Solomon portraits in the Juel-Jensen Psalter—have in common with other traditions helps to single out what makes them unique and shows that they were structured around Ethiopian imperial ideology, which considered the country’s emperors as descendants of these biblical figures. The distinctly Ethiopian character of these images is foregrounded to show that the work of Ethiopian artists can be appreciated only if one considers their communicative intentions and sociocultural backgrounds.
Bookmarks Related papers MentionsView impact
Dege-Müller, Sophia, Jacopo Gnisci, and Vitagrazia Pisani. ‘A Handlist of Illustrated Early Solomonic Manuscripts in German Public Collections’. Aethiopica 25 (2022): 60–98, 2022
Bookmarks Related papers MentionsView impact
Illuminating Metalwork: Metal, Object, and Image in Medieval Manuscripts, 2021
Illuminating Metalwork: Metal, Object, and Image in Medieval Manuscripts. Edited by: Joseph Sal... more Illuminating Metalwork: Metal, Object, and Image in Medieval Manuscripts.
Edited by: Joseph Salvatore Ackley and Shannon L. Wearing.
The presence of gold, silver, and other metals is a hallmark of decorated manuscripts, the very characteristic that makes them “illuminated.” Medieval artists often used metal pigment and leaf to depict metal objects both real and imagined, such as chalices, crosses, tableware, and even idols; the luminosity of these representations contrasted pointedly with the surrounding paints, enriching the page and dazzling the viewer. To elucidate this key artistic tradition, this volume represents the first in-depth scholarly assessment of the depiction of precious-metal objects in manuscripts and the media used to conjure them. From Paris to the Abbasid caliphate, and from Ethiopia to Bruges, the case studies gathered here forge novel approaches to the materiality and pictoriality of illumination. In exploring the semiotic, material, iconographic, and technical dimensions of these manuscripts, the authors reveal the canny ways in which painters generated metallic presence on the page. Illuminating Metalwork is a landmark contribution to the study of the medieval book and its visual and embodied reception, and is poised to be a staple of research in art history and manuscript studies, accessible to undergraduates and specialists alike.
Bookmarks Related papers MentionsView impact
Gods’ Collections, 2023
Bookmarks Related papers MentionsView impact
Gnisci, Jacopo, and César Merchán-Hamann. ‘Ethiopic Manuscripts at the Bodleian Libraries’. The Friends of the Pitt Rivers Museum, Oxford Magazine, 2023, 2023
Bookmarks Related papers MentionsView impact
Apollo – The International Art Magazine, 2018
https://www.apollo-magazine.com/the-looted-ethiopian-artefacts-that-ended-up-in-uk-museums/
Bookmarks Related papers MentionsView impact
Apollo Magazine, 2021
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VCS, 2022
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CaNaMEI Report 3, 2022
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Navigating a Global Middle Ages With Illuminated Manuscripts, 2022
Bookmarks Related papers MentionsView impact
CaNaMEI Report 2, 2021
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Keble College, 2020
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By Demeke Berhane, qäsis Melaku Terefe, Steve Delamarter, Jeremy Brown, and Jacopo Gnisci. Edite... more By Demeke Berhane, qäsis Melaku Terefe, Steve Delamarter, Jeremy Brown, and Jacopo Gnisci. Edited by Steve Delamarter and Jacopo Gnisci
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African Studies Review, 2024
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Rassegna di Studi Etiopici, 2020
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Aethiopica, 2023
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Aethiopica, 2023
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ICMA News, 2021
Vol. 3, pp. 15-18.
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Getty Magazine, 2021
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TORCH, 2020
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Rassegna di Studi Etiopici, 2020
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Aethiopica, 2020
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COMST Bulletin, 2019
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Beta maṣāḥǝft, 2018
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https://www.csmc.uni-hamburg.de/en/register-workshop25
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Treasures of the Ethiopian Orthodox Church, 2022
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Rethinking Royal Manuscripts in a Global Middle Ages Jacopo Gnisci, University College London, j... more Rethinking Royal Manuscripts in a Global Middle Ages
Jacopo Gnisci, University College London, j.gnisci[at]ucl.ac.uk
Umberto Bongianino, University of Oxford, umberto.bongianino[at]orinst.ox.ac.uk
This panel sets out to examine and compare the impact of royal patronage on the visual, material, and textual features of manuscripts produced across Africa, Asia, Mesoamerica and Europe during the ‘Global Middle Ages.’ As polysemic and multi-technological objects, royal manuscripts were produced in different forms and sizes, and from a variety of materials that could vary according to the taste, wealth, ideology, religion, and connections of their patrons and makers. Their visual and textual content could conform or deviate from existing traditions to satisfy the needs and ambitions of those involved in their production and consumption. Finally, pre-existing manuscripts could be appropriated, restored, enhanced, gifted, and even worshipped by ruling elites for reasons connected with legitimacy and self-preservation, becoming powerful instruments of hegemony, or symbols of prestige and piety. Because of this semiotic versatility, written artifacts provide ideal vantage points for understanding the agency of material culture in the creation and perpetuation of political power.
To what extent do the materials, texts, and images of royal manuscripts reflect the integration of pre-modern courts in networks of patronage and exchange? In which ways were these features adapted for different audiences and for female, male, or genderqueer patrons? How did they inform local and transregional notions of power and authority? How did communities that opposed royal authority situate themselves in relation to the political agency of written texts and their illustrations? When and how did such artifacts become imperial relics to be displayed, or symbols of a contentious past to be concealed or destroyed? What can manuscripts tell us about the royal patronage of other artistic media, dynastic rivalries, political alliances, and state-endorsed religious phenomena?
In pursuing similar questions, we are particularly interested in multidisciplinary papers that move beyond a Eurocentric reading of material culture by considering royal manuscripts from pre-modern polities traditionally seen as ‘peripheral.’ We welcome proposals that apply innovative methodologies to the study of handwritten material and its circulation, questioning conventional assumptions about politics, culture, and religion, and privileging comparative approaches and transcultural artistic phenomena.
Call for Papers deadline 1 November 2021. Please submit your paper proposal to the convenors.
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Connectivity, Transcultural Entanglements, and the Power of Aesthetic Choices in Africa, 2021
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The Byzantine Legacy in Arts:Ramifications, Transitions and Survival in the East, 2021
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A few months ago I was contacted by the Dutch art crime investigator Arthur Brand to identify wha... more A few months ago I was contacted by the Dutch art crime investigator Arthur Brand
to identify what appeared to be a stolen Ethiopian crown kept in an apartment in Rotterdam. How did such a precious object end up in Holland? Where did it come from? What was its original function? What kind of meaning did it have for those who used it? To whom should it be returned? These were some of the questions turning in my mind as I travelled to see the crown. Answering them provides a glimpse into a history of exchanges between the Horn of Africa and Europe in the past and present, sheds light on the ritual and devotional activities of Christians in early-modern Ethiopia, and forces us to confront some of the challenges involved in the repatriation of cultural property at a time when museums and governments are increasingly reconsidering questions of ownership of heritage acquired from Africa and other extra-European contexts during the colonial period.
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Weston Library, Broad Street, Oxford
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Evening Standard, 2023
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Africa Oxford Initiative, 2020
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New York Times, 2019
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i Tatti Florence, 2023
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